Wes Craven's New Nightmare – The Master Returns episode artwork

EPISODE · Oct 2, 2020 · 1H 19M

Wes Craven's New Nightmare – The Master Returns

from Hops and Box Office Flops · host Revenge of the Fans

Wes Craven's New Nightmare came only a decade after the original, yet somehow—in that short span—it missed the height of the character's popularity. Freddy Krueger, for a time, transcended the screen. Toys, a TV show, and halloween costumes flooded the marketplace. Yes, Freddy Krueger, the burned, sadistic child molester, was even on a children's bubble gum. So, quite unfortunately, by the time New Nightmare arrived, the franchise had declined both critically and commercially. The horror icon—like many other properties we've covered on the pod—had been squeezed of all his juice. Thus, New Nightmare was facing an uphill battle. After all, Freddy was literally dead. Hence the title of this movie's predecessor. And The Final Nightmare wasn't exactly the pinnacle of the franchise either. Rather, it was a continuation of the downward trend that began with The Dream Master (Part 4). All that said, New Nightmare did have one ace up its sleeve—Wes Craven. Freddy's creator—the writer and director of the original—returned for one final journey into the dream world. Who better to helm the true sendoff of the character? The answer, as one may guess, is no one. Craven built the nightmarish landscape that Freddy haunted. This intimacy allowed him a clear eye on the issues that had plagued the franchise since his departure. He knew he could not possibly do another sequel in the vein of those that came before. Instead, he gave us New Nightmare, a meta exploration of the terror the gloved man had perpetrated for so many years on the big screen. This film is an ode to Freddy, the actors who faced him, and the logical continuation of their onscreen personas battle against his unspeakable evil. And, it is quite brilliant. As mentioned, though, the quality of this film was lost in the disinterest of Freddy's former fans. New Nightmare is the lowest grossing entry in the franchise, earning a sub-par $19.8 million on a budget rumored to be anywhere from $8 to $13 million. Do not let that deter you. Unlike most horror sequels—those of this franchise included—New Nightmare truly brings something new to the table. Sure it treads on nostalgia, but it also provides closure for the character in a why that had never been done before. Most important, it made Freddy scary again. For too long, he'd been the wisecracking killer that audiences were meant to root for, instead of fear. Craven understood that the powerlessness one feel's in their dreams was never meant for goofy kills and one-liners. It was meant to paralyze us, make us think twice before turning out the lights at night. Sure, we can all enjoy the more approachable Freddy, but he was never the one who haunted any of our nightmares. So sit back, slash open a Nite Owl Pumpkin Ale from Elysian Brewing Company, and brew a fresh pot of coffee! I, the Thunderous Wizard (@WriterTLK), Capt. Cash, and Chumpzilla are assembling the Dream Warriors to take on Freddy one last time! This Week’s Segments: Introduction/Plot Breakdown – In what may have served as a litmus test for Scream, Craven put a meta spin on his classic creation. (00:00) The "Skin the Cat" Elm Street Trivia Challenge – I challenge Chumpzilla and Capt. Cash to trivia centered mostly around this movie. (1:11:18) Recommendations – We offer our picks for the week, and next up: the second entry in our "Flops that Go Bump in the Night" series, Dreamcatcher! (1:23:39) And, as always, hit us up on Twitter, Facebook, or Instagram to check out all the interesting factoids—the must-see Elm Street documentary and more—from this week’s episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Play, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, and Amazon Music!

Wes Craven's New Nightmare came only a decade after the original, yet somehow—in that short span—it missed the height of the character's popularity. Freddy Krueger, for a time, transcended the screen. Toys, a TV show, and halloween costumes flooded the marketplace. Yes, Freddy Krueger, the burned, sadistic child molester, was even on a children's bubble gum. So, quite unfortunately, by the time New Nightmare arrived, the franchise had declined both critically and commercially. The horror icon—like many other properties we've covered on the pod—had been squeezed of all his juice. Thus, New Nightmare was facing an uphill battle. After all, Freddy was literally dead. Hence the title of this movie's predecessor. And The Final Nightmare wasn't exactly the pinnacle of the franchise either. Rather, it was a continuation of the downward trend that began with The Dream Master (Part 4). All that said, New Nightmare did have one ace up its sleeve—Wes Craven. Freddy's creator—the writer and director of the original—returned for one final journey into the dream world. Who better to helm the true sendoff of the character? The answer, as one may guess, is no one. Craven built the nightmarish landscape that Freddy haunted. This intimacy allowed him a clear eye on the issues that had plagued the franchise since his departure. He knew he could not possibly do another sequel in the vein of those that came before. Instead, he gave us New Nightmare, a meta exploration of the terror the gloved man had perpetrated for so many years on the big screen. This film is an ode to Freddy, the actors who faced him, and the logical continuation of their onscreen personas battle against his unspeakable evil. And, it is quite brilliant. As mentioned, though, the quality of this film was lost in the disinterest of Freddy's former fans. New Nightmare is the lowest grossing entry in the franchise, earning a sub-par $19.8 million on a budget rumored to be anywhere from $8 to $13 million. Do not let that deter you. Unlike most horror sequels—those of this franchise included—New Nightmare truly brings something new to the table. Sure it treads on nostalgia, but it also provides closure for the character in a why that had never been done before. Most important, it made Freddy scary again. For too long, he'd been the wisecracking killer that audiences were meant to root for, instead of fear. Craven understood that the powerlessness one feel's in their dreams was never meant for goofy kills and one-liners. It was meant to paralyze us, make us think twice before turning out the lights at night. Sure, we can all enjoy the more approachable Freddy, but he was never the one who haunted any of our nightmares. So sit back, slash open a Nite Owl Pumpkin Ale from Elysian Brewing Company, and brew a fresh pot of coffee! I, the Thunderous Wizard (@WriterTLK), Capt. Cash, and Chumpzilla are assembling the Dream Warriors to take on Freddy one last time! This Week’s Segments: Introduction/Plot Breakdown – In what may have served as a litmus test for Scream, Craven put a meta spin on his classic creation. (00:00) The "Skin the Cat" Elm Street Trivia Challenge – I challenge Chumpzilla and Capt. Cash to trivia centered mostly around this movie. (1:11:18) Recommendations – We offer our picks for the week, and next up: the second entry in our "Flops that Go Bump in the Night" series, Dreamcatcher! (1:23:39) And, as always, hit us up on Twitter, Facebook, or Instagram to check out all the interesting factoids—the must-see Elm Street documentary and more—from this week’s episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Play, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, and Amazon Music!

NOW PLAYING

Wes Craven's New Nightmare – The Master Returns

0:00 1:19:36

No transcript for this episode yet

We transcribe on demand. Request one and we'll notify you when it's ready — usually under 10 minutes.

Big Old Life: Heather Blackbird interviews people on planet earth. Heather Blackbird loves asking questions. This podcast is a learning experience. Join me, Heather Blackbird, as I talk to people about their lives. Frequency of new episodes is a little all over the place and I'm learning as I go. Big Old Life is a small way of talking about the vastness of life, one person at a time. If you are reading this or found this podcast it's probably because someone you know gave you a link to it. :) Explicit Tales Of A Superstar DJ The Insomniac Spun seemingly out of nowhere from her complacent life in the corporate world, turned seemingly overnight from 16-Hour shift work and into the life of a literally starving artist and working musician, The Protagonist navigates her supposed rise to fame and superstardom on a journey through spiritual awakening, coming-of-age, and intimate self-realization--guided by an omnipresent force and equipped with the power of love, magic, and music. {Enter The Multiverse.} [The Festival Project] The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science. The Festival Project™ and its subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosop Explicit Bitcoin Is Dead Trey Carson Welcome to Bitcoin is Dead, the ultimate Bitcoin variety show where host Trey takes you on a journey through the ever-evolving world of Bitcoin. Each episode brings new personalities, fascinating locations, and insightful conversations with politicians, educators, and innovators shaping the future of Bitcoin. Whether you're a seasoned Bitcoiner or just starting your journey, tune in for thought-provoking discussions, unique perspectives, and a deep dive into the ideas and people driving the Bitcoin revolution. Explicit The Sacred +Profane Podcast nephtaragrace The Sacred + Profane Podcast is a provocative conversation dedicated to cementing a better future for all. We specialize in unpacking the nuances of what is considered sacred and profane, particularly focusing on sex, death, and all that pertains to the circle of life. Our aim in focusing on such ”taboo” subject matter is to demystify what is unconscious, bring to light what has been known for centuries as ”the occult,” and empower the rapid transformation that is occurring on the Planet. Explicit

Frequently Asked Questions

How long is this episode of Hops and Box Office Flops?

This episode is 1 hour and 19 minutes long.

When was this Hops and Box Office Flops episode published?

This episode was published on October 2, 2020.

What is this episode about?

Wes Craven's New Nightmare came only a decade after the original, yet somehow—in that short span—it missed the height of the character's popularity. Freddy Krueger, for a time, transcended the screen. Toys, a TV show, and halloween costumes flooded...

Can I download this Hops and Box Office Flops episode?

Yes, you can download this episode by clicking the download button on the episode player, or subscribe to the podcast in your preferred podcast app for automatic downloads.
URL copied to clipboard!