PODCAST · arts
Astrophel and Stella by Sir Philip Sidney (1554 - 1586)
by LibriVox
Sonnet sequences, which these poems by Sidney made very popular in the Elizabethan age, reflected the Medieval motif of courtly love, whereby a wretched lover courts an unavailable woman, typically married already and faithful to her vows. The poet, although unsuccessful, is a slave to her beauty and virtue, which, by pulling in opposite directions, hold him in an agonizing tension that prolongs the sequence.Sidney wrestles creatively, though, with the restrictions of the ancient conventions. The first line of the first poem declares him an iconoclast, for he defies the very definition of a sonnet by using iambic hexameter. This opening poem, therefore, is no sonnet, and besides, it portrays the beloved as (at least initially) a sadist, an extreme exaggeration of the typical beloved’s aloofness. The following poems fall more or less into line with the conventions, the speaker’s adoration displayed against a background of the reproaches, self-contempt, self-pity, and indignation that
-
4
-
3
-
2
-
1
We're indexing this podcast's transcripts for the first time — this can take a minute or two. We'll show results as soon as they're ready.
No matches for "" in this podcast's transcripts.
No topics indexed yet for this podcast.
Loading reviews...
ABOUT THIS SHOW
Sonnet sequences, which these poems by Sidney made very popular in the Elizabethan age, reflected the Medieval motif of courtly love, whereby a wretched lover courts an unavailable woman, typically married already and faithful to her vows. The poet, although unsuccessful, is a slave to her beauty and virtue, which, by pulling in opposite directions, hold him in an agonizing tension that prolongs the sequence.Sidney wrestles creatively, though, with the restrictions of the ancient conventions. The first line of the first poem declares him an iconoclast, for he defies the very definition of a sonnet by using iambic hexameter. This opening poem, therefore, is no sonnet, and besides, it portrays the beloved as (at least initially) a sadist, an extreme exaggeration of the typical beloved’s aloofness. The following poems fall more or less into line with the conventions, the speaker’s adoration displayed against a background of the reproaches, self-contempt, self-pity, and indignation that
HOSTED BY
LibriVox
CATEGORIES
Loading similar podcasts...