Wednesday, April 15, 2026

Photo: Fresh snow coats Monument Valley Tribal Park straddling Utah and Arizona in February 2026. (Gabriel Pietrorazio) The Navajo Nation signed an agreement with Utah last month that centers on advancing economic development and authentic Indigenous representation through cinema. As KJZZ’s Gabriel Pietrorazio reports, it also formalizes a time-honored tradition of filmmaking on Navajoland – home to one of Hollywood’s most iconic Western settings straddling Utah and Arizona. If you ever take a road trip to Monument Valley, you will see why this legendary landscape is so much more than just a movie set. It is also a tribal park, the first to be founded in 1958 and where about 100 or so Navajos actually call home. This 17-mile dirt loop – dotted with horses and hogans – is managed by the Navajo Parks and Recreation Department. “If they say no, we tell the film production, no. But that doesn’t mean that we’re going to shut the door on you.” For Edsel Pete, who is in charge of the Navajo Nation TV and Film Office, the new Memorandum of Understanding (MOU) with the state of Utah is all about being “film friendly”, while also caring for the environment. Scripts can be changed – the land, not so much. “As we know, film is not going anywhere, but we don’t want to just give away the resources. This is all we got, and we want to protect it.” Towering red sandstone buttes have, time and again, turned into the unmistakable backdrop for some of Tinseltown’s biggest blockbusters. From Tom Hanks in “Forrest Gump” to the final chapter of the “Back to the Future” trilogy. No matter the genre, Monument Valley has been glittering on the silver screen for nearly a century, but its popularity began with Westerns. Virigina Pearce is director of the Utah Film Commission. “Both states claim it as our own and it does get a lot of requests.” Arizona was the first state to ink such an MOU with the Navajo Nation in 2019; talks are underway with New Mexico to follow suit. “This MOU came at such a great time for us to not only look back and consider the history, but also look forward and think about how much more could we do if we work together.” James Lujan is from the Taos Pueblo in New Mexico. He chairs the Cinematic Arts and Technology Department at the Institute of American Indian Arts in Santa Fe, N.M. and suggests these MOUs could benefit everyone. “It’s a win for the production companies. It’s a win for the tribe, because they have people that they’re putting to work to train below-the-line crew members.” Like gaffers, camera operators, and set designers. But Lujan thinks training above-the-line talent – screenwriters, producers and directors – is even more important for representation. “Because that’s the only way we’re going to break into mainstream cinema is by taking ownership and control of our own stories.”     Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out today’s Native America Calling episode Wednesday, April 15, 2026 – Iñupiaq leaders weigh their economic future and oil drilling in the Arctic