EPISODE · Jan 14, 2021 · 12 MIN
When 1980s Production NAILED IT - Second Tier Singles YOU NEED TO KNOW | MUSIC is not a GENRE - Episode #29
from MUSIC is not a GENRE · host Nick DeMatteo
SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE Ahh 1980s production values. It all started out so well. Crisp, clean, tight, bouncy but slightly dark, and with awesome amalgams of styles and sounds. But after 1982-3 or so, we all know how out of control it got. The big, crashing snare. The overlayered instruments. The cheesy keyboard sounds. The MELODRAMA. It’s a perfect example of why every 10 years or so a new style comes along to clean the slate of excess – in this case grunge. But all of that is true only if we focus on the biggest hits and broadest trends. There were some kick-ass second tier singles in the mid ‘80s that still sound very of their time but managed to keep it tight. The production did exactly and ONLY what the song needed. They weren’t the biggest hits, or the most memorable or representative of their time. But they nailed it on every level. These six 12” singles from my collection all did that. You don’t get tired of listening to them because their production is so choice. And they haven’t been overplayed. And though two of the songs (“Human” and the original Cherrelle version of “I Didn’t Mean to Turn You On”) stemmed from Jimmy Jam & Terry Lewis, in general the other common factor is that they were artist driven and independently produced. They were prime examples of the artists following their muses. And the two cover tunes – from Robert Palmer & Pseudo Echo, plus Robbie Nevil’s remake of his own composition, did total justice to the originals – in some ways even outdid them. The 1980s are all over my tunes, especially the crispy-tight version of that era. You can hear this prominently in these two songs: REC - “Whatever We Have To Do To Wake Up High” (from the album Synergy for the Weird) REC - “KPS (Korean Pop Song)” (from the album The Sunshine Seminar) Do you remember these songs? Can you hear the difference in production values between these and other bigger 1980s hits? Discuss dammit! This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicisnotagenre/support Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
What this episode covers
SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE Ahh 1980s production values. It all started out so well. Crisp, clean, tight, bouncy but slightly dark, and with awesome amalgams of styles and sounds. But after 1982-3 or so, we all know how out of control it got. The big, crashing snare. The overlayered instruments. The cheesy keyboard sounds. The MELODRAMA. It’s a perfect example of why every 10 years or so a new style comes along to clean the slate of excess – in this case grunge. But all of that is true only if we focus on the biggest hits and broadest trends. There were some kick-ass second tier singles in the mid ‘80s that still sound very of their time but managed to keep it tight. The production did exactly and ONLY what the song needed. They weren’t the biggest hits, or the most memorable or representative of their time. But they nailed it on every level. These six 12” singles from my collection all did that. You don’t get tired of listening to them because their production is so choice. And they haven’t been overplayed. And though two of the songs (“Human” and the original Cherrelle version of “I Didn’t Mean to Turn You On”) stemmed from Jimmy Jam & Terry Lewis, in general the other common factor is that they were artist driven and independently produced. They were prime examples of the artists following their muses. And the two cover tunes – from Robert Palmer & Pseudo Echo, plus Robbie Nevil’s remake of his own composition, did total justice to the originals – in some ways even outdid them. The 1980s are all over my tunes, especially the crispy-tight version of that era. You can hear this prominently in these two songs: REC - “Whatever We Have To Do To Wake Up High” (from the album Synergy for the Weird) REC - “KPS (Korean Pop Song)” (from the album The Sunshine Seminar) Do you remember these songs? Can you hear the difference in production values between these and other bigger 1980s hits? Discuss dammit! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicisnotagenre/support
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When 1980s Production NAILED IT - Second Tier Singles YOU NEED TO KNOW | MUSIC is not a GENRE - Episode #29
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