Arts for the MASSes

Every April, a hotel in Marlborough, Massachusetts transforms into something magical. We went inside the New England Folk Festival — one of America's longest-running folk festivals — to find out what keeps thousands of people coming back for over 80 years.From Bulgarian folk singing to Celtic Morris dancing, contra dancing to handmade crafts, NEFA is unlike any festival you've ever seen. No paid performers. No year-round staff. Just 1,000 performers, 1,000 attendees, and 300 volunteers who show up every year to keep a tradition alive.In this mini-documentary, we sit down with festival president Jonathan Young and program chair Lynn Noel to explore the history, heart, and future of the New England Folk Festival — and why this all-volunteer event might just be a model for how communities can come together.🎶 What you'll see in this video:The 82-year history of NEFA and why it startedContra dancing, Bulgarian folk music, Morris dance & moreThe all-volunteer model that keeps it runningThe artisans and makers of the festival marketplaceWhy the next generation is the key to its survival📍 New England Folk Festival | Marlborough, MA | Last weekend of April every year🌐 Learn more & join the mailing list: neffa.org🔔 Subscribe for more stories about community, culture, and the people who keep traditions alive.#NewEnglandFolkFestival #NEFA #FolkMusic #FolkDance #ContraDance #MorrisDance #FolkFestival #NewEngland #Massachusetts #LiveMusic #FolkCulture #CommunityEvents #Documentary #MarlboroughMA #TraditionalMusic #WorldMusic #BulgarianFolk #HandmadeCrafts #VolunteerOrganization #MiniDocumentary

🎭 Dreaming of a BFA in Musical Theater or Acting? This Episode is for YOU! 🎬Are you a high school student (or parent!) navigating the overwhelming world of college auditions for theater programs? You're not alone!In this episode of Arts for the MASSes, host Ryan Malyar sits down with Gigi Watson and Sarah Muirhead, directors of My College Audition, to break down everything you need to know about auditioning for competitive BFA programs.What You'll Learn:✨ Why students are applying to 18-25 schools (yes, really!) ✨ The complete A-Z timeline from junior year through acceptance ✨ What colleges are ACTUALLY looking for (hint: it's not perfection!) ✨ How to handle video pre-screens, Shakespeare monologues, and interview prep ✨ The importance of authenticity over being "cookie-cutter perfect" ✨ Why rejection is redirection (and how to stay positive) ✨ Expert tips for selecting the right material that showcases YOUR strengthsDid you know:Some programs have a 1% acceptance rate (harder than Harvard!)MCA has a 100% success rate placing students in competitive programs over 16 yearsAn arts degree teaches invaluable skills: empathy, collaboration, communication, and confidenceWhether you're just starting to explore theater programs or deep in the audition process, this conversation is packed with wisdom, encouragement, and practical advice.Watch now and take the first step toward your theater education journey!🔗 Learn more about My College Audition: www.mycollegeaudition.comRemember: You are enough. If you want to go for this, you absolutely should. 💫#ArtsForTheMASSes #CollegeAuditions #MusicalTheater #BFAPrograms #TheaterEducation #MyCollegeAudition #CollegePrep #PerformingArts #ActingPrograms #TheaterKids

Join host Ryan Malyar for a heartfelt conversation with Paul Melendy, one of Boston's most beloved actors and an Elliot Norton Award winner. In this episode, Paul shares his journey from a pivotal Boy Scout sketch at age 10 to becoming a powerhouse on Massachusetts stages.Paul opens up about his impressive career, including his award-winning solo performance in The Legend of Sleepy Hollow at Greater Boston Stage Company—a role he calls both terrifying and transformative. He discusses the challenges of memorizing and embodying multiple characters in a one-person show, and how that experience changed his approach to acting forever.The conversation takes delightful detours through Paul's memorable roles, from the physical comedy of Boeing Boeing at Barnstormers Theater to the post-apocalyptic world of Mr. Burns, a Post-Electric Play. Paul and Ryan reminisce about their collaborative summers in stock theater, sharing hilarious backstage stories and discussing the art of finding truth in comedy.

🎭 Arts for the MASSes - How to Succeed in Business Without Really TryingJoin host Ryan Malyar for an exciting conversation about The Savoyard Light Opera Company's upcoming production of the beloved musical comedy, How to Succeed in Business Without Really Trying!In this episode, Ryan sits down with director Kendra Thyne and actor Christopher Govang, who plays the ambitious window-washer-turned-executive J. Pierrepont Finch. They discuss bringing this classic Broadway satire of corporate culture to the stage, featuring memorable characters, timeless musical numbers, and a hilariously relevant story about ambition and power dynamics—set in 1961 but still resonating today.This talented production features music direction by Barry Singer, choreography by Amy Nosowitz, and special guest Dave Robichaud (former news correspondent and host of Phantom Gourmet) as the Voice of the Book. Since 1988, The Savoyard Light Opera Company has been delivering quality musicals with live orchestras in Carlisle, MA.Performance Dates:Friday, November 14 at 7:30 PMSaturday, November 15 at 7:30 PMSunday, November 16 at 2:00 PMFriday, November 21 at 7:30 PMSaturday, November 22 at 4:00 PM📍 Corey Auditorium, Church Street, Carlisle, MA 🎟️ Tickets: $28 adults | $22 seniors & students 🌐 www.savoyardlightopera.orgDo things "by the book" and order your tickets today!This program is supported in part by a grant from the Carlisle Cultural Council, a local agency supported by the Massachusetts Cultural Council, a state agency.#ArtsForTheMASSes #HowToSucceed #MusicalTheater #SavoyardLightOpera #CarlisleMA #LiveTheater #BroadwayMusical

BOSTON, MA – Local theatre company Yorick Ensemble honors its namesake by taking on one of Shakespeare’s most iconic plays – Hamlet.Shakespeare’s Hamlet is a gripping tale of mystery, ambition, and the fragile line between reality and illusion. Set against the backdrop of a royal court shrouded in secrets, this timeless tragedy follows a young prince whose world is upended by a sudden loss and an unsettling discovery. As he navigates a maze of loyalty, betrayal, and inner turmoil, the boundaries between duty and desire begin to blur. With rich language, unforgettable characters, and an atmosphere thick with suspense, Hamlet invites audiences into a world where nothing is as it seems. “Hamlet is one of the most famous pieces of literature in the world, and it has been read and performed for millions since its inception, says Director Colton Chaney. “It falls to new artists to both indulge in hindsight and forge new works. For us, this means finding the hidden truth and empathy behind Hamlet's story and highlighting its extremes as well as its subtleties. We wanted every character in this production to be a completely realized person, and that means acknowledging Hamlet as the epicenter of the world and its conflict. Exploring both the tragic prince as well as the destruction, both physical and emotional, which he leaves in his wake is imperative to communicating this epic text as a deeply human story as well as an unimaginable tragedy.”Hamlet will be performed for free on the Needham Town Common from September 5-13 and feature a wide array of talent local to the Greater Boston Area. For more information about the show, please visit yorickensemble.com. CREATIVE TEAM:Colton Chaney (Director), Demi DiCarlo (Asst. Director), Ben Cantor-Adams (Stage Manager), Josh Telepman (Props & Costume Design), Tom Marsh (Producer), Michael Jay (Producer), Matthew Tse (Sound Design & Dramaturgy), and Amanda Tafeen (Dramaturgy).CAST:Michael Jay (Hamlet), Nico Miller (Ophelia), T. Perry (Horatio), Jackson Rainey (Laertes), Maura Smith (Polonius), Laura Lee Bahr (Gertrude), Alex Deroo (Claudius), Landon Butler (Guildenstern/Ensemble, U/S Hamlet), Benedict Dawn-Cross (Rosencrantz/Ensemble, U/S Horatio, Laertes), Josh Telepman (First Clown/Ensemble, U/S Claudius, Polonius), Ryn Harter (Osric, Second Clown, Ensemble), Sydney T. Grant (Ensemble Swing, U/S Gertrude), and Amanda Tafeen (U/S Ophelia). ABOUT YORICK ENSEMBLEYorick Ensemble is a young company founded by Josh Telepman in 2019. Yorick is a place for local theatre artists to work on thoughtful pieces that may be too weird for other non-professional theatres, and for young artists to develop their talents from writing to acting, directing, and beyond. Yorick promotes, produces, and provides platforms for early-career artists while reimagining established works, nurturing new artists and the next generation of audience members.

Join host Ryan Malyar in this special episode of Arts for the MASSes as he sits down with director Jamie Cook in the lobby of the Concord Players to discuss their upcoming production of Jason Robert Brown's "Songs for a New World."🎭 About the Show: Discover why "Songs for a New World" is considered essential repertoire for musical theater performers, featuring powerful standalone songs that explore the human experience through diverse characters and stories.🎵 Musical Theater Mastery: Learn about composer Jason Robert Brown's genius and how this show connects to his other acclaimed works like "The Last Five Years," "Bridges of Madison County," and "Parade."🇺🇸 Historical Connections: Explore how the production ties into Concord's 250th anniversary celebration, featuring songs that span from Columbus's 1492 voyage to Betsy Ross creating the first American flag in 1775.🎨 Creative Vision: Jamie Cook explains her innovative approach of expanding the traditional four-person cast to eight performers, allowing for a fuller representation of the human experience across different ages and backgrounds.💫 Themes That Resonate: Dive deep into the show's central theme of being "on the brink of something" - those pivotal moments before life-changing decisions that we all face.What: Songs for a New World Where: Concord Players, 51 Walden Street, Concord, MA When: June 20-22, 2025Friday & Saturday: 8:00 PMSaturday: Additional 2:00 PM matineeSunday: 2:00 PM matinee onlyTickets: Visit the Concord Players website for tickets and more informationArts for the MASSes celebrates the vibrant arts community throughout Massachusetts, bringing you behind-the-scenes conversations with the artists, directors, and organizations that make our cultural landscape so rich. Hosted by Ryan Malyar and broadcast on WMCTV in Marlborough, Massachusetts.Are you an arts organization in Massachusetts or beyond? We'd love to feature your work! Contact us to arrange an interview and showcase the wonderful contributions you're making to your community.#MusicalTheater #MassachusettsArts #ConcordPlayers #SongsForANewWorld #JasonRobertBrown #LiveTheater #ArtsForTheMASSesEpisode Highlights:Show Details:About Arts for the MASSes:

Interview with Director Jill Tokac and Producer Jim AnsartJoin host Ryan Malyar as he speaks with director Jill Tokac and producer Jim Ansart about The Footlight Club's upcoming production of "The Prom" in Jamaica Plain, MA. Discover why this heartwarming musical about inclusion, acceptance, and finding your community is becoming so popular in regional theaters across the country.In this episode, Jill shares insights about the show's powerful message of staying true to yourself, while Jim discusses the rich history of The Footlight Club—one of America's oldest continuously operating community theaters, founded in 1877. Learn about their special "Prom-Palooza" event on May 10th, their commitment to creating an inclusive theatrical community, and get a sneak peek at the professional-level choreography by Chad Flahive.Whether you're a fan of musical theater, interested in LGBTQ+ stories, or simply love supporting local arts, this conversation highlights the importance of community theater as a safe space for people to explore who they are without judgment.#theprom #communitytheater #FootlightClub #jamaicaplain #ArtsForTheMASSes #lgbtq #musicaltheater #BostonArts #LocalTheater

# Camp Fable: Where Heroes Are Made Through Live-Action RoleplayIn a world dominated by screens and technology, there's a magical place in Charlton, Massachusetts where kids get to unplug, step through magical book gates, and transform into heroes. Camp Fable, run by The Story School, is revolutionizing the summer camp experience by blending traditional camp activities with live-action roleplay (LARP) to create an immersive world of adventure.## What Makes Camp Fable Different?As revealed in a recent interview on "Arts for the Masses" with host Ryan Malyar and Chris Wiley, Executive Director of The Story School, Camp Fable isn't your typical summer camp. Self-described as an "EDAR camp" (Education through Adventure and Roleplay), it creates a fantastical setting where kids ages 8-17 become heroes tasked with protecting the Library of Alexandria – a magical place where every book ever written comes to life."If you ever picked up a stick in the woods and pretended it was a sword, you know what LARP is," explains Wiley. "We just take that and try to take it to the next level by really letting these kids immerse themselves in the story."## Building Characters, Building CharacterWhat truly sets Camp Fable apart is its focus on developing not just fictional characters, but also real character traits. Campers learn the three tenets of being a hero:- **Courage**: Not the absence of fear, but confronting the unknown and taking a step forward- **Valor**: Developing a consistent sense of honor and character- **Empathy**: Learning to understand and appreciate different mindsets"LARP camp builds characters – the kids make characters, but they're also building up who they are inside," says Wiley, highlighting how the camp experience translates to real-world growth.## Creating Confidence Through FantasyOne of the most powerful aspects of Camp Fable is how it builds confidence. Wiley shared a touching story about an 8-year-old camper who was initially hesitant to engage. After discovering she could become a "ghost walker" when defeated in the game, she ventured alone into the villain's lair, listened to his entire evil plan, and returned to her fellow heroes with crucial intelligence."You will not believe the smile on this girl's face," Wiley recalled. "Suddenly she had the power. She was the most important character."Parents consistently report newfound confidence in their children after camp. As Wiley explains with a laugh, "We have parents telling us all the time, 'Where did she learn this confidence?' Well, she defeated Skeletor at camp!"## More Than Just PlayBeyond the fun, Camp Fable addresses fundamental human needs: autonomy (freedom of choice), progress (leveling up skills), and belonging (finding community). The structured fantasy world gives kids a safe space to discover themselves and their capabilities."The world will often tell you 'you can't do that' or they'll give you that vague 'you're special' but not tell you how," Wiley observes. "Our camp lets you live in this fantasy world so that everything is an option."## Experience the MagicFor parents looking to give their children a unique summer experience that combines unplugged fun with character development, Camp Fable offers something truly special. To see the camp in action, visit their YouTube channel at @thestoryschoolcamp or check out their website at https://www.thestoryschool.org for more details about registration.In a world where imaginative play often takes a backseat to technology, Camp Fable reminds us of the transformative power of stories, community, and adventure. As Chris Wiley put it so beautifully: "Every kid at camp gets this hero moment where they feel centered, they feel like they're the most important character there... I want every kid to feel like they are capable of so much – because they are."

Transforming Theater: Inside EDI Consulting with Kira Troilo | Arts for the Masses PodcastJoin host Ryan Malyar as he sits down with Kira Troilo, an innovative EDI (Equity, Diversity, and Inclusion) consultant revolutionizing the arts and theater spaces. In this powerful conversation, Kira breaks down her unique approach to creating more inclusive, compassionate, and connected artistic environments.Key Highlights:-What is EDI and why it matters in the arts-Creating safe, supportive spaces for artists-Bridging communication gaps in theater productions-The importance of empathy and understanding in creative spaces-Kira's groundbreaking STAGES framework for inclusive leadershipKira shares her journey from performer to EDI consultant, discussing how becoming a mother inspired her to create meaningful change in artistic communities. Learn about her company, Art and Soul Consulting, and how she's helping theaters build more supportive, joyful, and diverse environments.🎭 Connect with Kira:Instagram: @ArtandsoulConsultingWebsite: www.artandsoulconsulting.com🎤 About Arts for the Masses:A podcast exploring the vibrant arts scene in Massachusetts and beyond, hosted by Ryan Malyar.#TheaterArts #InclusiveTheater #ArtsCommunity

🚽 Musical Comedy Meets Social Commentary! 🎭Join host Ryan Malyar as he sits down with Shelby Art-Koljonen (Director) and Jamie Cook (Choreographer) to dive deep into the hilarious and thought-provoking musical "Urinetown"!In this episode of Arts for the Masses, we explore:The wild premise of a water-scarce world where using the bathroom costs moneyHow this quirky musical balances comedy and serious social critiqueBehind-the-scenes insights into choreographing and directing this unique showThe musical's surprising relevance 20+ years after its Broadway debutThe Concord Players' special production happening May 2-17, 2025Whether you're a musical theater fan, love dark comedies, or just want to learn about an extraordinary theatrical production, this episode is for you!🎟️ Show Details:Musical: UrinetownVenue: Concord PlayersDates: May 2-17, 2025#MusicalTheater #Urinetown #TheArts #MassachusettsTheater

🎭 **Arts for the MASSes Podcast: Square One Players - Spotlight on "Moon Over Buffalo"** 🎭Welcome back to another exciting episode of *Arts for the MASSes*! In this episode, host Ryan Malyar sits down with Tara Alano and Joanne Smith from Square One Players, an incredible women-run theater company based out of Shrewsbury, Massachusetts. Join us as they share their inspiring journey of creating Square One Players, their dedication to bringing lighthearted, fun performances to the community, and a behind-the-scenes look at their upcoming production of *Moon Over Buffalo* by Ken Ludwig.Discover how the company came to life during the pandemic, their commitment to supporting local talent, and their goal of providing accessible, enjoyable theater for all. Plus, learn all about the fast-paced, comedic world of *Moon Over Buffalo*, a slapstick farce filled with backstage antics and hilarious characters. 🎤 **Timestamps:**- Introduction to Square One Players and the team’s history- Behind-the-scenes insights into their creative process- The cast and crew of *Moon Over Buffalo*- How Square One Players is making community theater accessible and fun for all- Upcoming performances: *Moon Over Buffalo* – March 22, 23, 29 & 30🎟️ **Get Your Tickets:**Don't miss the chance to see this hilarious farce in action! For tickets and more info, visit http://squareoneplayers.com If you love community theater, laughter, and supporting local artists, this episode is a must-listen. Don’t forget to like, subscribe, and share with your friends!Thanks for tuning in to *Arts for the MASSes*—where the arts are alive in Massachusetts! 🌟#ArtsForTheMASSes #SquareOnePlayers #CommunityTheater #MoonOverBuffalo #KenLudwig #MassachusettsArts #TheaterPodcast

In a recent episode of "Arts for the Masses," host Ryan Malyar sat down with Sam Gould of Open Door Theater, to discuss their groundbreaking work in creating an inclusive theater space in Massachusetts. For over 45 years, this volunteer-driven company has been breaking down barriers and redefining what theater can be.Open Door Theater was founded in 1980 by two mothers at a bus stop who envisioned creating a theater company where people with disabilities could fully participate. Since then, the company has grown and expanded its mission of inclusion and social justice."We're an integrated Theater Company," explains Gould. Their current production of "The Prom" features a cast of 50 actors that includes "a deaf actor on stage, an actor with a service dog, an actor who uses a wheelchair, and non-disabled actors—youth and adults together."What makes Open Door's approach special is their commitment to not just accommodation, but autonomy. As Gould puts it, their mission extends beyond inclusivity to ensuring they "don't voice accommodation on someone without their consent." This means working with performers to understand their needs rather than making assumptions.The company takes a mentorship approach rather than one-on-one assistance. "We pair a veteran with a new person, and that veteran could be someone with a disability and the new person could be someone who doesn't identify with a disability," Gould explains. This system helps integrate new members into the company's mission and community.When asked about accommodations, Gould offers practical insights:Music stands on wheels that help deaf actors who need to use their handsWrist tambourines that allow wheelchair users to participate in choreographyAdaptive choreography designed for performers of all abilitiesMulti-modal communication of information to cast and crewGould emphasizes the importance of taking incremental steps: "Don't try and do everything at once because it's not possible to get it all done."Open Door Theater doesn't just make performing accessible—they ensure audiences of all abilities can enjoy their productions. All performances include:ASL interpretationOpen captioning using a projector that matches the set designRelaxed performance format that allows audience members to take breaksAudio description for those who are blind or have low visionThe company creates a space where people can become comfortable with their differences. "It's not shameful or embarrassing that I have a difference and am neurodiverse," Gould notes, adding that many teens appreciate finding "guys with autism like me" in the company.Despite being an all-volunteer organization, Open Door Theater maintains high production values with Berkeley professors as music directors and former Rockettes as choreographers. They sustain their operations through grant writing, donations, and ticket sales ($20 per ticket).Open Door Theater's upcoming production of "The Prom" runs March 21-23 and 28-30 at the Dragonfly Theater in Acton. The show embodies their mission, focusing on self-acceptance, community, and autonomy."It's really a very moving story about teen angst but also self-acceptance and community autonomy—standing up for yourself in your own words, in your own way," Gould shares. She promises the show is "laugh out loud funny with so much heart."Perhaps most striking is how Gould describes the Open Door experience: as a "disability joy space" and "a space of community where everybody is doing their best and bringing their best self to create something together."For more information about Open Door Theater or to purchase tickets for "The Prom," visit www.opendoortheater.org

In this engaging episode of "Arts for the MASSes," host Ryan Malyar sits down with the multi-talented Ilana Ransom Toeplitz to discuss current theater trends in 2025. Toeplitz, a director, choreographer, writer, and teaching artist now based in Greater Boston, brings her extensive Broadway experience to the conversation.## Guest SpotlightIlana's impressive resume includes work on Broadway productions like "The Prom," "Violet" (starring Sutton Foster), and "Crazy for You" at Lincoln Center with Susan Stroman. She's also done significant work with Theater Works and currently serves as an Assistant Professor at Emerson College. As she puts it, being a successful artist is like "simultaneously spinning four plates: what am I doing now, what am I doing next, how am I feeding myself, and also life."## Current ProjectsToeplitz is currently directing "Head Over Heels" at Emerson College, which features music by The Go-Go's. This serves as a perfect segue into the main topic of the episode - trends in contemporary theater.## Jukebox Musicals: Past and PresentThe conversation explores the enduring popularity of jukebox musicals, which have been around for decades. Ryan points to early examples like "Leader of the Pack" and reimagined Gershwin shows like "Crazy for You." Both agree that audiences gravitate toward familiar music, especially following global traumas like the COVID-19 pandemic, which has made theaters and audiences more risk-averse.They discuss successful jukebox musicals like "Mamma Mia" and explore what makes them work - or not work. Ilana notes that the Go-Go's music in "Head Over Heels" brings a sense of female empowerment, being the first top-40 band where women played all their own instruments and sang their own music. The show blends this modern sensibility with Elizabethan dialogue to create commentary on gender identity and sexual freedom.## Theater Economics in 2025The conversation turns to the economic realities facing theaters in 2025. Rising costs for sets, costumes, and fair actor wages have led many theaters to seek "sure things" - shows with brand recognition that can be produced with minimal casts. As Ilana puts it, "Theaters cannot afford to take risks right now," which makes it challenging for new musicals to find their way to the stage. This has led to an abundance of small-cast shows like "Foot Loose," "Little Shop of Horrors," "John and Jen," "Title of Show," and "Daddy Long Legs."## Musical Theater EducationAs an educator at Emerson College, Ilana offers insights into how musical theater training has evolved to embrace contemporary sounds. Her senior-year curriculum includes a course dedicated to pop music singing and interpreting pop songs for musical theater contexts. She also teaches a course on professionalism and the business of show business, emphasizing the importance of being "a good human and being rehirable."Ilana describes an exercise inspired by "RuPaul's Drag Race" called "Lip Sync for Your Life," where students can fully embrace their inner rock star without worrying about vocal technique. She notes the challenge of teaching pop music in a theatrical context, particularly dealing with the repetitive lyrics common in pop songs.## Audition Processes and Changing StandardsThe conversation shifts to auditioning and selection processes at Emerson. Ilana discusses how they're evolving beyond Eurocentric techniques and placing more emphasis on storytelling, musicality, and making bold choices rather than technical perfection. They also touch on changing speech standards in theater, with Ryan noting a decline in clear diction among young performers, possibly influenced by film acting and the ubiquity of microphones in contemporary theater.## ClosingRyan wraps up by inviting local artists and arts organizations to reach out about appearing on the show, noting that while they film at WMCT TV in Marlboro, Massachusetts, they're also available via Zoom and "the interwebs."

Moonbox Productions presents "The Good Deli" & "Jonathan"Two original plays are being performed by Moonbox Productions in Boston, MA. Ryan speaks with the authors and directors to learn about these exciting premieres.Tickets and more info at https://www.moonboxproductions.comRecordered September 2022

Ryan Malyar is visited in studio by performers Elaine Crane, Brad Amidon, and Chris Van Liew who are all performing in the Stephen Sondheim musical A Little Night Music. Production runs June 6-9 2024 in Boylston, MA. https://www.greaterworcesteropera.org

"Well ya got trouble my friend!"Arts for the MASSes is hosted by Ryan MalyarSpecial guests Nick Miller and Kathryn Denney strike up the band to celebrate the upcoming production of The Music Man at Concord Players.Featuring a special duet version of "Trouble" with our dueling Harold Hills!The classic Broadway musical The Music Man is being revived by the talented team at Concord Players, a renowned community theater in Massachusetts. In this episode of the "Arts for the Masses" podcast, host Ryan Malyar sits down with two key members of the production - Nick Miller, the actor playing the iconic role of Harold Hill, and Kathryn Denney, the show's music director. Nick and Ryan go way back, having worked together on a production 15 years ago. Nick expresses his excitement about bringing this beloved show to the Concord community, where he resides. He's particularly thrilled to be sharing the stage with his daughter Sage, exemplifying the multi-generational and community-driven spirit of the Concord Players.Kathryn delves into the musical genius of Meredith Willson, the composer behind The Music Man. She highlights Willson's clever use of melodic and harmonic parallels between songs like "Seventy-Six Trombones" and "Goodnight, My Someone," demonstrating his sophisticated compositional techniques woven into this quintessentially American musical.The conversation touches on the show's central themes of transformation and acceptance, as the stubborn residents of River City, Iowa, are gradually won over by the charismatic con man Harold Hill. Kathryn also praises the talents of the lead actress, Janet Pohli, who brings depth and nuance to the role of Marian Paroo.Nick and Ryan engage in some playful banter, briefly reprising portions of the memorable patter song "Trouble" to showcase the show's signature rhythmic flair. The camaraderie between the two friends is palpable, setting the stage for what promises to be an energetic and heartfelt production. With a 13-piece orchestra, a dedicated costume team, and a talented ensemble of actors and musicians, the Concord Players' production of The Music Man is shaping up to be a must-see event for theater lovers in the area. The show runs from April 26th to May 11th, and tickets are available now at concordplayers.org.https://www.concordplayers.org

🎭 Gilbert & Sullivan Magic Comes to Massachusetts! 🧙‍♀️Join host Ryan Malyar as he talks with Brianna Bensenouci about the Sudbury Savoyards' upcoming production of "Ruddigore" (or "The Witch's Curse")!In this fascinating episode of Arts for the Masses, discover:The rich history of the Sudbury Savoyards, a Gilbert and Sullivan theater group with over 60 years of traditionAn inside look at "Ruddigore" - a lesser-known but hilarious Gilbert and Sullivan operaHow this production explores themes of ancestral responsibility with a fun, magical twistA cast ranging from 22 to 82 years old, with an inclusive approach to performanceBehind-the-scenes insights into community theater and volunteer passion🎟️ Show Details:Performance Dates: February 22nd - March 1st, 2025Location: Lincoln Sudbury Regional High SchoolRecommended for ages 12-112!Whether you're a Gilbert and Sullivan fan or new to musical theater, this episode is a delightful peek into a vibrant local arts community.#CommunityTheater#GilbertAndSullivan#MassachusettsArts#Ruddigore#TheaterLife