Virgil To The Rescue, A Demon On The Run: Inferno, Canto XXI, Lines 22 - 45 episode artwork

EPISODE · Jan 12, 2022 · 22 MIN

Virgil To The Rescue, A Demon On The Run: Inferno, Canto XXI, Lines 22 - 45

from Walking With Dante

Dante the poet has gotten caught up in his own simile, which is long, complicated, and unwieldy, enough so that it brings the plot to a standstill.But Virgil to the rescue! The classical poet gets us back to the plot. And what a plot it is! Here comes the first old-school demon we've fully seen, the old medieval morality play demon, the one that's probably lurking under your bed. He's got a grifter by the hoof and he's going up to Lucca back for more.Join me, Mark Scarbrough, as we explore the fifth evil pouch (among the "malebolge") in the eighth circle of fraud, here in Canto XXI of INFERNO. It's fun, maybe funny, and stuffed with Dante's brilliant craft and personal history.Here are the segments of this episode of WALKING WITH DANTE:[01:43] My English translation of this passage. If you'd like to read along, you can find it on my website, markscarbrough.com.[03:44] Virgil calls out "watch out!" Is it an actual warning? Or a literary one? Maybe both, because Virgil gets the plot moving again.[06:07] A little about Dante-the-pilgrim's fear in these episodes from the fifth evil pouch. This podcast segment is just an introduction to a much larger problem. Why is our pilgrim so afraid when he knows his journey is willed by Beatrice and those above her in heaven?[08:17] The black demon appears! There may be autobiographical details here because Dante-the-poet was exiled for, yep, barratry.[13:58] A who's who in the demon's speech: the Malebrance, Saint Zita, the unnamed sinner held by the tendon, and this Luccan boss Bonturo.

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Virgil To The Rescue, A Demon On The Run: Inferno, Canto XXI, Lines 22 - 45

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Dante the poet has gotten caught up in his own simile, which is long, complicated, and unwieldy, enough so that it brings the plot to a standstill.But Virgil to the rescue! The classical poet gets us back to the plot. And what a plot it is! Here...

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