Classical For Everyone

Let's be fair, this is a deeply flawed title. Why? Well the idea is to play music written by German composers when they were living in or visiting Italy. But in the 18th century… which is when most of the music comes from… Germany and Italy as we know them today did not exist.  And to make things worse… the whole episode is really an excuse to play some music by a man now well and truly owned by modern Austria… which also didn't exist. What became Italy, Germany and Austria were a wonderfully confusing collection of kingdoms, republics, city states, free imperial trading centres, ecclesiastical principalities,  and electorates. And you can imagine how catchy that sort of accuracy would have made the title. So please forgive 'Germans in Italy'. My clickbaity title will not diminish the pleasure I hope you are going to get from music by Heinrich Schutz, Johann Rosenmüller, Georg Friederich Handel, Johann Adolf Hasse, Johann Christian Bach, Christoph Willibald Gluck and the composer I alluded to earlier as the emblem of contemporary Austrian tourism… who was in fact from the sovereign ecclesiastical state of Salzburg… Wolfgang Amadeus Mozart. [Episode image: Map of Italy. English, Circa 1788. "ITALY from the best AUTHORITIES" printed in London.]

In two earlier episodes I have referred to Chamber Music as 'Music For Small Spaces'. But if you search more broadly for that term you will come up with very little. If you want music for small groups of instruments often performed in intimate spaces then, in English at least, you are going to be looking for 'chamber music'. And in this episode there will be chamber music from Maurice Ravel, Douglas Lilburn, Ludwig van Beethoven, Karol Szymanowski, Laurie Anderson, Johannes Brahms, Michael Norris and Antonin Dvorak. Plus I will be talking a little about chamber music festivals and playing ten minutes of a conversation I had with the violinist Justine Cormack about the At the World's Edge Festival she co-founded in Aotearoa New Zealand. [Episode image: Courtesy of At The World's Edge Festival; Photographer: Nat Symonds.]

In the latest episode of the 'Classical For Everyone' podcast… Scottish caves and rescuing Bach, becalmed boats and banking intrigue, Shakespearean fairies and a garment sellers' orchestra, a prophet in the wilderness… and a stolen statue. And… if that wasn't enough…  eleven pieces of music from Felix Mendelssohn... perhaps the most gifted and quietly underrated composer of the nineteenth century.[Episode image: Portrait of Mendelssohn by Wilhelm Friedrich von Schadow, 1834.]

A good friend asked if I could do an episode of music for her very young daughter. So, welcome to a bit of a Classical For Everyone podcast experiment. On the plus side for the intended audience… There's not a lot of talking. And the show is well under an hour. This might be balanced by the host's attempt to channel the children's books of his (distant) youth. Like I said, it's an experiment. But the music is terrific… Some perhaps expected… some not so much… The beginning of Michael Haydn's Toy Symphony, Edvard Greig's 'In the Hall of The Mountain King', 'Aquarium' from Camille Saint-Saëns' Carnival Of The Animals, 'I'm The Birdcatcher' from Wolfgang Mozart's opera 'The Magic Flute'. Peter Tchaikovsky's 'Dance of the Sugar Plum Fairy' from his ballet 'The Nutcracker'; the ending of Joaquin Rodrigo's 'Concert for Aranjuez', the beginning of Johann Sebastain Bach's 'Third Brandenburg Concerto', the Prelude to Georges Bizet's opera 'Carmen', Elena Kats-Chernin's 'The Dance Of The Paper Umbrellas' and the Overture to Giacchino Rossini's opera 'The Barber of Seville'. [Episode image: 'The Walk To Paradise Garden' by W. Eugene Smith, 1946.]

The name comes from the night of the week when for some of us, the frustrations of insomnia hit the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes of background explained at the end of the episode. This month… Camille Saint-Saën's 3rd Symphony. Known as the Organ Symphony for reasons that will become pretty obvious. In this performance Daniel Barenboim conducts the Chicago Symphony Orchestra and the organist is Gaston Litaize.  [Episode Image: Portrait of Saint-Saëns by Benjamin Constant. Background: Illustration of St John's Hall, London; where the premiere took place. The Hall was demolished in 1905.]

Is Ludwig van Beethoven neglected? No, not at all. But with the well-deserved emphasis on his symphonies, a couple of piano concertos and a handful of piano sonatas and string quartets; there is another roughly eighty hours of music to explore. And in the same way that maybe Picasso, Rembrandt, Shakespeare and Dickens created very little that is not of extraordinary quality… there is a bunch of incredible music that is not going to be encountered by the casual listener and that is what I want to feature in this show. An overture, excerpts from a misnumbered piano concerto, a string quartet, a piano sonata and from the Triple Concerto. [Episode image: Johannes Gelert sculpture of Beethoven photographed in Lincoln Park outside Chicago mid-20th Century by Percy Sloan.]

When a podcast is about five hundred years of music, there is going to be a reasonable amount of music from people who are no longer with us. Now if you combine that with the baggage of the term 'classical' then you can kind of forget that there is a lot of music being written, performed, recorded and released right now. Music by composers who are still very much amongst the living. And you are going to hear from seven of them in this episode… Gabriela Ortiz, Erkki-Sven Tüür, Maria Grenfell, Unsuk Chin, Anna Clyne, Paul Stanhope and Joe Hisaishi. I hope you enjoy the second 'Not Dead Yet' show from the 'Classical For Everyone' podcast.

Winter... Now if you are in the northern hemisphere maybe think of this as a form of aural air conditioning. But if, like me, you are near the bottom of the planet then the music will be bringing up sensations you are all too familiar with. I hope that wherever you are listening to this you are not shivering too much or sweating too much and that for the next hour and a quarter some wintery music will bring you some pleasure. Music from Geirr Tveitt, Pyotr Tchaikovsky, Frederic Delius, Frederic Chopin, Sergei Prokofiev, Benjamin Britten, Josef Haydn, Johannes Brahms, Jabra Latham, Morten Lauridsen, Henry Purcell and Franz Schubert. [Episode Image: Central Park NY.]

There may have been wine involved when the decision to put together a show of music for pets was first discussed. But when I was presented with art for the episode featuring a the surprisingly gifted cavoodle, Bob; it was too late to go back. So, music for pets it is. But I don't imagine you lining up your Spots, Tiggers, Fidos, Nuggets and Bobs for them to listen appreciatively to your audio device. No, the music is really more about a selection of the animals that we happen to enjoy as pets. And like all the themes for Classical for Everyone it is an excuse to find some wonderful music… And in this episode it is going to come from… Aaron Copland, Bernd Deutsh, Antonio Vivaldi, Jessica Wells, Domenico Scarlatti, Camille Saint-Saens, Bright Sheng, Sergei Prokofiev, Bohuslav Martinu, Nigel Westlake and Maurice Ravel. [Episode Image: Bob.]

Who are 'the other Russians'? Well, I've played a fair bit of music by Russian and Soviet era composers in the show. Tchaikovsky got two whole episodes and there has been relatively frequent appearances by Rachmaninoff, Rimsky-Korsakov, Prokofiev, Stravinsky and Shostakovich. But there are a quite a number of other composers more than worthy of a good listen who I have largely ignored… 'the other Russians'. So for this episode I have music by Glinka, Balakirev, Borodin, Mussorgsky and Scriabin. Most of it is orchestral but there is nine minutes of opera and some very sweet miniatures for solo piano at the end of the show. [Episode Image: The curtain of the Mariinsky Theatre in St Petersburg – Wikimedia Commons]

The name comes from the night of the week when for some of us, the frustrations of insomnia hit the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes of background explained at the end of the episode. This month… Ralph Vaughan Williams' Sixth Symphony. The BBC Symphony Orchestra is conducted by Andrew Davis.

He was taught by Antonio Salieri and his music was admired by Ludwig van Beethoven… but he enjoyed very little success in his short lifetime. It would take decades after his death for his music to make its way onto concert stages… and for him to become one of the best loved composers who ever lived. If you are new to his music I hope that over the next hour and a bit I'll give you a sense of why that is the case. I'm going to concentrate on music Schubert wrote between 1814 and 1822, that is between the ages of 17 and 25, including sections from two symphonies, two piano sonatas and a piano quintet; and three songs. [The image for this episode is a watercolour of Schubert by his friend Wilhelm August Rieder from 1825.]

This episode features a living musician, still very much in his prime… the Dutch cellist, Pieter Wispelwey. So, what prompted me to choose him? Well, a few things. I've been a fan for a long while and have been lucky enough to hear him play a number of times over the last three decades. And about 18 months ago the record company Channel Classics released a big box of CDs of recordings he made for the company… and they're terrific. And Wispelwey is equally at home with music from any of the last several centuries. Plus he is still touring… so for many of you listening to this podcast… he will be on a stage near you at some point and I recommend you grab the opportunity to hear him play. And perhaps most importantly I can get to play you some of the best music written for the cello… from Johann Sebastian Bach, Josef Haydn, Pyotr Illich Tchaikovsky, Benjamin Britten, Antonin Dvorak, Antonio Vivaldi, Dmitri Shostakovich and Peter Sculthorpe. [The episode photograph is by Michel Garnier.]

Music from and about Seville, the city of Carmen's tobacco factory and Figaro's barber shop; the city of flamenco and fiestas; the city where more operas are set than any other; and the city where almost eight centuries of Spanish dominance does not seem to have been able to erase the sense of the proximity of North Africa and the cultural heritage of the Moorish world. Music by Isaac Albeniz, Joaquin Rodrigo, Georges Bizet, Joaquin Turina, Wolfgang Amadeus Mozart, Francisco Guerrero and Giochhino Rossini. All of whom revel in the shifting mirage and extravagant reality that is Seville. [The episode image is of La Giralda… the belltower of Seville Cathedral… once the minaret of the Grand Mosque of Islamic Seville.]

Much music has been inspired by love, passion or obsession…  but only in a handful of cases has the person who was the inspiration… the muse… become publicly linked to a work. Here are the stories of six of them… Alma Schindler, Josephine Brunsvik, Kamila Stösslová, Peter Pears, Clara Wieck and Mathilde Wesendonck. And the music they inspired… by Gustav Mahler, Ludwig van Beethoven, Leos Janacek, Benjamin Britten, Johannes Brahms and Richard Wagner. [The episode image is a photographic portrait of Alma Schindler taken about eighteen months before she met Mahler. It is likely the image was made by Moriz Nähr but the attribution is difficult to confirm.] *This episode is from back in April 2025. Whilst I am away from the microphone and the CD library for another week, I'm repeating one of my very favourite episodes. Enjoy.

Composers have drawn inspiration from the sea for centuries but only with the rise of the larger orchestras of the 1800s did they get the palate needed to create fully persuasive depictions of it. So, apart from one piece for solo piano, major orchestral works are what you will hear in this episode... 'The Sea and Sinbad's Ship' from Nicolai Rimsky-Korsakov's 'Sheherazade', an unfairly short interlude from Benjamin Britten's opera 'Peter Grimes', the overture to Richard Wagner's 'The Flying Dutchman', Claude Debussy's 'The Sunken Cathedral', New Zealander Gareth Farr's massive 'From the Depths Sound the Great Sea Gongs' and more Debussy… 'Games of the Waves' from 'La Mer' or 'The Sea'. *This episode is from the group that launched the podcast back in February 2025. Whilst I am away from the microphone and the CD library for a couple of weeks, I'm repeating some of my favourite  episodes. Enjoy.

Maurice Ravel (1875 – 1937)  is arguably the most beloved composer France has given the world… able to take classical and pre-classical forms, absorb the harmonic colours of Impressionism, draw on the dance traditions of his Basque mother's heritage, and infuse his later work with the energy of early jazz. All of it synthesised into a language that is quite distinctly his own. In this episode… a section of his first Piano Concerto, the Pavane for a Dead Princess, a little taste of his String Quartet, the amazing orchestral work La Valse, or The Waltz, the 'Blues' section of his second Violin Sonata… and the irresistible 'Bolero'. Plus a little biography thrown in. *This episode is from the group that launched the podcast back in February 2025. Whilst I am away from the microphone and the CD library for a couple of weeks, I'm repeating some of my favourite  episodes. Enjoy.

Recent Discoveries Two This episode is the second one called 'recent discoveries'. And that should only be taken in the very personal sense of 'recent discoveries' for me. Some of it is indeed recent but in addition to music written in the last few years, there are a couple of pieces that date back to the early and mid-20th century so they were well and truly discovered before I encountered them. I want to apply a little bit of gentle pressure on behalf of the unfamiliar. I am going to hope that you will be pleasantly surprised by how good music by people whose names might not know can be… Music from Maria Grenfell, Gabriela Ortiz, Daniel Asia, Ethel Smyth, Herbert Howells, and the perhaps more recognisably… Dmitri Shostakovich.