We love propaganda stories—Especially when we don’t think we’re part of them. episode artwork

EPISODE · Apr 14, 2026 · 10 MIN

We love propaganda stories—Especially when we don’t think we’re part of them.

from Cappuccino and Croissant [English version] · host Harmonie de Mieville

In this episode of Ink & Acid, Harmonie explores why audiences love stories about propaganda so much—especially when they can consume them without feeling implicated. Using Wicked as a mirror, this episode unpacks the third-person effect, confirmation bias, moral licensing, social media dynamics, and our collective obsession with morally legible victims and villains. This is not just an analysis of propaganda in fiction. It is a sharper question about how often we participate in the same narrative mechanisms in real life while imagining manipulation only happens to other people. Start with the main Wicked episode already available, then come back to this extension of the analysis. To go further, explore the full Ink & Acid universe on my website: books, essays, music, and full episode scripts.Keywords : Wicked, Wicked analysis, Glinda, Glinda analysis, Elphaba, Wicked movie, Wicked explained, respectability, likability, femininity, halo effect, conformity, social conformity, normative conformity, social psychology, gender bias, likability penalty, women and power, soft violence, charm and power, political technology, social capital, moral psychology, cultural criticism, pop culture analysis, film analysis, character analysis, Ink & Acid, Harmonie.

Episode metadata supplied by the publisher feed · Published Apr 14, 2026

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We love propaganda stories—Especially when we don’t think we’re part of them.

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