Country Fried Rock

Amanda Miles and Chad Cochran bring sonically disparate, but thematically similar, music to Dive Bar Music Club. We end up with some deep conversation about taking care of our mental health and how that impacts the music community. The playlist moves through love, loss, and nostalgia. Amanda shares her latest Jason Isbell obsession, Chad leans into indie rock and some 90s throwbacks, and together we talk about how music becomes a lifeline during tough times. Amanda shares a bit about her progressive blindness, how it impacts her when going to see bands and venues lack accessibility, and teases an upcoming feature regarding her diagnosis in Bodies of Opinion.Catch Our Tastemaker PlaylistsApple Music Tidal Bands and Musicians Featured in Episode 8Willow Avalon w/ Jason IsbellElla LangleyThe Afghan WhigsLuke Combs w/ Alison KraussPaul McCartneyArcwelderMental Health Resources If you need immediate support, call or text 988 in the USA for connection to a trained volunteer who can help.NAMINuci's SpaceYour state occupational health or vocational rehabilitation officeMusic Health AllianceMusiCaresSims FoundationHAAM (Health Alliance for Austin Musicians)The RegularsChad CochranAmanda MilesSloane SpencerMusicians, Venues, Events, and Themes Referenced in This EpisodeAlan JacksonAppalachian State UniversityAthensAtlantaBodies of OpinionBrian Lee BrownBirminghamBowling GreenChicagoCoca-Cola AmphitheaterDave GrohlDavid ByrneFaith HillGarth BrooksJack WhiteJim WhiteLaughing HyenasLive NationLinda RonstadtLuaka BopMadison Square GardenMartina McBrideMinneapolisMiranda LambertNational Independent Venue Association (NIVA)Nelsonville Music FestivalNew Disabled SouthOhioOkemahPatrick KeelerRaconteursRed Rocks AmphitheatreReba McEntireRingo StarrRyman AuditoriumSteve AlbiniTabernacleTedeschi Trucks BandThem Crooked VulturesTouch and Go RecordsTopher BrownTyler ChildersVince GillWhite StripesWoody Guthrie Folk FestivalWynonna JuddRecommended If You Likedive bar music club, music podcast, 90s alt rock, emerging songwriters, Jason Isbell, Luke Combs, Alison Krauss, Ella Langley, mental health and music, concert photography, music festivals, country music scene, music recommendations, indie music, music accessibility, songwriter interviews, music playlists, music discussions, Americana music, music industry insights, Dive Bar Music Club podcast, music podcast 2026, indie music discussion, 90s alt rock nostalgia, indie rock playlist, Americana music podcast, country music deep dive, Jason Isbell fans, Willow Avalon Cardinal Sin, Luke Combs Alison Krauss duet, Ella Langley cover songs, Toby Keith cover reinterpretation, music and mental health, music as therapy, emotional connection to music, nostalgic music themes, love and loss songs, sad music playlist, songwriting and storytelling, emerging artists 2025, indie folk and synth folk, Icelandic folk music, live music culture, concert photography, music festivals 2026, backstage photography, touring musicians life, TikTok music discovery, viral music trends, album recommendations podcast, Paul McCartney new music, Afghan Whigs comeback, Arc Welder band, college rock revival, 90s music revival, alternative rock discussion, music community podcast, disabled joy and music, accessibility in live music venues, mental health in music industry, musicians mental health advocacy, music and identity, podcast music recommendations, discovering new artists, genre-blending playlists, music nerd culture

From our archives in 2012:Ewan Curry from The Sheepdogs joins the podcast for a relaxed chat about the band’s journey from bored university students to rock ’n’ roll success. He talks about finally embracing their dream, developing their harmony-driven sound, and grinding their way from small Canadian bars to US tours. They also touch on their latest self-titled album and how live shows shape their music.Chapters00:00 - Introduction to Country Fried Rock03:10 - The Evolution of the Sheepdogs08:25 - The Journey to Their Self-Titled Album11:47 - Recording Process and Challenges18:13 - Transitioning to New Creative Directions19:34 - The Evolution of Our Music and Touring PlansMentioned in this EpisodeAtlantic RecordsAthens, GeorgiaAustraliaBeckBlack Box RevelationBlack KeysBuffalo KillersChad BlakeChicagoCreamCountry Fried RockEwan CurryGregg AllmanHumble PieJimi HendrixJoel CarrierJohn FogertyKings of LeonKinksLollapaloozaLondon, EnglandMonster TruckNuci's SpaceOsheagaPat CarneyPeter FramptonPhiladelphiaPink FloydPortlandRolling StoneSan FranciscoSasquatch! Music FestivalSaskatoonSeattleSheepdogsTenacious DThe Allman Brothers BandThe BeatlesThe Full TonesThe Twisted HeartsThe White StripesUnited StatesWinnipegYukon BlondeRecommended If You LikeCountry Fried Rock, Ewan Curry, Sheepdogs band, music inspiration, rock band development, live music performance, guitar playing journey, songwriting process, Canadian music scene, music festivals, audience engagement, vocal harmonies, music recording experience, major label album, band dynamics, music career growth, touring experiences, indie rock bands, musical influences, live gig strategies, Ewan Curry interview, The Sheepdogs interview, Country Fried Rock podcast, Canadian rock bands, indie rock interviews, rock band origin stories, university band beginnings, touring musicians life, live performance rock bands, vocal harmony rock music, classic rock influences, Beatles inspired bands, Kinks influence, Jimi Hendrix influence, Kings of Leon covers, Black Keys influence, White Stripes era rock, garage rock revival 2000s, Saskatoon music scene, Winnipeg live music, Canadian bar gigs, indie bands touring Canada, US rock tour, headlining US tour, Chicago live music scene, Double Door Chicago venue, Philadelphia concert crowds, Seattle music scene, Portland music venues, San Francisco live music, New York music industry, Atlantic Records artists, Rolling Stone competition bands, breakout indie bands, band success stories, rock band struggles, music industry challenges, independent musicians journey, songwriting process rock, recording studio experience, Pat Carney producer, Chad Blake mixing engineer, album production process, self titled album release, touring Australia music, international rock tours, Coachella festival lineup, Sasquatch Music Festival, Lollapalooza lineup, Osheaga festival Montreal, live music festivals, opening for John Fogerty, Kings of Leon tour, Black Box Revelation band, Buffalo Killers band, Yukon Blonde tour, Monster Truck band Canada, indie rock collaborations, Guitar Hero generation fans, Pink Floyd influence, Allman Brothers inspiration, Joe Walsh influence, Peter Frampton Humble Pie, rock music evolution, band harmonies and melody, grassroots fanbase growth, music promotion strategies, indie band marketing, music video production challengesMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

From our archives in 2012:Graham Sharp from the Steep Canyon Rangers talks about where it all began, digging into his roots in bluegrass and how the band found its voice along the way. He shares how a mix of curiosity, creativity, and a few lucky breaks helped turn casual college jam sessions in Chapel Hill into a full-fledged career.Along the way, he paints a picture of the Asheville, North Carolina music scene and the role it played in shaping their sound early on. The conversation moves through the band’s evolution, from honoring traditional bluegrass to pushing into new territory with original songwriting.With plenty of humor and honesty, Graham also gets into what it’s like to stay creative on the road, how live performances keep the music alive, and how the band continues to adapt as the music world keeps changing. It’s a relaxed, heartfelt look at the journey behind the sound.Chapters00:00 - Introduction to Country Fried Rock02:41 - The Roots of Bluegrass Discoveries04:39 - The Journey to the First Record11:01 - The Creative Process of Recording14:31 - The Art of Music Packaging18:00 - Mountain Song Festival and Charitable EffortsMentioned in this EpisodeAshland, KentuckyAsheville, North CarolinaAthens, GeorgiaBedrockBill MonroeBoys and Girls ClubBrevard, North CarolinaBurlington, North CarolinaChapel Hill, North CarolinaColoradoCurtis Burch/New Grass RevivalDallas, TexasDavid Grisman QuintetDel McCouryDella MaeFull TonesHot RizeIBMA Awards (International Bluegrass Music Association Awards)J.D. CroweJames TaylorJimmy MartinJohn HartfordKruger BrothersLarry KeelLions, ColoradoMiami, FloridaMountain Song at SeaMountain Song FestivalNew Grass RevivalNew YorkNoiseTradeNorwegian Cruise LineNorth CarolinaNuci’s SpacePaul SimonPisgah National ForestPunch BrothersRaleigh, North CarolinaRocky Grass FestivalShannon WhitworthSixth ManSteve MartinSteve Soto and the Twisted HeartsTelluride Bluegrass Festival (1976 recording referenced)Town MountainTransylvania County, North CarolinaTravelin’ McCourysUniversity of North Carolina at Chapel HillWestern North CarolinaWinnipeg Folk FestivalRecommended If You Likebluegrass music, Steep Canyon Rangers, Graham Sharp interview, music inspiration, Asheville music scene, bluegrass community, traditional music, songwriting process, music festivals, live music performance, banjo music, music collaboration, Northern Carolina music, music creativity, acoustic music, roots music, music production, Mountain Song Festival, Steve Martin, music, Country Fried Rock podcast, Graham Sharp interview, Steep Canyon Rangers, bluegrass music, traditional bluegrass, modern bluegrass bands, Asheville North Carolina music scene, Brevard North Carolina, Western North Carolina musicians, Chapel Hill music scene, University of North Carolina music, Raleigh Durham music community, North Carolina bluegrass, Telluride Bluegrass Festival, RockyGrass Festival Colorado, Lions Colorado music festival, banjo learning, bass player bluegrass, songwriting process, band collaboration, live performance music, touring musicians life, recording studio process, album production, bluegrass songwriting, Americana music, acoustic music festivals, folk festival Winnipeg, Mountain Song Festival, Mountain Song at Sea cruise, Sixth Man productions, Norwegian cruise music festival, Miami music cruise, Steve Martin bluegrass collaboration, Paul Simon live performance, Stevie Wonder concert, James Taylor performance, Del McCoury band, Travelin McCourys, Punch Brothers, Kruger Brothers, Della Mae band, Town Mountain band, Shannon Whitworth music, Larry Keel bluegrass, David Grisman Quintet, New Grass Revival, Hot Rize, John Hartford music, Norman Blake guitar, Bill Monroe bluegrass pioneer, Jimmy Martin bluegrass, JD Crowe banjo, bluegrass influences, roots music, Americana songwriting, indie folk bluegrass, live music experience, festival performances, opening acts music, music collaboration, creative process musicians, songwriting on the road, band practice and rehearsal, independent musicians, music industry changes, digital music vs vinyl, physical album sales, vinyl records bluegrass, music streaming trends, audience engagement live shows, nonprofit music support, Nuçi’s Space Athens Georgia, mental health for musicians, Boys and Girls Club Transylvania County, Pisgah National Forest music community, music charity events, album artwork design Bedrock, Dallas design company, music branding and packaging, independent record production, grassroots music scene, college band beginnings, jam sessions musicians, acoustic instruments bluegrass, harmony singing, traditional roots soundMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

From the Country Fried Rock archives in 2012:Drew Carman from Corduroy Road drops by to chat about the band’s evolution and the power of personal connections in music. He kicks things off by musing on how social media, while a handy tool for spreading the word, can’t hold a candle to those face-to-face encounters that build real relationships and loyal fans. They dig into the nitty-gritty of hitting the road full-time, the ups and downs of touring, and how fresh lineup changes have brought new energy and creativity to their sound. From busking in Knoxville to jamming with pals at festivals, every story is tinged with a sense of community and the joy of making music. Buckle up, because this episode is packed with insight and good vibes, all served up with a side of witty banter!TakeawaysCreating music is all about the connections you make with people, not just social media.Drew Carman emphasizes the importance of personal interactions over digital connections to build a loyal fanbase.They share how busking in places like Knoxville can be a lucrative way to earn money while touring.The evolution of Corduroy Road's lineup brought fresh influences and new musical styles to their sound.Drew reflects on how touring keeps them grounded and connected to their roots as musicians.The band’s decision to keep their name after lineup changes underscores their commitment to growth and continuity.Chapters00:14 - Introducing Drew Carman of Corduroy Road04:17 - The Evolution of a Musician11:15 - The Evolution of Corduroy Road17:30 - Reflections on Touring and Festivals23:12 - Connecting Through MusicMentioned in this EpisodeCorduroy RoadMark CunninghamAthensEaster IslandJohn KeaneNuci's SpacePale FaceIan ThomasPackway Handle BandHoly Ghost Tent RevivalReverend Peyton's Big BandSteep Canyon RangersFullTonesSteve SotoTwisted HeartsRecommended If You Likecountry fried rock, Corduroy Road, Drew Carman interview, indie music podcast, Athens music scene, social media for musicians, touring musicians, busking experiences, music creativity, songwriting inspiration, regional music festivals, live music connections, band evolution, music publicity strategies, music industry insights, building a fanbase, acoustic music influences, old time music, musician mental health, grassroots music promotionMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

From our archives in 2012:Anders Beck of Green Sky Bluegrass joins this episode of Country Fried Rock for an engaging and insightful conversation about life on the road and the artistry behind his music. He offers a behind-the-scenes look at the demands and rewards of touring, sharing how the band consistently performs 150 to 200 shows each year while connecting with diverse audiences through the festival circuit.Beck also reflects on his musical beginnings, crediting his parents for inspiring his passion and recalling the pivotal moment he discovered the dobro at a bluegrass festival, an experience that set him on his current path. The discussion delves into the band’s creative approach, highlighting the role of improvisation in their live performances and how it naturally shapes their songwriting process.This episode delivers a thoughtful and relaxed exploration of musicianship, creativity, and the unique energy that comes from making music together on stage.Chapters00:09 - Introduction to Green Sky Bluegrass02:56 - The Journey into Bluegrass Music06:05 - The Evolution of Bluegrass: Embracing New Influences13:12 - Joining the Band: A Journey into Green Sky15:47 - The Evolution of Green Sky20:16 - The Creative Process Behind the AlbumMentioned in this EpisodeGreensky BluegrassGrateful DeadMetallicaBenny GallowayYonder Mountain String BandInfamous StringdustersDavid GrismanFlatt and ScruggsBill MonroeTodd SniderRadioheadBon IverWilcoRailroad EarthXM RadioNuci's SpaveMuscle ShoalsRecommended If You LikeCountry Fried Rock, Green Sky Bluegrass, Greensky Bluegrass, Anders Beck interview, bluegrass music, jam bands, music festivals, songwriting process, improvisation in music, acoustic instruments, music creativity, Grateful Dead influence, country music inspiration, live music performances, bluegrass festivals, music collaboration, recording process, vinyl records, analog recording, music industry insights, country music podcastsMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

From the Country Fried Rock archives in 2012:Ben Morrison of Brothers Comatose dives into the vibrant world of creativity and music in this laid-back chat on Country Fried Rock. The conversation kicks off with a breezy exploration of his roots in music, growing up in a household filled with jamming parents and a brother who keeps the rhythm alive with his banjo skills. They reminisce about those early days of acoustic living room concerts, where classic rock legends like Led Zeppelin and the Rolling Stones were their guiding stars, before shifting gears to discuss how they’ve evolved as a band into a unique blend of genres that keeps audiences on their toes. Ben shares the nitty-gritty of their recording process, emphasizing the importance of capturing the raw energy of live performances and the joy of collaborating with fellow artists, including a heartwarming story about discovering Nikki Bloom and the Gramblers at a festival. With some witty banter sprinkled throughout, they keep the vibe fun and relatable, making it clear that while the road to success can be rocky, it's all about enjoying the ride and creating music that resonates.TakeawaysBen Morrison of Brothers Comatose reminisces about growing up surrounded by music, thanks to his musician parents and lively music parties at home, which sparked his passion for playing.The band evolved from jamming in their living room to performing live, booking gigs, and developing their unique sound through collaborative songwriting.Morrison highlights the importance of live performance preparation, especially for a string band, to capture energy and engagement during shows without a drummer.Festival performances present unique challenges for string bands, requiring them to impress new audiences who are often sitting in lawn chairs, making energy and effort crucial to winning over crowds.Brothers Comatose embraces a variety of musical influences, blending traditional string band sounds with modern genres to create a more diverse and exciting live experience.The band's recording process has shifted to a more collaborative approach, allowing members to contribute to the songwriting and arrangement of new tunes before hitting the studio.Mentioned in this EpisodeBrothers ComatoseWeezerLed ZeppelinThe Rolling StonesThe KinksCalifornia Honey DropsNikki Bloom and the GramblersiTunesNucci's SpaceLily Pad productionsFull TonesSteve Soto in the Twisted HeartsRecommended If You LikeCountry Fried Rock, Ben Morrison interview, Brothers Comatose, country rock music, musician creativity, acoustic arrangements, live music performance, music inspiration, songwriting process, festival performances, San Francisco music scene, string band music, music collaboration, influences in music, coffee and music, music industry insights, recording process, band dynamics, music festivals, Americana musicMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

From the Country Fried Rock archives of 2012:Kevin Gordon graces the airwaves of Country Fried Rock, diving deep into his latest album, Gloryland. He chats about how his early exposure to the sounds of legends like Jerry Lee Lewis and Ray Charles sparked his lifelong passion for roots music and Americana. Kevin shares some solid gold anecdotes from his time in Iowa, where he discovered a vibrant music scene that shaped his artistic voice and led him to Nashville. As he reflects on his evolution from punk rock to crafting poignant lyrics, it’s clear that authenticity and storytelling are at the forefront of his creative process. With a mix of nostalgia and humor, he highlights the serendipity of songwriting, revealing how life's twists and turns have influenced his work while giving a nod to the importance of collaboration in the ever-changing landscape of music.TakeawaysKevin Gordon's journey into music began as a kid dancing to classic tunes like Jerry Lee Lewis and Ray Charles at his parents' parties.He found his footing in music through a punk band in high school, where he learned the value of self-expression and the joy of covers.Moving to Iowa for grad school opened his eyes to the rich musical traditions of the Midwest and the Chicago blues scene.In Nashville, Kevin embraced the songwriting process, blending poetry and music to create lyrics that resonate on multiple levels.His latest record, Gloryland, reflects a more layered musical approach, taking time to develop each song in the studio.Collaboration is key for Kevin; his partnership with Gwil Owen allowed them to write songs that truly capture their artistic vision.Mentioned in this EpisodeJerry Lee LewisRay CharlesXBo RamseyChessLittle Ed and the ImperialsSun SealsLeroy ParnellMarty BrownPam TillisCadillac Jack'sRecommended If You Likecountry fried rock, Kevin Gordon, Americana music, roots music, Gloryland album, songwriting inspiration, Nashville music scene, blues influences, indie music, live music performances, music production, songwriting collaboration, music creativity, poetry and music, touring as a musician, music industry insights, Lake Charles music, East Nashville artists, Midwest music scene, independent music artistsMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

From our archives in 2012:Jesse Langlais from Town Mountain joins Country Fried Rock to dive deep into the roots of his bluegrass journey and the creative spark that fuels his music. He kicks things off by sharing how a chance encounter with a bluegrass CD transformed his musical path, leading him from a casual listener to a passionate banjo player. As the conversation flows, they explore the vibrant bluegrass scene in Asheville, where Jesse honed his craft alongside fellow musicians, fostering a community where creativity thrives. The duo also chats about the delicate balance between respecting traditional bluegrass and pushing the genre into fresh, uncharted territories. Tune in for a laid-back yet insightful chat that reveals how Jesse and Town Mountain are shaking up the bluegrass world while keeping it real.Show NotesJesse Langlais of Town Mountain joins the podcast to share his journey into bluegrass music.Grew up surrounded by diverse musical influences, including Ray Charles and James Taylor, but didn’t pursue music seriously until his late teens.A chance encounter with a bluegrass CD featuring Jerry Garcia sparked his passion for the genre.Describes falling in love with the sound of the banjo and the journey to find the right instrument and musical identity.Reflects on moving to Asheville and becoming immersed in a thriving bluegrass community.Shares experiences from local jams and gatherings, including Shindig on the Green, highlighting the importance of community in bluegrass culture.Emphasizes how collaboration and shared musical experiences help preserve and evolve the genre.Discusses his early drive to write original music, even as a relatively new player.Explores the balance between honoring traditional bluegrass roots and pushing creative boundaries.Explains how Town Mountain blends authenticity with fresh sounds to reach both longtime fans and new listeners.Mentioned in this EpisodeRay CharlesLittle FeatJames TaylorJerry GarciaBill MonroeFlatt and ScruggsStanley BrothersJimmy MartinAsheville Country Music ReviewMike BubDel McCoury BandScott VestalPine Castle RecordsPutumayoAllison Krauss and Union StationSam BushDavid GrismanRecommended If You Likecountry fried rock, bluegrass music, Jesse Longley, Town Mountain, music inspiration, Asheville music scene, bluegrass community, songwriting process, traditional bluegrass, progressive bluegrass, music creativity, banjo playing, live music performance, music collaboration, music recording process, original music, bluegrass jams, Appalachian music, Folk music, musician interviewsMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

From our archives in 2012:BJ Barham, of American Aquarium, takes a deep dive into the whirlwind of creativity behind their new album in this laid-back chat. They kick things off by highlighting a key point: the band's commitment to evolving their sound with each release, as they embrace a different producer for every record. BJ shares some personal anecdotes about how his life experiences, especially those messy relationship moments, fuel his songwriting, creating a vivid backdrop for the band's narrative-rich lyrics. He also reflects on the unique chemistry within the band now compared to earlier days, emphasizing how their camaraderie allows for a more organic and collaborative creative process. As they gear up for an intense touring schedule, BJ expresses excitement about how their fans are already singing along to new songs, proving that the road has truly shaped their music and its reception.Show Notes BJ Barham, lead singer of American Aquarium, joins the Country Fried Rock podcast for a candid and engaging conversation about his musical journey.Barham reflects on his early days discovering music in high school and how those formative experiences carried into his college years.Shares how young love, heartbreak, and personal struggles became the foundation for his songwriting and artistic voice.Opens up about the cathartic nature of writing music and how channeling personal turmoil led to songs that deeply connect with fans.Discusses the band’s impressive run of releasing multiple albums in a short period, emphasizing their strong work ethic and creative momentum.Explains their approach to working with different producers for each project to create distinct sounds and avoid creative stagnation.Cites legendary influences like Bruce Springsteen and Bob Dylan, highlighting the importance of storytelling in songwriting.Encourages listeners to dig into the narratives within his lyrics and find personal meaning in the songs.Keeps the conversation light and entertaining with humor and relaxed, conversational storytelling.Shares memorable stories from touring, including the connections built with fans across the South and beyond.Talks about the excitement surrounding their upcoming album and the unique experience of playing unreleased songs live.Highlights how live performances allow fans to engage with new material before it’s officially released.Reflects on music’s power to bring people together and create shared emotional experiences.A mix of humor, honesty, and insight that showcases Barham’s passion and the band’s continued evolution while staying true to their roots.Mentioned in this EpisodeChris StameyJason IsbellLone Star Music CompanyTurnpike TroubadoursGaslight AnthemBruce SpringsteenBob DylanPaul SimonCraig FinnAmanda ShiresJimmy NuttCaitlin CaryPeter HolsappleDonald Glover (Childish Gambino)Jay-ZJ. ColeThe Hold SteadyDrive-By TruckersDawesShovels & RopeTurnpike TroubadoursReckless KellyJason Boland & The StragglersLuceroThe LumineersThe KillersBrooks & DunnThe FulltonesSteve Soto and the Twisted HeartsTin RoofThe JinxWhite Water TavernThe TripleThe NationalJefferson TheaterFAME StudiosNuthouse Recording StudioAntique HeartsBones EPSmall Town HymnsBurn.Flicker.Die.Blonde on BlondeBorn to RunHeartbreakerNebraskaLast Chance RecordsNuçi’s SpaceRecommended If You LikeCountry Fried Rock, American Aquarium, BJ Barham interview, songwriting inspiration, music creativity, Raleigh music scene, indie country bands, folk rock music, live music performances, recording process, producer collaborations, narrative songwriting, emotional songwriting, music festivals, touring musicians, North Carolina bands, music industry insights, mental health for musicians, Americana music, musician interviewsMentioned in this episode:Don't Click Those Old Links!These podcast episodes are from 2009-2020. Links are probably dead. Half these places do not exist any more.

SummaryMomma's in her first official ultramarathon training block, and things are getting real. Back-to-back long runs? Check. Experimenting with mashed potatoes in a Ziploc mid-run? Also check. (Sweet gels, sometimes we need a break.) As she navigates fueling flails, lopsided pistol squats, and the humbling realization that some “lost skills” were never there to begin with, the ultra journey is serving up equal parts grit and comedy.But the real plot twist? A full-on obsession with the Black Canyon Ultras livestream. Eight hours of desert running, elite women crushing it, and shockingly good coverage, better than the Chicago and Tokyo Marathons. Trail running entered the chat with drones, commentary, and vibes.From desert cacti to her new word "vert," Momma's falling hard for the ultra world, while also spiraling (just a little) into Olympic ski mountaineering fandom. Foot care books are on the way, shoe decisions loom large, and the quest for “vert” while living in a place with 11 feet elevation change is officially underway.It’s midlife, miles, and mashed potatoes, and she’s saying all the quiet parts out loud.Chapters00:12 - Beginning the Ultra Journey01:03 - Transitioning into Ultramarathon Training03:52 - The Transition to Trail Running04:39 - Experiencing the Excitement of Trail Running06:39 - Introduction to Skimo and Ultra Running07:29 - Preparing for the UltramarathonHow I ProcrastinateSleep with Rock Stars, the Gen X Sleep PodcastCountry Fried Rock, Podcast Archives from 2009-2020Music PlaylistsSupport This PodcastDive Bar Music Club, the Low Key, High Taste Happy Hour for Music NerdsRecommended If You Likeultramarathon training, trail running tips, ultra marathon nutrition, back to back long runs, desert running events, running coverage comparison, fueling for ultra marathons, ultramarathon for beginners, ultramarathon coaching advice, running and nutrition, marathon coverage issues, trail running for newbies, ultra marathon gear, how to run an ultra, best foods for running, ultra marathon training plan, ultramarathon experiences, running techniques for older runners, ultra marathon community, ultrarunning podcasts, Leah Yingling, Mountain Outpost, Hilary Yang, Hillary Yang, Molly Seidel, Des LindenMentioned in this episode:Dive Bar Music Club, the Low Key, High Taste Music PodcastA rotating cast of The Regulars gather to chat about the music they're currently listening to.

SummaryTeal Collins and Josh Zee, the powerhouse duo behind The Mother Truckers, are here to take us on a ride through their musical journey that's as untamed as a wild rodeo. They open up about how their family backgrounds sparked their creative fire. Teal’s dad, a jazz DJ, handed her a Les Paul electric guitar, while Josh's father, a folk singer, laid the foundation for his evolution into hard rock. They talk about their shift from California to the buzzing music scene in Austin and how it influenced the sound of their band. Now, with their latest album, Van Tour, they’ve embraced the DIY approach, self-producing the record with a level of freedom that’s made the whole process feel like an adventure. Between the humor and heartfelt stories, they reflect on the highs and lows of touring, the close-knit community with fellow musicians, and the genuine connection they feel with their fans. This episode is a celebration of the grind, the groove, and the joy of making music on their own terms.Show NotesMusicians Teal Collins and Josh Zee of The Mother Truckers join Sloane on Country Fried Rock to share their musical journeys and creative inspirations.Teal discusses her early musical influences, particularly her father, a jazz DJ, who gifted her a Les Paul electric guitar, an instrument she still uses on stage today.Josh talks about his upbringing, focusing on how his father shaped his love for music in the 80s, especially during the era of iconic guitar solos in rock.They reminisce about their early band experiences and the challenges of breaking into the music scene, blending humor with reflections on their artistic growth.The conversation shifts to their move to Austin, Texas, where they found a supportive and thriving music community that played a significant role in their success.The duo discusses their latest album, Van Tour, emphasizing the freedom of creating music without the constraints of traditional record labels.They provide a sneak peek into their upcoming U.S. and European tours, building anticipation for what’s next on the horizon.Chapters00:00 - Introduction to Country Fried Rock02:21 - The Origins of the Mother Truckers06:46 - Run for Freedom: The Journey of Independence08:45 - Exploring Musical Influences and Inspirations11:51 - The Collaborative Process of Songwriting16:01 - Reflections on Touring and ConnectionTakeawaysTeal and Josh talk about how their roots shaped the sound and style of The Mother Truckers.The band shares how important collaboration is in their songwriting, letting creativity flow without too many rules.Moving to Austin was a game-changer for them, opening up more opportunities and introducing them to a supportive music scene.Their new album Van Tour marks a moment of freedom from the industry's pressures, making music fun again.They reflect on the joy of connecting with fans on tour, building a sense of community through their music.Their easy-going conversations about past influences add a personal touch to their story, showing how music is both a passion and a journey for them.Mentioned in this EpisodeThe Mother TruckersLittle Steven's Underground GarageSiriusStonehoneyElmore JamesMuddy WatersJohnny CashWillie NelsonGeorge JonesHank WilliamsMerle HaggardAC/DCThe Rolling StonesThe BeatlesKenny LogginsOlivia Newton-JohnREO SpeedwagonLes PaulRecommended If You LikeCountry Fried Rock, Mother Truckers, Teal Collins, Josh Zee, Austin music scene, songwriting process, creative inspiration, guitar stories, van tour, independent music, music collaboration, live performances, roots music, album releases, touring Europe, Little Steven's Underground Garage, music influences, band interviews, Americana music, creative journey, musicians' storiesTranscriptSpeaker A00:00:00.800 - 00:00:09.040Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered.Speaker B00:00:09.120 - 00:00:11.840Hey, Teal. This is Sloan from Country Fried Rock.Speaker C00:00:12.000 - 00:00:13.440Hi, Sloan. How are you?Speaker B00:00:13.600 - 00:00:15.200I am doing well. How are you?Speaker C00:00:15.440 - 00:00:16.640I'm great, thanks.Speaker B00:00:16.720 - 00:00:19.760Thanks so much for both of y' all being with us here on Country Fried Rock.Speaker C00:00:19.840 - 00:00:20.960Thanks for having us.Speaker B00:00:21.120 - 00:00:30.920We've got Teal Collins and Josh Z. Chatting with us today. The Mother Truckers of Austin, Texas. Got major things happening these days. Yes, Teal, you are one bad mama jama.Speaker C00:00:31.800 - 00:00:34.360Thank you. Thank you so much.Speaker B00:00:35.000 - 00:00:38.120How on earth did you end up where you are now, musically?Speaker C00:00:38.600 - 00:00:56.680I actually took up guitar when I was about 16. I first took up ukulele. My dad taught me the ukulele. And then I took up guitar when I was about 16.My dad, who was a jazz disc jockey, was friends with Les Paul. Les Paul gave me my first electric guitar that I still play on stage every night with the Mother Truckers.Speaker B00:00:57.140 - 00:00:58.340That's awesome.Speaker C00:00:58.740 - 00:01:23.590One of my first bands, tradition, it was called, they had me sing a song, and I was kind of scared because I hadn't really. I always sang in my bedroom but never really sang out.And I realized at that moment it was sure a lot easier than all these strings and frets and fingers. So I put down the guitar and started singing full time, you know, and then picked up the guitar again years later with this band. Been just great.Speaker B00:01:24.230 - 00:01:26.870That is a great story. So what about you, Josh?Speaker D00:01:27.190 - 00:01:53.230Well, my dad also was a musician. He could kind of play everything. He's a folk singer. He's taught me guitar. You know, I like hard rock stuff. I grew up in the 80s.Guitar was everything. Even Olivia Newton John had a single out, but she had to have some blazing guitar solo or Kenny Logging. Everyone had to have a shredding guitar solo.That was the time. So that's what I wanted to do and still am working on it to this day.Speaker B00:01:53.230 - 00:01:58.690I guarantee this is the time anyone's ever referenced Olivia Newton John or Kenny Loggins on this show.Speaker D00:01:59.890 - 00:02:08.050Yeah, well, I did it to illustrate a point

SummaryFrom 2012: Brace yourself for some serious tunes and good vibes as Brason Alexander from Midnight Salvage hops on the mic with the gang at Country Fried Rock. They dive deep into the band’s origin story, filled with college antics, Craigslist connections, and the quest for musical magic that kicked off their journey. Brason spills the beans on how their sound has evolved, especially after bringing in a new drummer who’s been a game-changer for their live performances. The convo gets juicy with insights on the recording process, their ambitions for a bigger, bolder sound, and how they’re not just going to stick to the same ol' formula; oh no, they’re aiming to get all experimental and push boundaries this time around. Tune in for a laid-back chat that’s packed with musical passion and a sprinkle of good ol’ humor; this episode is a must-listen for any music lover!LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Brason AlexanderMidnight SalvageAlexander was later in Mismatched BlackYou may also enjoy this conversation with Annie Rothschild of Paladino from 2012Show NotesIn this episode, Country Fried Rock welcomes Brason Alexander from Midnight Salvage for a laid-back, honest, and often hilarious look at the winding road of building a band from scratch.Here’s what you’ll hear in the conversation:From friends to bandmates:Brason shares how a spontaneous family trip set things in motion—returning to find his longtime friend Brian Keel had taken some loose musical ideas and turned them into full-fledged songs.Craigslist, chaos, and commitment:The pair’s search for bandmates through unconventional means (yes, Craigslist) brings laughs and insight into the unpredictable process of forming a band.Garage shows to studio sessions:Brason talks about the evolution from casual gigs to recording their first album, focusing on quality over quantity and the decision to take their sound seriously.Poetry before notes:Songwriting started early for Brason—ditching classroom notes for poems in high school, laying the foundation for his expressive and thoughtful lyrics.A sound shaped by family and influence:With roots in a wide range of musical styles, Brason discusses how family and eclectic tastes helped shape Midnight Salvage’s unique blend of sounds.The Brason–Brian dynamic:Collaboration is key. Brason opens up about how he and Brian developed a creative partnership built on support, honesty, and mutual inspiration.Studio revelations:The recording process brought unexpected lessons. Brason reflects on working with a producer, the clarity it brought to their sound, and learning when to step back and let the music breathe.Eyes on the future:With new music in the works, Brason hints at pushing creative boundaries while staying grounded in the band’s origins and core values.This episode is packed with storytelling, creative process insights, and the kind of real talk that makes you feel like you’re right there in the room.A must-listen for anyone who loves music built on friendship, passion, and a little bit of chaos.Chapters00:09 - Introducing Brason Alexander03:19 - The Evolution of Midnight Salvage06:00 - Transitioning to a New Album and Sound14:23 - The Transition to Touring and Family Life18:30 - The Evolution of the Band: Changes and Challenges20:00 - Transition to New Music RecordingTakeaways Brason and Brian's musical journey is a testament to the power of friendship and collaboration, showcasing how a spontaneous idea can evolve into a passionate band like Midnight Salvage. The creative process of songwriting is an intricate dance, where influences are borrowed and transformed, reflecting a deep connection among band members that fuels their artistic endeavors. The transition from casual gigs to a serious recording process reveals the band's growth and commitment to refining their sound, demonstrating that quality often trumps quantity in music. The importance of having a skilled producer in the studio cannot be underestimated, as it can drastically shape the musical output, guiding the band to craft a clearer and more polished sound. Emphasizing experimentation over formulaic songwriting, the band aims to enhance their musical complexity while still creating catchy tunes that resonate with their audience. As Midnight Salvage prepares for their next album, they reflect on past experiences and aim to bring new elements into their music, showcasing their aspiration for growth and innovation. Mentioned in this Episode Midnight Salvage Craigslist Aubrey Shelton Conrad Uno Nixon Nuci's Space Full Tones Steve Soto Twisted Hearts Recommended If You Likecountry fried rock, Midnight Salvage, musician interviews, band formation, songwriting process, Tacoma music scene, Americana music, local music gigs, garage band recording, music creativity, songwriting inspiration, band member dynamics, indie music podcasts, local shows, music collaboration, recording albums, live performance tips, music community support, emerging artists, music industry challengesTranscriptSpeaker A00:00:00.800 - 00:00:13.920Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guest today on Country Fried Rock is Brayson Alexander of the band Midnight Salvage. Welcome.Speaker B00:00:14.080 - 00:00:15.280Thank you. Thanks for having me.Speaker A00:00:15.280 - 00:00:21.760Thanks for being on Country Fried Rock. Let's set the stage for people who may not be familiar with Midnight Salvage yet. How did y' all get together as a band?Speaker B00:00:22.160 - 00:00:56.550It's been a different ride. Brian Keel, our lead guitar player. Been friends for a while, and in college I actually spoke. I left for Christmas vacation to go see my family.I stuck a bunch of stuff on his door and just left kind of in a hurry. When I got back, he actually had music to it and I thought it would kick off from there, but then it just.We both kind of went different ways for a while, but then we kind of got back together. He started teaching me how to play guitar. Finally we said, we need to. Let's see if we can get a band, see what we can do.So we talked to his friend, which now is his brother in law, into going from guitar to bass. And then we found a drummer on Craigslist.Speaker A00:00:57.030 - 00:00:57.750That's awesome.Speaker B00:00:58.070 - 00:01:25.510And so then we started that and it was more just a thing of, let's see, let's play a gig, okay, let's play two gigs, let's play this. Let's try and make an album in the garage. Essentially, we did. The brother in law just got too busy is our new drummer.He's been with us for about a year or so. We knew him from other bands and when our other drummer left, we were starting the process of finding a drummer and we were actually shocked.He called us and said, hey, you guys looking for a drummer? I'd be interested. And we found out. We were excited. We were like, okay.Speaker A00:01:26.050 - 00:01:29.330More and more bands are finding bandmates through Craigslist.Speaker B00:01:29.570 - 00:02:03.860Yeah, it's kind of like themats.com for bands. Poetry then started off. When I was in high school, I hated English because they always had seating charts by your first and last name.It's switching that semester. Well, being Brace and Alexander, I'm sitting in the front every time they switch the chart.So the key from getting in trouble without paying attention, I just wrote stuff, you know, Even when I got into college, I still, like, end up writing, like, more of my own stuff than notes I took and just kind of kept at it. And I didn't know what I was doing with it. I just kept doing it just for, I don't know, probably some kind of release. Or whatever.But that's kind of how that started.Speaker A00:02:04.260 - 00:02:05.940Were you into music as a fan?Speaker B00:02:06.100 - 00:02:31.920Yeah, I loved music a lot when I was younger. I didn't play anything. We had this piano in the basement.To this...

SummaryFrom 2012: Derek Hoke joins the Country Fried Rock crew for a chat that dives deep into his musical journey, with a special spotlight on his latest record, Goodbye Rock and Roll. He kicks things off by reminiscing about his punk rock roots, where he first caught the music bug, strumming guitars and belting out catchy tunes about World War III, classic teenage angst, right? As the convo unfolds, Hoch reveals how moving to Nashville was like jumping into the deep end, forcing him to shed his old skin and explore a more authentic sound that vibes with the city's rich musical tapestry. He spills the beans on the creative process behind his new album, highlighting how collaboration with pals like Dexter Green led to a unique blend of country and blues, all while keeping it refreshingly simple and relatable. With a wink and a nod, Hoke also shares the joy of fostering a community of artists eager to showcase their original tunes, making Nashville not just a backdrop, but a vibrant stage for fresh talent.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Derek HokeDerek Hoke on BandcampYou may also enjoy this conversation with The Famous from 2012Show NotesFinding His Footing in Punk and Beyond• Derek Hoke looks back on his early days playing guitar and piano with a punk rock edge• Shares memories of chasing loud, fast music and the energy that came with it• Talks about the shift from covering songs in smoky bars to writing his own stories through musicThe Move to Nashville and a Musical Reset• Recalls the moment he knew it was time to take his craft seriously and move to Nashville• Describes the challenges of carving out space in a city filled with talent• Realizes that authenticity resonates more than nostalgia-driven coversBirth of the ‘Quiet Billy’ Sound• Introduces his unique musical identity, a blend of country cool and bluesy rhythm• Talks about stripping songs down to their essence and letting the lyrics breathe• Shares how simplicity became a guiding force in his creative processGoodbye Rock and Roll and New Creative Horizons• Offers a behind-the-scenes look at the making of his latest album• Describes the balance of upbeat energy and emotional depth in the new tracks• Reflects on how the album captures both personal growth and musical explorationCollaboration, Identity, and Creative Clarity• Opens up about finding his voice after years of playing other people’s songs• Talks about the push and pull between reinvention and staying true to his roots• Highlights the joy of collaboration and how it keeps the process freshConnection Over Perfection• Emphasizes the power of live shows, from cozy coffee shops to full-band gigs• Shares how performance is less about polish and more about presence• Stresses the importance of real connection with listeners and shared moments through musicWhy This Episode Matters• Derek’s story is about evolving without losing heart• He brings humor, humility, and clarity to the winding path of a working musician• It’s a reminder that sometimes the quietest songs say the mostTune in to hear Derek Hoke reflect on his musical journey, the making of Goodbye Rock and Roll, and why honesty always wins in the end. Available now wherever you get your podcasts.Chapters00:09 - Introducing Derek Hoke03:25 - Finding My Voice: The Journey to Songwriting07:45 - The Evolution of Sound: From Rock to Country12:54 - The Journey of New Music13:50 - Exploring Musical Influences18:31 - The Beauty of Vinyl and the Music ExperienceTakeaways Derek Hoke's journey into music began with an early fascination for guitars and pianos, leading him to join punk rock bands where he discovered his passion for songwriting. The transition to Nashville was a pivotal moment for Derek, as it challenged him to refine his identity as a songwriter amidst a sea of talented musicians. Derek emphasizes the importance of live performances in shaping his music, revealing that direct audience feedback is crucial for artistic growth and self-discovery. He describes the unique atmosphere of Nashville's music scene, where collaboration and support among artists thrive, creating an environment conducive to creative exploration. Derek's latest album, Goodbye Rock and Roll, showcases his evolution as an artist, blending various influences while maintaining a distinctive sound that resonates with listeners. The conversation touches on the significance of simplicity in songwriting, highlighting how embracing straightforward narratives can lead to a more genuine and relatable musical experience. Mentioned in this Episode Nuci's Space Country Fried Rock Full Tones Steve Soto Twisted Hearts Raconteurs Chris Scruggs Lyle Lovett Jim Lauderdale Eric Brace Peter Cooper Jason Isbell Dexter Green Florence Nashville Columbia Spartanburg Charleston Magic Sam Sam Cooke Corey Chisel Patrick Keeler Jack Lawrence Collective Soul Ricky Skaggs Luke Bullo Recommended If You Likecountry music, Nashville musicians, Derek Hoch, Goodbye Rock and Roll, songwriting process, creative inspiration, indie music scene, live performance, music feedback, punk rock origins, country fried rock podcast, music collaboration, acoustic guitar, songwriting identity, music influences, R&B in country, album production, mental health in music, music samplers, Southern blues musicTranscriptSpeaker A00:00:00.800 - 00:00:18.680Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried rock music uncovered.My guest today on Country Fried Rock is Derek Hoch with his last record, Goodbye Rock and Roll has some brand new music for us this year. Looking forward to chatting with him today. Welcome, Derek Hoch.Speaker B00:00:18.680 - 00:00:20.000Hey, Sloan, how are you?Speaker A00:00:20.080 - 00:00:34.940Great. Thanks for being with us.Yeah, I had the opportunity to hear you play a few times and the first thing I heard was that last record of Goodbye Rock and Roll, which was a great treat, but the bigger treat was getting to hear you a few times. Nashville over the last couple years. How did you get started playing music?Speaker B00:00:35.340 - 00:01:05.990At an early age, I could hear hear music and started kind of picking up guitars and pianos and could pick out melodies on these instruments that I didn't know how to play very basic things and kind of kept learning the guitar and got okay at it and joined little punk rock bands and, you know, started writing my own stuff, started learning how to sing and play at the same time, which was very difficult at the time. Basically what happens is I fell in love with all of it and I couldn't stop doing it. I couldn't wait to do it. That was. You got the bug.You got the bug.Speaker A00:01:06.070 - 00:01:09.590When you were in your early punk rock bands, were y' all writing originals at that point?Speaker B00:01:09.750 - 00:01:23.750Yeah. The first song I ever wrote was a song called say Goodbye, Punk rock song about like, World War III and whatever Reagan era paranoia was going on.I was very proud of it. Like, it was catchy and fast and I wrote it.Speaker A00:01:24.190 - 00:01:25.230Were you gigging then?Speaker B00:01:25.230 - 00:01:31.790Yeah, we played all the little VFWs, church basements and wherever we could play and just had fun doing it.Speaker A00:01:32.190 - 00:02:00.810Several great musician friends of Country Fried Rock generously donated songs for a free music sampler.Download it at noise trade.com countryfriderock 19 songs to help raise awareness and money for Nucci Space, a nonprofit serving the mental health needs of musicians in the Athens, Georgia area.Find out more about Nucci's at n u c I.org and so at what point did you move toward whatever form of music you were doing of like, this is what I'm going to do with myself.Speaker B00:02:01.210 - 00:02:26.450That came, like, later in high school, starting to write my own stuff and not really having an identity though, with it. Like, I wrote all this music but, you know, one song that's like an RM song, some other songs on like a Chris Isaac song or...

SummaryFrom 2012: Brian Venable of Lucero drops in on Country Fried Rock to dish about the vibrant family vibe that permeates the music scene, especially with his band’s annual Family Picnic event. He dives deep into how this gathering isn’t just a concert; it’s a reunion of eclectic bands, each with their own unique sound yet tied together by a shared spirit of creativity and camaraderie. He reflects on his journey from a punk rock hobo kid to a seasoned musician, attributing much of his musical roots to his dad, who was a musician on Beale Street. As they chat, they explore the evolution of Lucero's sound, touching on their blend of rock and country, and how the addition of new members has sparked fresh creative energy. The conversation is a warm, entertaining dive into the heart of music-making, where experimentation meets tradition, and where every note is a step in a never-ending journey of artistic growth.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!LuceroLucero on BandcampYou may also enjoy this conversation with Margo Price from 2012Show NotesIn this episode of Country Fried Rock, we welcome Brian Venable of the beloved band Lucero for a warm, reflective, and deeply human conversation about music, roots, and the ties that bind creative souls together.Highlights from the conversation:Musical roots run deep:Brian shares how his dad’s hustle on Beale Street and deep musical background shaped his early exposure, even as Brian leaned more toward punk than blues.Teenage rebellion with heart:Hear about Brian’s early pushback against his father’s influence, his dive into punk zines and poetry, and how that spirit still fuels his creative life today.Lucero’s evolution:From garage beginnings to a band with a devoted community, Brian reflects on Lucero's growth and what it means to be more than just a group that plays songs.A family picnic of bands:Brian paints a vivid picture of the interconnected world of bands—those that may not always hit the charts but share history, stages, and mutual respect.Genre is fluid:Punk, country, and everything in between—Brian breaks down how Lucero's sound isn't boxed in, but shaped by emotion, experience, and experimentation.On building creative community:More than fame, Brian values the friendships and shared stages that form a kind of musical family tree, where influence flows freely across acts and time.Candid and comforting:A conversation filled with honesty, humor, and heart—perfect for anyone who’s ever wrestled with the push and pull of expectations versus passion.Listen in for a rich blend of storytelling, music history, and the kind of reflection that reminds us why we fall in love with bands like Lucero in the first place.Chapters00:09 - Introducing Brian Venable of Lucero01:06 - The Journey into Music04:48 - The Evolution of a Band12:07 - The Evolution of Live Performance and New Music Release19:40 - The Intersection of Music and Personal ChoicesTakeaways The podcast dives deep into the creative process of Brian Venable from Lucero, exploring how his family influences shaped his passion for music, particularly his father's musical roots in Beale Street. Brian shares his journey from a punk rock hobo to a band member, emphasizing the evolution of his musical style and the collaborative nature of songwriting in Lucero. The discussion highlights the importance of community within the music scene, particularly through events like the Lucero Family Picnic, which fosters connections among various bands and artists. Venable's reflections on the challenges and rewards of maintaining a long-lasting band lineup reveal insights into the music industry's dynamics and the evolution of musical identity over time. Mentioned in this Episode Lucero Glossary Dramatic Sub Pop Revelation Records Nuci's Space Hearts of Palm Recommended If You LikeCountry Fried Rock, Lucero band interview, Brian Venable music, independent musicians, songwriting process, punk rock influences, Memphis music scene, Family Picnic festival, creative inspiration, band dynamics, touring experiences, music collaboration, rock and roll evolution, R&B and country fusion, music industry insights, mental health for musicians, Nucci's Space, music samplers, underground music scene, live music performance.TranscriptSpeaker A00:00:00.800 - 00:00:13.280Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guest today on Country Fried Rock is Brian Venable of the band Lucero. Welcome, Brian.Speaker B00:00:13.280 - 00:00:14.000How you doing?Speaker A00:00:14.080 - 00:00:15.919Doing great. Thanks so much for being with us.Speaker B00:00:15.919 - 00:00:17.200Oh, man. Thank you for having me.Speaker A00:00:17.200 - 00:00:24.160Absolutely. I've always enjoyed your music. And I'll tell you when y' all came up again, interviewing some bands who played the Lucero Family Picnic.Speaker B00:00:24.320 - 00:00:25.200Which bands?Speaker A00:00:25.200 - 00:00:27.280Well, it started, I guess, with Glossary.Speaker B00:00:27.360 - 00:00:29.440Yeah, I thought he played Fellow steel with us.Speaker A00:00:29.440 - 00:00:34.700It was that connection, and then talking with some of the guys from Dramatic, and it was like this whole small family thing.Speaker B00:00:34.860 - 00:00:58.980We stopped doing it for a little bit, but we're bringing it back.But that's part of the reason why Family Picnic to me was so important, was there's this kind of weird little family of bands that tour constantly that don't sound the same, but are the same ilk. Maybe, for lack of a better word, I wanted a Sub Pop or Revelation Records or. I don't know, I thought it'd be cool to have a yearly get together.All the bands that tour a whole lot that aren't on the radar necessarily.Speaker A00:00:58.980 - 00:00:59.300Right.Speaker B00:00:59.300 - 00:01:01.450But that's cool that everybody's talking like that.Speaker A00:01:01.610 - 00:01:08.170Yeah, it was very cool. It's always nice to see how that kind of family tree overlaps. How did you get into music as a kid?Speaker B00:01:08.170 - 00:02:01.050My father. I mean, he's a musician down Beale Street. I mean, we're shoe repairmen by trade. Whatever.Even when I was little, he was always trying to get us to play music. And then when he got to teenage years, he wanted, you know, let's have a family band. I spent my 20s traveling around, being a punk rock hobo kid.All I wanted to do was write poetry or zines or, you know, just. I didn't want to play music. But he was like, I don't understand it. You learn a bass and learn three scales.You can play music, make money, and you can try, you know? Yeah, yeah, yeah. Oh, man. Okay, okay. And then it got to the point where one day I was like.It was like, I wanted to learn to paint, too, but I was like, I want to start a band. Just say I did kind of thing. And I don't know, we.I don't know if you've seen it on YouTube or not or heard about it, but we played the Fillmore last year, and I flew him out, and we brought him out on stage. It was literally all he ever talked about was playing The Fillmore when I was growing up. So I brought him out to play.And there's all kinds of influences. My mom listened to music and everything, but my dad live and breathe music. It has been a constant in my life.Speaker A00:02:01.210 - 00:02:04.570When you were doing the zines and stuff, what kind of punk rock was talking to you then?Speaker B00:02:04.650 - 00:02:32.580Oh, man, I was a dirty little Memphis Krusty type kid trying to Rorschach, Black Flag type stuff. Pop out with a local band, his heroes. Gone was a local band. It was life's Blood. It was, it was pretty crazy. Nothing really melodic.Let's just say it was pretty much my dad, you know, hate your country music type stuff.A lot of, you know, bands that have put out a seven inch, go on tour for two months, play the 10 people a night and come home and go back to college or get real jobs or.Speaker A00:02:33.140 - 00:02:37.780So then as you move towards finally saying, yeah, I'm gonna start my own band, where did

SummaryFrom 2012: Bonnie Whitmore spills the beans on her music journey, revealing how her parents essentially crafted a band with their kids as the stars. She hilariously recounts her early days, starting on the fiddle and swiftly moving to the bass, where she found her groove at just five years old. The real kicker? Bonnie reflects on the quirky interpretations of classic songs she learned from her dad, which led to a surprising moment of musical revelation when she discovered he’d been singing the Beatles wrong all along. With roots steeped in a rich tapestry of influences, from Chuck Berry to Willie Nelson, she dives into how these experiences shaped her sound and songwriting. As she gears up for a new album, Bonnie’s journey is a vibrant blend of humor, heart, and the undeniable magic of music, proving that sometimes the path to creativity is as winding as the tunes themselves.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Bonnie WhitmoreBonnie Whitmore on BandcampYou may also enjoy this conversation with Brett Detar from 2012Show NotesMusical Roots and Family Bonds• Bonnie shares stories from her childhood growing up in a musical family• Talks about how her dad turned the family into a band and handed her a bass at a young age• Remembers learning songs that her dad slightly rewrote without realizing it• Laughs about discovering the "real" lyrics to classic tunes later on• Highlights early influences like Chuck Berry and The Beatles and how they shaped her musical lensThe Power of Storytelling Through Song• Explains how storytelling became central to her approach as a performer and songwriter• Describes music as a way to connect generations and share lived experiences• Offers a window into the kind of songs that leave a lasting emotional impactLife in the Austin Music Scene• Reflects on her move to Austin and how the city helped her grow creatively• Describes the energy and support of the local music community• Talks about what makes Austin special for working musiciansReal Talk on the Modern Music Industry• Gets honest about the challenges of touring, making a living, and staying afloat as an artist• Discusses how streaming has shifted the music economy and what that means for indie musicians• Emphasizes the need for community and mutual support among artistsCreative Process and Looking Ahead• Shares how her songwriting continues to evolve with her personal journey• Teases future projects and new themes she’s excited to explore• Stresses the importance of staying open to growth and change as an artistWhy This Episode Hits Home• Bonnie brings humor, warmth, and honesty to every story• Her experiences feel familiar, whether you're a musician or just someone who finds comfort in a great song• The episode is like catching up with a friend who’s seen a lot, learned even more, and still finds joy in it allListen in for an authentic conversation with Bonnie Whitmore about music, memory, and what it really means to find your voice. Available wherever you get your podcasts.Chapters00:11 - The Musical Journey of Bonnie Whitmore03:59 - Discovering My Own Sound08:00 - The Journey to Nashville and Songwriting Evolution16:34 - The Challenges of Modern Music Industry23:06 - Baking Inspirations and New Ventures28:32 - The Variety Show ConceptTakeaways Bonnie Whitmore shares how her childhood was steeped in musical influences from her parents, shaping her artistic path. She humorously reflects on her early experiences with music, noting her dad's unique yet incorrect interpretations of classic songs. The podcast dives into her journey transitioning from family bands to discovering her own musical identity in high school. Bonnie discusses the intricacies of songwriting and the collaborative process that enriches her music in Nashville. She highlights the importance of community in music and her desire to create a variety show in Austin to foster connections. Bonnie's upcoming project promises a more upbeat tone, showcasing her growth as an artist while retaining a conceptual focus. Mentioned in this Episode Chuck Berry Doc Watson Willie Nelson The Beatles Traveling Wilburys Tom Petty Bonnie Raitt Led Zeppelin Rolling Stones Muddy Waters Burt Mitchell Chris Masterson Amanda Shires T.J. McFarland Rich Hinman Hays Carl Graham Weber Chris Porter Some Dark Holler Pretty Pennies Recommended If You LikeCountry Fried Rock, Bonnie Whitmore podcast, musician interviews, creativity in music, songwriting inspiration, Texas singer songwriters, Nashville music scene, playing bass guitar, influences in music, Beatles music discussion, music production process, Empress Ashes album, music industry challenges, co-writing songs, live performance experiences, music and mental health, variety show concept, baking and music, music collaborations, indie music communityTranscriptSpeaker A00:00:00.800 - 00:00:11.200Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered hey, song, It's Bonnie Whitmore.Speaker B00:00:11.360 - 00:00:38.570Here's the basic deal. I think that my parents really had children so they could have musicians.My dad needed a band, so he had two kids that he was gonna be like, all right, I'm grooming you to be the fiddle player. And you, you're the bass player.I was, like 5 years old when I started playing instruments, and they unfortunately tried to start me out on the fiddle, and that was a really terrible idea. I moved promptly over to the bass by the age of eight. Kind of went from there. I kept on the low end.I started to play cello after that and all that kind of stuff.Speaker A00:00:38.810 - 00:00:41.210What were you playing with your parents? What kind of songs?Speaker B00:00:41.450 - 00:01:52.750See, this is what I think is kind of funny. Mystic Situation is this. I felt like I grew up with my dad's interpretations of songs, the original version. So I was like, yes.I grew up with Chuck Berry and Doc Watson and Willie Nelson, Townsend Dance, the Beatles, all these different influences, but they were always through the interpretation of my dad's, however he wanted to do the song. I remember coming to him when I was, like, 12 years old, and I was, like, totally getting into the Beatles all of my, like, junior high.And they were like, oh, they're so freaking rad. And I put in sergeant hardcore band and start playing when I'm 64. And I'm like, dude, it's my dance song.The first thing occurs to me, and then I'm like, yeah, that's. Let me rephrase that. And I listen to it, and I'm like, oh, my God, My dad has been playing this song wrong all of my life. It is not Sarah, it's Vera.Totally messes up the second verse. So I came promptly home and be like, dad, you've been doing a Beatles song. You didn't tell me, and you've been singing it wrong.And, like, how to make him correct. But it was just sort of funny to have that kind of background music instead of, like, most people remember playing records.No, it was my dad playing guitar or my mom is in the other room singing opera. You know, that's the way we threw down in the Whitmore house.Speaker A00:01:52.910 - 00:01:57.950Were the Beatles the first band that you were able to discover on your own what the original sounded like?Speaker B00:01:58.110 - 00:02:49.250Well, it's hard to say if I really kind of think back. We didn't do very many road trips as kids. My dad's A pilot.And I know that makes me sound so like hoity toity, but we didn't drive the places we flew. And I don't know if you've had any experience with a small airplane, but listening to music while in a small airplane kind of hard.So there wasn't like road trip music going on.But I do recall like the few times that we would go down to Corpus Christi, we'd drive down there and this old beat up Ford truck, my dad's, we would listen to the Traveling Wilburies. And then we had Tom Petty and we had Bonnie Raitt.So even the music that I did hear, some of it was eclectic and you know, yeah, of course there was like top 40 country that would be on the radio station, but I don't really consider that, like that was just the station my dad tolerated, my mom tolerated the classical station. There was no other pop, whatever going on.Speaker...

SummaryFrom 2012: Jimbo Mathus hops onto the Country Fried Rock stage, bringing a whirlwind of musical tales and soulful reflections that are as rich as a Mississippi mud pie. Right off the bat, he dives into the heart of creativity, revealing how his upbringing in the vibrant musical landscape of northeast Mississippi shaped his artistic journey. With a background steeped in family harmonies and raucous jam sessions fueled by cheap beer, Jimbo paints a picture of a life where music wasn’t just a hobby; it was the family business. He chats about his evolution from strumming mandolins as a kid to fronting one of Mississippi's first punk bands, showcasing a colorful tapestry of influences that range from blues legends to punk rock pioneers. As they meander through stories of juke joints, the beauty of original songwriting, and the importance of staying true to one’s roots, it becomes clear that Jimbo’s journey is not just a personal odyssey but a celebration of the Southern spirit and the transformative power of music.Show NotesGrowing Up Mississippi Style• Jimbo Mathus paints a vivid picture of his childhood in Northeast Mississippi• Remembers chaotic and joyful family gatherings filled with music, cheap beer, and loud harmonies• Shares how early exposure to banjos, mandolins, and gospel traditions lit the spark for a lifetime of musicMandolins to Punk Rock• Talks about learning the mandolin as a kid and the musical encouragement he got at home• Reflects on forming one of Mississippi’s first punk bands, Johnny Vomit in the Dry Heat• Discusses the challenges of building a punk scene in small-town Mississippi in the 1980sMusical Identity and Evolution• Shares his journey from punk to embracing blues, Southern rock, and traditional roots music• Talks about the influence of Robert Johnson, Bill Monroe, and how those legends shaped his sound• Emphasizes the importance of originality and blending genres in his songwritingThe Songwriting Craft• Describes songwriting as a lifelong craft shaped by personal history and family tradition• Highlights the role of Southern storytelling and creative persistence in his process• Reflects on how returning home to Mississippi has deepened his artistic connection to place and peopleCollaborations and Current Projects• Talks about working with blues legend Buddy Guy and what that experience meant to him• Gives a sneak peek into his upcoming album, White Buffalo, focused on cultural symbolism and storytelling• Explains how he approaches new projects with intention and a desire to stay authenticA Conversation That Feels Like Home• The episode flows like a casual hangout on the porch with a good friend• Filled with humor, insight, and heartfelt storytelling• Jimbo’s passion for music, roots, and community shines throughoutWhy You’ll Want to Listen• Get to know the man behind the music, from punk pioneer to roots revivalist• Discover how Jimbo blends rebellion with tradition to create something uniquely Southern• Hear stories that reflect the deeper meaning behind the songs and the culture that inspires themTune in to hear Jimbo Mathus open up about the roads he’s traveled, the music he’s made, and the heart behind White Buffalo. Available wherever you get your podcasts.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Jimbo MathusJimbo Mathus on BandcampYou may also enjoy this conversation with Tara Nevins of Donna the Buffalo from 2012Takeaways Jimbo Mathus shares his nostalgic memories of growing up around music in Mississippi, highlighting the family gatherings that shaped his artistic spirit. The podcast dives into how Jimbo transitioned from a punk rock scene to embracing traditional Southern music, blending both influences in his creative journey. Listeners get a glimpse of Jimbo's philosophy on recording music, emphasizing the importance of capturing authentic performances without relying on modern tech fixes. Jimbo discusses the profound connection between Southern literature and music, revealing how family history and storytelling play a crucial role in his songwriting process. The conversation touches on the significance of the juke joint culture in the South as a unique space for musical expression and community bonding. Jimbo talks about his upcoming album White Buffalo, inspired by a rare buffalo's death and its cultural symbolism, showcasing his commitment to authentic storytelling through music. Chapters00:09 - Introducing Jimbo Mathus00:59 - The Journey into Music and Identity14:10 - The Journey to Artistic Discovery20:59 - Returning to Roots: The Mississippi Connection27:54 - The Evolution of Musical Expression31:24 - The Significance of the White BuffaloMentioned in this Episode Country Fried Rock Nuci's Space Goner Records Squirrel Nut Zippers Big Legal Mess Recommended If You LikeCountry Fried Rock, Jimbo Mathus interview, Southern music inspiration, creativity in songwriting, Mississippi music scene, original music production, juke joint culture, blues music history, punk rock in Mississippi, Southern literary tradition, music and family heritage, Americana music podcast, Country Fried Rock podcast, mental health in music, Nuci's Space nonprofit, music production techniques, songwriting process, Southern culture and art, vinyl record production, creative collaboration in music, squirrel nut zippersTranscriptSpeaker A00:00:00.800 - 00:00:17.920Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered.My guest today on Country Fried Rock is Jimbo Mathis, who's been in the music scene for a while and continues to create and push his own limits. Morning, Jimbo. Thanks for being with us.Speaker B00:00:18.080 - 00:00:19.840Good morning. How are you?Speaker A00:00:19.840 - 00:00:23.920I am fantastic. It is bright and early for a musician. I thank you for being with us.Speaker B00:00:24.320 - 00:00:25.600I get up with the chicken.Speaker A00:00:26.240 - 00:00:27.280You got yardbirds?Speaker B00:00:27.610 - 00:00:29.050Yes, ma'. Am. You know it.Speaker A00:00:29.290 - 00:00:31.690Are they pretty ones or country ones?Speaker B00:00:31.770 - 00:00:37.690They are country ones. They're a little raggly. They gotta fight for their right to stay alive around here. Good talking with you.Speaker A00:00:37.770 - 00:00:46.570Absolutely. You too. You too. Well, this has been a treat because your name has been brought up repeatedly throughout our show, but really more for your producing.Speaker B00:00:46.810 - 00:00:54.650Right? I'm so glad.Yeah, I did a lot of producing over the past five years, you know, helping other artists out and helping them get their sound like they needed it.Speaker A00:00:54.960 - 00:01:06.880As I started to do a little bit of research, I realized we could talk about all different kinds of things. So let's set the stage a little bit for how you first started getting into music, like, as a little kid. What were you into?Speaker B00:01:07.280 - 00:02:02.000Yeah, well, I grew up with music in the house, you know, with my father, my uncles, my cousins. This is. I'm talking about northeast Mississippi, in the hill country of Mississippi during the 70s and 80s. So, yeah, we had banjos, mandolins.I first got attached to the mandolin when I was about six and I started learning the rudiments, you know, all instruments. We had a lot of harmony singing.And music was just a part of our house and it was a part of our weekends, you know, and just what the family did, it's some of the most fond memories, you know, you can have, really. Just watching grownups get tanked on cheap beer and, like, singing like angels, you know, it's great when you're six years old.And they always encouraged me.And so that's how I got into it was really more from just the joy and the family aspect of it and then before, you know, ever realizing there was a business part of it.Speaker A00:02:02.000 - 00:02:07.080Sure. Well, at what point did that expand for you beyond just what you were doing with your family?Speaker B00:02:08.440 - 00:02:25.840High school, you know, I started branching out and wanted. I got an electric guitar and an amplifier and, you know, and wanted to rock. This is...

SummaryFrom 2012: Drew Beskin of the District Attorneys kicks it off with a deep dive into the creative process behind their latest album, Slowburner, revealing the raw inspiration that fuels his songwriting. He shares how the music scene in Athens has shaped their sound, blending personal anecdotes with the energetic vibes of the band’s journey. From reminiscing about jam sessions in high school to the thrill of crafting melodies that stick like gum to your shoe, Drew's passion for music is palpable. He offers a glimpse into the studio dynamics, where experimentation and camaraderie spark unexpected twists in their tracks, showcasing their evolution as artists. Listeners are in for a treat as they explore not just the tunes, but the heart and hustle behind the art that keeps them rolling.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!The District Attorneys on BandcampYou may also enjoy this conversation with Southeast Engine from earlier in 2012 Show NotesFrom Drumsticks to Frontman:Drew Beskin shares how his early musical dreams began behind a drum kit, inspired by Levon Helm of The Band.He reflects on how those roots shaped his approach to rhythm and storytelling in songwriting.Roadtrip Soundtrack & Musical Memory:Drew opens up about the songs that stuck with him during long drives between Indiana and Atlanta.Music as both a personal escape and emotional companion during pivotal life transitions.Songwriting as Muscle:Drew breaks down his belief that creativity is something you have to train and work at consistently.He discusses the shift from playing covers to crafting deeply personal original songs.Insights into his process: how persistence and reinvention keep the spark alive.The Evolution of District Attorneys:Behind-the-scenes look at the making of Slow Burner—what the album means to Drew and the band.Themes, tone, and the creative decisions that shaped the record.Live Energy & Band Chemistry:A candid discussion about the dynamics of performing live with District Attorneys.How their connection on stage translates into electric performances packed with both fresh material and fan favorites.The band’s philosophy on building a setlist that leaves it all on the stage.Why You’ll Want to See Them Live:Drew emphasizes creating unforgettable moments in every show.A glimpse into what fans can expect from upcoming gigs and what’s next for the band.Listen now to catch the full conversation and experience the heart behind Slowburner. Whether you're a longtime fan or new to District Attorneys, this episode delivers an honest, heartfelt look at music, creativity, and the power of collaboration.Available wherever you get your podcasts.Chapters00:00 - Introduction to Country Fried Rock01:09 - The Journey of a Musician07:09 - The Formation of the Band14:51 - The Journey of Creating Slowburner20:52 - The Live Performance Experience27:03 - Preparing for the Next RecordTakeaways Drew Beskin passionately shares about his creative process and the inspiration behind the District Attorneys' music, showcasing how personal experiences shape artistic expression. The conversation dives into the significance of live performances and how they influence the songwriting process, highlighting the vibrant Athens music scene. Listeners gain insight into the band's approach to recording their album, Slowburner, and the collective effort that went into crafting each track with care and creativity. The dynamic between band members is explored, emphasizing the importance of friendship and collaboration in both songwriting and live performances. Drew reflects on the evolution of his musical journey, from aspiring drummer to frontman, illustrating the growth that comes with time and experience in the industry. The episode wraps up with a nod to the fun and camaraderie within the band, as they discuss their favorite venues and the joy of sharing music with audiences. Mentioned in this Episode District Attorneys Slowburner Rilo Kiley Whiskeytown Indiana University Gillian Welch Future Birds Uncut Rolling Stone Paste Guitar World Centromatic Georgia Theater Masquerade Pianos Hole in the Wall Gus's Fried Chicken Nuci's Space Recommended If You Likecountry fried rock, Drew Beskin, District Attorneys, Slowburner album, indie music podcast, songwriting inspiration, Athens music scene, live music performances, music collaboration, recording process, music interviews, creative songwriting, indie rock bands, band dynamics, music production, acoustic performances, music influences, EP releases, musician mental health, music festivals, slow burnerTranscriptSpeaker A00:00:00.800 - 00:00:13.840Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried rock music uncovered. My guest today on Country Fried Rock is Drew Beskin of the District Attorneys. Hey, Drew.Speaker B00:00:13.840 - 00:00:14.760Hey. How you doing?Speaker A00:00:14.760 - 00:00:16.640I'm great. Thanks so much for being with us.Speaker B00:00:16.640 - 00:00:18.480Oh, of course. Really excited.Speaker A00:00:18.480 - 00:00:28.720Your record, Slow Burner is one of those. I got it and I put it in and I went, I'm never taking this out of my car. That does not happen very often.So I literally was like, yes, I get to talk to them.Speaker B00:00:29.400 - 00:00:59.080That's awesome. That's awesome. That's my favorite thing too. When I get a record, I know, like, for me, it's more like one song.I usually, like, stay fixated on one song for, I don't know, for days or weeks on end. Like, I think when I heard Rilo Kiley's Silver Lining, really this is. This is. This is what I'm gonna listen to for three weeks.I went to school in Indiana and I would drive from Atlanta to Indiana for eight hours. I'm pretty sure.I think on one of the trips, I think I did that for Silver Lining and I think one of the trips I did that for Houses on the Hill by Whiskeytown.Speaker A00:00:59.080 - 00:00:59.480Yeah.Speaker B00:00:59.480 - 00:01:04.260The first time I heard it, I was like, well, this two minute song is gonna on repeat for eight hours.Speaker A00:01:04.820 - 00:01:06.220Where'd you go to school in Indiana?Speaker B00:01:06.220 - 00:01:07.780I went to Indiana University.Speaker A00:01:09.300 - 00:01:14.500We are gonna jump way, way back. How did you originally get started playing music?Speaker B00:01:14.740 - 00:03:27.100I guess I've always liked watching live performances on television. I kind of. I always. I wanted to be a drummer. I wanted to be a drummer who like, sang like Levon Helm, who grew up watching Last Waltz.And I just thought it was one of the coolest things to do, like, take one like D. When I think of singing, I think.I think more of like if I close my eyes and someone said singing, I would imagine like a woman singing, I would find that as very feminine and obviously like a tribal be like just drumming. If I close my eyes and someone said percussion, I would think, man, see, like singing and drums together, I like that kind of perfect combination.That's how I felt at least, because I got a drum set, wasn't very good at it. And I'm still not that great at it. I'm getting a little better, but. And also made so much noise that my parents always made me stop.So I ended up playing a guitar. And after, you know, learning a few songs, I kind of wanted to.The main goal is, you know, just to more so impress myself than anything else and just try and go complete a thought and write a thing and like, create something that didn't exist before. You know, Bob Dylan once said, like, I just want. He wrote because he wanted to find a song that he could sing to match his voice.And then Keith Richards. I grew up reading a lot of magazines and I remember certain quotes one another.But Keith Richards said, like, no, we're all just kind of contributing to the one great big song. And I always thought that was interesting. So ever since, I'm probably like 15 or 16 and like, you have to be writing something.If you're not writing, if you haven't written a song in the next three weeks or something, then you're just a loser. You need to hurry up...

SummaryFrom 2012: Steve Poltz, the musical maestro with a penchant for storytelling, takes center stage in this delightful episode of Country Fried Rock. He dives into his wild journey that began in Australia back in '99, where a chance encounter during a tour with Jewel ignited his love for the land down under. With a lively spirit, he shares the inspiration behind his latest album, uniquely titled Noineen Noiny Noin, a name that sparked curiosity and a smirk or two. Listeners will relish his tales of musical evolution, from classical guitar roots to the whimsical world of fingerstyle rock, peppered with anecdotes about his family and the whimsical influences that shaped his artistry. Poltz reminds everyone that staying true to oneself and being fearless in creativity is the ultimate way to connect with an audience, while also serving up a hearty dose of humor and insight along the way.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Steve PoltzYou may also like this conversation from 2012 with ShurmanShow NotesIn this vibrant and freewheeling episode, Steve Poltz takes us on a joyride through the stories, sounds, and serendipity behind his career and latest record, Noineen Noiny Noin. Tune in for a rich mix of heartfelt memories, sharp wit, and musical insight.Highlights from the conversation:Steve’s unexpected love affair with Australia, sparked during a tour with Jewel back in 1999The hilarious origin of his album title Noineen Noiny Noin and how a casual promoter interaction turned into creative goldEarly musical roots, including:Uncle Louie’s influence through Beatles and Monkees recordsFirst encounters with classical guitar and an eccentric fingerstyle teacher who helped shape his soundPoltz’s approach to songwriting:Why learning from the greats still mattersHow humor and honesty fuel his lyrical voiceTurning everyday moments into lasting songsA thoughtful look at how the music industry has shifted, and how Poltz stays grounded while evolvingHis creative philosophy: embrace the winding path, stay open, and keep telling storiesWhy You’ll Love This Episode:Steve Poltz brings a mix of deep reflection and unpredictable humor, making this a must-listen for fans of authentic songwriting, behind-the-scenes stories, and the creative process at large.Listen now and let Steve’s journey remind you: music is about more than just sound; it’s about connection, curiosity, and never losing your spark.Chapters00:00 - Introduction to Country Fried Rock00:22 - The Journey to Australia13:42 - Finding Your Voice as a Songwriter15:32 - Creative Freedom in Music23:25 - The Creative Process of Music Making29:15 - The Challenges of Touring and Personal Growth in Music37:01 - The Influence of Political Identity in MusicTakeaways Steve Poltz's journey to Australia began in 1999 while on tour with Jewel, sparking a lifelong connection. The unique title of Poltz's album, inspired by a promoter's quirky pronunciation, sets it apart in the music scene. Poltz emphasizes the importance of learning from musical greats, encouraging aspiring artists to study complex songs. He recalls how his classical guitar training shifted to folk influences, particularly from Bob Dylan and Neil Young. The unpredictability of live performances can lead to remarkable shows, as Poltz experienced in Ann Arbor, where he felt truly inspired. He believes in the necessity of honesty in songwriting, which resonates with audiences and fosters genuine connections. Mentioned in this Episode Jewel Mercury Records T Bone Burnett Full Tones Steve Soto Twisted Hearts Recommended If You Likecountry fried rock, Steve Poltz, music inspiration, Australian music scene, fingerstyle guitar, songwriting process, live music performance, music collaboration, political music, folk rock, creative expression in music, learning guitar, classic rock influences, music industry insights, storytelling through music, contemporary folk artists, house concerts, music and politics, acoustic performance, musician interviewsTranscriptSpeaker A00:00:00.800 - 00:00:11.840Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guest today on Country Fried Rock is Steve Poltz.Speaker B00:00:11.840 - 00:00:13.360Welcome, welcome. Thank you.Speaker A00:00:13.440 - 00:00:22.000Thank you for being with us. Well, mainly from the title, took me a minute to say it out loud to get it and then I went, oh, tell me how you ended up in Australia.Speaker B00:00:22.480 - 00:01:08.030The way I ended up in Australia was back in 1999. I was on tour with Jewel and I was her opening act all over the world and also in her band playing guitar.So I had double duties and the tour took us to Australia and that began my love affair with Australia. I've been there 12 times. So recently when I was over there, I ran into one of the promoters that I met a long time ago through Jewel.And I said, when? What year was that? That I was there? And he said to me, well, Rick. And he was 90, 99. And I thought that was so cool, the way he said naughty, naughty.Nein that I phonetically spelled it out. N o I N E E N n O I N Y N O I N. So no, no, no. I said, that's gonna be the name of my next record. And everybody said, you can't do that.And I said, yes, I can't. And here it is.Speaker A00:01:08.190 - 00:01:14.350I love it, especially because visually it's complicated, but once you say it, it isn't complicated.Speaker B00:01:14.590 - 00:01:21.790Yeah. And it's the only noiny noin record out there. There's a few. Let it be. Like, if you look up certain titles, I wanted mine to be the only one.Speaker A00:01:22.110 - 00:01:23.630That's actually a really good idea.Speaker B00:01:23.870 - 00:01:24.510Thank you.Speaker A00:01:24.510 - 00:01:29.990I had not thought about that. I know that with, like, band names, that's particularly helpful, but I hadn't thought about it in terms of album names.Speaker B00:01:30.380 - 00:01:30.700Yeah.Speaker A00:01:31.260 - 00:01:38.460I know that you play a particularly intricate finger style way, but how did you originally get into playing music way back?Speaker B00:01:38.620 - 00:03:00.130Well, the way I got into playing music was I have an uncle who's a brilliant piano player, and it's Uncle Louie. And we're all from Canada originally. And Uncle Louie, that side of my family is all from Cape Breton, where there's a lot of music.And so Uncle Louie came down and he was and still is, has always been a really cool uncle and has influenced me a lot. And so he would give me Beatles records and Monkees records, both Monkees and the Beatles, and he would take me to concerts.He took me to see Jesus Christ Superstar at the Hollywood Bowl. We used to go to the Hollywood bowl and I got really into Jesus Christ Superstar, like both albums, Andrew Lloyd Webber and Tim Rice.But the way I got into guitar was at a young age, I think I was like six. He took me to see Julian Bream, this classical guitarist from England, at the Hollywood Bowl.And it was just a brilliant concert, like concerts I remember as a kid were Sarah Vaughn, Ella Fitzgerald and Carmen McCray and then Julian Bream. So I saw some pretty heady stuff for a young kid. And the Julian Bream one was the one that really affected me the most.And I remember when I left there, I said, I want to learn to play a string instrument. And they said, well, okay, you want to learn banjo or guitar? And I said, I want to learn classical guitar.So we had a guy come over to teach me and I'll never forget he had a glass eye and a wooden leg and he smelled like mothballs.Speaker A00:03:00.770 - 00:03:01.170Great.Speaker B00:03:01.410 - 00:03:47.460I wanted to rock. But he brought over the Mel Bay guitar method book. And it was so boring. I remember as a kid going, this is it.It's sort of when you hit that reality that you're just not going to pick up guitar right away and start rocking that. It takes work.So I wanted to quit, but I owe it to my parents for saying, if we pay for these lessons, you have to promise you're going to practice an hour a day. They made me stick with that promise. At first it's hard. It's kind of like breaking a horse, a wild horse and teaching them how to be.But then it was like a funny thing happened on the way to...

SummaryFrom 2012: Peter Holsapple of the legendary band the dB's drops in to chat with the crew at Country Fried Rock, and boy, do they dive deep into the well of musical nostalgia. Right off the bat, he spills the beans about their fresh record, which marks a reunion of the original lineup after decades of creative evolution. It’s a heartwarming trip down memory lane as he shares how growing up in Winston Salem, North Carolina, shaped their sound and their enduring friendships. They get candid about the rollercoaster ride of life’s ups and downs, marriages, hurricanes, and everything in between, that feed into their songwriting. With a mix of wit and warmth, Holsapple reflects on the essence of their music, emphasizing that every record they've crafted has been a reflection of their journeys, proving that while time may change people, true creativity knows how to adapt and thrive.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Peter Holsapple's occasional blogPeter Holsapple on Bandcampthe dB'sYou may also enjoy this conversation from 2015 with RayLand BaxterShow NotesIn this episode of Country Fried Rock, we dive deep into the creative cosmos with Peter Holsapple, musician, songwriter, and member of the legendary jangle-pop band, the dB's. It’s a soulful, funny, and reflective journey through decades of music, friendship, and life lived out loud.Here’s what you’ll hear in this episode:A nostalgic return to Winston-Salem, North Carolina, where Peter and the dB’s story beganHow early friendships turned into lifelong musical partnershipsThe organic formation of the dB's and their rise in the alternative music sceneLife chapters woven into the band’s evolution: marriage, fatherhood, natural disasters, and personal reinventionA behind-the-scenes look at the making of the dB’s latest album, featuring the original lineup for the first time in decadesThe creative process: how each member’s journey shaped the sound and feel of their newest recordA deep dive into the emotional weight behind “She Won’t Drive in the Rain Anymore” and how Hurricane Katrina influenced their writingThoughts on balancing fan-favorite classics with new material in their live setsRoad stories from tours past, complete with weird detours and unforgettable momentsReflections on the music industry’s shift, from vinyl to social media, and how connection with fans has changedPeter’s take on what makes music timeless and why making good music still matters mostWhy you should listen:This episode isn’t just about a band; it’s about creative endurance, emotional honesty, and the beauty of growing alongside your art. Whether you’re a longtime dB’s fan or just discovering their sound, Peter Holsapple’s stories offer something real, raw, and resonant.Listen now and join the ride, from the backroads of North Carolina to the frontlines of indie music history.Chapters00:09 - Introduction to Peter Holsapple05:56 - The DB's Journey: From Formation to Reunion10:20 - The Evolution of Music and Its Business19:46 - The Importance of Vinyl and Live Music26:30 - The Journey of Touring: Stories from the RoadTakeaways The podcast dives deep into the creative journey of Peter Holsapple, emphasizing how life experiences shape artistic expression over time, especially through challenges like hurricanes and personal loss. Listeners gain insight into the evolution of the DB's music, revealing how past experiences and collaborations influence their new sound, making it fresh yet familiar for fans old and new. Holsapple reflects on the significance of community and connections in the music industry, noting how social media can bridge gaps between artists and fans, despite the complexities of modern music business. The episode highlights the importance of live performances in sustaining a band's relevance today, with Holsapple humorously lamenting the logistical challenges of touring as a 'grown-up' musician with responsibilities. Throughout the episode, the candid dialogue showcases the balance between nostalgia for past hits and the desire to push creative boundaries, reflecting on how older songs can be reinterpreted for contemporary audiences. Finally, Holsapple's light-hearted anecdotes about their band dynamics and past touring experiences add a relatable touch, making the conversation both engaging and deeply reflective. Mentioned in this Episode the dB's R.E.M . Continental Drifters Hootie and the Blowfish Sugarland Atlantic New Orleans Musicians Relief Fund Bar None Records Recommended If You LikeCountry Fried Rock, Peter Holsapple, the dB's band, the dBs, dBs, North Carolina music scene, creative inspiration musicians, new music releases, indie music interviews, music industry challenges, songwriting process, vinyl records, music nostalgia, dB's latest album, music collaboration, live music performances, influences on songwriting, New Orleans music, Hurricane Katrina impact, music and personal experiences, music fan culture, retro vs. modern music.TranscriptSpeaker A00:00:00.800 - 00:00:18.240Welcome to Country Fried Rock where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered.My guest today on Country Fried Rock is Peter Holzappel of many different bands over the years, including the Deebees with a brand new record with their original lineup out on air. Thanks so much for being with us.Speaker B00:00:18.240 - 00:00:19.200You're very welcome.Speaker A00:00:19.360 - 00:00:26.720So I know a little bit about the Deebees only because I was one of the fans back in the day. But you all originally got together at a very young age.Speaker B00:00:27.440 - 00:00:46.640Well, we all grew up together in Winston Salem, North Carolina. So we've known each other since we were like eight or nine.You know, we had a very, very active band scene down there, so we, we all played together in various groups. And then eventually after Chris moved to New York to play with Alex Chilton in 1977 or 78, I believe the rest of us kind of followed suit.Speaker A00:00:46.880 - 00:00:55.520Over the years, as you all have formed and reformed as the dbs, what has led to where you are moving forward creatively?Speaker B00:00:56.330 - 00:01:16.170Time passes and people change so naturally. Hopefully if one starts as a creative person, one will continue on and change as life changes.The different influences of marriages, divorces, hurricanes, children, abuse problems, things like that. They all contribute, certainly. You know, every record I've ever listened to has changed me.Speaker A00:01:16.410 - 00:01:24.890Let's back up chronologically a little bit. As you all were first coming together in the original foursome, what led to you all deciding to form the DB's?Speaker B00:01:24.890 - 00:02:04.280Specifically, Chris really wanted to start a band. So Chris got in touch with Will and then Gene, who was living in Philadelphia at the time.Will, I believe, was still in Chapel Hill and said, you should come up and play. And so they started a band up there.And then about four months later, three months later, I had been living in Memphis and doing a little bit of recording there and they said, why don't you come up? We need a keyboard player. Do you want to audition? So I auditioned and I'm still assuming that I passed the audition.And we kept the group going after Chris left and then Gene left and then we pulled the plug on it eventually, about 1988. But we had a good 10 year run with the band for sure.Speaker A00:02:04.440 - 00:02:06.600Where did you go with your music after that?Speaker B00:02:06.680 - 00:02:55.300Well, the first thing, I got contacted by REM to go out and work as their extra hand out there playing guitar and bass and keyboards and accordion. So I did that for about a year and a half and then living in Los Angeles and got together with some friends out there with a band.Called the Continental Drifters. And then we moved that band Lock, Stock and Barrel down to New Orleans and it went through 2002, I believe.And meanwhile, I was also playing with Hootie and the Blowfish. I got a call from their A and R person at Atlantic and said, would you be interested? So that's sort of where I went.And then eventually, you know, we did a couple of DB shows and Chris and I had done a couple of duet records, right. There were some...

SummaryFrom 2012: Ray Wiley Hubbard drops by Country Fried Rock to share some seriously insightful gems about his creative process and the evolution of his latest album, Grifter's Hymnal. He reveals how this record takes a refreshing dive into personal storytelling, flipping the usual songwriter's script by starting from a deeply personal place instead of widening the narrative as most do. As they riff about everything from his early days in the vibrant Dallas folk scene to the unique grooves he incorporates into his music, it’s clear that Ray’s got a knack for blending grit and groove, making the familiar feel fresh and alive. The conversation flows like a good jam session, touching on the importance of authenticity in songwriting, the thrill of performing, and how the right vibes in the studio can turn a collection of songs into something truly special. With Ray’s effortless charm and seasoned perspective, this episode is a must-listen for anyone looking to tap into the heart of musical creativity.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Ray Wylie HubbardYou may also enjoy this conversation from 2012 with DawesShow NotesJoin us on a deep dive into the soulful, gritty world of legendary songwriter Ray Wylie Hubbard, as he opens up in a candid, story-filled episode of Country Fried Rock. This conversation is a rich blend of music history, personal reflection, and unfiltered authenticity from one of Americana’s true originals.In this episode, Ray Wylie Hubbard talks about:The making of Grifter’s HymnalHow this album marks a turn toward more personal songwriting, bucking the trend of writers moving away from their own stories.From Virginia City to AustinReflections on how the contrast between snowy landscapes and Texas heat shaped his sound and perspective.Sneaking into Dallas folk clubsStories from his youth, getting an early taste of blues greats like Lightnin’ Hopkins and Freddie King.Musical camaraderie and collaborationHow friendships with icons like Jerry Jeff Walker and Michael Murphy helped ignite his songwriting journey.The folk and blues scenes of the pastA vibrant look at the inclusive, genre-blending communities that helped raise his creative voice.What makes a groove workWhy a solid groove is the foundation of his music, and how it guides the songwriting process.Staying authentic in a changing industryThoughts on maintaining honesty and storytelling integrity over decades in music.Connecting with a new generationHis take on how younger audiences find his music through streaming, and why legacy matters.Why you’ll want to listen:This episode is part memoir, part masterclass, and fully immersive. Hubbard doesn’t just recount his past, he brings it to life with humor, humility, and the unmistakable rhythm of a songwriter who’s still got stories to tell.For fans of:Americana, roots music, storytelling, Texas songwriters, and anyone chasing the groove.Listen now wherever you get your podcasts.Chapters00:09 - Introduction to Ray Wiley Hubbard01:41 - The Evolution of a Musician10:04 - The Transition to Production: A New Chapter in Music16:20 - Evolution of Musical Style23:24 - The Journey of Creativity27:40 - Beginning the Journey: A Story of Music and MemoriesTakeaways Ray Wiley Hubbard shared how his personal experiences deeply influence his songwriting, flipping the usual narrative on its head. The conversation revealed the unique blend of folk roots and blues that shape Hubbard's musical identity, showcasing a rich tapestry of influences. Hubbard emphasized the importance of authenticity in music production, seeking to capture the genuine sound and feel of live performances. The podcast highlighted the evolving audience for Hubbard's music, with younger fans discovering his work through modern platforms and connections. A fascinating discussion arose around the collaborative nature of songwriting, where friendships often lead to unexpected creative partnerships and projects. Hubbard's reflections on his journey through music and life underscore a broader narrative about resilience and the passion that fuels artistic expression. Mentioned in this Episode Country Fried Rock Ray Wiley Hubbard Michael Murphey Jerry Jeff Walker B.W. Stevenson Hayes Carll Stevie Ray Vaughan Fabulous Thunderbirds Band of Heathens Joe Walsh 13th Floor Elevators Ringo Starr Alan Wolf Lightning Hopkins Freddie King Mance Lipscomb Nance Lipscomb Mother Blues Rubaiyat Grifters Hymnal George Reiff Rick Richards Deadbeat Southern Rock Cowboys Loco Gringos Small Faces Fleetwood Mac Recommended If You Likecountry fried rock, Ray Wiley Hubbard, Americana music, songwriting process, folk music influences, Grifters Hymnal album, live music performance, producing music, Texas country music, blues music history, music inspiration, touring musicians, fingerpicking guitar technique, storytelling in songs, music collaboration, Austin music scene, songwriting tips, folk rock artists, music production techniques, songwriting evolutionTranscriptSpeaker A00:00:00.800 - 00:00:13.040Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried rock music uncovered. My guest today on Country Fried Rock is Ray Wiley Hubbard. Welcome, Ray.Speaker B00:00:13.040 - 00:00:14.360I'm glad to be here. Thanks.Speaker A00:00:14.360 - 00:00:15.760Thank you so much for being with us.Speaker B00:00:15.840 - 00:00:17.360More than welcome. Looking forward to it.Speaker A00:00:17.920 - 00:00:22.240Appreciate you. Especially given that you've been driving through some fun early summertime snow.Speaker B00:00:22.320 - 00:00:39.180Yeah, we're up here in Virginia City and it's starting to snow. How weird is that? It's June. We started off the tour in Seattle and in Portland and Eugene and so we're working our way down. Oh, let's see.Santa Cruz and San Francisco and I think the Palms and Winter. So nice. Yeah, it's been. It's been a good tour.Speaker A00:00:39.260 - 00:00:50.380Nice. Well, I've been excited in listening to Grifters Hymnal for quite a while.And I have to say, when I first got it, I listened to it and I went, this is a lot more personal than most of the stuff that I've heard so far from Ray.Speaker B00:00:50.700 - 00:01:01.580Well, yeah, it. For. Somehow it just kind of turned out that way. I just kind of. These songs kind of just kind of seem to happen that way.And I just revealed a little bit more about myself and I probably should have.Speaker A00:01:03.290 - 00:01:18.330The reason it stuck out to me was in that for the most part, it kind of goes against what happens for most songwriters.Usually it starts personal and then eventually they run out of stuff to say about themselves, so then it goes to their wider circle of friends and then a character. But this is sort of going in the reverse.Speaker B00:01:18.810 - 00:01:40.940Well, yeah, I would have to say. So it just kind of.I kind of write kind of what I'm familiar with, which is, you know, a corsetin bottle for abusing as a slide and talk about guitars and amps. Lightning Hopkins and Freddie King and, you know.So I just kind of write about, you know, this record seem to be just kind of about what I seem comfortable with, I suppose.Speaker A00:01:41.260 - 00:01:44.220How did you get into music before you became a professional?Speaker B00:01:44.460 - 00:02:30.760Well, I started off in high school in Oak Cliff here. I was based near Dallas and I went to high school with Michael Murphy, who was now Michael Martin Murphy.He's kind of a cowboy poet, but he originally was in folk music and he was one of the first influences I had. And so I've been involved in folk music back in high school. And there was a little there in Dallas called the Rubaiyat, which was a folk music club.And I'd go see. Oh, God, you know, that's where I'd go see Nance Lipscomb play.And then there was another club there called Mother Blues where Lydon Hopkins played, and you go see Freddie King and then all these, you know, wonderful musicians. So I kind of got....

SummaryFrom 2012: Bridget Kearney from Lake Street Dive kicks things off with a deep dive into the roots of her musical journey, revealing that her love for the upright bass began way back in fourth grade, and man, did she hit the ground running! The crew chats about how their eclectic influences and early jam sessions morphed into a unique sound that blends pop, jazz, and a sprinkle of funk, with plenty of witty banter about their less-than-stellar beginnings. They dish on their songwriting process, a mix of personal experimentation and collaborative magic, with each member bringing their own flavor to the table, all while enjoying the ride together. As they gear up for their next album, the excitement is palpable, with plans to capture the energy of their live shows and bring a fresh vibe to their music, promising a blend of whimsy and a touch more maturity in their lyrics. Tune in and catch the good vibes as they share stories, laughs, and a sneak peek into what’s brewing for Lake Street Dive!LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Bridget KearneyLake Street DiveYou may also enjoy this conversation from 2015 with T. Hardy MorrisShow NotesIn this episode of Country Fried Rock, we sit down with Bridget Kearney, upright bassist of Lake Street Dive, for a heartfelt and candid conversation about music, creativity, and the band's evolution. Bridget opens the door to her musical journey and shares how the band found its unique groove.What You’ll Hear in This Episode:Bridget’s musical roots:Her first experiences with music in a school orchestraThe impact of growing up in a supportive, music-loving familyHow singing in church choirs nurtured her early love for songwritingThe formation of Lake Street Dive:A chance meeting at the New England Conservatory that sparked a bandNavigating the early days, from basement rehearsals to local Boston gigsHow their friendship became the glue that held them together through growing painsFinding their sound:Melding jazz, pop, soul, and a touch of vintage flairRealizing the value of their eclectic influences and making it workMoments that marked a turning point in their identity as a bandInside the creative process:How the band approaches collaborative songwritingThe push-and-pull of differing ideas and how it strengthens their musicPersonal anecdotes that shape their lyrics and arrangementsReflections on growth and connection:From small clubs to major stages: what’s changed, and what’s stayed the sameWhy their music continues to resonate with a broad and diverse audienceThe joy of creating music with people you trust and admireWhy You Should Listen:This episode isn’t just about music; it’s about connection, persistence, and the beauty of creative collaboration. Whether you're an aspiring musician, a longtime fan, or just someone who loves a good story, Bridget’s insights and the journey of Lake Street Dive offer inspiration and a deeper appreciation for the art behind the sound.Listen now and step inside the rhythm and soul of Lake Street Dive.Chapters00:09 - Introduction to Lake Street Dive06:51 - Formation of Lake Street Dive15:11 - The Evolution of Sound and Style16:50 - The Evolution of Lake Street Dive's Sound25:44 - The Next Recording ProcessTakeaways The band Lake Street Dive originated from casual college jam sessions, evolving into a tight-knit group through friendship and shared experiences. Bridget, a member of Lake Street Dive, emphasizes the importance of early exposure to music for developing creativity and songwriting skills. Their musical journey reflects a transition from jazz roots to pop influences, showcasing adaptability in their sound and performance styles. The upcoming album aims for a more collaborative production process, highlighting the band's growth and desire for a cohesive creative direction. Rachel Price notes that the lyrics in their new material will lean towards more mature themes while still retaining a sense of whimsy and fun. Their live performances have become a crucial element of their identity, as they strive to create an engaging atmosphere that resonates with audiences. Recommended If You LikeCountry Fried Rock, Lake Street Dive interview, music creativity, songwriting process, musicianship inspiration, jazz band evolution, Boston music scene, pop music influences, live music performance, band dynamics, music education, indie music culture, songwriting collaboration, music production techniques, live concert recording, folk and pop fusion, contemporary jazz influences, band formation story, music career development, Lake Street Dive new albumTranscriptSpeaker A00:00:00.800 - 00:00:14.960Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guests today on Country Fried Rock are various members of the band Lake Street Dive.Welcome to Country Fried Rock.Speaker B00:00:14.960 - 00:00:15.600Thank you.Speaker A00:00:15.680 - 00:00:18.160So we've got Bridget for the moment. Thanks for being with us.Speaker B00:00:18.160 - 00:00:19.360Yeah, thanks for having us.Speaker A00:00:19.360 - 00:00:21.200Have you always been an upright bass player?Speaker B00:00:21.200 - 00:00:31.390Yes. I started on upright bass when I was in fourth grade and never really spoke. Switch to electric.I've experimented with the electric, but I'm pretty awful at it.Speaker A00:00:32.350 - 00:00:33.710So was that like, school band?Speaker B00:00:33.790 - 00:00:35.070Yeah, school orchestra.Speaker A00:00:35.310 - 00:00:37.310Did you get to choose it or was that assigned?Speaker B00:00:37.390 - 00:00:53.470Well, no, I chose it. The school orchestra started a year before the school band, so originally I wanted to play the drums.I was really excited about playing an instrument, so I wanted to get started as soon as possible. And orchestra was what there was in fourth grade, so I picked the bass.Speaker A00:00:53.620 - 00:00:56.020Gotcha. So what kind of stuff were y' all playing?Speaker B00:00:56.420 - 00:01:02.020Pachelbel's Canon. Let's see a Shokin Farewell as a.Speaker A00:01:02.020 - 00:01:04.660Fourth grader, you know, like, Pachelbel's Canon spoke to you?Speaker B00:01:06.020 - 00:01:24.260Yeah, I guess it did. I mean, I guess I was mostly just excited about learning an instrument.And then as I got into, like, junior high and high school, started playing more different styles of music. I had a rock band called Metro Pilot, and I had in the school jazz band as well, and I had a band called Sax Attacked.Speaker A00:01:24.260 - 00:01:25.460Were y' all writing your own music?Speaker B00:01:25.780 - 00:01:47.620Yeah, I started writing music. I guess I started writing music on the piano when I was pretty young. Like, probably maybe even before I started playing the bass.Then in junior high, with the rock band, I started writing, you know, pop songs, lyrics and everything. I've always felt lucky that I started doing that early because I got some of the really bad ones out of the way.Speaker A00:01:48.370 - 00:01:55.810I'm just curious. I haven't had a lot of people who started writing that early. What was prompting you internally to write at that point?Speaker B00:01:56.210 - 00:02:13.810I mean, I think I just was really into music. Like, the youngest songs that I wrote.You know, I was just kind of, like, sitting at the piano and liked coming up with things that sounded good to me, which is, like, to this day, kind of the way that I approach songwriting is sitting down with an instrument and trying to come up with something that I would want to listen to myself.Speaker C00:02:13.890 - 00:02:14.050And.Speaker B00:02:14.200 - 00:02:25.440And so I think it was just the, like, excitement of experimentation and also of, like, coming up with something that sounded good to me. And then I hear people humming, and I hummed myself. And I was like, wow, I invented.Speaker A00:02:25.440 - 00:02:32.200That, you know, Were you being influenced by things that you were listening to at that point, or was it always just something that came...

SummaryA NOTE FROM SLOANE SPENCER: If there was one band I could get back together from the entire history of Country Fried Rock, it would be Glossary. I am also indebted to Kneiser for suggesting I buy a left-handed guitar, instead of trying to play right-handed or upside-down, as I had been.From 2012: Joey Kneiser from the band Glossary rolls into the podcast to dish about the wild ride of crafting music outside the mainstream bubble. He kicks things off by reminiscing about his early days, realizing that making a living as a musician didn’t have to mean selling out; who knew underground vibes could be so liberating? With a smorgasbord of influences from the Replacements to gospel tunes, he shares how these eclectic sounds shaped his songwriting journey, making it all about the groove and storytelling. As they riff about the challenges of being a small band in a content-saturated world, Joey reflects on the importance of connection and creativity, proving that sometimes, it’s about the journey, not the destination. Stick around as they dive into the nitty-gritty of what keeps the band moving forward despite the odds, and how they keep the magic alive in their music-making process.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!GlossaryGlossary on BandcampJoey Kneiser on BandcampYou may also enjoy this conversation from 2015 with Folk Family RevivalShow NotesIn this laid-back conversation on Country Fried Rock, Joey Kneiser, frontman of Glossary, takes us on a journey through his musical evolution and the underground scene that shaped his artistic identity. Here's what you'll find in this episode:Joey's Musical Genesis: From discovering The Replacements and Fugazi to jamming out to Michael Jackson and early hip-hop, Joey reflects on how these influences sparked his desire to make music that’s real and relatable.Formation of Glossary: Hear how Glossary came together in the late '90s, driven by a shared love for indie rock and the spirit of the underground scene. Joey shares the story of how the band formed and what kept them going through the years.Songwriting & Collaboration: Joey dives into the nuances of songwriting, highlighting how the band's creative process thrives on collaboration and mutual respect, helping to create their unique sound.New Album Talk: Get a peek into the band's latest album, where they blend rock, R&B, and gospel to create something fresh yet deeply rooted in their musical influences.The Struggles of Small Bands Today: Joey talks candidly about the challenges of being a small band in a crowded music landscape, securing booking agents, staying visible, and cutting through the noise.The Joy of Music: Despite the struggles, Joey’s passion and optimism shine through as he talks about the pure joy of making music with friends and connecting with their fans.Tune in for a conversation that’s not just about music, but about staying true to your art, no matter how big or small your platform might be.Chapters00:12 - Introduction to Joey Kneiser and Glossary00:16 - The Journey into Underground Music12:48 - Exploring New Musical Influences17:42 - Transitioning to Solo Projects22:28 - The Challenges of Touring as a Small Band24:23 - The Impact of Touring and Collaborations on Band GrowthTakeaways Joey Kneiser's journey into music began with discovering underground bands that inspired his songwriting journey beyond mainstream success. The evolution of Joey's musical style reflects a deeper understanding of songwriting, emphasizing chord complexity and narrative depth. In today's saturated music scene, finding a unique voice is crucial as every artist competes for listener attention in a digital landscape. Collaboration and community have been essential for Joey's band, as they rely on connections with other musicians to expand their audience. The shift from physical mixtapes to digital streaming has changed how fans discover music, impacting the band’s reach and growth. Joey's creative process involves writing songs on piano, which has introduced new musical elements that diversify their sound and keep it fresh. Mentioned in this Episode Glossary Replacements Fugazi De La Soul Iron Maiden Run DMC NWA Jawbreaker fIREHOSE Minutemen Black Flag Lucero Patterson Hood Two Cow Garage Slobberbone The Drams Centro-Matic Recommended If You Likepodcast about musicians, Country Fried Rock podcast, Joey Kneiser interview, Glossary band, underground music influence, songwriting process, indie rock history, 90s music scene, cult band following, music creativity, influences on songwriting, artist interviews, live music experiences, recording process, music industry challenges, music genres exploration, songwriting techniques, DIY music production, music collaboration, alternative rock insightsTranscriptSpeaker A00:00:00.800 - 00:00:14.400Welcome to Country Fried Rock where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered Today my guest is Joey Kneiser from the band Glossary. Thanks so much for being with us on Country Fried Rock.Speaker B00:00:14.480 - 00:00:15.520I'm glad to be here.Speaker A00:00:15.520 - 00:00:17.760Appreciate you being here. When did you start playing?Speaker B00:00:18.400 - 00:01:09.560I mean, I guess I've just been playing music kind of my whole life, just making up songs. When I was younger, when I was probably about 16, was when I first heard like underground music was a huge epiphany to me.I didn't realize that you could play music it not be on the radio like that you could have a career, you know, that wasn't like a mainstream career.I'd first heard like Replacement Fugazi and bands like that who were not getting played really on the radio, but were actually, you know, living off of playing in a band. And I think that's when I kind of decided that that's what I would pursue and that I would pursue that actual trying to learn how to write songs.And that way that someday, you know, well, I'd the band, you know, I wouldn't have to worry about if I played guitar. I'd have to find a band or if I played drums or something, I'd always have to find a band.But if I really just focused on trying to write songs, I'd always be the band and me.Speaker A00:01:10.520 - 00:01:17.640Before you discovered the underground music stuff, what were you doing as a kid? Like, what spoke to you musically? Because not every kid does that.Speaker B00:01:17.960 - 00:02:14.200I mean, when I was a kid, I was like. Probably most kids that like, you know, grew up. I'm 37 years old, so I, you know, I grew up. Most of my youth was in the 80s.So I mean, I grew up listening to what was on the radio. Obviously I love Michael Jackson, you know, things like that.I was also, as a kid of that era got into like the early days of like hip hop and stuff, really into some more weirder hip hop bands. Like I really like De La Soul and later 80s. I remember being extremely obsessed with De La Soul's 3ft high and Rising.I used to come home from school, from middle school and it was back when El MTV Raps was on.And I'd like every day when I got home from school and you know, then I'd watch Headbangers Ball on Saturday nights and all was younger and then 120 minutes on Sunday night. I had an older brother, so he was listening to a lot of metal.Like my older brother, you Know, he listened to like lots, lots and lots of metal like Iron Maiden or something like that. But then he'd listen to like Run dmc, you know, or like NWA or, you know, I was listening to a.Speaker A00:02:14.200 - 00:02:19.480Lot of different stuff when you finally discovered Replacements, which got you into that first.Speaker B00:02:20.040 - 00:03:06.590When I first heard it, I felt like it was probably the same as the people that were a couple years younger than me. Like when they first heard Nirvana. I first heard the placement.I had heard like, you know, I remember one time, like listening to college radio, hearing left of the dial and then realizing what the song meant.Like listening to it left of the dial and understanding like, oh, you know, the song is talking about all that music that's on these little college radio stations, you know, the stations that are under 100, you know. And I...

SummaryFrom 2012: Gordy Quist from the Band of Heathens jumps into the mix on Country Fried Rock, sharing the lowdown on his musical journey that kicked off with a fake guitar and Beatles jams at the tender age of four. They dive deep into the essence of creativity, exploring how childhood experiences and heartbreaks shaped his songwriting. Quist reflects on the evolution of his music, revealing how the band's organic formation paved the way for their unique live performances, where spontaneity reigns supreme. He emphasizes the importance of authenticity and the thrill of connecting with audiences, noting how each show is a new adventure, full of fresh interpretations and improvisations. As they gear up for their next studio project, Quist's passion for songwriting and commitment to evolving as an artist shine through, making this episode a must-listen for music lovers and aspiring musicians alike.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Band of HeathensGordy QuistYou may also enjoy this conversation from 2015 with Great PeacockShow NotesGordy Quist, lead singer and songwriter for The Band of Heathens, joins Country Fried Rock to talk about his musical journey.Gordy reflects on his childhood, starting with a plastic guitar and his love for The Beatles, which sparked his passion for music.He shares memories of jamming with imaginary bands at age 4 and learning his first real chords from his dad at age 10.Teenage years marked by forming bands, experimenting with sounds, and navigating the emotional rollercoaster of growing up.The influence of legendary songwriters like Lyle Lovett and Bob Dylan on his songwriting style and how teenage heartbreak shaped his music.Gordy dives into the vibrant Austin music scene, where he honed his craft, and discusses the power of live performances in fueling his creativity.From college bands to finding his own sound in Austin, Gordy talks about the artistic rebirth that shaped his career.The challenge of balancing commercial success with artistic integrity, why for Gordy, the joy of making music will always come first.Reflections on the tough decision to pursue a career in music over a corporate job, choosing passion over stability.The creative process of The Band of Heathens, where collaboration and improvisation drive their evolving sound.How the band’s chemistry keeps their performances fresh and spontaneous, ensuring that no two shows are the same.Gordy looks ahead to the next phase of the band's journey and shares his thoughts on authenticity and artistic freedom in the music industry.Listen in for an in-depth, candid conversation about the life of a musician, the evolution of a band, and the power of staying true to your art.Chapters00:09 - Introducing Gordy Quist01:55 - The Journey to Songwriting09:26 - Finding Your Passion in Music12:53 - The Formation of the Heathens22:50 - The Evolution of Live Performance26:56 - The Creative Process of Songwriting35:03 - Exploring New Music and Live PerformancesTakeaways The podcast dives deep into Gordy Quist's childhood musical journey, revealing how a fake guitar sparked his lifelong passion for music and creativity. Gordy shares a humorous anecdote about performing in bands during his teenage years, where playing music helped him impress girls and navigate high school life. The conversation highlights the importance of live performance in the creative process, emphasizing how spontaneous moments on stage can lead to unique musical expressions. Listeners learn about the evolution of Gordy’s songwriting process, including his recent commitment to writing a new song weekly, showcasing his dedication to musical growth. Gordy discusses the impact of personal experiences on his songwriting, particularly how heartbreak inspires authentic and relatable lyrics that resonate with audiences. The episode wraps up with insights into the dynamics of band collaboration, revealing how the shifting lineup of the Band of Heathens has influenced their musical direction and creative synergy. Mentioned in this Episode Band of Heathens Beatles Lyle Lovett Paul Simon Ray Wiley Hubbard Dawes Vetiver Jonathan Wilson Recommended If You LikeCountry Fried Rock, Band of Heathens, Gordy Quist, music inspiration, songwriting process, Austin music scene, live music experiences, creativity in music, folk rock, Americana music, music collaboration, original songs, music interviews, songwriting challenges, music production, touring musicians, live performances, music authenticity, songwriting tips, music career decisionsTranscriptSpeaker A00:00:00.800 - 00:00:12.960Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guest today on Country Fried Rock is Gordy Quist of the Band of Heathens. Morning.Speaker B00:00:13.120 - 00:00:14.160Good morning, Sloan.Speaker A00:00:14.160 - 00:00:15.360Thanks for being with us.Speaker B00:00:15.520 - 00:00:16.720Yeah, it's good to be here.Speaker A00:00:17.040 - 00:00:20.880So let's go way back. How did you personally start playing music?Speaker B00:00:21.280 - 00:01:12.720Well, if you go way, way back, I had a fake guitar when I was like 4 years old that I used to play along to all the Beatles tunes that my. My parents played me. I remember as a kid watching A Hard Day's Night and the concert scene at the end, I would go nuts on my fake guitar as a kid.But shortly after, probably, I don't know, I think when I was around 10 years old, I convinced my dad to start teaching me some chords on the guitar. So I started playing guitar pretty young. Started playing in bands around, I don't know, probably about the age you start getting interested in girls.Started trying to form a band to maybe help in that pursuit, you know, maybe 13, 14 years old, started playing in bands and, you know, it was just something that I played a lot of sports and played a lot of music. Those were kind of the two things that I was really into as a kid. That was my start.Speaker A00:01:13.040 - 00:01:16.400So when you were first learning those early chords with your dad, what were y' all doing?Speaker B00:01:16.559 - 00:01:23.600I had three songbooks. I think actually the first song I learned might have been Puff the Magic Dragon.Speaker A00:01:23.760 - 00:01:24.240Yeah.Speaker B00:01:24.320 - 00:01:54.520And then I had the Complete Beatles, Volume one, the Complete Beatles, Volume Two. And then I had a Paul Simon chord book. And so I kind of started off learning a bunch of those songs. And then it quickly turned into rock and roll.And all the grunge bands were really big when I was 13. And so that. And even some heavy metal actually went through a little phase of shredding with the heavy metal stuff.So kind of all over the map growing up.Speaker A00:01:55.080 - 00:01:57.240So at what point did you start writing your own stuff?Speaker B00:01:57.240 - 00:03:04.240You know, when I was maybe 14 or so, maybe younger, I went to. My parents brought me to see Lyle Lovett. I think that might have been my first or second concert.And he was touring behind this album called I Love Everybody, which was actually old songs he had written really early on, and they never made it on an album. And then he finally pulled all these old songs up, and it's a really killer record.It's this really acoustic, stripped down record that I love to this day. Anyway, that concert had a big effect on me of the idea of writing Songs.And Lyle would talk in between songs and talk about writing them, and it kind of got the wheels turning. And so I think when I was 16, over Thanksgiving weekend, a girlfriend broke up with me. It had been a long month of going steady with her.And then she broke my heart that weekend. And I think I wrote a couple of songs that weekend. I think that was the first time I got into that.Eventually I really started getting into writers like Townsend Zanzant and Bob Dylan and Ev Earl and Guy Clark and that kind of scene of songwriters. And that really fed my. My hunger for learning about writing songs.Speaker A00:03:04.400 - 00:03:10.160And so were you just writing these for yourself or were you also. Was your band performing these songs, or were those kind of two separate parts.Speaker B00:03:10.160 - 00:03:37.020Of your life at the time? In high school, I had a band. It was mainly a cover band, but we would...

SummaryFrom 2012: Mark Durfield from the Bearfoot Hookers spills the tea on how his lifelong passion for music evolved into a creative journey filled with heartfelt stories and captivating melodies. He dives deep into his roots, sharing tales of strumming his first guitar at just two years old, fueled by the sounds of Elvis and gospel tunes from his mom. The conversation shifts to the band's musical influences, notably the Southern rock legends like Lynyrd Skynyrd, which shaped their signature sound while balancing a rich blend of rock and country vibes. As they chat, Durfield reveals the transformative power of singing lessons that unlocked his songwriting potential and led to their latest album, a reflection of personal growth and deeper themes that resonate with the struggles of life and faith. With insights into their collaborative process and the vibrant Athens music scene, this episode is a warm invitation to explore the dynamic world of the Bearfoot Hookers.Show NotesThe Roots of Rock with Mark DurfieldIn this episode, Mark Durfield of The Bearfoot Hookers takes us on a relaxed, reflective journey through the roots of his musical path. From childhood guitar strums to his deep dive into Southern rock, Mark’s conversation is filled with humor, nostalgia, and a whole lot of heart. This is the kind of chat you’d have with a friend over a cold drink, honest, engaging, and full of good stories.Episode Highlights:Early Musical Beginnings:Mark's love for music kicked off at the age of two, when he first picked up a guitar.He reflects on the musical sounds of his childhood, from Elvis to gospel music, and how they shaped his early taste.The gritty, raw energy of 70s rock like Led Zeppelin & Cream was the spark that truly ignited his passion for music.A Southern Rock Journey:Mark shares stories about growing up with the wild sounds of rock & roll and how his family's musical tastes influenced his style.A funny moment about his mother’s reaction to rock legends like Jerry Lee Lewis, who didn’t exactly match her idea of appropriate music!The Southern rock culture and its enduring impact on his sound, which is integral to the Bearfoot Hookers’ unique vibe.Musical Identity & Genre Struggles:The paradox of loving rock while often finding himself writing country songs, a clash of musical worlds that Mark humorously embraces.He talks about the personal challenge of navigating genres and how artists often blend influences to form their true voice.The creative process of drawing from both rock and country, and how the mix has led to a signature sound.The Athens Music Scene:The importance of community within the Athens music scene, where Mark and his bandmates thrive.How collaboration plays a key role in their sound, with each member bringing their own strengths to the table.The way musicians build relationships through their art, creating music that speaks far beyond just the performance.Looking Ahead to New Projects:A peek into the future of the Bearfoot Hookers and what listeners can expect from their upcoming projects.The sense of natural progression in their music as they continue to explore new sounds, themes, and deeper layers of artistry.The Journey of Creativity:Mark reflects on the messy, beautiful evolution of his music career: how it’s been a series of unexpected twists and turns that led to his true artistic self.Emphasizes that every note played is part of a bigger journey, and how those struggles and discoveries ultimately fuel great music.The importance of embracing all your musical influences, no matter how contrasting they may seem.The value of community and collaboration in fostering creativity and pushing artistic boundaries.The evolving nature of musical identity—how it’s shaped by both struggles and breakthroughs.Don’t miss this episode, filled with great stories, laughs, and a deeper look into the heart of Mark Durfield and The Bearfoot Hookers' musical evolution.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!The Bearfoot HookersYou may also enjoy this 2015 conversation with T. Hardy MorrisChapters00:00 - Introduction to Country Fried Rock05:24 - From Lessons to Lyrics: The Journey of a Musician09:36 - The Journey of the Bearfoot Hookers18:47 - The Athens Music Scene: Collaboration and Community24:30 - Thematic Evolution in MusicTakeaways Mark Durfield's lifelong passion for music began at the tender age of two, showcasing an innate connection to creativity that shaped his artistic journey. The Bearfoot Hookers, while rooted in country sounds, draw significant influence from classic rock and gospel, reflecting a diverse musical upbringing. The collaborative spirit within Athens' music scene is robust, as evidenced by the band's interactions with talented local artists and their shared experiences. Durfield emphasizes the evolution of their song themes over time, transitioning from rowdy party anthems to more introspective and relatable narratives. The songwriting process for the band has matured significantly, with a focus on personal experiences that resonate deeply with listeners, including relationship dynamics. Recording in a home studio has allowed Durfield to explore his fascination with music production, giving him the freedom to craft songs in a comfortable environment. Mentioned in this Episode Bearfoot Hookers Elvis Loretta Lynn Johnny Cash Led Zeppelin Cream Jerry Lee Lewis Merle Haggard Willie Nelson Hank Williams Lynyrd Skynyrd Bruce Springsteen Ty Manning John Tang Josh Skelton Will Thrift Olwen Kirsch Nucci Space Leah Calvert Hal Misseri Betsy Frank Adam Payne Ken Will Morton The Chasers Carla Lafever Andrew Nelson and the Shotgun Lovers Fester Haygood Marcus Thompson Scott Nicholson Dave BarbeRecommended If You Likecountry fried rock, Mark Durfield, Bearfoot Hookers, Athens Georgia music, country music influences, Southern rock, Johnny Cash, songwriting process, music collaboration, recording techniques, live music Athens, guitar lessons, music creativity, Barefoot Hookers songs, country music history, band dynamics, Athens music scene, acoustic performances, music inspirations, gospel music influences, barefoot hookersTranscriptSpeaker A00:00:00.800 - 00:00:15.360Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered Today on Country Fried Rock, we're talking with Mark Derfield of the Barefoot Hookers of Athens, Ga. Welcome.Speaker B00:00:15.600 - 00:00:16.320Thank you.Speaker A00:00:16.320 - 00:00:17.280Thanks for being with us.Speaker B00:00:17.360 - 00:00:18.000Pleasure.Speaker A00:00:18.000 - 00:00:19.680How'd you get into music originally?Speaker B00:00:19.840 - 00:00:53.580Oh, gosh, I've been playing guitar since. There's actually pictures of me playing a guitar when I'm about 2 years old. I don't think I was playing very well, but I'm holding one.But I started taking some lessons when I was an early teenager, and I'm not going to give away my age, but it's been more than 20 years since I've been playing way more and just, you know, I don't know. Music from a very young age has always been something that was inspirational and spoke to me and something that I can't get away from.So no matter how hard I tried to concentrate on other things, music was always the thing that grabbed my attention. So I figured out a play.Speaker A00:00:53.740 - 00:00:59.740So in those years between, you know, hanging with the guitar as a little guy and deciding to want to play, what were you listening to?Speaker B00:01:00.100 - 00:01:58.910Well, of course, at a very young age, listening to whatever my parents had on the radio, which was they liked Elvis and some of the country music people like Loretta Lynn and things like that. So I heard a lot of that kind of stuff. My mother's a big fan of gospel music, so I heard a lot of gospel music growing up.And then when I got old enough to start listening to things on my own, I mean, I was fascinated with the sounds of rock music from the 70s, which is about the time it was when I was a young fella. You know, I loved big guitar sounds and big guitar music. So.But actually, the interesting thing is the...

SummaryFrom 2012: Lincoln Durham joined the crew on Country Fried Rock to chat about his musical journey, diving deep into the creative process that fuels his unique sound. He kicked things off by sharing how his early days playing the fiddle, thanks to his family, laid the groundwork for his evolution as an artist. The conversation took a turn as he revealed his transition from a shy kid behind the fiddle to a bold singer-songwriter, influenced by legends like Bob Dylan and Jimi Hendrix. They also touched on his recent album, The Shovel Versus The Howling Bones, discussing how his solitude during the writing process shaped his music, leading to a raw and captivating live performance style. As they wrapped up, Lincoln reflected on the Austin music scene and his plans for future projects, leaving listeners eager to hear what’s next from this dynamic artist.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Toss a few in our Tip Jar!Lincoln DurhamYou may also enjoy this conversation from 2015 with Mason Lankford of Folk Family RevivalShow Notes"The Art of Creation with Lincoln Durham"In this episode, we dive deep into the world of musical creativity with Lincoln Durham, a dynamic force in the country music scene. From his childhood beginnings to his evolution as an artist, Lincoln shares his incredible journey through life and music. With an open heart and a touch of humor, he reflects on the twists and turns that led him to embrace his voice and his craft.Episode Highlights:Early Beginnings:Lincoln recounts picking up the fiddle at just four years old, encouraged by his father and grandfather.He shares his experience with the Suzuki method and how it laid the foundation for his musical growth.Despite his early struggles with reading music, Lincoln was driven by a deep love for the art form.The Osceola Opry & Finding His Voice:Lincoln’s childhood performances at the Osceola Opry were pivotal in his artistic development.Initially a shy fiddler, he reveals how the stage helped him transition into a passionate vocalist.A glimpse into his adolescent journey of searching for his artistic identity.The Moment of Self-Discovery:The turning point came when Lincoln embraced songwriting in his late teens, marking the beginning of his transformation as a true artist.He reflects on the vulnerability and self-reflection involved in developing his voice.Creative Process & Solitude:Lincoln discusses his year of "cocooning," a time spent in solitude and introspection that helped him hone his songwriting skills.He talks about the delicate balance between creating lyrics with depth and crafting melodies that captivate.Rock icons like Bob Dylan and Jimi Hendrix played a significant role in shaping his approach to songwriting.From Writer to Performer:Lincoln shares how his evolution from a solitary writer to an engaging performer unfolded over time.The challenge of balancing personal introspection with the energy of public performance.Collaborations & the Power of Community:He opens up about his recent collaborations with fellow musicians and how they’ve enriched his sound.The influence of the Austin music scene and the sense of community that drives creativity.Inspirations Beyond Music:Lincoln’s love for classic literature has a strong influence on his songwriting.He talks about his affinity for dark themes in literature, and how that translates into his unique blend of introspective lyrics and melodies.A Journey of Embracing Vulnerability:Lincoln reflects on his journey through the artistic landscape, learning to embrace vulnerability and navigate life's challenges.His advice for fellow artists: Embrace your path, no matter how unpredictable, and find beauty in both the light and the darkness.The importance of finding and embracing your artistic voice, even when it’s difficult.The role of introspection in refining creative work.How collaborations and community can elevate your sound and inspire new ideas.The power of literature, vulnerability, and personal experience in shaping meaningful art.Listen now for an inspiring conversation with one of country music's most compelling voices, Lincoln Durham.Chapters00:09 - Introducing Lincoln Durham02:00 - The Journey to Songwriting12:49 - The Evolution of a One-Man Show: Collaborations and Influences22:31 - Evolving Soundscapes: The Journey of a Musician26:54 - The Creative Process: Finding Inspiration32:21 - Austin's Music Scene and Personal ExperiencesTakeaways Lincoln Durham's journey into music began at the tender age of four, sparked by his father's encouragement to play the fiddle, which laid the foundation for his lifelong passion. He reflects on the importance of creative solitude, emphasizing how a year spent in isolation allowed him to hone his songwriting skills and discover his true musical identity. Durham's approach to live performances has evolved, focusing on making each song uniquely compelling, ensuring that every moment captivates the audience's attention. Collaboration played a crucial role in his latest album, where he worked alongside seasoned musicians like Ray Wylie Hubbard, which enriched the overall sound and depth of his music. His songwriting process is deeply influenced by literature, particularly the darker themes found in classic authors like Edgar Allan Poe, which he embraces as part of his artistic expression. Lincoln acknowledges that he enjoys the darker, impending doom themes in his music, realizing that it's simply part of who he is as an artist, rather than trying to conform to lighter themes. Mentioned in this Episode Lincoln Durham Ray Wiley Hubbard George Reif Band of Heathens Jacob Dylan Chris Robinson Courtyard Hounds Dixie Chicks Cowboy and Indian Tom Waits Black Keys Jack White The White Stripes H.G. Wells Cormac McCarthy James McMurtry Full Tones Steve Stto Twisted Hearts Recommended If You LikeCountry Fried Rock, Lincoln Durham interview, musician creativity, songwriting inspiration, fiddle Suzuki method, Americana music, live performance tips, music production process, dark lyrical themes, Texas music scene, independent music release, singer-songwriter journey, collaboration in music, evolution of sound, acoustic performances, Tom Waits influence, Bob Dylan songwriting, unique musical style, emotional songwriting, music industry insightsTranscriptSpeaker A00:00:00.800 - 00:00:21.520Welcome to Country Fried Rock where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guest this morning on Country Fried Rock is Lincoln Durham.A record that I got in the mail and was waiting for and haven't taken it out of the CD player in my car yet. Good morning, Lincoln. Thanks for being with us on Country Fried Rock.Speaker B00:00:21.520 - 00:00:23.120Well, thank you guys for having me.Speaker A00:00:23.200 - 00:00:25.600We're glad to. How'd you get into music originally?Speaker B00:00:25.990 - 00:00:41.510Well, originally my dad got me into playing the fiddle when I was four years old. Yeah, I started playing the fiddle, you know, little tiny toy looking fiddle. It was my dad, my grandpa, actually.And it just kind of started from there and snowballed for 20 years or so.Speaker A00:00:42.070 - 00:00:45.510So were you playing like Suzuki method or was this family taught?Speaker B00:00:46.070 - 00:01:09.420You know, it's funny that, you know, that it is. It was actually the Suzuki method. Yeah, they. I, in fact, I even forget that that's what it was. But that, yeah, that is, it was this little.I can't read music. Unfortunately. The Suzuki method, for those that don't know, is basically like. It'll say like an A over A1.What it is is it means you play the A string with your first finger, you know, and that's how I learned how to play.Speaker A00:01:09.740 - 00:01:10.940But you stuck with it.Speaker B00:01:11.100 - 00:02:00.400I did. You know, I was the type where I'd stuck with the fiddle for a long time, but I never really latched onto it.I did play it for goodness, probably 15 years or so. You know, it was one of those things where I was four years old. It was kind of selected for me. And so I never really.It wasn't later in life, you know, almost recently, that I...

SummaryFrom 2012: Brett Anderson from Ha Ha Tonka drops some serious wisdom on the creative journey of music-making, emphasizing that the band's evolution is all about the collective influences that blend into their sound. He spills the beans on how their roots run deep, tracing back to childhood memories filled with bluegrass, Motown, and Southern rock vibes that shaped their musical DNA. As they reminisce about their early days jamming in high school talent shows, it’s clear that experimentation and growth have been the name of the game, especially with their latest album, Death of a Decade. The crew chats about the magic of harmonies, how a goofy moment inspired by Anchorman led to a signature sound that really got them grooving. They’re not just about laying down tracks; they’re all about the vibe of live performances, connecting with audiences, and crafting songs that resonate, all while keeping it as real and raw as possible.Show NotesLet’s Dive into the World of Roots Music, Ha Ha Tonka StyleThe episode kicks off with a laid-back, nostalgic stroll through the musical roots of our guest from Ha Ha Tonka. Here’s how it all unfolds:Growing Up in the Kansas City Suburbs (With a Killer Soundtrack)Our guest paints a warm picture of childhood summers at the Lake of the Ozarks.The soundtrack? A mix of bluegrass, southern rock, gospel, music that practically floated on the lake breeze.At home, his parents played DJ:Mom: Hardcore country and classic MotownDad: Southern rock, all day longThat eclectic mix set the stage for what would become a pretty unique musical identity.The Guitar Moment: From Listener to Music MakerIt all changed in high school when he picked up a guitar.He started with covers, but it wasn’t long before he dipped into writing original songs.Those early jam sessions were where the seed of the Ha Ha Tonka sound really started to sprout.College Days & Band BeginningsFast forward to Missouri State University, where music-loving minds met.What started as casual jam sessions turned into something much more serious.Soon, it wasn’t just about playing music. It was about making something real.Their debut album took shape, a blend of their shared influences and new ideas.Signing with Bloodshot Records? That was the moment the hobby turned into a hustle.Crafting a Sound & Finding a GrooveThe band leaned into their rootsy sound, experimenting with:Tight harmoniesAcoustic-meets-rock arrangementsA storytelling vibe that felt both grounded and freshTheir music became a reflection of where they came from, and where they were headed.Wrapping Up with Death of a DecadeThe conversation turns to their latest album, Death of a Decade.The guest talks about growthMore collaboration within the bandTrying new instruments and texturesA more mature, layered soundThere’s a buzz about what’s next: new ideas, new songs, and more stories waiting to be told.This episode isn’t just about a band. It’s about the journey of becoming one. From Ozark summers to college jam sessions and beyond, Ha Ha Tonka’s story is as rich and rootsy as their sound.Chapters00:00 - Introduction to Country Fried Rock05:40 - Finding Our Sound07:22 - Finding Their Sound: The Journey with Mandolin and New Influences16:18 - The Creative Process of Song Development21:02 - The Evolution of Live Performance24:54 - Exploring Themes in Music CreationTakeaways The podcast dives into how roots music shaped the guest's childhood and influenced their musical journey, highlighting the significance of family musical traditions. He discusses the band's evolution from casual college jam sessions to a more serious approach in pursuing a music career, showcasing their growth and commitment. The conversation reveals how the band's diverse musical influences come together to create their unique sound, emphasizing the importance of collaboration. They reflect on their experiences with different producers, exploring how these relationships impact their creative process and sound development. The guest shares insights into their live performances, detailing how audience energy and venue atmosphere can significantly influence their shows and setlists. They tease future creative directions, hinting at potential new instruments and thematic explorations for their next album, showcasing their continuous evolution as artists. LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Ha Ha TonkaYou may also enjoy this conversation from 2015 with Sam LewisToss a few in our Tip Jar!Mentioned in this Episode Ha Ha Tonka Bloodshot Records R.E.M. New Country Rehab Full Tones Steve Soto Twisted Hearts Recommended If You Likecountry fried rock, Haha Tonka, roots music, bluegrass music, southern rock, musician interviews, songwriting process, creative inspiration, acoustic instruments, live music performances, mandolin in rock, indie music bands, music industry insights, touring experiences, harmony vocals, original music, music influences, talent shows, music collaboration, new music releasesTranscriptSpeaker A00:00:00.640 - 00:00:12.880Welcome to Country Fried Rock where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered My guest today is from Haha Tonka. Welcome to Country Fried Rock.Speaker B00:00:13.040 - 00:00:13.840Thanks for having me.Speaker A00:00:13.840 - 00:00:16.880Appreciate you being with us. How did you get started in music as a kid?Speaker B00:00:17.840 - 00:00:49.100Well, me personally, I grew up in a suburb of Kansas City mostly. I had a lot of my parents listened to a lot of roots music.My grandparents a house at the Lake of the Ozarks which is in central southern Missouri and spent a lot of summers down there coming from then listening to a lot of, you know, bluegrass and southern rock and lots of gospel and things. So for me growing up as a kid, it was just mostly about harmonies and acoustic instruments and that's kind of what I was exposed to at a young age.Speaker A00:00:49.180 - 00:00:51.020What kind of bands did your parents listen to?Speaker B00:00:51.180 - 00:01:18.070My mom was. She was actually mostly into Motown, but she also was a big hardcore country fan, I would say early country, Patsy Cline, things of that nature.I also specifically remember her listening to Bonnie Raitt actually was a big, big influence for me as a young kid. My dad was mostly majority of stuff going to be like Southern rock, 70s type things. Bruce Springsteen was a big influence for him.Speaker A00:01:18.310 - 00:01:22.790When you were at your grandparents place at the lake, your grandparents were into the bluegrass and stuff too?Speaker B00:01:23.240 - 00:01:40.360Yeah, yeah. My grandpa, he listened to a lot of. And honestly I didn't really know who I was listening to, but he had a.Had an old reel to reel player that was on constantly down there. Lots of the bluegrass stuff. I'm not exactly sure who he was listening to, but I do remember thoroughly enjoying enjoying a lot of the music.Speaker A00:01:40.360 - 00:01:44.040So that's cool. So at what point did you start getting into music then?Speaker B00:01:44.040 - 00:02:04.950I mean I was always felt like I had a big connection with it at a younger age, but didn't start playing any instruments until I was in high school.I picked up a guitar when I was probably about 13 or 14 and had a friend of mine who kind of knew how to play and just taught me sort of the basic things. And then I just kind of taught myself the rest as the years went on.Speaker A00:02:04.950 - 00:02:09.950So were y' all always writing original stuff from the beginning or were you learning other people's music at first?Speaker B00:02:10.430 - 00:02:27.460A little bit of both. I always tried writing in earlier stages, but I never was satisfied with what I was doing. So I tried to pull in a lot of.Try to maybe kind of mimic some, some of my earlier influences, Neil Young and Pixies and things like that.Speaker A00:02:28.180 - 00:02:31.060And so what Led to you performing for others.Speaker B00:02:31.700 - 00:03:14.290Honestly, it just was kind of a gradual progression. And really, in high school, there...

SummaryFrom 2012: Angela Easterling dives into the delightful chaos of her creative journey, showcasing how her latest album, a unique blend of Americana and French flair, came to be. She shares the quirky backstory of translating her songs and the unexpected challenges that arose, like accidentally asking a food truck for apple juice instead of directions in Paris. Angela reflects on her evolution as an artist, tracing her roots back to her childhood and her diverse musical influences, all while keeping it real with a touch of southern charm. The conversation takes a humorous turn as they discuss the intricacies of language and the pitfalls of translation, all while celebrating the growth that comes from stepping out of one’s comfort zone. With a laid-back vibe, this episode encapsulates the joy of music and the serendipitous moments that inspire creativity, making it a must-listen for anyone who appreciates the art of storytelling through song.Show NotesAngela Easterling is back on Country Fried Rock, sharing the laid-back journey of her musical career that’s taken her from the quiet corners of South Carolina to the buzzing streets of Los Angeles. Here's a breakdown of the conversation:Latest Project: Angela’s new album is a French surprise! Despite fans initially raising an eyebrow at the idea of an Americana album in French, she’s fully embracing the unexpected and showing off her linguistic chops.Creative Process: The album’s inspiration came from her collaboration with Mahayan, a French professor. Together, they took Angela’s song "One Microphone" and turned it into "Unmie Coffin," and that was just the beginning!Lost in Translation: Angela shares some hilarious translation mishaps, including a memorable moment where she accidentally ended up asking for apple juice in Paris. Proof that even seasoned artists can find themselves in some funny situations.Reconnecting with Roots: After bouncing around LA and Boston, Angela moved back to South Carolina, where she tapped into her country roots in a way she hadn’t before. This move has brought a new depth to her writing and to her connection with country music.Full Circle Moment: By embracing her country influences, Angela feels she’s found her truest sound yet, and it’s a reminder that sometimes, going home leads to the best discoveries.The episode is packed with laughter, inspiration, and a whole lot of musical heart.Chapters00:09 - Introduction to Angela Easterling04:34 - Challenges of Translating Song Lyrics07:18 - The Journey into Music13:40 - Reconnecting with Roots: The Journey Back to South Carolina20:00 - The Transition to Music Production26:12 - The Evolution of a Musician: From Local Roots to National StageTakeaways Angela Easterling's journey into music reflects a serendipitous blend of personal experiences and cultural influences. The creative process of translating songs into French illustrates a unique challenge that enhances songwriting skills. Returning to South Carolina reconnected Angela with her roots, significantly shaping her musical direction and identity. Working with friends and collaborators in a supportive environment fosters creativity and experimentation in Angela's music. LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Angela EasterlingYou may also enjoy this conversation from 2015 with Mic HarrisonThrow a few in our Tip Jar!Mentioned in this Episode Furman University Nashville Recommended If You Likecountry music, Americana music, Angela Easterling, songwriting inspiration, French music album, creative collaboration, Nashville music scene, South Carolina musicians, music production, Blacktop Road album, musical theater influence, folk music scene, open mic performances, country music roots, touring musicians, indie music, songwriting process, bilingual music, music career development, music industry challengesTranscriptSpeaker A00:00:00.800 - 00:00:14.800Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. Today on Country Fried Rock, we're talking with musician Angela Easterling. Thanks so much for being with us.Speaker B00:00:15.200 - 00:00:17.200Oh, my pleasure. Thanks for having me.Speaker A00:00:17.520 - 00:00:29.320Absolutely. Well, this is a pleasure.I really enjoyed your record before your most recent one, Beguiler, and then you posted that you were doing a record in French, and I thought, huh, probably.Speaker B00:00:29.320 - 00:00:30.360What most people thought.Speaker A00:00:31.160 - 00:00:37.800It's a great record, though, now that I've heard it. So I do want to get to that of how on earth this came about.Speaker B00:00:38.360 - 00:04:02.150Yeah, well, my second album, Blacktop Road, which was released in 2009, had one song on there that was a bonus track that appeared in both English and French. In English, it was one microphone. In French, it was Unmie Coffin.And basically that came about because my good friend here in South Carolina, Mahayan Bessie, she's from France and she's a French professor at a college here at Furman University. And she and I are really good friends. And we translated that one song because I thought that that song might be kind of interesting to do in French.I kind of had the idea to do that song in French, and so, you know, just to kind of see if it would work. And we translated it and it actually turned out really good.Once people heard it, they would ask me, was that song originally in French or was it originally in English? Because it. It seemed kind of seamless. And we just enjoyed working together so much.And it's interesting for me because I've never worked with a co writer. All of my songs I've written by myself. This was really, like the first time I've ever collaborated with someone.So we worked together to come up with a whole album's worth of songs. And then I kind of had it on the side. You know, I was just thinking, well, when I get some time, I'll do this project.And lo and behold, I was looking at a 2012 calendar about last October of 2011, and I saw that this year, Valentine's Day was on a Tuesday, which is, you know, the day that albums are released, Tuesday on Valentine's Day. And I realized, you know, only chance I would have to release an album on Valentine's Day if I did it right now.So I was like, oh, you got to do the CD really quick. And so I didn't even go in the studio until the day after Thanksgiving. Wow. And, yeah. And usually, you know, it's at least six months from start.You know, just everything that goes into an album. So all of that was really sped up. I started recording it the day after Thanksgiving.We worked through it throughout December, and I was even sick while we were recording. I had bronchitis. But lo and behold, we went to Nashville and mastered it on January 2nd, and it was done.And I got it done in that rapid of time and released it. And, you know, it's just kind of a side project for me. It's something I wanted to see if I could do, you know, something that I thought would be fun.It was a real challenge, you know, to try to, you know, express yourself in another language, singing and get album pronunciation right and everything. So, I mean, I don't know if people are going to catch on to this album. I don't know.You know, a lot of people were kind of like, americana album in French, okay. But I think it's just an interesting thing to do.I think it's, you know, anytime you work on writing in any kind of way, it only helps you as a writer. I think it's going to help strengthen that writing muscle for me for when I go back to writing in English.And I just hope that, you know, it seems like so far people are liking it and getting into it, and so, you know, we'll see what happens. But mainly this was just something that I did for fun. When I was in Paris, I was looking for Jeu de Palme, which is a famous park there.And I was looking all over. I couldn't find it near the Champs Elysees. And I was going around asking people, and they kept pointing me in direction, direction, direction.And finally I realized they were pointing me to, like, a food truck. Figured, oh, well, they must. I must be supposed to ask the food truck guy where it is. So I go up to him and I ask him, ouai, jeu de paume.And he hands me a can of juice, Jus de palm. Jus de palm. And he's like, oui, jus de palm. Apple juice.Speaker A00:04:02.150 - 00:04:06.510Apple juice. That's hysterical.Speaker B00:04:06.510 -...

SummaryFrom 2012: Patrick Sweany gets real about the Nashville music scene, diving deep into his journey from coffee shop gigs in Ohio to making waves in the heart of Music City. He spills the beans on how the Basement became his home base and his Nashville family, crediting them for his leap into this vibrant community where creativity flows like sweet tea on a hot day. Patrick reminisces about the electric nights at showcases, where he learned that every performance is a chance to connect with an audience, even if they’re more interested in the game on TV. The convo rolls into his evolution as an artist, revealing how he honed his craft through countless late-night sets, proving that hard work and passion can make dreams come true. Tune in to hear how he navigates the ups and downs of the music biz, all while keeping it real and relatable in a town that can be as tough as a two-dollar steak.Show NotesDiving into the vibrant world of music with Patrick SweanySloane Spencer and Patrick Sweeney kick off a laid-back yet insightful conversation about his artistic journey, starting with a pivotal night in 2011 at a Nashville showcase. Here's how the chat unfolds:Nashville Roots:Patrick shares how his music career began at The Basement, a venue that’s close to his heart. The Nashville community, full of creative energy, gave him the support he needed to find his footing in the city.From Ohio to Music City:He paints a picture of a young musician fresh from Ohio, navigating the highs and lows of live performances, all while trying to figure out his sound. It's a story of the hustle and heart of breaking into the Nashville music scene.Creative Integrity in a Commercial World:The conversation takes a deeper turn as Patrick talks about the struggle to stay true to his artistic voice while the music industry often pushes for commercial success. It’s about balancing creativity and maintaining authenticity.Formative Years in Kent, Ohio:Patrick reflects on how his love for music first blossomed in his teenage years, especially when he discovered blues and rock. A key moment in his journey, he recalls how these raw, soulful sounds ignited his passion for music.Witty Banter on Musicianship:With a lighthearted tone, Patrick contrasts the serious musicianship he admired with the more laid-back vibe of some live performances. It’s a reminder that sometimes the best music comes from unexpected, casual moments.The Evolution of Genre:The discussion cleverly touches on how genres evolve and the importance of staying authentic. Patrick talks about the challenges of finding your voice amid the pressures of fitting into predefined categories in the industry.What’s Next for Patrick:The episode wraps up with Patrick teasing some exciting upcoming projects and collaborations. He leaves listeners eagerly anticipating the next chapter in his musical journey.In the end, this episode of Country Fried Rock is more than just a look at Patrick Sweany’s path; it's a celebration of the community, creativity, and serendipity that shape an artist’s journey.Chapters00:09 - Introducing Patrick Sweany04:51 - The Influence of Live Music on Musical Growth10:55 - From Coffee Shops to Country Music: The Journey Begins11:47 - The Journey of a Musician21:40 - The Journey of a Musician: From Gigs to Records25:06 - The Nashville Music SceneTakeaways The podcast dives deep into the creative inspirations of musicians, showcasing how personal experiences, like moving to Nashville, shape their artistic journey. Patrick Sweany shares a heartfelt story about the Basement, describing it as his Nashville family and a pivotal point in his musical career. In the episode, they discuss the importance of live performances, emphasizing how a showcase can be a unique opportunity for musicians to connect with new audiences. Both speakers highlight the unpredictability of live music, noting that sometimes performances hit the mark and other times they don't, but consistency is key. The conversation touches on the significance of honing one's craft, with Sweeney explaining that singing is like building a muscle that requires consistent practice and dedication. Listeners learn about the nuances of Nashville's music scene, with Sweany revealing how the community supports artists and fosters collaboration among musicians. LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Patrick SweanyYou may also enjoy this conversation from 2015 with The Bones of JR JonesToss a few in our Tip Jar!Mentioned in this Episode Americana The Basement Dave Brown Chelsea's Nine Mile Records Kevin Gordon Magna Hand Steve Soto Recommended If You LikeCountry Fried Rock, Americana music, Nashville music scene, Patrick Sweeney interview, music creativity, independent musicians, music showcases, blues music, songwriter interviews, live music performance, Nashville musicians, Americana charts, music inspiration, touring musicians, music career journey, music venues in Nashville, folk music, songwriting process, music industry insights, Country Fried Rock podcastTranscriptSpeaker A00:00:00.800 - 00:00:16.560Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. Patrick Sweeney, who I first heard at Americana in 2011 of an amazing showcase at the Basement.Welcome to Country Fried Rock.Speaker B00:00:16.560 - 00:00:17.440Glad to be here.Speaker A00:00:17.440 - 00:00:27.280This is a treat for me. I'm always seeking a band that just kind of blows my mind when I go to their showcase in this year.That night of the Basement was amazing and that your show was part of it.Speaker B00:00:27.520 - 00:01:12.860Thanks. Yeah, you know, the Basement, actually, you know Mike Grimes and, you know, the folks at the Basement are like. They're like my Nashville family.I mean, they're really. They're the reason I live in Nashville. You know, they were the only. Only club that would book us as a touring band and coming through.And actually I've. Dave Brown, one of the owners, hooked me up with my landlord. Like, I'd driven down there was the only.When I decided to move to Nashville, I drove there because it was the only place anywhere to go and to use their WI Fi and, you know, hang out and chase down my Craigslist dads for apartments and houses and stuff like that. And Every. I had 15 of them, and none of them worked out. Dave Brown was setting up the bar and he's like, hey, man, I think my old house is open.Why don't you call my landlord? And, you know, a couple weeks later, we moved in.Speaker A00:01:13.020 - 00:01:13.980That's fantastic.Speaker B00:01:14.060 - 00:01:44.080Yeah, yeah, it's really cool. They're great there. And, you know, that was. They're awesome people. I think it's one of the best rooms in Nashville. We just walked out.We got that showcase at that spot. You know, it was right.You know what, Right after the Deep Dark woods and there was, you know, it was a huge buzz about them, so we were able to keep some more people in. And, you know, that's cool things about Nashville, man.You know, I was able to, you know, get really, really good guys that were playing in the band that night. And yeah, it was just, you know, it was a really great night.Speaker A00:01:44.240 - 00:01:59.560It was a great night. And I'm going to differ with you on that. I don't think it had to do with who came before after you. The performance itself was stunning, stellar.Some people, when it. Some people, when it comes to a showcase, I think they're like, eh, five songs, whatever.But sometimes for people like me, that's the only time I'm gonna hear a band.Speaker B00:01:59.720 - 00:04:55.880Yeah. And that's, you know, doing these showcase things. I don't know. I guess I've got a perpetually a support act, you know, on. On a lot of tours. And I.And so I feel really good about. I mean, not to, you know, oh, this is. Well, I'm great at this or, you know, anything like that.I don't mean to be, you know, be egotism or not, but I really felt like we had it. We really had an on night that night. And it really. It was. It was great. And plus, you know, being able to.Because I see that way, you know, like, opening slots and showcase spots. You know, it's the only time that you really get to reach,...

SummaryJames McMurtry, a heavyweight in the music world, takes center stage in this convo, diving deep into the heart of protest music and social change. He kicks things off with a hilarious admission about writing songs just to get ladies' attention (classic move)! As they riff on McMurtry's journey from lonely beer garden gigs to crafting powerful anthems, he shares the backstory of his iconic protest song, "We Can't Make It Here," which struck a chord right before the 2004 elections. The discussion morphs into a thoughtful analysis of how music can serve as a catalyst for dialogue, especially around issues like corporate power versus the people's voice. With a sprinkle of humor and a whole lot of insight, this episode is a delightful blend of McMurtry's personal anecdotes and a savvy commentary on the current state of society, leaving listeners both entertained and contemplative.Show NotesCountry Fried Rock takes you behind the scenes of James McMurtry’s world, where his music meets life’s raw truths. Here’s the inside scoop on what to expect from this unforgettable conversation:A Playful Start:McMurtry kicks things off with a laugh, admitting his first push into songwriting was driven by a simple desire for attention, specifically from women. It’s a fun, light-hearted beginning that sets a laid-back tone for the whole episode.The Early Struggles:As he looks back on his first performances in beer gardens, McMurtry paints a picture of the grind: learning to play cover songs to get gigs, then slowly sneaking in his original stuff. The way he tells it, you can almost hear the clink of beer bottles and the hum of a tired crowd.Protest Music & Politics:The conversation gets deeper when McMurtry talks about his iconic protest song, “We Can’t Make It Here.” Written during a tense time in U.S. politics, the song became a rallying cry for many, capturing the frustrations of everyday folks. McMurtry explains how protest music can spark important conversations without pushing people away, all while balancing the fine line between political commentary and universal truths.Writing With Purpose:He shares his process of crafting songs that not only raise questions but also make room for connection. It’s all about creating music that invites listeners to reflect—without alienating them. His insights are both witty and wise, proving there's more to his music than meets the ear.The Future of McMurtry’s Music:As the episode winds down, McMurtry hints at a shift toward more personal storytelling in his upcoming work. He's not done evolving, and it’s clear he’s always searching for deeper ways to connect with his audience. Plus, there's talk of collaborations with legends like Joan Baez, making us all eager to hear what's next.This episode is a fascinating glimpse into the mind of a musician who has used his craft to not just entertain, but to engage and inspire generations.Chapters00:18 - Interview with James McMurtry02:05 - The Journey of Songwriting and Protest Music05:45 - The Influence of Corporate Power on Government10:41 - The Evolution of Music Production19:16 - The Austin Residency and Its Impact on Local Artists20:47 - Intellectual Property and Music in the Digital AgeTakeaways James McMurtry started writing songs primarily to impress women, revealing his youthful motivations behind creativity. His early musical inspirations were drawn from obscure artists like David Bromberg and John Hartford, shaping his unique sound. The evolution of his songwriting reflects a deeper personal drive, transcending mere commercial success or popularity. McMurtry's protest song, "We Can't Make It Here", illustrates the power of music to resonate with social issues, gaining unexpected traction among listeners. He emphasizes the importance of the listener's connection to a song, suggesting that a popular tune's success often hinges on its relatability. The ongoing dialogue about the intersection of music and social change reveals both challenges and opportunities for artists in today's political climate. LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012James McMurtryYou may also enjoy this conversation from 2015 with M. Lockwood PorterToss a few in our Tip Jar!Mentioned in this Episode Jimmy Buffett David Bromberg John Hartford Joan Baez C.C. Adcock Bill Clinton George Bush Stephen King Lucinda Williams Johnny Burke NAFTA Recommended If You LikeJames McMurtry interview, protest songs, social change music, Country Fried Rock podcast, songwriting inspiration, Americana music, Occupy Wall Street music, live music performance, music industry insights, songwriting process, vinyl records, music collaboration, critical acclaim in music, independent artist journey, music for social issues, contemporary folk music, music and politics, acoustic music scene, Texas music, modern protest musicTranscriptSpeaker A00:00:00.800 - 00:00:22.320Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity.Country Fried Rock Music Uncovered we're chatting with James McMurtry, a powerful figure in the music scene, including many social change songs and a recent protest song regarding the Occupy Wall street movement as well. And that just touches the tip of what James McMurtry does. Good morning, James. How are you?Speaker B00:00:22.400 - 00:00:23.040I'm good.Speaker A00:00:23.120 - 00:00:26.320Thank you for being with us. How did you start writing songs originally?Speaker B00:00:27.540 - 00:00:33.860Well, I started writing songs so women would talk to me. Basically. I knew I wasn't gonna make the football team, so.Speaker A00:00:34.020 - 00:00:34.980So in high school.Speaker B00:00:35.140 - 00:00:37.140Yeah. What can a poor boy do, you know?Speaker A00:00:37.540 - 00:00:40.020So original stuff started for you pretty early then?Speaker B00:00:40.740 - 00:00:59.480Well, I guess I started. I was about 18, and I never really finished anything that I wanted to play till I was in my mid-20s. But you know, that.That time I was playing little beer garden gigs for 10 bucks and free beer. You know, you had to play certain number of Jimmy Buffett songs or the food and beverage guy wouldn't hire you, you know.But then I started working in a few originals with the. With all the COVID tunes.Speaker A00:01:00.040 - 00:01:03.240Where was it that you were wanting to go with your original music at that time?Speaker B00:01:03.400 - 00:01:11.640At that time, I was kind of in the vein of David Bromberg and some of the obscure writers that I knew about. John Hartford, people like that.Speaker A00:01:11.880 - 00:01:13.400What tapped you into that music?Speaker B00:01:13.800 - 00:01:58.460I don't know. I just. Somebody turned me onto it when I was a teenager and I mean, I listen to the Rolling Stones as well, but I listen to that other stuff too.So the Hartford and Bromberg stuff lended itself to solo acoustic more. I wasn't working with bands much at that time, and I went to school in Tucson at that time. It was really easier find a gig as a solo.There were a lot of these outdoor beer garden type places and coffee houses, that sort of thing. I mean, there were a few clubs that hired bands, but the bands of the time, that was new wave era, and I wasn't really into that.I was into Southern rock. Fortunately, there was one pretty cool southern rock band there.But a lot of times they'd have to go down to Bisbee to play because there were enough old hippies down there that they could find a gig.Speaker A00:01:58.780 - 00:02:07.180As you moved forward then and continued writing. And it evolved for you, though, into something a little different. What kept you driving with the writing?Speaker B00:02:07.340 - 00:02:15.500It was just something I did. I was going to do that whether I was making a living at it or not. But yeah, it was just something I wanted to do it was my drive.Speaker A00:02:15.960 - 00:02:29.480As you move forward in what you were doing, you've had kind of huge peaks of critical acclaim. But then some of the songs that stand out over time have been maybe the quieter.I don't want to put the term protest song on them, except that some of them maybe are.Speaker B00:02:29.800 -...

SummaryFrom 2012: Annie Rothschild of Paladino spills the beans on her musical journey, diving into how her roots in blues, thanks to her dad's iconic record label (Landslide), shaped her sound and career. From the early days of tinkering with piano and clarinet to her recent romance with the upright bass, she reveals how her eclectic influences, from Bonnie Raitt to the Allman Brothers, spark her creativity. The convo takes a twist as Annie talks about the unique blend of country vibes with a punk edge that defines Paladino’s music, showcasing the band's chemistry and collaborative spirit. They chat about the whirlwind of recording what was supposed to be a demo but turned into their self-titled album, all while keeping things real with a no-nonsense approach to studio time. Tune in for a laid-back yet insightful peek into the life of a musician who's all about staying true to her roots while exploring new sounds.Chapters00:12 - Introduction to Today's Guest05:15 - The Journey of a Bass Player09:37 - The Evolution of Paladino's Sound14:56 - The Future of Paladino's Sound17:46 - Touring Adventures and Family LifeShow NotesDiving into the vibrant world of music, Sloane Spencer welcomes Annie Rothschild from Paladino to discuss the roots of her musical journey. Growing up surrounded by the rich sounds of the South, thanks to her father’s record label, Annie's introduction to music was as organic as it gets. She reminisces about her early days, from classical piano lessons to picking up the electric bass a decade ago, and eventually transitioning to the upright bass with Palladino. Their conversation unpacks Annie's influences, ranging from the blues legends like Muddy Waters and Bonnie Raitt to the soulful grooves of New Orleans. As Annie shares her passion for improvisation and the unique tonal qualities of the upright bass, listeners get a glimpse of the deep connection between her musical upbringing and her current artistic expression. The episode captures the essence of creativity, illustrating how Annie's background has shaped her approach to music-making and her journey with Paladino.Takeaways Annie Rothschild's musical journey began with a childhood steeped in blues, thanks to her father's record label, shaping her artistic path. The formation of Paladino was a serendipitous event, showcasing how organic connections can lead to creative collaborations in music. Annie's transition from electric to upright bass illustrates the evolution of her musical style, embracing the rich tones of roots music. The chemistry within Paladino is a delightful mix of personalities and influences, creating a unique sound that blends country with punk rock elements. Annie expresses aspirations for their next album to reflect a more cohesive sound, highlighting the importance of production in music creation. The band emphasizes the joy of live performance, describing their gigs as a continuously evolving experience fueled by audience energy. LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Annie Rothschild of Paladino, later of NoconaYou may also enjoy this conversation from 2015 with Lee GallagherToss a few in the Tip Jar!Mentioned in this Episode Paladino Landslide Records Capricorn Widespread Panic Derek Trucks Guitar Center Bonnie Raitt Susan Stufsky Willie Dixon Steve Holland Mingus Allen Toussaint James Booker The Meters George Porter Mud Waters Allman Brothers Dwayne Allman Freddie King Van Halen Otis Redding Aretha Franklin T.L. Burnett Youth for Christ Choir Dorothy Love Coats Jim Scott The Jayhawks Ween Recommended If You LikeCountry Fried Rock, Palladino band, Annie Rothschild interview, creative inspiration in music, blues music influence, upright bass playing, roots country music, modern punk rock sound, live music performance, recording process in music, self-produced albums, female musicians in blues, songwriting collaboration, music scene in Los Angeles, touring with a band, festival performances, influences of classic rock, music role models, unique band chemistry, music collaboration dynamicsTranscriptSpeaker A00:00:00.800 - 00:00:16.520Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered My name is Sloan Spencer, and you're listening to Country Fried Rock.My guest today is Annie Rothschild of Palladino. Welcome, Annie.Speaker B00:00:16.520 - 00:00:17.760Thanks. Thanks for having me.Speaker A00:00:17.840 - 00:00:21.200So glad to have you with us. How did you originally start playing music?Speaker B00:00:21.520 - 00:00:40.320Well, I've been around music my whole life. My father owns a little record label based out of the south, and so then he's been feeding me blues my whole life, so I feel very lucky with that.And. And I just started playing bass, I guess, about 10 years ago, just electric bass.But I actually just started the upright about a year ago when Palladino formed.Speaker A00:00:40.560 - 00:00:42.840So you didn't grow up playing an instrument, actually?Speaker B00:00:42.840 - 00:00:53.040Well, that's not true.I played piano and clarinet and off and on for years, but just picked up the bass about 10 years ago, and then now I barely play the electric anymore at all. It's only upright.Speaker A00:00:53.360 - 00:00:56.880So early piano and clarinet lessons didn't ruin your interest in music?Speaker B00:00:57.930 - 00:01:16.090No, actually, I loved piano. I was kind of like, I learned classically trained and I always wanted to know how to improvise.Like, I grew up in Atlanta and I always wanted to learn how to play like, you know, Allman Brothers and Skinner. And then eventually I just kind of like fell out of it a little bit and then got. Got into the bass a few years after that.Speaker A00:01:16.330 - 00:01:24.490You grew up with a classical training in instruments, but I totally get the wanting to play your own thing. What led to you starting to actually play music that you wanted to play?Speaker B00:01:24.900 - 00:01:45.940So funny. Just one day I just, like, needed to play the bass. I don't know why or how. I think tar, like, never appealed to me.I think six strings versus four just seemed like a little difficult.So, yeah, I just cruised down to Guitar center and bought a bass and amp and started fooling around, you know, trying to play old blues tunes and kind of had this urge to do it, I guess.Speaker A00:01:46.100 - 00:01:51.510Did you have any, like, female role models in terms of bass playing or guitar playing or. Or was that even an issue?Speaker B00:01:51.750 - 00:02:33.780Gosh, actually. Well, Bonnie Raitt, just. She's my idol and, you know, guitar player, but just being grounded in the blues and all. She's done for blues.I've always looked up to her. And also Susan Stufsky, definitely a role model. She's such a great singer and performer, and she's awesome.But, yeah, those are the only females I've ever really looked up to. There's some upright players I was definitely inspired by, like, Willie Dixon, who I've named my bass after James Singleton.I love all New Orleans music is really, really great. And recently I've been getting into a lot more like jazz, upright jazz players like Steve Holland and Mingus. So the upright tone is so special.It's so powerful to try to be a part of it and, you know, have it flow through you, I guess.Speaker A00:02:33.780 - 00:02:41.620Is the point when you talk about old blues and you. That you grew up listening to and stuff with your dad and then what you also personally like, what kind of stuff?Speaker B00:02:42.020 - 00:03:05.920Well, like old New Orleans music. Alan Toussaint and James Booker. And that scene has always been really powerful to me. Like, I've. I've listened so extensively to all of music.Really, really inspiring. And, you know, the Meters. George Porter is one of my favorite bass players as well. But I don't know why.I've always had an affinity for just like old, like, roots music in general. Why? Like, I don't know. That's why I love Paladino, actually. Although it's kind of a different. We're more of a country.Speaker A00:03:06.400 - 00:03:09.600What were you listening to? The roots music that was inspiring...

SummaryFrom 2012. At the end of this episode, well, she did exactly that.Margo Price of Buffalo Clover dives deep into her musical journey, sharing how her roots in family music and her self-taught guitar skills shaped her unique sound. With a blend of candid reflection and playful anecdotes, she reminisces about her early days, from awkward piano lessons to the exhilarating thrill of writing her own songs. The conversation takes a heartfelt turn as she reveals the therapeutic power of songwriting, especially during challenging times, including the loss of one of her twins. Margo's infectious energy shines through as she discusses the evolution of Buffalo Clover's music, exploring the delicate balance between rock and country, while also hinting at her new solo project. As they chat, it's clear that Margo's passion for music is as vibrant as ever, and she’s excited about the future, hoping to captivate audiences and make a full-time living doing what she loves.Show NotesOn this episode of Country Fried Rock, Sloane Spencer sat down with the ever-charming Margo Price, lead singer of Buffalo Clover. Here's what went down:Kicking things off: Margo brought her signature wit and down-to-earth vibe as she chatted about her early days, starting out on piano, teaching herself guitar, and growing up in a musically rich family that clearly shaped her path.Musical tastes? All over the map:Think Beach Boys' chill harmonies one minute……and Eminem’s gritty edge the next.Margo’s playlist growing up was wildly eclectic, and you can hear it in her music today.A walk through her songwriting journey:Her first songs? Not your typical teenage love ballads, more like deep dives into social issues that left early listeners both intrigued and a little confused.Over time, she and Buffalo Clover found their groove, blending folk, rock, and country while staying true to their roots.Behind the scenes with the band:Working with her husband Jeremy Ivey added a whole other layer to the creative process.Co-writing with your spouse? Equal parts magic and madness—but it works for them.The real talk:Margo opened up about the tougher stuff: motherhood, personal loss, and the ups and downs of the music biz.Their latest album, Low Down Time, became more than just a record: it was a lifeline, a way to process grief and find healing through music.What listeners walked away with:A deeper look at Margo not just as a musician, but as a human being navigating real life with grace, grit, and a healthy dose of humor.A reminder that the best songs often come from the most personal places.Chapters00:09 - Introducing Margo Price03:06 - The Evolution of Musical Influence08:10 - The Evolution of Buffalo Clover11:12 - Navigating Change: The Journey of Creativity and Loss15:18 - Exploring Musical Identity20:51 - Navigating the Music SceneTakeaways Margo Price shares how her musical journey began with piano lessons, inspired by family musicians. The transition from piano to guitar was fueled by a desire to create original songs, showcasing her creative independence. Buffalo Clover's evolution reflects a blend of genres, mixing rock and country, creating a unique soundscape for listeners. Margo discusses the therapeutic nature of songwriting, especially after experiencing personal tragedies, highlighting music's healing power. The band's dynamic shifted towards collaboration, fostering a competitive yet supportive environment for songwriting among members. Margo's thoughts on the struggles of navigating the music industry, emphasizing the importance of marketing and audience connection. LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Margo PriceBuffalo Clover is still on BandcampYou may also enjoy this conversation from 2015 with Cale TysonToss a few in our Tip Jar!Mentioned in this Episode Buffalo Clover Palaver Records The Beach Boys Alanis Morissette Fiona Apple Stanley Brothers Joan Baez Joni Mitchell Bob Dylan Reba McEntire Blackhawk The Kinks Wanda Jackson Sam Doores and the Tumbleweeds Steve Soto and the Twisted Hearts The Full Tones Recommended If You LikeCountry Fried Rock, Margo Price, Buffalo Clover, country music podcast, songwriting inspiration, Nashville music scene, creativity in music, folk music influences, Americana sound, music industry challenges, acoustic guitar, recording music, live performances, music collaboration, songwriting process, music therapy, Buffalo Clover albums, music production, indie music scene, music career developmentTranscriptSpeaker A00:00:00.800 - 00:00:13.600Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guest today on Country Fried Rock is Margo Price of Buffalo Clover.Speaker B00:00:14.000 - 00:00:15.360Hi, Sloan. It's Margo.Speaker C00:00:15.600 - 00:00:18.000Thank you so much for being with us on Country Fried Rock.Speaker B00:00:18.080 - 00:00:18.720Thank you.Speaker C00:00:19.200 - 00:00:21.360How did you learn to play music originally?Speaker B00:00:21.760 - 00:01:30.810Well, I started taking piano when I was pretty young. My parents don't really play or anything, but my grandparents and great grandparents, they all played.And so my parents got me piano and started getting me taking lessons and everything. And I wanted to learn my own songs, you know, I wanted to learn songs that my piano teacher wasn't teaching me.So after about seven years, my mom was just like, I don't know, you don't really seem like you want to do it anymore. And so then I ended up getting a guitar and kind of teaching myself how to play.But I always did, you know, like chorus and all that kind of stuff, like show choir and stuff like that. But it really was kind of a therapeutic thing for me, I think, from the get go.I kind of started like writing my own songs when I was really young, even before I knew how to like put music to them. And I had like all these horrible little tapes and me singing acapella and I used to do a lot of like dance and theater and stuff like that.Then I just really decided that I didn't want to do that so much anymore and I just wanted to play. So kind of gave up all my other 20,000 hobbies, all the sports and cheerleading and all that, and decided I was gonna play guitar.And now in the project I'm playing in now, I really just sing mostly. I mean, I write a lot of the songs on guitar, on piano, but then I end up just kind of singing. I still play on some of the.Speaker C00:01:31.120 - 00:01:37.760When you first jumped over to guitar and you were writing your own stuff, what were you listening to that was influencing where those early things were coming from?Speaker B00:01:38.160 - 00:02:30.190Hard to say. A lot of it is embarrassing because I think that, you know, the 80s were just such a bad time for music in like early 90s and stuff like that.But I remember one of the first songs that I remember hearing when I was like maybe 10 or 11 was that Stanley Brothers song Counting Flowers on the Wall. And I don't know why I thought that song was so cool.And my mom hated it because it was, you know, said like smoking cigarettes and all that, but that was like the coolest song. But, you know, I listened to a lot of bad stuff too. I mean, I was of course like, Alanis Morissette was awesome and Fiona Apple and.Not that anything wrong with them, but I just don't. I just don't really relate to it much anymore.Yeah, I was big into Fiona Apple and I mean, I always, you know, my parents listened to a lot of like 60s, 70s type of music and so I always had that kind of in the background. But I. I didn't really think it was cool until, you know, I was about 20 or something.Speaker C00:02:30.590 - 00:02:33.390What was it that you could handle listening to that your parents were playing?Speaker B00:02:34.030 - 00:03:05.900My dad always had the Beach Boys on and I really liked that. But then after a while I got really tired of it and I'd always be like, can you put something else on? You know, And I mean I.Even when I was like 13, 14, I like into rap and you know, all...

SummaryFrom 2012: Sloane Spencer and Laurence Scott of The Famous dive deep into the vibrant intersection of classic country and punk rock in this episode of Country Fried Rock, laying down the unique sound that defines their music. They explore how their roots in the Dallas music scene have influenced their creative journey, blending genres like a master chef whipping up a signature dish. With a laid-back vibe, they reminisce about their formative years, sneaking into clubs and soaking in the raw energy of live performances, which they now channel into their own shows. The duo also dishes out insights on songwriting, emphasizing that their lyrics often go beyond the surface, tapping into deeper themes of connection and introspection. It’s a delightful chat that celebrates the beauty of music as a communal experience, where even fans can scribble their stories in the “book of the famous” at their gigs.Chapters00:00 - Introduction to Country Fried Rock03:27 - The Evolution of Sound: From Dallas to the Stage06:05 - Exploring the Essence of Our Music09:21 - The Impact of Music Across Borders14:22 - Exploring Musical Collaborations and Influences18:16 - The Evolution of Craft BrewingShow NotesSloane Spencer dives deep into a laid-back chat with Lawrence, exploring the vibrant tapestry of musical influences that shape their sound. With a nod to nostalgia, they reminisce about the days of classic country mixed with punk rock, a genre fusion that feels like a party where everyone’s invited. Lawrence shares tales from the road, recalling the eclectic radio stations of Texas that served as a backdrop for his musical upbringing. He paints a picture of the Dallas music scene, where punk rock and alt-country intertwined, giving birth to a sound that’s both familiar and fresh. The duo banters about their own influences, from the Pixies to Johnny Cash, and how each note they play is a tribute to the rich musical heritage they stand on. Through laughter and anecdotes, they unearth the gritty essence of their music, which channels raw emotion rather than just storytelling, making it resonate with listeners on a deeper level.Takeaways Sloane and Lawrence vibe hard on how music blends classic country with punk rock, creating a unique sound that’s not just nostalgic but also fresh and lively. The good folks at Country Fried Rock dive deep into the influences of radio stations, especially in Dallas, which shaped the eclectic tastes of musicians in the area and beyond. They chat about the storytelling in their music, revealing that beneath the surface of catchy tunes, there are profound themes reflecting raw emotions and societal observations. The band’s approach to live performances is all about authenticity; they emphasize that their shows are genuine expressions of their musical journey, not just a staged act. Sloane shares the importance of community engagement through their music, highlighting how they connect with fans by getting them involved in the creative process, like signing their 'book of the famous'. The conversation takes a tasty turn as they discuss their love for craft beer and how it plays a significant role in their music scene and shows, blending food, drink, and music into a fun experience. LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012The Famous are still aroundYou may also enjoy this conversation from 2015 with Rob Keller of 6 String Drag (and Welfare Liners, Workhorses of the Entertainment and Recreation Industry, Roberto Adega)Toss a few in our Tip Jar!Mentioned in this Episode Doc Martens George Gamark The Edge Pixies X Reverend Horton Heat Social Distortion Modest Mouse Old 97s Toadies Diesel Boy FAT Records HDNet Russian River Brewing Company 21st Amendment Elizabeth Brewery Gordon Biersch Anderson Valley Pliny the Elder Slim Cessna's Auto Club Drag the River Reverend Peyton's Big Damn Band Calexico Neko Case Tom Waits Oz Fritz Aaron Prelwitz Stuart Sykes Jack White Loretta Lynn Bakersfield country music Recommended If You Likecountry fried rock, Americana music, punk rock, classic country, music interviews, creative inspiration, 90s alternative rock, Texas music scene, live music performances, songwriting process, DIY music industry, underground music culture, beer and music, storytelling in music, Southern Gothic themes, music collaboration, craft beer and music, musical influences, alternative country, band dynamicsTranscriptSpeaker A00:00:00.800 - 00:00:12.320Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered Hey, Lawrence, thanks so much for being with us on Country Fried Rock.Speaker B00:00:12.320 - 00:00:34.650Sloane, thank you very much.I feel that this is almost a set of kindred spirits making acquaintances here, because when you talk about what the famous is, a shot of classic country with a post punk chaser, I mean, the idea really is music and. And, well, I'd say liquor, but there's also a lot of beer involved and especially food. I mean, that's very much what we're about.Speaker A00:00:34.970 - 00:00:38.170Awesome. So I don't have to hide the fact that I owned Doc Martens at one point in my life.Speaker B00:00:38.330 - 00:01:31.180No, I had green ones and blue ones. We went outside of the box on that. That's exactly where we are with our sound, by the way, that 90s era sound, you know, what it came out of.And it's cool when you talk to radio people because they get this. There's a couple of stations in the South.I'm from Dallas, and they had a station where it was a punk rock guy that started this station, or it was one of the main DJs, George Gamark, in Dallas, the Edge. And they were playing music that you just simply wouldn't have in Oklahoma City, for instance.Funny, because I'm not calling Oklahoma City a wasteland. But Tulsa had a cool alternative rock radio station. Dallas had one. Houston didn't, for instance. Not that I knew of.But the kind of music that you start hearing, I'm talking the Pixies and X, you know, you know, which so much new wave. But like, you. You kind of got an influence for this that you simply wouldn't have had if it was just playing, you know, Def Leppard over and over.Speaker A00:01:31.180 - 00:01:38.660And speaking of total craziness there, you know, X. Exene Czervenka, their lead singer, has a couple of fantastic Americana alt country records out.Speaker B00:01:38.660 - 00:03:25.360Yeah, she sings on an alt country album with the old 97s from the early 90s, right? Yes. We're fans. We see them every time they come. We tout this like this is. We say, you know, well, what does this sound like? What's your band?It's like a marriage between classic country and punk rock. It's as Buck Owens, Johnny Cash as it is X.And the Pixies, people tell us they hear, like, Reverend Horton Heat or Social Distortion or Modest Mouse influences in the song. They're right. Ness keeps making it happen.I mean, this album just now, I mean, like, it's definitely Definitely what we're about, especially here in California. Sure. For us that's definitely the sound. Another Dallas. I used to see shows in what they call the deep Ellum district in Dallas.And it was really kind of an honor because one of the bands that I just always really was super into and I was just, you know, I was actually sneaking into clubs. The Toadies. They got out on the radio with this song that was a very big hit. But their band is so much bigger than that.Actually we just played with them here in San Francisco and that was extremely cool. I think I would say I was influenced at the time. I was like 14, 15 years old, pretending like I was what, 21.I had big horner black glasses, so tried my best to keep my voice as low as possible. Side deals here and there, but got into these clubs and I would see these shows. Especially this guy Todd Lewis of the Toady's. He was so charismatic.I was. Now that is something to do.And Dallas had a great freakout rock music scene that was a bit southern music, but mostly kind of like taking where ZZ Top had gone and turning it on its ear and bringing out, you know, a lot of energy and craziness. I mean that's kind of what our show is about. It's like this frenzy, this fervor.But for me it really did start like watching the Reverend Horton Heat the Toadies and seeing this up close and personal in small clubs in Dallas.Speaker A00:03:25.990 - 00:03:27.750So when did you learn to...

SummaryFrom 2012: Brett Detar drops into the Country Fried Rock scene, bringing a whole lot of musical wisdom and a splash of nostalgia. He dives into the wild ride of his creative journey, from cranking out tunes in his childhood to blasting off on a solo endeavor that’s as authentic as it gets. The convo covers everything from the chaotic joy of touring to the heartwarming stories behind his songwriting process, revealing how his love for Americana and classic rock shaped his latest record. Brett’s not just about the music, though; he’s got a keen sense of how to connect with fans, even going so far as to give away his record for free to build a real connection. So, if you’re down for some sweet tunes and insightful chats about the ups and downs of the music biz, this episode’s a must-listen!Show NotesCountry Fried Rock takes a deep dive into the colorful world of music, where creativity and stories mix like a wild honky-tonk dance.Brett Detar, the star of the episode, opens up about his jam-packed journey, starting with a brutal tour that wrapped up just hours before a music conference in Nashville.The convo bounces around from:A spontaneous 12-hour drive from Salt Lake City to LA, just to grab tacos and flaming margaritas.The crazy, energetic vibes of the Americana conference, where Brett rubbed elbows with fellow musicians.Through it all, it’s clear that Brett’s not just a musician, he’s a musical nomad, always on the move and influenced by the adventures he’s had on the road.He talks about how his musical roots were planted early, thanks to:A grandmother who was into music.A dad who sang in a gospel group.From first grade, where he was already scribbling song ideas while waiting in line for the restroom, the music bug bit hard and never let go.The episode captures that unmistakable feeling of a musician’s journey, full of serendipity, a love for storytelling, and the constant quest for artistic truth.Brett reflects on how his early love for punk and indie rock evolved into a deep connection with Americana and country music, ultimately inspiring his solo record, which speaks straight from the heart.This episode is a celebration of:CreativityThe struggle with self-doubtThe pure joy of chasing your passionA must-listen for anyone curious about the stories behind the songs and the wild ride of being a musician.Chapters00:00 - Introduction to Country Fried Rock01:36 - The Journey of a Musician: From Early Influences to Solo Pursuits13:53 - The Journey to Creating My First Solo Record20:15 - The Evolution of My Music28:39 - The Journey into Film ScoringTakeaways Brett Detar shared his journey from a kid writing songs in school to carving out a solo career, emphasizing how music has been a lifelong passion shaped by family influences and personal experiences. The transition from band life to solo artistry for Brett involved an exploration of new musical styles, reflecting a natural evolution influenced by years of listening to Americana and country legends like Townes Van Zandt and Loretta Lynn. Brett's decision to give away his first solo record for free stems from a desire to reach a broader audience, testing a new model of music distribution without the constraints of traditional label support. In the podcast, Brett humorously recounted his whirlwind tour schedule, highlighting the absurdity and adventure of driving across states for shows, which often leads to unexpected encounters and stories. Brett revealed the challenges of songwriting in a film scoring context, where he learned to serve the film's narrative rather than his own artistic impulses, emphasizing the distinct worlds of independent music and Hollywood. The conversation highlighted the importance of authenticity in music, with Brett discussing how true artistry involves following one's heart and not merely chasing commercial success, a theme echoed throughout the episode. Links REMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Brett Detar (via the Wayback Machine), also of The Juliana TheoryYou may also enjoy this conversation with Mike Montali, then of Hollis Brown, now of Fantastic CatToss a few in our Tip Jar!Mentioned in this Episode Loretta Lynn Townes Van Zandt Waylon Jennings Guy Clark Pete Young Mastodon Civil Wars Hank Williams Recommended If You Likecountry music podcast, Americana music, Nashville music scene, creative process for musicians, songwriting inspiration, tour experiences, indie music journey, musicians interviews, music production insights, Brett Detar interview, live music performances, free music downloads, music career decisions, music influences, DIY music culture, vintage clothes selling, recording studio experiences, music promotion strategies, emotional songwriting, independent artist successTranscriptSpeaker A00:00:00.800 - 00:00:11.920Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered Hey Brett, thanks for being with us on Country Fried Rock.Speaker B00:00:11.920 - 00:00:13.200Thank you so much for having me.Speaker A00:00:13.200 - 00:00:19.840We're glad to have you here. I don't usually get to meet people before I interview them. We kind of ran into each other in Nashville at Americana. That was kind of nice.Speaker B00:00:20.000 - 00:00:21.520Very nice. I enjoyed it.Speaker A00:00:21.600 - 00:00:22.400You've been busy.Speaker B00:00:22.400 - 00:00:23.120Trying to be.Speaker A00:00:23.280 - 00:00:25.840What sort of adventures did you have over that trip?Speaker B00:00:26.000 - 00:01:22.670I had a lot of random adventures, I think just actually going to.It was an adventure in itself because I was on tour and I had finished, literally finished a tour, I believe, a day and a half before the conference started. Yeah, it was two days before. And so I literally. Last show was in Salt Lake City and I had to pick up some things at my house in LA.So I drove from Salt Lake City to LA in pretty much 12 hours. Got there at 10 o' clock at night just in time to go to my favorite Mexican restaurant and have a couple flaming margaritas.Then I went to bed, woke up the next morning and drove straight from LA to Nashville. Did that pretty much without stopping, and then got there and kind of just was like, you know, I couldn't really relax there either.So I just kind of hung out, ran around, met people, went to shows it by ear. But it was a good time. A lot of running around.Speaker A00:01:22.910 - 00:01:25.070You drive a lot? Not just for touring.Speaker B00:01:25.230 - 00:01:36.030I drive a lot in general, yes. To put it into perspective, I have a car that's three years old and it has 95,000 miles on it. And I did not buy it used.Speaker A00:01:36.670 - 00:01:42.830We'll go way back into how you started playing music originally. Did you get into it as a kid?Speaker B00:01:42.990 - 00:03:22.930I did, yeah. I think it's pretty much one of the standard stories. I had a grandmother who I still do, thankfully, who was very, very musical.And she almost forced me to take the family heirloom antique piano. Kind of made me take lessons. But at the same time, my dad was in a singing group when I was a kid.And like a big gospel singing group, I used to go to all the rehearsals and. And watch them. And I know that my dad and mom would sing to me every night.And so I just remember, I remember kind of always being intrigued by music. And it's a story that sometimes tell, but I kind of forgot about it for a while. But when I was. It was either first or second grade.A teacher, Ms. Sargent, and she took us all to the restroom, you know, when you're in first grade, they take the whole class. I remember standing in line to use the little boys room. And I was standing there and for some odd reason I decided to write a song. Okay.So I wrote like a verse and a chorus, maybe even two verses. And when I got back to the class, I asked the teacher if I could sing my song that I wrote in front of the class.And she was like, yeah,...

SummaryFrom 2012: Tara Nevins of Donna the Buffalo dives into her journey of creativity and self-discovery in this episode, kicking things off by chatting about her latest solo album, Wood and Stone. She shares how her upbringing in a musically vibrant household and her classical training on the violin shaped her path, leading her to embrace the roots of old-time fiddle music that resonate deeply within her. Tara reminisces about her time in Huntsville, Alabama, where she penned much of the album, revealing how the laid-back Southern vibe inspired her songwriting and allowed her to explore new musical avenues. With a mix of personal anecdotes and reflections on her artistic evolution, she highlights the significance of collaboration, especially her serendipitous connection with producer Larry Campbell, which helped her craft a record that celebrates her journey while keeping the fiddle close to her heart. This episode is packed with warmth, wisdom, and a whole lot of musical soul, perfect for anyone looking to vibe with the creative process.Show NotesDiving into the vibrant world of music and its eclectic influences, Sloane Spencer welcomes Tara Nevins, the creative force behind Donna the Buffalo, to chat about her solo project, Wood and Stone. Tara reflects on her roots, tracing her musical journey from the violin in public school to the heartfelt fiddle tunes that embody her current work. With a warm, conversational vibe, Tara shares anecdotes about her upbringing in a musically rich household, where gatherings would turn into lively jams, setting the stage for her eventual dive into the world of old-time and folk music. Throughout their chat, they explore how her time spent in Huntsville, Alabama (where she penned much of her new album) shaped her artistic perspective. In a thoughtful exchange, Tara explains how her creative process evolved after significant life changes, including her marriage ending, highlighting the introspection that fueled her songwriting. The duo dives deep into the influences of traditional and modern sounds, illustrating how Tara's unique blend of genres manifests in her latest work. As they uncover the sonic tapestry of Wood and Stone, listeners are treated to a glimpse into the heart of a musician who embraces her past while forging a new path, embodying the spirit of creativity and resilience.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Tara Nevins of Donna the BuffaloYou may also enjoy this conversation from 2015 with Willow Avalon's dad, Jim WhiteToss a few in our Tip Jar!Chapters00:08 - Interview with Tara Nevins02:46 - The Journey into Traditional Music11:21 - The Journey of Self-Discovery Through Music13:24 - Transitioning to New Beginnings in Music Production17:30 - Cultural Reflections on Living in AlabamaTakeaways Tara Nevins' journey into music was deeply influenced by her childhood experiences and family gatherings filled with music, showcasing the importance of early exposure to artistic expression. Living in Huntsville, Alabama, brought Tara a refreshing perspective on southern culture, highlighting the warmth and non-judgmental nature of the community, which inspired her creativity. The evolution of Tara's sound in her new album Wood and Stone reflects her personal growth after significant life changes, blending elements of traditional music with modern influences. The collaboration with Larry Campbell marked a pivotal moment for Tara, as it allowed her to explore new musical avenues while maintaining her roots in old-time and folk traditions. Tara's songwriting process during her time in Alabama was fueled by introspection and self-discovery, leading to a record that conveys a vibrant and upbeat vibe despite its thematic depth. The supportive nature of fans in the folk music scene is a testament to the community aspect of music, where audiences are eager to embrace and explore the individual members' solo projects. Mentioned in this Episode Donna the Buffalo Sugar Hill Records Larry CampbellRecommended If You LikeCountry Fried Rock, Tara Nevins, Donna the Buffalo, Wood and Stone album, old time fiddle music, Southern music, Huntsville Alabama, folk music community, creative process, songwriting inspiration, traditional music, acoustic guitar, bluegrass music, fiddle festivals, relationship reflections, music collaboration, Larry Campbell, music production, independent artists, music interviewsTranscriptSpeaker A00:00:00.320 - 00:00:18.240Welcome to Country Fried Rock where we talk with musicians to find out what inspires their creativity. Country Fried Rock music uncovered. My guest today is Tara Nevins of Donna the Buffalo on her solo effort Wood and Stone.Thank you, Tara, for being with us on Country Fried Rock.Speaker B00:00:18.240 - 00:00:19.440Well, thanks for having me.Speaker A00:00:20.000 - 00:00:21.760How did you learn to play as a kid?Speaker B00:00:22.080 - 00:02:23.480Where I grew up, where I went to school, had a public school system that I grew up in, had a really good music department and I was offered, you know, like everybody in grammar school, whatever, to pick an instrument. And I chose the violin. And so I, you know, I basically learned, you know, in public school and then through high school to play violin.And I also had an acoustic guitar at home and I started, you know, I taught myself to play guitar at home. And I always really loved music. My mother and father loved music and were always having folks up.They grew up in Greenwich Village and on the weekends and they grew up in Greenwich Village and then when they got older and they got married, they left the city and moved up to where I grew up in Orangeburg, New York, or which is a suburb of New York City, I guess you'd say.And so on the weekends, all their crazy friends from Greenwich Village would come up and they'd pull back the rugs and have these just get togethers almost every weekend and dance all night, listen to music. So my family, there was always a lot of music in my family and a lot of support from me playing music.So when I was playing the violin through high school and learning the acoustic guitar and buying my songbooks, my James Taylor and Carole King and all my song books, learning these different songs, I actually started writing songs then too. I guess when I was then in college for my classical studies, I discovered old time fiddle music. And so it was then that I.My world shifted in direction, kind of. Although I have to say that even when I was in high school, I was fascinated by fiddle music.And I had a Mel Day fiddle book, you know, and I would actually sit in the back of orchestra practices and sort of be, you know, while the conductor was talking to the trumpet section or something, I'd be back there, you know, playing, you know, really quiet, trying to play turkey, turkey in the straw. Fiddle book. I always had an affinity for that.And when I was in high school also, I guess it was high school, yeah, that I got the album Will the Circle Be Unbroken.Speaker A00:02:23.480 - 00:02:23.960Yes.Speaker B00:02:23.960 - 00:04:01.390And that was really inspirational to me.But then I went off to college and was in the classical music program, but there my roommate turned out to be someone who played in an old time fiddles band, that turned my head right there. And the minute I graduated out of college, I just dove into traveling to fiddle festivals and playing fiddle music.And I never played another note of classical music. After I graduated I just dove right into what I think had been a yearning inside of me all along.So I kind of went down that road into the world of traditional music. And over the years I'm part of a large community of folk that play old time fiddle music.And during that time you naturally discover other traditional music when you're doing that.And so I traveled to Louisiana and discovered the Sydeco and Cajun creole music there and fell in love with that and bought an accordion and this whole time was writing songs. And so it was sort of like over the course of many years, just an evolution of, you know.And then I was playing the old time fiddle music and for like 10 years was in a band called the Heartbeats and all female string band and pretty hard driving fiddle tunes and songs. And then dawn of the Buffalo started.And so now Don the Buffalo, you know, is sort of has a combination of a lot of all of these influence, you know, the fiddle music and the country music and the zydeco music and so on and so forth, you know.And I still travel to all these fiddle festivals and I'm part of this old time fiddle community and it's a big part of guess where my sort of center of music...

SummaryFrom 2012, Adam Remnant from Southeast Engine dives deep into the creative process behind their music, sharing how inspiration strikes like lightning when least expected. He chats with the host about the band's roots in Athens (Ohio) and their journey through the indie music scene, revealing how the blend of personal experiences and diverse musical influences shapes their sound. The conversation flows effortlessly, touching on everything from their social media presence to the dynamics of live performances, where the energy of the audience can make or break a show. They explore the evolution of their songwriting, including the transition from basement jams to studio recordings, and Adam's passion for crafting lyrics that resonate on multiple levels. This episode is a laid-back yet insightful ride into the world of Southeast Engine, showcasing their unique vibe and collaborative spirit. Show NotesDiscussion on the band's origins and their Athens roots.Insights into how social media platforms like Twitter influence their music outreach.The creative process behind songwriting and live performances.Exploration of their new album, "Canary," and the dynamics of arranging songs.Fun banter about musical influences, including Nirvana and Bob Dylan.Creativity often stems from unexpected moments and experiences.The energy of live audiences plays a crucial role in shaping performances.Songwriting is an evolving process that benefits from collaboration and spontaneity.Social media can be a powerful tool for musicians to connect with fans.Each album reflects a unique phase in the band's musical journey.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2012Adam Remnant of Southeast Engine still makes musicYou may also enjoy this conversation from 2015 with Kevn Kinney of Drivin n CryinToss a few in our Tip JarChapters00:00 - Introduction to Country Fried Rock02:57 - The Origins of Southeast Engine10:10 - The Evolution of Live Music Performance14:12 - Creative Processes in Music20:21 - Exploring Musical Influences and Inspirations23:30 - Creative Direction and Album DevelopmentTakeaways Southeast Engine's formation story is a classic tale of shared musical passion that blossomed in Athens, Ohio, with roots tracing back to their childhood in Dayton. The band members have distinct musical influences, blending folk, rock, and country, which creates a unique sound reflective of their diverse backgrounds. Social media plays a crucial role in connecting with fans, especially Twitter, where the band shares updates and engages with their audience in a more casual manner. Live performances are dynamic and tailored to the venue's atmosphere, highlighting the band's ability to adapt their energy to different audience vibes. The songwriting process for Adam involves a blend of spontaneity and reflection, allowing ideas to develop organically rather than being forced. Southeast Engine aspires to explore a more atmospheric sound in future albums, indicating a creative evolution that reflects their growth as artists. Mentioned in this Episode Southeast Engine Couch by Couch West Three Elliott Studios Misra Records Judee Sill Absolutely Kosher Moonjaw Records Recommended If You LikeCountry Fried Rock, Southeast Engine, indie rock podcast, music creativity inspiration, Athens music scene, songwriting process, live music performance, musical influences, folk rock bands, music production techniques, Twitter for musicians, Couch by Couch West, band dynamics, harmonies in music, acoustic instruments in rock, music collaborations, lyrical songwriting, Americana music, live recording techniques, band interviews, Judee SillTranscriptSpeaker A00:00:00.320 - 00:00:08.560Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock music Uncovered.Speaker B00:00:08.560 - 00:00:11.640Yeah. Hi, this is Adam Remnant from the band Southeast Engine.Speaker A00:00:11.640 - 00:00:12.760Hey, Adam. How are you?Speaker B00:00:12.760 - 00:00:14.000I'm doing well. How are you?Speaker A00:00:14.000 - 00:00:17.360I am well, thank you. Are y' all still based in Athens?Speaker B00:00:17.520 - 00:00:45.500We're relatively still based out of Athens. Myself and my brother, Jesse Remnant, who plays bass in Things Harmony in the band, also live in Athens.And then our drummer, Leo DeLuca, recently moved to Durham, North Carolina, and our keyboard player lives in Morgantown, West Virginia. Leo and I started the band, like, 10 years ago, and we just. Until the last year, we've all lived in Athens, except.Except our keyboard player, Billy Matheny is from Morgantown, West Virginia. He's always lived there, but the rest of the band's always been in Athens for the most part.Speaker A00:00:45.740 - 00:00:52.300Well, I'll tell you how I found Southeast Engine. And I. You may not know this. I could not go to south by Southwest this year.Speaker B00:00:52.380 - 00:00:53.260Neither did we.Speaker A00:00:53.340 - 00:00:58.300Well, so I ended up finding one of y' all on Couch by Couch west on Twitter.Speaker B00:00:58.750 - 00:01:00.750All right. Yes. Yes, that would be me.Speaker A00:01:00.910 - 00:01:02.430Tell me about your Twitter life.Speaker B00:01:03.790 - 00:01:12.910I recently. I've only recently started to become a fan of Twitter. We've been using Facebook for a while, and recently I've adapted to Twitter as well.Speaker A00:01:13.230 - 00:01:17.070Honestly, Couch by Couch west was the first time I ever got Twitter.Speaker B00:01:17.150 - 00:01:17.790Oh, really?Speaker A00:01:17.790 - 00:01:22.590Well, it's the first time I ever really understood the power of how it's different than Facebook.Speaker B00:01:23.150 - 00:01:48.380Yeah, you know, there is a subtle difference, and I think it's that with Twitter, I feel like with Facebook, if we make updates every day or more than once a day, that it could be sort of annoying to people that, you know, follow our page. But with Twitter, I don't know, it just feels like it can be a little bit more lighthearted or not. Not, as you know, I don't know. It just doesn't.It seems like you can post more on Quick Little message.Speaker A00:01:48.460 - 00:01:52.620So are you in charge of the Twitter account for Southeast Engine, or do y' all each do your own thing?Speaker B00:01:52.780 - 00:02:05.540I say that I would update the Twitter page and the Facebook page. It's mainly me updating them. And then sometimes, occasionally the other band members will post something, but it's mostly me.Speaker A00:02:05.780 - 00:02:06.820Is that by choice?Speaker B00:02:08.340 - 00:02:44.900I don't know. I just started. I just started doing it. And the drummer, Leo DeLuca, he posts stuff occasionally. It just kind of happened that way, I guess.I don't really. It wasn't really too deliberate a Friend of mine, he's in a band from Boston called Hallelujah.The Hills had posted his video that he did for it on Facebook. I saw it, I was like, oh, that's a good idea. And I just got out the little flip video camera and my wife is in the video.She's the one that's filming it. I just asked her, you can see in the video, me asking her to film it, to do a song for Couch by Couch Bus.And I did an old time song called Cripple Creek and I played it on banjo.Speaker A00:02:45.140 - 00:02:57.080As I said, that was how I found you all.So when I then went and researched what you all do as a band, I was like, oh, not quite old time music here, but, you know, that's what I was expecting. How did Southeast Engine form originally?Speaker B00:02:57.240 - 00:03:34.820As early as 1999, me and my brother and Leo DeLuca the drummer, all grew up in Dayton, Ohio, like a suburb right outside Dayton. And then Leo and I went to school in Athens, went to college here at Ohio University. And I don't know, it was a pretty typical story, really.We just liked a lot of the same music. And he was playing drums and I was starting to write some songs and we just started playing music together. And that's basically it. There's really.There's really no great tale behind it, but pretty typical. This is Adam Remnant of Southeast Engine. You're listening to Country Fried...

SummaryBack in 2011, we chatted with Aaron Beavers of Shurman. Surprising everyone, they reunited in August 2025 for a number of tour dates.Sloane kicks things off with a warm welcome to Aaron from the band Shurman, and it's all about that sweet, sweet vibe of creativity in music. Right from the get-go, they dive into the heart of the matter, how music festivals bring artists together, not just for the love of the music, but for the chance to reconnect with old friends and share new tunes. Erin reflects on the joys of making music with pals, highlighting how it’s less about the cash and more about the camaraderie and experiences. They chat about Shurman's latest holiday record, which started as a tongue-in-cheek joke during a scorching Texas summer but turned into a surprisingly successful project. The convo flows from the essence of their musical journey in Austin to the quirky tales of life on the road, making it clear that for these musicians, it’s all about keeping it real and staying connected to their roots.LinksREMINDER: IGNORE ALL LINKS OR EVENTS MENTIONED IN THIS EPISODE FROM 2011ShurmanYou will probably enjoy this conversation from 2015 with Aaron Lee TasjanToss a few in our Tip Jar!Show NotesDiving into the vibrant world of music and creativity, the latest episode of Country Fried Rock brings listeners a delightful chat with Aaron from the band Shurman. The conversation flows like a sweet melody, starting with a nostalgic recount of a recent rendezvous in Nashville, where the duo reminisces about the electric atmosphere of outdoor shows and the camaraderie that music festivals foster. Aaron expresses the joy of jamming with old friends, highlighting the essence of music not just as a profession but as a cherished connection among musicians who rarely get to meet. The discussion unfolds into a nuanced exploration of the challenges faced by artists, particularly the struggle for exposure in an industry that often prioritizes profit over passion. Aaron shares candid insights about the realities of touring life, the financial hurdles, and the sheer joy of performing despite the odds. As the episode progresses, the conversation takes a fun twist as Aaron reveals the story behind their latest holiday record, which unexpectedly became a hit. What started as a playful idea during a scorching Texas summer evolved into a project that not only showcases Shurman's musical prowess but also weaves in a sense of humor and irony about creating Christmas songs in the heat. The banter between the hosts and Aaron adds a laid-back vibe, making it feel like a friendly hangout rather than a formal interview. The narrative delves deeper into the roots of their music style, with Aaron sharing anecdotes about his punk rock beginnings and the evolution of their sound, blending country, rock, and soulful influences. This episode is not just a glimpse into Shurman’s journey but a heartfelt celebration of friendship, creativity, and the joy of making music. Listeners will leave with a sense of connection to the artists and a greater appreciation for the stories that shape the songs they love. With a sprinkle of humor and a whole lot of heart, this episode paints a vivid picture of the music scene and the bonds it creates, inviting everyone to tune in and enjoy the ride.Chapters00:00 Introduction to Country Fried Rock04:24 The Birth of a Band09:48 The Journey of Musical Discovery20:54 The Journey to Austin: Musical Authenticity and Personal Growth22:22 The Influence of Austin's Music SceneTakeaways In the heart of Nashville, the vibe of music festivals is all about reconnecting with old friends and sharing creative energy, rather than just chasing the big bucks. Aaron from Shurman passionately shares that music is deeply rooted in friendships, and collaborating with old pals is the ultimate creative high. The unpredictable journey of creating a Christmas album during a scorching Texas summer led to unexpected musical success, showcasing the magic of spontaneity. The rich musical history of Austin has given Aaron a sense of authenticity and confidence that fuels the band's creativity and growth. Aaron reflects on how his songwriting has evolved, highlighting the transformative nature of music and how past experiences shape current expressions. The camaraderie and support among musicians in Austin creates an inviting atmosphere where creativity flourishes, contrasting sharply with the competitive nature of larger cities. Mentioned in this Episode Shurman Blues Traveler Mother Truckers Blue Shop Stonehoney Whiskey Town Vanguard Sustain Universal Republic Recommended If You LikeCountry Fried Rock, podcast episode, musician interviews, creative inspiration, Nashville music scene, Shurman band, Americana music, Texas music, music festivals, songwriting process, holiday music, music collaboration, indie music, country rock, live performances, recording studio, acoustic music, music industry insights, musical influences, music promotionTranscriptSpeaker A00:00:00.800 - 00:00:10.080Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered Hey, Sloan.Speaker B00:00:10.080 - 00:00:12.080How you doing? This is Erin from the band Sherman.Speaker A00:00:12.320 - 00:00:16.320Hey, Erin. Thanks a bunch for being with us. I'm so glad I got to meet you in Nashville this year.Speaker B00:00:16.720 - 00:00:21.120What a fun time that was. Wasn't that great? Amh great. I just had such a blast.Speaker A00:00:21.520 - 00:00:27.520Perfect weather, perfect time. Country Fried rock out in Nashville. A little outdoor show of you solo.Speaker B00:00:27.880 - 00:00:38.360Yeah, you know, it was kind of a laugh that popped in with some old friends, and I never turned down, if I can make music with old friends, that's kind of as good as it gets, you know?Speaker A00:00:38.680 - 00:00:41.800You know, that is exactly what music festivals are all about.Speaker B00:00:42.120 - 00:01:37.170You know, it really is, because you're, you know, half a lot of those times the bands that are playing are doing it in order to get exposure. You know, they're not doing it so for the huge payday. And so you're kind of just going, well, okay, I'm eating the show. I'm handling the expenses.I'm doing this. I'm taking care of himself, which as musicians, have a hard time doing, in case you haven't heard.Yeah, but, you know, those kind of conversations, you get to meet with all your old friends who are touring all over the country as well, and you don't get to see them except for maybe south by southwest and the AMAs and all the clients and CMJ and, you know, a couple times a year, you'll all get together and you're lucky enough, there's instruments around and everybody gets to play some songs and, you know, not only catch up on what everybody's girlfriends, wives, kids, brothers, sisters, moms and dads are doing, but also, you know, get to catch up musically on whatever it's got coming down, you know, the creative pipeline as far as what's their new song or what's they're excited about and a lot of times, you know, what bands we're kind of all listening to.Speaker A00:01:37.170 - 00:01:47.610You know, it's funny that you say that, because that's actually how I found you. We did an interview a while back with Josh and Teal from the Mother Truckers, and that's how I found Sherman.Speaker B00:01:48.010 - 00:02:20.130Oh, yeah, we love Josh and Teal. They're both. They both make appearances not on the same song, but in separate songs.Our holiday record that we have, Little Sherman, the holiday album. Oh, cool. She'll sing the song. I always wanted to do a duet with her, so I wrote a song to do with my drummer and bass player, Mike.And then I also always wanted to have an instrumental, just like full on, you know, guitar, rock, you know, instrumental. And never be able to do that. When you're friends with someone like Josh Z, those kind of things seem a little bit more possible.Speaker A00:02:21.650 - 00:02:25.970So wait, I know that you have other things in the work for 2012. You have a holiday record out too?Speaker B00:02:26.330 - 00:04:03.200Yeah, we just released it last week as a matter of fact. It's been incredibly successful. I mean we've had. It's the most record we've ever sold online of any album we've done.It's basically we did after we finished our last studio record.It was kind of as a joke, our bass player said, you know, it was the middle or, you know, end of July, middle of August, when we were wrapping up the new studio record and we were experiencing what was the hottest summer that Texas had ever had and the history of keeping track of temperature. And we had almost...

SummaryBack in 2011, we chatted with the guys from Dawes. Sloane Spencer kicks things off with an easygoing chat with Dawes, and it’s anything but your average interview. They dig into the band’s musical origin story, tracing it back to a family that didn’t just play music, they lived it. Picture jam sessions in the living room, with dad laying down the soulful grooves that sparked a lifelong love for sound.As they swap stories of sun-soaked California days and the wild mix of influences that shaped the band’s vibe, one thing becomes crystal clear: collaboration isn’t just part of Dawes’ process: it is the process. They dive into how songs evolve on stage, sometimes turning into something completely unexpected (and even better) than what was captured in the studio.Sprinkled throughout are laughs about life on the road, local food gems, and the never-ending hunt for a decent cup of coffee. It’s a conversation that proves music isn’t just about the notes; it’s about the ride, the stories, and the people you meet along the way.LinksREMINDER: IGNORE ANY LINKS OR DATES MENTIONED IN THE EPISODEDawes You may enjoy this conversation from 2015 with Lilly HiattToss a few in our Tip Jar!Show NotesIn this episode, it’s less of an interview and more like a jam session with friends. Here’s what goes down:The hosts sit down with a musician whose roots run deep in R&B, funk, and soul, thanks to a dad who could play piano like nobody’s business.Growing up in a household where family dinners came with a side of singing, music wasn’t just around, it was a way of life.They talk about how California’s rich and eclectic music scene helped shape his sound from the very beginning.The conversation flows from early influences to the evolution of his band, Dawes.Songwriting? It’s a team effort. He brings in the bones—chords and lyrics—and the rest of the band helps build it out into something that truly connects.Live shows are a different beast altogether. He shares how songs take on a whole new energy on stage, sometimes changing entirely from the studio version.They swap stories about memorable gigs, unpredictable venues, and the unique energy each audience brings.And of course, there’s plenty of humor, warmth, and behind-the-scenes moments that show the human side of being a working musician.At its core, the episode is about more than just music. It’s about collaboration, creativity, and what happens when you grow up with rhythm in your bones.Chapters00:00 Introduction to Country Fried Rock00:19 The Influence of Family on Musical Journey05:20 Exploring the Road: Food and Music11:32 Transitioning to New Beginnings15:26 The Resurgence of Vinyl and Gear MaintenanceTakeawaysThe guest grew up in a home where R&B and funk were just part of the daily soundtrack. That early exposure shaped who they are as an artist today.Dawes isn’t a one-person show. Songwriting is a full-band effort, with everyone bringing something to the table to shape the final sound.Playing live is where things really come alive. Songs often shift and evolve on stage, making every performance feel fresh and unpredictable.Life on tour isn’t just about the music. They’re also big on checking out local food spots. They aim to eat healthy...but they’re not skipping the good stuff either.The band is all about keeping things real in the studio. They stick with analog gear and an old-school recording vibe, largely thanks to their producer’s influence.Moving from openers to headliners didn’t happen overnight. The band reflects on the ups and downs of that journey, and how they’re planning smart for what comes next.Mentioned in this Episode Dawes Vetiver Bright Eyes Alison Krauss Brett Dennen Otis Redding James Brown Joni Mitchell Jackson Browne Grateful Dead Warren Zevon Whole Foods First Avenue Delta Spirit Langhorne Slim Romney Rye Steve Soto The Full Tones Recommended If You Likecountry music podcast, musician interviews, songwriting inspiration, creativity in music, Dawes band interview, California music scene, funk and soul influences, acoustic guitar arrangements, live music performances, touring experiences, band dynamics, music production process, vinyl records resurgence, healthful food on tour, coffee culture in music, local dining spots, music collaboration, festival performances, artist influences, music gear and equipmentTranscriptSpeaker A00:00:00.800 - 00:00:12.800Welcome to Country Fried Rock, where we talk with musicians to find out what inspires their creativity. Country Fried Rock Music Uncovered Hey, Taylor. This is Sloan Spencer from Country Fried Rock.Speaker B00:00:12.880 - 00:00:13.360Hi.Speaker A00:00:13.360 - 00:00:14.400How are you doing?Speaker B00:00:14.400 - 00:00:14.720Great.Speaker A00:00:14.800 - 00:00:18.080Fantastic. So thank you much. I appreciate you being with us on Country Fried Rock.Speaker B00:00:18.080 - 00:00:19.520Yeah, thanks for having me.Speaker A00:00:19.840 - 00:00:21.680How did you get into music as a kid?Speaker B00:00:21.840 - 00:00:48.320My brother and I grew up in a musical family, and whenever there was time to. For, like, you know, at the end of, like, family dinners or holidays or anything, we don't. Everyone would just always been singing.Our dad was a great piano player and songwriter, so he doesn't go much anymore. But, yeah, he brought us up very much in love with music, and we never really felt like.We never really made a choice of, like, oh, this is what we're going to do. It was always just already agreed upon saying that music was what our lives were going to be all about.Speaker A00:00:48.640 - 00:00:51.280Cool. So what kind of stuff did your dad play?Speaker B00:00:51.750 - 00:00:58.470It was more R and B, funk and soul kind of stuff, like Otis Redding and James Brown, and so that's what he brought us up on.Speaker A00:00:58.790 - 00:01:00.150Where'd the band name come from?Speaker B00:01:00.230 - 00:01:02.270That's me and the drummer's grandfather's name.Speaker A00:01:02.270 - 00:01:03.270Where'd y' all grow up?Speaker B00:01:03.510 - 00:01:10.150Los Angeles, California. Different parts. Started out in, like, Glendale and went to high school out in Malibu and different areas of la.Speaker A00:01:10.550 - 00:01:21.420The whole Southern California area has a lot of different musical influences. And your dad was into the funk in the R and B. What other kind of stuff played on your interests? As y' all were developing Thoughts was.Speaker B00:01:21.420 - 00:01:58.490Coming together, I started listening to a lot of stuff that I wasn't really thinking about it. I was just really getting into Joni Mitchell and Jackson Browne and the Grateful Dead and Warren Z. Von.As time went on, I started to realize that all these artists, they were all California artists.And I didn't even realize that at first, but I guess there's just something that permeated with their songwriting personalities that resonated with me that might have been that the fact that we were both coming from that same world. So that was a big.That was like, in terms of what California music comes from, that was a big deal for me, even though I wasn't even quite aware of it. And I think that even made it that much bigger of a deal.Speaker A00:01:59.130 - 00:02:09.690Even though y' all are on the same page creatively and with what's influencing you since you've come together with Dawes, how does that work for you all? As you all work together to develop a song as A group?Speaker B00:02:10.810 - 00:02:53.860Well, we. We. I write the song by myself, and then we all kind of come together to arrange them.When it comes to, like, how we're going to represent, how we're going to present the song, and we sort of lean on each other for what they're good at. You know, I'll have a song on acoustic guitar, and then I'll bring it to the guys and be like, how do you think we should do this?And then we'll kind of go through the different ideas till we arrive upon something that everyone feels like this is a good way to show people, this song. So we definitely lean on each other. I don't really, like, decide upon anything until we're all together.The only thing I do is the chords and the words and the melodies and then. And then everything else. What the drummer plays. The drummer decides what the bass player...

SummaryIn this episode from 2015, we sit down with singer-songwriter RayLand Baxter to talk about his upcoming album Imaginary Man, set to release on August 14 through ATO Records.Although he grew up in Nashville and is the son of a well-known songwriter, RayLand didn’t dive into music seriously until his twenties. He shares what led him there and how his path into songwriting unfolded a bit later than expected.We also talk about his evolution as an artist and some of the personal choices that shape his identity, including why he chose to capitalize the "L" in his name. It’s a small detail with real personal meaning behind it.RayLand walks us through the collaborative process behind Imaginary Man, and we get into the key moments and experiences that helped shape the sound of the new record.This episode gives a great look at RayLand Baxter’s creative journey, from finding his voice to crafting an album that captures where he is now as an artist.Show NotesIn this episode, we catch up with RayLand Baxter to talk about his new album Imaginary Man, releasing soon on ATO Records.RayLand comes from a strong musical background. His dad, Buddy Baxter, is a respected songwriter and studio owner. But surprisingly, RayLand didn’t start playing guitar until he was 20.He shares what led him to pick up music later than most and how those early experiences shaped his voice as a songwriter.We get into his creative process and the unique way he approaches his music, including the personal story behind the capital "L" in his name.RayLand reflects on his connection to Nashville and how the city continues to influence his work, even as he carves out his own path.Throughout the conversation, you’ll hear how authenticity, heritage, and a love for songwriting all come together in Imaginary Man.LinksRayLand BaxterRayLand Baxter on BandcampYou may also enjoy our conversation with T Hardy MorrisAfter you buy music or see a show, please toss a few bucks in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsChapters00:01 - Introduction to Raelyn Baxter01:12 - The Journey Back to Music10:29 - The Release of Imaginary Man18:23 - A Journey Through Music and Heritage22:23 - The Journey of Imaginary ManTakeawaysRayLand talks about his new album Imaginary Man and how it reflects his growth as a songwriter and artist.Growing up in Nashville with his dad, Buddy Baxter, in the music business definitely shaped his early connection to music, even if he didn’t dive in right away.It wasn’t until he moved back to Nashville in his twenties that he seriously picked up the guitar and decided to chase music full-time.Imaginary Man is a true team effort, with input from a range of talented musicians and producers who helped bring the album to life.RayLand shares how important live shows are to him, especially the energy that comes from playing with other musicians and connecting with an audience.The album cover is also part of the story. It represents a turning point in his creative journey and shows how much he’s evolved both personally and artistically.Mentioned in this Episode ATO Records Three Trees Music Cage the Elephant Chrome Pony Drivin n Cryin Recommended If You LikeRayLand Baxter, Imaginary Man, Country Fried Rock, Nashville songwriter, ATO Records, music podcast, acoustic guitar, songwriting process, Americana music, new album release, Nashville music scene, live music performance, indie music, music collaborations, Raelyn Baxter interview, music production, Americana Fest, Nashville musicians, songwriting evolution, musical influencesTranscriptSpeaker A00:00:00.240 - 00:00:33.310Welcome to Country Fried Rock. This week we're talking with Raelyn Baxter, who has a brand new record, Imaginary man, on ATO Records.Although Baxter grew up in Nashville as the son of noted songwriter and studio owner Buddy Baxter, Raylan did not pick up a guitar until his early twenties.We find out about his songwriting growth and why he capitalizes the L in the middle of his name and a whole lot more with Raelyn Baxter on Country Fried Rock. I'm your host, Sloan Spencer. My guest today on Country Fried Rock is Raelyn Baxter with a new album, Imaginary man, coming on the 14th of August.Welcome.Speaker B00:00:33.870 - 00:00:34.350Hello.Speaker A00:00:34.510 - 00:00:39.310We've had a little chat had about locations and places across the way. How'd you end up in Nashville?Speaker B00:00:39.790 - 00:01:09.920Well, I was born here and I grew up here until I was 13. My dad was in the music business, my mom was not, but she loved my father at that time. And so this all started here.And When I was 13, I moved up to Maryland and then did my thing there and then moved back seven years ago. So Nashville's home. Nashville is my home. Even around the country. I'll be going around and be like, where are you from? I'm from Nashville.Well, where are you from?Speaker A00:01:10.079 - 00:01:10.480Right.Speaker B00:01:10.880 - 00:01:12.800I mean, I'm from Nashville, man.Speaker A00:01:12.880 - 00:01:19.200What made you end up heading back into the music business rather than trying to move away from that?Speaker B00:01:20.010 - 00:01:39.290Well, you know, I was never a part of it when I was growing up. My dad was, but I was, you know, just like a little sewer kid running around in the creeks and playing soccer and playing lacrosse and basketball.And so I was not. I didn't pick up a guitar until I was 20 years old.Speaker A00:01:39.370 - 00:01:40.250Oh, that's late.Speaker B00:01:40.410 - 00:02:12.490Yeah, very late. So once I picked up a guitar when I was 20, it had come at a time.I don't want to jump ahead in the interview, but I was playing lacrosse in college and I had torn my acl, my knee ligament. And then at the same time as I tore my acl, my dad was given an acoustic guitar in exchange for rent.My friend Luke Reynolds, who actually played on the album, he's played a bunch of guitar on the new album, gave my dad this guitar that Luke's dad had built him from a tree that fell down in their yard in Vermont.Speaker A00:02:12.570 - 00:02:13.130Wow.Speaker B00:02:13.130 - 00:02:19.160And it's a beautiful bird's eye maple acoustic guitar, dreadnought style. Kind of looks like a Martin.Speaker A00:02:19.480 - 00:02:19.960Wow.Speaker B00:02:20.440 - 00:02:34.920During Christmas break, I went down to stay with my dad. This is my sophomore year in college. And he was like, ray, take this guitar, man.See, you can't Walk that well, so you might as well learn how to play guitar. And so from then on, it was kind of. It was on.Speaker A00:02:35.160 - 00:02:36.440Did you end up going back to school?Speaker B00:02:37.160 - 00:02:58.230I did. I went back. I didn't graduate, but I went back and finished. Finished just shy six credits shy of my degree.And I was like, I really cannot stand living in Baltimore anymore. And I was like, I'm out of here. So I got in a car and I drove to Colorado. Still haven't finished my college degree.That's maybe something I'll take care of down the road at this point.Speaker A00:02:58.230 - 00:02:59.990Surely they can give you six credits of life.Speaker B00:02:59.990 - 00:03:13.720You know, I know I would love to call the dean of students who was my arch nemesis during college and be like, listen, I'm doing something with my degree. I'm using it. Although it's not official I'm using it.Speaker A00:03:13.880 - 00:03:19.480But, you know, the secret person you need to know in college is the registrar. That person has magic powers.Speaker B00:03:20.040 - 00:03:23.800Ah, maybe that's. I've been firing at the wrong target all these years.Speaker A00:03:23.880 - 00:03:25.200Are you up on the whole FIFA.Speaker B00:03:25.200 - 00:03:56.840Drama lately with the refs getting arrested and stuff? Yeah, I followed the sport only because they started playing it a bunch in the United States.Like, the way it went for me sports wise was I played soccer every day of the week all year until I was 13, until I moved to Maryland, and then I started playing lacrosse almost immediately. So I'm happy that it's becoming more popular in the United States.And I do think that it seems like a pretty corrupt situation, but I don't know who's going to fight him. Who's going to beat...

SummaryIn this episode from 2015, we sit down with T. Hardy Morris, best known as the frontman of Dead Confederate, to talk about how his music has evolved and what went into making his latest album, Drowning on a Mountaintop.Hardy opens up about the creative process behind the record, including how he’s been experimenting with different sounds, like blending pedal steel into a rock setting, and how that’s shaped the feel of the album.We also talk about the collaborative nature of his work. He shares stories from his time with the supergroup Diamond Rugs and reflects on the strong musical relationships he’s built over the years.Throughout the conversation, Hardy gets into how his lyrics and music come together, usually in a pretty natural, unforced way. His songwriting leans into both his country roots and the raw edge of grunge, and Drowning on a Mountaintop really shows that mix.If you're curious about how genre lines blur, or how an artist stays grounded while constantly growing, this episode gives a great look into Hardy’s creative world.Show NotesIn this episode, we catch up with T. Hardy Morris to talk about his latest solo album, Drowning on a Mountaintop, and the path that’s led him here.Hardy, known for his work with Dead Confederate and the supergroup Diamond Rugs, shares stories from his early days growing up in Augusta, Georgia. Those early community experiences helped shape his creative outlook.We talk about how his sound has evolved over time, landing in a space that blends rock and country in a way that feels both fresh and familiar.The conversation takes a closer look at the making of Drowning on a Mountaintop, including how working with producer Adam Landry helped shape the album’s tone and texture.Hardy opens up about his songwriting process, especially how lyrics and music come together naturally for him, with an emphasis on honesty and emotional impact.Whether you’re a longtime fan or just discovering his solo work, this episode offers a real look into Hardy’s creative world and what drives him as an artist.LinksT Hardy MorrisT Hardy Morris on BandcampYou may also enjoy our conversation with Folk Family RevivalAfter you buy music or see a show, we'd love your support with a few bucks in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsChapters00:08 - Introducing T. Hardy Morris and His New Album03:03 - The Evolution of Sound: Collaborating with Adam Landry08:25 - Exploring the Intersection of Country and Grunge12:57 - New Connections in Music14:29 - Transition to New Music VenturesTakeawaysHardy talks about his new album, Drowning on a Mountaintop, which brings together a mix of rock and country influences in a way that feels fresh but grounded in tradition.He shares how his songwriting tends to evolve naturally, and how experimenting with pedal steel helped shape the album’s sound.Collaboration plays a big role in his creative process. Hardy talks about working with other artists and especially highlights the impact producer Adam Landry had on this project.There's an interesting conversation about the link between grunge and southern rock. Hardy points out that both genres have a rural quality that people don’t always recognize.He gives a quick update on what's next, including touring plans and some recording time with Dead Confederate. The band isn’t done yet, just taking things slow.The episode wraps up with a real talk about how tough it can be to connect with audiences in today’s crowded music world. Hardy reflects on the challenges of staying visible without losing authenticity.Mentioned in this Episode Danger Bird Records Diamond Rugs Dead Confederate Reverb Nation Drive By Trucker Meat Puppets Justin Collins Delta Spirit Deer Tick Chase Park Recommended If You LikeCountry Fried Rock, T. Hardy Morris interview, Dead Confederate, Diamond Rugs supergroup, Drowning on a Mountaintop album, Danger Bird Records, indie rock podcast, southern rock music, pedal steel guitar, songwriting process, Americana music, music collaborations, grunge and country fusion, Athens music scene, music production, lyrical songwriting, vinyl records, music industry insights, emerging artists, country music podcastsTranscriptSpeaker A00:00:00.160 - 00:00:23.360Welcome to Country Fried Rock. This week we're talking with T. Hardy Morris, frontman for Dead Confederate, as well as part of the Diamond Rugs indie rock supergroup.Morris is also known for his solo work with a brand new album out from T. Hardy Morris and the hard knocks called Drowning on a Mountaintop, out now on Danger Bird Records. You're listening to Country Fried Rock and I'm your host, Sloane Spencer.Speaker B00:00:23.360 - 00:00:24.400Where are you now?Speaker C00:00:24.640 - 00:00:25.760I still live in essence.Speaker B00:00:25.760 - 00:00:27.440But you're originally from Augusta.Speaker C00:00:27.780 - 00:00:38.180Yep, that's where I was born and raised. Down. Down. Well, just outside of Augusta.But yeah, essentially we used to float the river and we would moon everybody as they went across the icewinning bridge.Speaker B00:00:38.340 - 00:00:45.780You're a pretty busy guy with not just solo projects, but some band things as well. What has led to this most recent album that just came out?Speaker C00:00:46.180 - 00:01:29.240Kind of a natural progression of things. I'd made a solo record a couple years ago and kind of did a little more slowed down acoustic. Yeah. Songs that I had. And I just. I don't know.My friend Matt Stoessel, who plays pedal steel, we had kind of explored a little bit.I'm a big fan of the pedal steel and the way it works within songs and I just wasn't quite through exploring the pedal steel and the ways it could work within the songs that I write. So we took it a step further and kind of did more of a rock and roll version. You know, just see what came about.And down on the mountaintops where we wound up kind of bummed our Dead Confederate drummer. And so that took it to a place where it had to be a little more heavy handed and it was a lot of fun.Speaker B00:01:29.320 - 00:01:37.080I noticed in the background we are unintentionally having an Adam Landry year on Country Fried Rock. Was your connection to him via Diamond Rugs?Speaker C00:01:37.640 - 00:02:27.260Yes, exactly. First met Adam when we.When we did the first Diamond Rugs record, we just kind of spoke the same language in the way we learned, like to create music and just recordings in general. Just kind of the same ethos as far as recording and just kind of letting it happen.And he's got a good ear to kind of help us sift through the songs, you know, because I'll come in with a lot of stuff, a lot of ideas and we kind of can focus on certain ones and he's just easy to work with for me and the way I like to work. This one we did actually in Athens.We wound up mixing a little bit over at his place in Nashville, but we recorded it here At a studio called Chase Park. Had a lot of good records come out. I was expecting my daughter essentially any day, so we kind of had to. Had to record it here. Proximity.Speaker B00:02:27.500 - 00:02:28.540Congratulations.Speaker C00:02:29.100 - 00:02:44.240Thanks. I've done a little bit of touring since she came. You know, even that had to slow down a good bit. You know, shoot out and do a few and come home.Nothing too extensive. There's a lot of dates, but it's. You know, they're not all just back to back, three months at a time or whatever like I used to do.Speaker B00:02:44.480 - 00:02:48.080With so many different projects going on, how do you filter songs?Speaker C00:02:48.800 - 00:03:01.600Usually I just kind of know right off the bat. It just has the feel of where it should wind up. Every once in a while, they'll cross paths, but for the most part, it's all in my head.I don't really know how to explain it, but I can just kind of tell where it needs to wind up.Speaker B00:03:01.680 - 00:03:03.560We were saying originally there's some changes.Speaker A00:03:03.560 - 00:03:05.880From the sound of audition tapes to.Speaker B00:03:05.880 - 00:03:15.080This record with Drowning on a Mountaintop. And it's not just instrumentation. How do those come about for you? You kind of hinted that perhaps they developed a bit with Adam Landry.Speaker C00:03:15.480 -...

SummaryIn this episode from 2015, we catch up with Mason Lankford from the Texas-based band Folk Family Revival to talk about the band’s evolving sound, especially with their new album Water Walker. Mason shares how this latest record marks a real shift from their earlier work, both stylistically and creatively.We dig into how the band approaches making music, especially the role live performance plays in shaping their songs before they ever hit the studio. Mason talks about finding the balance between experimenting in the studio and letting songs grow naturally through playing them live.As they head out on their summer tour, the band is excited to bring this new, more psychedelic sound to audiences. It’s clear they’re in a phase of growth and exploration, and Water Walker is a big step forward in that journey.What We Wrote in 2015Folk Family Revival consists of three brothers and their buddy, but they are definitely moving towards psychedelic rock rather than straight-up folk with their sophomore album, Waterwalker, out now on Rock Ridge Music. With a homemade liquid light show from a visually talented friend, the luxury of regular studio access, and no external time constraints on recording, Folk Family Revival leaps into new territory. The songs continue to grow, both intentionally and for diverse audiences ranging from post-line dance classes in a legendary Texas roadhouse to sportsbars, finding ways to keep audiences engaged and the music fresh.Show NotesThis episode of Country Fried Rock features a deep dive into the journey of Texas-based band Folk Family Revival, from their early days to their latest album, Water Walker.Host Sloane Spencer chats with band member Mason Lankford about how their sound has shifted over time. He explains how Water Walker reflects a big step forward in style and creativity.Mason shares what went into making the new album, including a lot of experimentation and refining. Many of the songs were tested out live before they were recorded, giving them time to grow naturally.That live-first approach helps the band connect more deeply with their audience and shapes the final versions of the songs in meaningful ways.The band blends psychedelic rock influences with their folk roots, creating a sound that feels fresh while still grounded in tradition.Live shows are a big part of what makes Folk Family Revival unique. Mason talks about how they avoid sticking to rigid setlists, instead aiming for a one-of-a-kind experience at each performance.He also reflects on the challenges of playing in places where audiences expect more traditional country music, and how the band stays true to their sound even when it doesn’t fit the mold.As they hit the road for their summer tour, the band is inviting fans to experience this new phase in their music firsthand. It's all about growth, experimentation, and creating something real on stage every night.LinksFolk Family RevivalYou may also enjoy our conversation with Great PeacockAfter you buy music or see a show, we would love your support with a few dollars in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsChapters00:03 - Exploring New Sounds in Folk Music02:05 - Transitioning Sounds: The Evolution of Folk Family Revival07:16 - The Evolution of Live Performance12:39 - The Liquid Light Show: A Journey Through Music and Visuals16:00 - Transitioning to New Beginnings19:01 - The Dynamics of Touring and Relationships in MusicTakeawaysWater Walker, the band’s new album, shows a clear shift in style compared to their earlier record, Unfolding. It marks a new chapter in their sound.Mason Lankford talks about how live performances play a big role in shaping their songs before they even hit the studio. Playing them live helps the music evolve naturally.Instead of trying to copy the studio versions on stage, the band focuses on making each live show its own thing. They want every performance to feel fresh and unique.The making of Water Walker brought in a mix of talented musicians, adding new layers and textures to the album with a wide range of instruments.Their live sets are always changing. They adjust based on the venue, the crowd, and the energy in the room, which helps keep things exciting for both the band and the audience.Folk Family Revival is focused on staying creative and true to their vision. They're not chasing trends or sticking to a formula just to appeal to the mainstream.Mentioned in this Episode Folk Family Revival Rockridge Music Magnolia Red Levi Weaver John Foreman Switchfoot Fiction Family Nickel Creek Drivin n CryinRecommended If You LikeCountry Fried Rock, Folk Family Revival, psychedelic folk, Water Walker album, Mason Lankford interview, Texas music scene, live music performances, recording process, studio versus live sound, indie rock bands, Texas country music, road testing songs, music festivals Colorado, music production insights, evolving sound, songwriting journey, musical influences, band dynamics, touring experiences, liquid light showTranscriptSpeaker A00:00:00.160 - 00:00:33.100Welcome to Country Fried Rock. I'm your host, Sloane Spencer. Apparently we've been on a psychedelic folk kick.Didn't even realize it, but this new record, water Walkers from the Texas band Folk Family Revival shows a distinct change from their debut record.We talk with Mason Lankford, one of three brothers in the band, about recording songs that have never been played live versus road testing and then recording or mixing it all up and finding new ways to keep it fresh. They're on the road this summer. Folk Family Revival today on Country Fried Rock.Speaker B00:00:33.100 - 00:00:40.860My guest today on Country Fried Rock is Mason Lankford, who along with a couple of brothers and his buddy Caleb form Folk Family Revival. Welcome.Speaker C00:00:41.180 - 00:00:42.380Yeah, thanks for having me.Speaker B00:00:42.380 - 00:00:53.420I've known the name of your band for a while due to a friend of mine who has a radio station in Knoxville, Tennessee. But I'm excited to know about this most recent record, Water Walker. Tell me a little bit about what y' all have been doing.Speaker C00:00:53.740 - 00:02:01.060Well, the record took us a while to make. We had recorded Unfolding and released it in 2011. It was our first one.Started touring Steamboat, Colorado for the music fest up there and traveled down through California.We were doing all that while trying to record this record, record a little bit, go back in the studio and either say, oh, we don't like the way this song sounds and scratch it, or add a new song and take out an old one or whatever. So. And we have the liberty because our manager, Jeffrey, is also our producer. So it's good because we can take time on records.But it's also probably what helped us take so long making the record, you know. But, yeah, so took a while. But it's a good thing because there's such shift in style from the old one.Then I think it took some time for us to figure out what that sound needed to be. And then, you know, dropping the shift on our friends and fans that soon, without a little time to wait may have not been the best decision.So it's good that it took so long. And now we've just been touring a radio tour with the new record, pushing the single if it don't kill you, playing shows around that.And then, you know, we just released the record, so we're about to hit the road.Speaker B00:02:01.710 - 00:02:07.430It is, sonically a big shift from unfolding to Water Walker. Tell a little more about what happened.Speaker A00:02:07.430 - 00:02:10.510In between those with the songs unfolding.Speaker C00:02:10.590 - 00:03:26.590With that one, you know, we had just started the band.Well, the band had been in other bands before as a group, but we had started Full family Revival and scratched everything we did previous and knew that this was the direction we were going to take. And all those songs had never been recorded. I mean, I had demoed them at home on a little rolling digital recorder.We'd never even played them live together. So we got in the studio with Jeffrey and put those songs together in the studio and recorded them with Water Walker.All these songs had been written while we were touring, unfolding or recording unfolding. And then we went into the studio immediately and recorded them after we had been playing them live.So I think they had a little time to mature as far as a live sound goes. They knew how they needed to sound in a room. So when it comes to...

SummaryThis week's episode from 2015 features an in-depth conversation with the Nashville-based band Great Peacock, comprised of Andrew Nelson and Blount Floyd. We delve into their creative journey, particularly focusing on their recently released debut full-length album, which showcases their evolution as musicians. Throughout the discussion, we explore the intricacies of building a cohesive musical team, the transformative nature of songwriting over time, and the unique recording experiences within Nashville's vibrant music scene. The dialogue is enriched by the band's reflections on their live performances and the diverse influences that shape their sound. Join us as we uncover the essence of Great Peacock's artistry and the dynamic world of contemporary music.What We Wrote in 2015Great Peacock blew me away during a live taping of their song, “Take Me To The Mountain,” nearly 18 months ago. I’ve been anxiously awaiting their debut full-length album, Making Ghosts, ever since. Recently released on This Is American Music, Great Peacock continues with the roots-based anthems and sing-along choruses, more Southern Indie than Americana.Show NotesIn this episode, host Sloane Spencer chats with Andrew Nelson and Blount Floyd of Great Peacock, a Nashville-based band blending folk, country, and rock into a sound that’s all their own.The focus is on their debut album Making Ghosts, and the journey that led them there, everything from the ups and downs of recording to how their sound has evolved over time.Nelson and Floyd talk honestly about the challenges of making a record in today’s music scene. While modern recording tech offers a lot of options, they admit it sometimes slows things down more than it helps.They look back fondly on the days when recording was simpler and more immediate, and share a desire to get back to that kind of creative flow in the future.Live shows are a big part of where they see themselves heading. They hint at leaning more into an electric sound, which could mark a new phase in their music.Songwriting within Great Peacock is a true collaboration. They take a careful, selective approach—making sure each song really connects and adds something meaningful to their overall sound.Throughout the conversation, it’s clear that the band is focused on staying true to who they are, even as they grow and adapt. Their commitment to authenticity comes through in everything they do, both in the studio and on stage.LinksGreat PeacockGreat Peacock on BandcampYou may also enjoy our conversation with Year of OctoberAfter you buy music or see a show, please toss a few dollars in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsTakeawaysWe got into how Great Peacock’s music has grown over the years and what it’s been like building their career in the Nashville music scene.A big part of the conversation focused on collaboration, especially with producer Dan Fernandez, and how that relationship helped shape their sound.The band opened up about some of the real challenges that come with recording and releasing music today, including the pros and cons of modern technology.They shared what it’s like to play live and how their dynamics as a band have shifted over time as they’ve evolved musically.Staying true to who they are as artists came up quite a bit. It’s something they’re clearly committed to, even as the industry keeps changing around them.We also talked about life on the road and how touring, while tough at times, brings a lot of joy through the connections they make with audiences in different places.Mentioned in this Episode Great Peacock CMT CMT Edge Dan Fernandez Wes Floyd and the Daisy Cutters Drivin n Cryin St. Paul and the Broken Bones Apache Relay Recommended If You LikeCountry Fried Rock, Great Peacock band, Nashville music scene, Southern rock music, debut album release, music industry insights, live performance evolution, recording studios in Nashville, songwriting collaboration, folk and rock fusion, Americana music, indie music podcast, band interviews, music production process, touring experiences, album art design, music festival performances, audience engagement, music streaming platforms, Southern musicians.TranscriptSpeaker A00:00:00.160 - 00:00:41.340Welcome to Country Fried Rock. I'm your host, Sloane Spencer.This week I'm finally talking with Great Peacock, a Nashville based band of guys from Alabama that I've been following for a couple of years. Andrew Nelson and Blunt Floyd are the core of Great Peacock in their debut full length album was just released in May 2015.On this is American Music we talk about building a team, how songs change over time, and stealth recording studios in Nashville, a whole lot more with the guys from Great Peacock today on Country Fried Rock. My guests today conferenced in on the fancy phone are Andrew Nelson and Blunt Floyd, better known together as Great Peacock. Welcome.Speaker B00:00:41.500 - 00:00:43.020Oh, thrilled to be here.Speaker A00:00:43.260 - 00:00:55.500My pleasure.We kind of run in some of the same circles, so I've known about you all for a very long time, but the first time I ever actually saw you was recording at the CMT studios for CMT Edge.Speaker B00:00:55.500 - 00:00:56.060Yeah.Speaker A00:00:56.620 - 00:01:02.860So lots has happened for y'. All. In the meantime, help us set the stage for what's going on with your debut record.Speaker B00:01:03.390 - 00:01:25.230Well, it finally came out last week. We're thrilled about that. We waited forever for it to come out. It just takes a long time to get stuff ready.You'd think technology would help out with that, but it doesn't. It kind of slows us down a bit.I miss the old days or when I heard of the old days of making records and like putting them out quick, you know, doesn't happen anymore.Speaker A00:01:26.030 - 00:01:37.770I don't want to put words in your mouth, but I know that you all have had this ready to roll for quite a while. So what has been changing for you all in terms of live performance in that G? I mean, it's been like more than a year since the record's been done.Speaker B00:01:38.170 - 00:02:15.880The band has changed and evolved quite a bit for a while. We kind of always went through periods where we have like a four piece. Our bass player and our drummer are always with us.And for a while we were had interchanging sort of melody instruments. Like sometimes we do a show with a fiddle player, sometimes we do a show with a pedal steel player.And then we recently had somebody with us for a really long time playing electric and that person is no longer with us.So we're actually kind of entertaining the idea of just being a four piece and being a little less folky and playing a little more electric guitar ourselves. But who knows, after this interview that might not happen. Yeah.Speaker C00:02:15.880 - 00:02:41.770And we've had the guy who produced the record, Dan Fernandez, who actually played with us for a long time before that, has been out with Us for the last couple of runs, and it's been great to just kind of get back to kind of where it all began. And, you know, he's a great person to show off what the record is because he played pretty much all the guitar on it, so that's been fun.He's gonna be with us this weekend also, and the next weekend after that.Speaker A00:02:41.930 - 00:02:44.570That's cool. Well, how'd y' all initially connect with Dan Fernandez?Speaker B00:02:44.890 - 00:02:53.330Dan lives with one of our best friends in Nashville. And I would go over to hang out with my friend, and I would hear this guy just, like, incessantly playing.Speaker C00:02:53.330 - 00:02:56.410Lead guitar, practicing, practicing.speaker B00:02:57.370 - 00:03:08.950And I was like, do you get tired of that, man? He was like, no, you just eventually drowning out. I was like, well, I guess the good thing is, at least he's really good at.It's just, you know, 10 hours a day of lead guitar.Speaker C00:03:09.510 - 00:03:33.190And way back when, when we had just started it, the band, because it was just something fun for us to pass the time as far as not getting out of music.It was our first show, and that guy who lived with him was gonna play bass that show, and he was like, hey, do you mind if Dan comes to play mandolin? And we were like, sure. He hasn't practiced with us, but let's do it. And he nailed it.And pretty much the only person that plays with us from that first...

SummaryIn this episode from 2015, we dive into how Year of October has grown and evolved, especially with the release of their latest album, Golden Days. Phlecia and Josh Sullivan, who started out making acoustic music together, have really expanded their sound. Now performing as a trio, they’ve moved into a heavier, more dynamic style that reflects how far they’ve come.We talk about the making of Golden Days, which they recorded and produced themselves, something that marks a big step forward in their creative journey. They also share stories from the road, as their regional touring continues to grow.Of course, Nashville’s music scene plays a big part in their story too. Felicia and Josh talk about how being surrounded by such a rich, competitive environment has shaped their writing, their performances, and how they work together as a team.This conversation gives a closer look at the way their music has developed over time, and how collaboration has been at the heart of it all.What We Wrote in 2015Phlecia & Josh Sullivan are Year of October, creatively and personally joined together. Originally from Kentucky, the band has been in Nashville for a few years, touring regionally and self-recording and self-producing their two albums thus far. Year of October is outside of our circle within Nashville, and I actually discovered them via Bandcamp!LinksYear of OctoberYear of October on BandcampYou may also like our conversation with Sam LewisAfter you buy music or see a show, please toss some support into our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsShow NotesPhlecia and Josh Sullivan talk about how Year of October has evolved over the years, especially with the release of their latest album, Golden Days.The duo, originally from Kentucky and now based in Nashville, share how they’ve grown from an acoustic project into a full band with a much bigger sound.We dig into their songwriting process, which has always been collaborative, and that teamwork has played a big role in shaping their current style.Golden Days is a big milestone for them. It’s a self-recorded, self-produced album that captures where they are now creatively and professionally.They talk about hitting the road and expanding their touring efforts across the region, using this album as a way to connect with new audiences.Being part of the Nashville music scene has had a major impact on their growth. They open up about what it’s like to navigate such a competitive and inspiring environment.Throughout the episode, they offer a real look at what it takes to build a distinct musical identity, and the hard work that goes into every step of that journey.TakeawaysPhlecia and Josh Sullivan of Year of October have come a long way since they first started making music together. Their latest album, Golden Days, really shows how much their sound has grown and evolved.Golden Days was completely self-recorded and produced, which gave them full creative control. It also helped them take their music to a wider audience through more regional touring.Living in Nashville has been a huge part of their journey. Being surrounded by so many talented artists has pushed them to grow, not just as musicians, but also in how they approach live performances.They’re already looking ahead to their next album and are excited to keep developing their sound. A lot of that inspiration comes from the connections and experiences they’ve had in the music scene.Their focus on authenticity extends beyond the music. Even the album artwork is intentionally simple, something that feels true to who they are and sticks with you.When it comes to songwriting, it’s very much a team effort. Phlecia and Josh usually start ideas together and build on them collaboratively, making sure the final product reflects both of their voices.Mentioned in this Episode Year of October Bandcamp University of Kentucky Strange Connections Red Ember Oliver Ocean Sky Temple Blues JD Wilkes Dirt Daubers Dick's Sporting Goods John Michael Montgomery Drivin n Cryin Recommended If You LikeCountry Fried Rock, Year of October, Sloane Spencer, Phlecia Sullivan, Josh Sullivan, Golden Days album, Nashville music scene, Kentucky musicians, self-produced music, regional touring, acoustic music, indie rock band, Bandcamp recommendations, songwriting process, live performances, Nashville venues, creative community, music collaboration, music industry insights, contemporary folk musicTranscriptSpeaker A00:00:00.160 - 00:00:37.990Welcome to Country Fried Rock. I'm your host, Sloan Spencer. Today I'm talking with Felicia and Josh Sullivan, better known as the band Year of October.Their recent album Golden Days demonstrates their growth as a band, working together, primarily writing as a duo, but performing as a trio or full band.Originally from Kentucky and now residing in Nashville, this self recorded, self produced release is helping Year of October expand their regional touring schedule. Year Never. Guess how I found this band. Coming up in my conversation with Year of October today on Country Fried Rock.Speaker B00:00:38.070 - 00:00:43.270My guests today on Country Fried Rock are Josh and Felicia of Year of October. Welcome.Speaker C00:00:43.510 - 00:00:45.030Thank you. We're glad to be here.Speaker B00:00:45.350 - 00:01:01.030So I was just saying, off the air, I said, I actually found you through Strange Connections via Bandcamp, which Bandcamp totally rules, by the way, but they make suggestions based on things you've purchased in the past, and occasionally I pay attention to that. And I was like, oh, my gosh, I love these people. I need to find them.Speaker C00:01:01.550 - 00:01:04.190That's awesome. I didn't even know Bandcamp made suggestions.Speaker B00:01:04.510 - 00:01:11.390They do. Well, it's. It pops up at the bottom of your screen based on your previous purchases. And I guess they have some magic algorithm.Speaker C00:01:11.550 - 00:01:13.150That's really cool. Yeah.Speaker B00:01:13.230 - 00:01:18.910Yeah. But as I was doing a little homework for the show, I saw that y' all went to University of Kentucky.Speaker C00:01:19.150 - 00:01:21.350Yes, we did. We both graduated from there.Speaker B00:01:21.350 - 00:01:23.230Are you still recovering from basketball season?Speaker C00:01:23.470 - 00:01:25.070Oh, my gosh. It killed me.Speaker B00:01:27.630 - 00:01:32.830Longtime listeners know my husband went to University of Kentucky, so I have learned about basket.Speaker C00:01:33.690 - 00:01:37.250Yes, Blue Bleeds Deep, but it was.Speaker B00:01:37.250 - 00:01:43.250Good for me because I actually understand basketball, unlike the fact that I'm a lifelong Southerner who still doesn't understand football.Speaker C00:01:43.250 - 00:01:47.290Is a whole nother deal. Yeah. If you're in sec, you have to know a little bit about football.Speaker B00:01:49.209 - 00:01:53.050Anyway, well, so sorry for the ending of the season, although the ride up there was great.Speaker C00:01:53.450 - 00:01:54.090Thank you.Speaker B00:01:54.490 - 00:01:56.890As a band, how did you all come together?Speaker C00:01:57.290 - 00:02:22.390Well, Josh and I, we met at UK and we actually dated.We dated for about a year before we started playing music together because we both knew that we played music separately, but we didn't really want to mess up our relationship if the music stuff didn't work out. So we dated for a year, and then we were like, we should write together.And so it kind of started with just me and him playing some acoustic songs that we had written, and that's how we started out.Speaker B00:02:22.870 - 00:02:24.950Okay, so that's not the usual story.Speaker C00:02:25.510 - 00:02:25.910No.Speaker B00:02:26.790 - 00:02:30.550You were dating, then you said, hey, let's write together, and then where did it go?Speaker C00:02:31.020 - 00:02:58.620Well, we wrote several songs and then we got some of our friends together because we knew the songs we were writing. We love acoustic music, but what we wanted to do was not play in an acoustic band.So we were writing for a full band, and so we got some friends together, and then we started filling the songs out and making it into the more rock music that we play. And so that's...

SummaryThis podcast episode from 2015 features an in-depth conversation with renowned Nashville-based songwriter Sam Lewis, who is currently promoting his latest album, Waiting on You, released under Brash Records. The discussion delves into the intricacies of Lewis's artistic journey, highlighting his extensive touring experiences across the United States and Europe, which have profoundly influenced his songwriting process. Notably, the album showcases a remarkable collaboration with esteemed musicians, including the likes of Mickey Raphael and Oliver Wood, thus bridging the gap between established legends and emerging talent in the music industry. Throughout our dialogue, we explore the dynamic evolution of Lewis's songs, particularly in live performances, emphasizing how they adapt and transform over time. This episode serves as a testament to the vibrant and collaborative spirit of Nashville's music scene, offering listeners a unique glimpse into the life and artistry of Sam Lewis.What We Wrote in 2015Sam Lewis first crossed our radar on a video from Music City Roots, but the timing was off to feature him on the show. As Lewis has toured more in the US & UK, he has built a following and honed his songs, yielding a his new Waiting On You album, recorded with some of Music City’s Americana elite at an historic studio, Southern Ground (recently purchased by Zac Brown). When folks like Brandon Bell champion you to Darrell Scott, Will Kimbrough, Mickey Raphael, Gabe Dixon, and the McCrary Sisters, then you know that your record will sparkle.Show NotesIn this episode, host Sloane Spencer sits down with Nashville-based songwriter Sam Lewis for an engaging conversation about his latest album, Waiting on You, out now via Brash Records. The episode kicks off with a look back:Sam reflects on how he first caught listeners' attention through Music City Roots videos.Those performances featured him alongside a wide range of talented musicians, helping set the stage for his career. A big focus of the conversation is on the stellar collaborations featured on Waiting on You:Recorded at the legendary Southern Ground Studio (owned by Zac Brown). The album brings together an incredible lineup, including:Mickey Raphael (Willie Nelson’s harmonica player)Will KimbroughGabe DixonThe McCrary Sisters Sloane and Sam chat about how these musical heavyweights add depth and soul to the record. Sam also opens up about his touring journey:Over the past year, he's traveled across the U.S. and even toured Europe.Shared stages with legends like Merle Haggard and Marty Stuart.Touring helped shape his sound and his songs, which he describes as “living things” that grow and evolve with each performance. Later in the episode, the focus shifts to the making of the album:Sam shares how a chance connection led him to work with Oliver Wood (of The Wood Brothers), who ended up producing the album.The recording process was fast but powerful, thanks to the vibe at Southern Ground and the support of engineer Brandon Bell. By the end of the episode:Listeners get a full picture of Sam’s creative journey, from songwriting roots to meaningful collaborations.Waiting on You is more than an album: it's a testament to the community, spontaneity, and soul that fuels Sam Lewis’s music.LinksSam LewisYou may also enjoy our conversation with Mic HarrisonAfter you buy music or see a show, we would love your support with a few bucks in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsTakeawaysSam Lewis talks through the making of his new album, Waiting on You, and shares stories from his journey as a Nashville songwriter. It’s a deep dive into both his personal growth and the creative partnerships that brought the record to life.He opens up about how his songs change and grow when he plays them live. For Sam, they’re not set in stone, each performance helps shape them into something new.The album came together fast, just two and a half days in the studio. Sam shares how that quick turnaround was possible thanks to the chemistry and talent of the musicians involved.He also reflects on working with some incredible collaborators, from seasoned pros to rising stars. Their contributions, he says, really elevated the sound and feel of the record.Touring is a big part of Sam’s story. He talks about how life on the road, and connecting with different audiences, has helped shape his music in meaningful ways.And for fans of vinyl, there’s an interesting look at how the format influenced the album. Sam explains how thinking in terms of Side A and Side B helped guide the flow and feel of the whole project.Mentioned in this Episode Brash Records Music City Roots Southern Ground Zac Brown Mickey Raphael Willie Nelson Will Kimbrough Gabe Dixon McCrary sisters Alan Thompson Band Brandon Bell Oliver Wood Wood Brothers Giano Jono Kenny Vaughn JT Cure Derek Mixon Christina Trains Daryl Scott Merle Haggard Marty Stewart JD McPherson Chris Stapleton Todd Snyder Steve Jones Brash Music Al Moss Eddie's Attic Red Clay Theater Drivin n Cryin Steve Soto Twisted Hearts Recommended If You Likecountry music podcast, Sam Lewis interview, Nashville songwriter, Waiting on you album, Brash Records, Music City Roots, Southern Ground studio, country music touring, songwriting process, live performance tips, independent music scene, vinyl records, new country music, emerging artists, collaboration in music, songwriting evolution, music industry insights, acoustic music, album production, country music festivalsTranscriptSpeaker A00:00:00.160 - 00:00:58.220This week on Country Fried Rock, I'm talking with a Nashville based songwriter named Sam Lewis with a brand new record called Waiting on youn out now on Brash Records.I first discovered Lewis watching some of the best of Music City Roots videos along with a variety of other Country Fried Rock alumni on there, including folks like the Alan Thompson Band. Pairing legends and emerging songwriters is exactly what this record does.Recorded at Southern Ground, the studio is currently owned by Zach Brown and with stellar playing from folks like Mickey Raphael, Willie Nelson's harmonica player, Will Kimbrough, Gabe Dixon and the McCrary sisters waiting on you make Sam Lewis's song sparkle. Today on Country Fried Rock, I'm your host, Sloan Spencer.My guest today on Country Fried Rock is a guy named Sam Lewis who I first saw on Music City Roots. He's got a brand new record called Waiting on you. Welcome.Speaker B00:00:58.800 - 00:00:59.760Thank you for having me.Speaker A00:01:00.000 - 00:01:07.840This is fun. I truly did. First to see you on Music City Roots a while back. Tell me a little bit about what you've had going on in the last year or so.Speaker B00:01:08.080 - 00:01:35.680Oh man, quite a bit. Quite a lot of touring. Been touring a lot of the states. I did a west coast run east to west last year.Got to play a lot of great shows with my favorite people, Merle Haggard and Marty Stewart and folks like that, and got to do a couple European tours, mostly based in the uk and made a new record in the middle of all and made a lot of new friends and wrote some new songs. So I think it's almost time to make another record.Speaker A00:01:37.440 - 00:01:42.400What has been changing for you musically in this large bit of touring?Speaker B00:01:42.800 - 00:02:29.600It's funny, when you record songs, some of them are, you know, a little older and some are a little newer. I continue to enjoy and learn how the songs can evolve, especially in a performing, live setting.Songs are living things and, you know, they can be documented numerous times.That's kind of what I've learned most after last year, you know, especially going into the studio in the middle of the touring and then coming out the other end and already playing some of these songs a little differently than the way I recorded them, even though they're, you know, a few months old.That's...

SummaryMic Harrison of Mic Harrison and the High Score joins us to discuss his musical journey, which began in his childhood as a rhythm guitarist for his father. With a rich history that includes being a member of the V. Roys, Harrison has transitioned into creating compelling roots rock alongside his current band. This episode delves into the evolution of their sound and the collaborative spirit that defines their work, particularly as they prepare to release new music. Notably, we reflect on their recent experience performing with the esteemed Con Hunley, which has greatly influenced their artistic direction. Join us as we explore the nuances of their creative process and the challenges of balancing live performances with recording aspirations.What We Wrote in 2015Mic Harrison & The High Score started as the merging of a backing band for Harrison’s solo work, but has become a band in itself over the years. After John Paul Keith moved on from regionally beloved band, The V-Roys, to pursue his solo career, Harrison stepped in and joined the band for their run of albums on Steve Earle’s former label and cemented themselves in Southeastern roots rock clubs. (Former V-Roys member Scott Miller is also an alumnus of Country Fried Rock.) Mic Harrison and the High Score have hit a balance, reasonable day jobs to support their families, with high-intensity shows and openers across the region on weekends. Such is the reality for many musicians, saving enough money to either tour or record an album, but always making new music to feed their souls.Show NotesWe dive into the musical journey of Mic Harrison, a longtime staple of the Knoxville music scene and frontman of Mic Harrison and the High Score.Mic shares stories from his early days playing music with his dad, a key influence that helped spark his love for performing and songwriting.We talk about his time with the V. Roys, a band that made a lasting impact on the regional roots rock scene and helped shape his approach to music.Now with the High Score, Mic continues to evolve artistically, blending honest, roots-driven songwriting with a sound that still feels fresh and relevant.A big part of the conversation centers on his creative partnership with bandmate Robbie Trosper. They walk us through how their songwriting often starts with casual idea-sharing and grows into fully-formed tracks.We also touch on the push and pull between studio work and live shows, and how they work to keep their sound consistent, authentic, and connected to the energy of their audience.Mic gets real about the behind-the-scenes challenges of being a working musician today, from the financial strain of touring to the logistical headaches of recording independently.We explore how the music industry is shifting, especially with the rise of digital platforms. Mic offers thoughtful takes on how these changes affect everything from album releases to fan engagement.The episode wraps up with a reflection on the future of live music in a digital-first world, and why, despite it all, the power of music to bring people together hasn’t lost its spark.This episode is a deep dive into not just Mic Harrison’s story, but the larger world of independent musicians navigating a constantly changing industry, with grit, creativity, and a whole lot of heart.LinksMic Harrison and the High ScoreMic Harrison and the High Score on BandcampYou may also like our conversation with the Bones of JR JonesAfter you buy music or see a show, we would love your support of a few bucks in our Tip Jar.Sloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock Stars.Takeaways Mic Harrison's journey into music began when his father needed a rhythm guitarist to accompany his lead guitar playing. The formation of Mic Harrison and the High Score was a natural evolution from their previous collaborations in various bands. Their recent project involved a charity event in Knoxville, demonstrating their commitment to community and music appreciation. Mic and Robbie emphasize the importance of creating music that can be performed live, maintaining authenticity as a band. The band is actively working on new material, aiming to release an album that reflects their growth and experimentation in sound. Mic Harrison and Robbie Trosper shared insights about the challenges of touring and balancing personal lives with musical aspirations. Mentioned in this Episode Mic Harrison High Score V. Roy's Scott Miller John Paul Keith Steve Earle Super Drag Con Hunley Wayne Bledsoe Drivin n Cryin Recommended If You Likecountry fried rock, Mic Harrison, High Score band, roots rock music, Knoxville Tennessee music, V. Roy's band, Scott Miller music, Con Hunley, charity event Wayne Stock, songwriting process, live music performance, indie music podcast, Southern rock, new album release, music collaboration, band dynamics, recording music, music influences, touring challenges, music industry insightsTranscriptSpeaker A00:00:00.160 - 00:00:27.920Welcome to Country Fried Rock. I'm your host, Sloane Spencer. This week I'm talking with Mick Harrison of the Knoxville, Tennessee based band Mick Harrison and the High Score.I originally became familiar with Mick Harrison's music when he was still part of the V. Roy's originally acclaimed band with fellow Country Fried Rock alum Scott Miller. And even an original member before they recorded their first album, John Paul Keith.The band was on Steve Earle's former record label for three fantastic records.Speaker B00:00:27.920 - 00:00:28.120The first.Speaker A00:00:28.190 - 00:00:40.190But Mick Harrison is not just his musical past as he joined forces with the band the High Score to continue to make fantastic roots rock. MC Harrison in the High Score today on Country Fried Rock.Speaker B00:00:40.350 - 00:00:49.870My guest today on Country Fried Rock is Mick Harrison of MC Harrison and the High Score. And we're going to switch the phone off a little bit with Robbie Trosper as well. So welcome.Speaker C00:00:50.190 - 00:00:51.390Hey, thanks for having us.Speaker B00:00:51.390 - 00:00:59.030I'm glad to make this happen.I was saying off the air, I was like, I kind of been stalking y' all in a completely professional manner for a while, so I'm really happy to have you with me today.Speaker A00:00:59.030 - 00:00:59.550Thank you.Speaker C00:00:59.550 - 00:01:03.850And I said, too, we need a whole lot more few people to stop us like this.Speaker B00:01:04.170 - 00:01:13.050Grateful for that. Grateful for that. I am obviously familiar with many of your bands over the course of the time, but how did you get into music?Speaker C00:01:13.610 - 00:01:32.230Well, actually, I got into it by. My dad needed a rhythm guitar player so he could sit around and play his lead. That's actually how I got into it.And I wasn't a very good guitar player, so I started writing songs. Oh, yeah, that's the deal. My dad was a great guitar player, and he was like, hey, let me show you this.And he would just show me some blues riffs or whatever, and. And that's kind of how I got started for me, anyway.Speaker B00:01:32.230 - 00:01:35.670Cool. So when did it become something beyond just supporting your dad?Speaker C00:01:35.990 - 00:01:49.190When the B. Roy's asked me to join. I mean, you know, I just been goofing around in West Tennessee forever, and they asked me to join and make a pretty big move to Knoxville.That's when it got real. I hate to even say that, but that's really when it got real.Speaker B00:01:49.350 - 00:01:55.510V. Roy's regionally beloved band. And I think we've now had all of y' all on the show individually.Speaker C00:01:56.110 - 00:01:56.350Really?Speaker B00:01:56.430 - 00:01:57.310I think so.Speaker C00:01:57.310 - 00:01:58.790Well, I'm sure you had Scott on there.Speaker B00:01:58.790 - 00:02:00.270One of our most popular programs ever.Speaker A00:02:00.270 - 00:02:00.990As a matter of fact.Speaker C00:02:02.350 - 00:02:02.910Of course.Speaker B00:02:03.950 - 00:02:07.150But I think he's attending COWS these days, for the most part.Speaker C00:02:07.150 - 00:02:13.310Oh, yeah, yeah. Yeah, everything now, record art, even record titles, whatever, have got something to do with Cows.Speaker B00:02:13.550 - 00:02:20.270I first got to know you then, as joining up with the V. Roy's, you came in on the last record for the band, is that right?Speaker C00:02:20.350 -...

SummaryIn this episode from 2015, we sit down with The Bones of J R Jones for a wide-ranging and honest conversation about his musical path and the making of his album Dark Was the Yearling. He shares how what seemed like a small, low-key performance ended up leading to a major connection, one that helped launch his debut record.We talk about the deep influence of early blues on his sound, especially the raw, emotional energy of the genre’s pioneers. J R opens up about the challenges and rewards of the recording process, and how collaboration helped him shape and sharpen his sound.Throughout the episode, you’ll get a real sense of the passion and persistence that fuel his work, and what it takes to stay true to your voice as an artist.What We Wrote in 2015The Bones of JR Jones is mostly a one-man band, although JR sometimes plays with a variety of setups. His recent album, Dark Was The Yearling, was made possible by a happen-chance meeting at an empty gig. The Bones of JR Jones is getting ready to tour the South and MidWest through the spring, so catch a show when he’s in your town.Show NotesIn this episode, Sloane Spencer talks with The Bones of J.R. Jones about his musical journey, one shaped by a deep connection to blues, introspective moments, and a few unexpected collaborations along the way.J.R. shares how his love for blues started early and really came to life during a key period living in the Catskills, where he began turning that passion into something tangible.He reflects on the powerful influence of early blues legends, artists whose raw emotion and grit helped shape his sound and approach.One standout moment: J.R. tells the story of a small, seemingly insignificant gig that led to a major break, a reminder that you never know which moment will open the next door.The conversation also touches on the importance of community and support systems, how fellow artists, friends, and even strangers have helped him keep going.J.R. dives into the making of his album Dark Was the Yearling, giving us a behind-the-scenes look at the creative process and what it was like working with producer Charles Newman.He talks about the challenges of the recording process: tight timelines, careful planning, and the push to stay true to his artistic vision.By the end of the episode, what really stands out is J.R.’s dedication, not just to the final product, but to the whole journey of making music and growing as an artist.LinksBones of J.R. JonesBones of J.R. Jones on BandcampYou may also like our conversation with M. Lockwood PorterAfter you buy music or see a show, we would appreciate your support with a few dollars in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsTakeawaysJ.R. Jones’s musical journey shows how artistic growth can happen naturally, shaped by life, passion, and a love for blues.He shares the story of a lucky break, a random gig that ended up connecting him with the right people to make his first album. It’s a great reminder of how unpredictable and relational the creative world can be.Making Dark Was the Yearling wasn’t simple. It took a lot of planning, and the collaboration with producer Charles Newman added depth and direction to the process.J.R. stays true to his sound on stage with his one-man band setup. It’s a stripped-down, personal way of performing that gives him full creative control and really connects with audiences.He’s also big on keeping things personal with fans: selling physical copies of his music on Bandcamp, for example, shows his commitment to direct artist-to-audience relationships in a digital world.His upcoming tour isn’t just about promoting his work, it’s also a chance to test out new material, connect with audiences, and let the live experience shape the music as it evolves.Mentioned in this Episode Bones of J R Jones Platform Music The Bunker Got a Groove Records Bandcamp Goodnight Texas Melina Cadiz Drivin n CryinRecommended If You LikeCountry Fried Rock, Bones of J R Jones, Dark Was the Yearling, blues-inspired music, solo artist podcast, music discovery, American roots music, Catskills music scene, one-man band, indie music podcast, songwriting journey, music production process, Bandcamp artist, vinyl pressing, live recording techniques, music collaborations, blues music history, touring as a solo artist, small venue performances, artist interviewsTranscriptSpeaker A00:00:00.240 - 00:00:33.190Welcome to Country Fried Rock. I'm your host, Sloane Spencer. This week I'm talking with the Bones of J R Jones, a moniker for a sometimes solo artist, sometimes band.With a great blues inspired record called Dark Was the Yearling, you'll have to hear how J R hooked up with somebody who helped make his first record possible. It's a great story from what could have been a terrible gig today on Country Fried Rock. It's the Bones of J R Jones.It's you like eavesdropping on these musician conversations. Tell a friend we appreciate you.Speaker B00:00:33.430 - 00:00:39.110My guest today is the Bones of Junior Jones. We all refer to as Junior. Welcome.Speaker C00:00:39.270 - 00:00:40.710Thank you so much for having me, Sloan.Speaker B00:00:40.870 - 00:00:55.840So this is one of those records that I ran across kind of through friends of friends and then it was like I just didn't follow up. So my fault. But let's go back to the beginning because I don't know a whole lot about how you got into where you are now.How did bones of J.R. jones develop?Speaker C00:00:56.240 - 00:01:13.520It kind of happened organically, I guess is the best way to describe it. I've been playing music all my life, got turned onto the blues pretty heavily, probably about 15 years ago now.But I guess I didn't really pursue it until I was living up in a Catskill kind of by myself and had some free time on my hands. Kind of developed this project that I'm working on now, the ones of J.R. jones.Speaker B00:01:13.520 - 00:01:15.040What kind of blues spoke to you?Speaker C00:01:15.440 - 00:01:40.700Definitely like old time, like Ruth blues, I guess, much as I love modern stuff or contemporary blues, you know, I was given a four disc set called American Roots Music and was Lion Lemon Jefferson Delta Blues, you know, slightly out of tune, off tempo type blues. And what spoke to me that echoed with me for some reason, you know. And I think part of it was just these guys who had very little training.But the passion is what carried the music for me. Kind of changed my life.Speaker B00:01:40.700 - 00:01:48.300I guess that is a similar way to which I discovered a lot of music. Box sets, compilations. Oh yeah, greatest hits records even.Speaker C00:01:48.540 - 00:01:56.200I wish I could say that I was some sort of audiophile, you know, or something like that. I know what I love and the compilations are good for me to reach out and see what else is out.Speaker B00:01:56.200 - 00:02:05.840There, you know, underappreciated method of music discovery for sure. Cool. So you've kind of been rooting around in this for a while. What ultimately led you up to recording?Speaker C00:02:06.560 - 00:02:53.420A happy coincidence, I guess.Living up in the Catskills for a while, moved back down to New York City after finishing some schooling up there and would do these or at least once in a month, or once every two months. And by chance I got a show back up in the Catskills on one random Wednesday night.And I almost didn't go just because, you know, it was rainy, I think it was the middle of March, kind of very similar to today. I didn't want to drive all that there.But anyways, I ended up doing it, visiting myself to get on the road and get up there and play this little show. And one of those stories where you say you should never turn down a show, no matter how small the room, I guess.And I played for a room of maybe five people and one of them took me aside after the show and was very kind enough to say, you know, he's like, I have a little money and I'd like to put out your first album for you. So totally unexpected.And then, you know, within a year my first EP was out thanks to this amazingly generous gentleman, motivated me and gathered momentum for the next one, I guess.Speaker B00:02:53.640 - 00:02:57.560That's fantastic. How great to like unexpectedly find a benefactor like that.Speaker C00:02:57.640 - 00:03:04.440Oh, it was, I mean, it's. It's not heavy handed to say it was life changing, I guess, you know, so it was something unexpected.Speaker A00:03:04.520 -...

SummaryIn this episode from 2015, we sit down with M. Lockwood Porter to talk about his new album 27, which is set to release in the UK and Europe this coming spring. We get into the nuts and bolts of songwriting, and what it’s like juggling life as both a solo folk artist and a band member.Porter shares stories from his journey, starting out in Oklahoma and later finding his voice in the Bay Area music scene. We also talk about the themes behind 27, especially the ups and downs of building a music career while navigating your late twenties.He opens up about the creative collaborations that helped shape the album, and what it’s like to take those songs from the studio to the stage. It’s a thoughtful look at growth, change, and staying true to your voice as an artist.What We Wrote in 2015Max Porter performs as M. Lockwood Porter, in homage to his grandfather and to make it easier to find him on the Internet. Partly based on a childhood dream to leave Oklahoma and live in California, and partly pulled by his network of friends and musical colleagues, Porter claims both areas as home. His recent album, 27, honors Chris Bell of Big Star, and will be released in the UK and Europe late Spring 2015.Show NotesHost Sloane Spencer welcomes singer-songwriter M. Lockwood Porter to chat about his latest album, 27, which is set for release in the UK and Europe this spring.Porter shares his journey from growing up in Oklahoma to finding his musical footing in the Bay Area, where he’s become part of a rich, supportive creative community.We explore how his musical style has evolved, from punk and hardcore roots to a more reflective, folk-inspired sound that still carries a raw edge.A big focus of 27 is the experience of being in your late twenties, the uncertainty, growth, and emotional weight that comes with that stage of life.Porter talks about how his songs shift from studio versions to live performances, often reworking full-band tracks into solo sets while keeping their emotional impact intact.He opens up about the meaning behind his professional name, which honors his grandfather, Marcus Lockwood Porter, a touching nod to his family and its influence on his art.The conversation also dives into what it’s like to be an independent artist today, including the importance of maintaining a strong online presence and carving out a recognizable identity.As the episode wraps up, Porter reflects on the upcoming European release of 27, sharing both excitement and gratitude for the growing support he’s received from fans back home and abroad.This episode is a thoughtful look at artistic growth, the personal stories that fuel creativity, and the balancing act of making meaningful music in a fast-paced world.LinksM. Lockwood PorterM. Lockwood Porter on BandcampBlack Mesa RecordsYou may also like our conversation with Andy GabbardAfter you buy music or see a show, we would love your support with a few dollars in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsTakeawaysWe dive into M. Lockwood Porter’s musical journey: from his early days in Oklahoma to finding his creative stride in California.He gives us a behind-the-scenes look at the making of his new album, 27, and what inspired the songs.Porter shares the story behind his name, how adopting “M. Lockwood Porter” is a personal tribute to his grandfather.He talks about how life in California, and the music scene there, has shaped his sound and sparked new collaborations.We explore what it’s been like for him to shift from full-band performances to more stripped-down, solo acoustic sets.Throughout the conversation, Porter opens up about the themes that run through his music, especially the reflections and realities of life in your late twenties.Mentioned in this Episode M. Lockwood Porter John Calvin Abney Hidden Trail Records Black Mesa Records Big Star Wilco Crosby, Stills, Nash and Young Grateful Dead Drivin n Cryin Recommended If You LikeCountry Fried Rock, M. Lockwood Porter, 27 album, Oklahoma musician, Bay Area music scene, indie rock podcast, solo folk troubadour, touring with a band, singer-songwriter interviews, rock music storytelling, music career challenges, mental health in music, songwriting process, live performance adaptations, Hidden Trail Records, Black Mesa Records, music industry insights, acoustic rock transformations, contemporary folk music, West Coast music tours

SummaryIn this episode from 2015, we’re diving into Andy Gabbard’s debut solo album, Fluff , a big step away from the sound you might know from his work with Buffalo Killers. We talk about how Andy’s grown as an artist, and what it’s been like for him to write and record music while also being a stay-at-home dad. What makes Fluff especially unique is that Andy played and recorded everything himself, which is a big shift from the more collaborative vibe of his band days. We also get into the inspirations behind the music and what really drives his creativity. It’s a personal, behind-the-scenes look at his process and what this new project means to him.What We Wrote in 2015Andy Gabbard‘s debut solo album, Fluff, definitely is not. This trippy-tinged collection of tunes brings fuzzy pop sense to Gabbard’s writings that do not fit the Buffalo Killers’ vibe. Fluff is not “trouble in paradise,” rather, it is an expansion of his creativity, like a second leg of vacation.Show NotesIn this episode, we sit down with Andy Gabbard, a key figure in the Ohio music scene and longtime member of Buffalo Killers, to talk about his debut solo album, Fluff. Here’s what we get into:Going solo: Andy walks us through the journey of making Fluff, a project that marks a clear break from the collaborative style of Buffalo Killers. This time around, it’s all him, every instrument, every track.Life as a stay-at-home dad: Andy shares how being home with his kids has reshaped the way he approaches music. It’s changed his perspective, giving him space to write and record in a more personal and reflective way.Rediscovering creativity: He opens up about how this new chapter in life helped him tap into songs and ideas he might’ve ignored in the past, and how he's now more committed than ever to putting that creativity out into the world.Learning as he goes: From picking up the drums to handling every part of the recording process, Andy talks about the highs and lows of doing it all himself, and the satisfaction that comes with fully realizing his own vision.Balancing music and family: We explore how Andy’s dual roles as a musician and a father influence one another, and how he's found meaning and inspiration in that balance.Staying authentic: At the heart of it all, Andy’s focus is on staying true to himself as an artist and keeping the music flowing, no matter what life throws his way.The episode offers a thoughtful look into Andy Gabbard’s world: one where creativity and family life aren’t in conflict, but fuel each other in surprising ways.Chapters00:07 - Exploring Andy Gabbard's Solo Work04:24 - The Journey to Solo Recording07:57 - Exploring Musical Influences12:41 - The Journey of Creating 'Fluff'14:24 - The Journey of Creating MusicLinksAndy GabbardBuffalo Killers on BandcampYou may also like our conversation with Lee GallagherAfter you buy music or see a show, we would love your support with a couple bucks in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsTakeawaysWe talk about Andy Gabbard’s shift from being part of a band to stepping out on his own as a solo artist, and what that transition has meant for him creatively.His solo debut, Fluff, marks a big leap in how he writes and expresses himself musically. It’s a clear evolution from his earlier work.Andy breaks down the process of making Fluff, including how he recorded everything himself. It’s a fully DIY project that really captures his personal vision.He shares how being a stay-at-home dad has actually opened up more time and space for music, and how that change in lifestyle brought a fresh perspective to his songwriting.We also touch on how supportive his Buffalo Killers bandmates have been, giving him room to explore his solo work without any tension or creative conflict.If you’re familiar with Buffalo Killers, you’ll notice Fluff has a totally different sound, It’s Andy finding his own voice and doing things his own way.Mentioned in this EpisodeBuffalo KillersNatural Sound RecordsGoodbyeEsther Caulfield OrchestraAmplified HeatSuperdragNirvanaThe KinksThe Velvet UndergroundDoug SahmNeil YoungDrivin n CryinRecommended If You Likecountry fried rock, Andy Gabbard, Buffalo Killers, solo record, Fluff album, Ohio music scene, indie rock, stay-at-home dad musician, songwriting process, home recording, psychedelic music, music interviews, independent artists, guitar music, live music performance, music production, vinyl records, music creativity, melodic songwriting, alternative musicTranscriptSpeaker A00:00:00.240 - 00:00:28.950Welcome to Country Fried Rock. I'm your host, Sloan Spencer. This week I'm talking with Andy Gabbard, more known for his Ohio based band, Buffalo Killers.But Gabbard's debut solo record, Fluff, shows a different side of his songwriting. Gabbard is a stay home dad when not on tour, letting him, as he says, live the dream.Whether you're familiar with the Buffalo Killers music or not, Andy Gabbard's solo record is a whole nother sound. It's not Fluff. And we'll talk about it today on on Country Fried Rock.Speaker B00:00:29.190 - 00:00:38.150My guest today on Country Fried Rock is Andy Gabbard, one of the main songwriters from Buffalo Killers, and he's got a new solo record out called Fluff. Welcome.Speaker C00:00:38.870 - 00:00:39.910Thanks for having me.Speaker B00:00:40.630 - 00:00:50.710I've been a fan of Buffalo Killers for the last couple of records, I guess when I first came to know you all. But you're really known as a live band. What does a solo record do for you?Speaker C00:00:51.350 - 00:01:17.850Basically, in the last couple years, since my wife and I have had kids, I've become a stay at home dad and I no longer work at the record store I worked at for a few years. And I just have more time to create music and I always have recorded music on my own.It's just now I kind of have more time and I'm able to put more attention into it when we're not riding the Buffalo Killers train.Speaker B00:01:18.410 - 00:01:23.210Well, that's cool. That's kind of a neat story of a way to look at how your time is used.Speaker C00:01:24.730 - 00:01:52.150Yeah, for me, it's just a way of not letting anything go to waste. I'm trying to have a formula of the way we do things with Buffalo Killers.And, you know, sometimes I write one off songs and they accumulate and when you keep on writing, things go to waste and they pile up. And so I'm gonna start releasing those songs, you know, whenever I can and just continue to make music.Speaker B00:01:52.390 - 00:01:54.630Was there anything different in taking these.Speaker A00:01:54.630 - 00:01:56.310Songs to record for a record?Speaker C00:01:57.270 - 00:02:03.750Yeah, it was a completely different experience than I've ever done because I recorded all the instruments myself.Speaker B00:02:03.830 - 00:02:04.550Oh, cool.Speaker C00:02:04.710 - 00:02:50.890So I kind of in the process of writing these songs, halfway through, I bought a drum set. So when I first demoed the song, the only practice I had on the drums was on my legs.So I kind of had to like think about where the drums are when I'm going through the song in my head and then, you know, translate that to the drums.So then once I demoed them and I was able to listen to them Then I just called my friend David, who has a studio in his basement and we just set a day aside and I just went in and recorded all the drum tracks real quick and then did all the guitar. And I thought through everything a lot. When it came time to actually record, I had everything ready. We just had a couple beers and knocked them out.Speaker B00:02:51.610 - 00:02:55.290So he just has a home studio for fun or is this something semi professional for him?Speaker C00:02:55.530 - 00:03:11.910He can do everything cool, build you a house.He just is such a smart guy and from what I understand, he's just always recorded his own dance and his friends and he just, he really knows what he's doing. I don't know anything about that stuff.Speaker B00:03:13.030 - 00:03:17.670Well, so that's a very different process then than how you all work when you're recording as Buffalo Killers.Speaker C00:03:18.070 - 00:04:43.540Yeah, it's a lot different with...

SummaryThis week in 2015, we’re excited to sit down with Lee Gallagher from the band Lee Gallagher and the Hallelujah. Their self-titled debut album just dropped in January, and it’s already turning heads. Originally from the Midwest, Lee brings his indie rock roots and blends them with the psychedelic folk vibes of the San Francisco Bay Area. The result is a sound that feels fresh, emotional, and totally his own.In our chat, Lee shares the unexpected story behind how the band came together, with musicians from all over bringing their unique styles to the mix. We also dive into the creative process behind the new album, which combines raw, live instrumentation with deeply personal songwriting.Come along as we explore Lee’s musical journey, the making of the record, and the rich, inspiring music scene that fuels it all.What We Wrote in 2015Lee Gallagher inhales the Bay area of California, making it part of who he is musically. After a few years in the area, Gallagher appreciates its history and vibe even more than when he was a Midwestern kid seeking something other than cornfields. He is not jaded about his roots, though, rather, he takes the indie roots rock foundation and filters it through his newer psychedelic surroundings. With two recent albums that deserve a listen, Lee Gallagher shares his appreciation for his new home region and musicians.Show NotesWe sat down with Lee Gallagher, front man of Lee Gallagher and the Hallelujah, to talk about his journey as a musician and how the band came to be.Originally from Cincinnati, Lee shares how he and his bandmates, hailing from Indiana, Ohio, and Louisiana, all ended up in the artistic hub of San Francisco, where their musical paths crossed.The band’s self-titled debut album came together organically, blending indie rock with psychedelic folk to create a sound that’s both nostalgic and new.Lee opens up about his songwriting process and how deeply rooted his music is in American music history, pulling influence from the past while still pushing forward.Live performance plays a big role in the band’s identity. As they started playing together, their chemistry sparked something unique, a raw, energetic sound that really connects with audiences.We talk about the vibe in the studio while recording the album at Light Rail Studios, where collaboration and spontaneity helped shape the final sound.Lee highlights the importance of authenticity in their work and how the band’s dynamic fosters creativity and mutual inspiration.The conversation wraps with stories from the road and excitement for their upcoming tour, which will feature a visually immersive experience thanks to a collaboration with a well-known liquid light show artist.Overall, this episode offers a deeper look into Lee Gallagher’s artistic vision and the collaborative spirit that fuels the band, a reminder of how creativity thrives when people come together with a shared passion.LinksLee GallagherLee Gallagher on BandcampYou may also like our podcast with Cale TysonSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsAfter you buy music or see a show with these musicians, feel free to toss a few in our Tip JarChapters00:00 - Introduction to Lee Gallagher and His Music02:05 - The Formation of the Band04:21 - The Journey of Making Our Record11:14 - The Influence of Place on Music11:15 - The Indie Rock Scene in Ohio14:30 - The Mad Alchemist and His Liquid Light ShowsTakeawaysLee Gallagher talks about how the band’s sound naturally came together, a mix of indie rock and psychedelic folk, shaped by each member’s different background and musical roots.The debut album is more than just a collection of songs. It’s a snapshot of their journey as a band and the creative energy that brought them together.Live shows are a huge part of what makes this band tick. Lee shares how performing live brings out a unique connection between the band and the audience.When it came to recording at Light Rail Studios, the process was fast, raw, and totally in the moment, which really helped capture the spirit of their sound.The band’s name, Lee Gallagher and the Hallelujah, nods to gospel influences and their goal of creating music that’s full of feeling and soul.Looking ahead, they’re gearing up for a tour that’s not just about the music. They’re adding a visual edge with a liquid light show to create an even more immersive experience for fans.Mentioned in this EpisodeLee Gallagher and the HallelujahCrawl Space PressLight Rail StudiosCrazy HorseGrateful DeadSheryl CrowEric BurdonVictoria WilliamsNeil YoungHumble PieLiving ColorDoobie BrothersTemplesChuck ProphetHeartless BastardsWussyGuided by VoicesDrivin n CryinRecommended If You LikeLee Gallagher, Hallelujah band, Country Fried Rock podcast, indie rock music, psychedelic folk sound, San Francisco music scene, midwestern songwriters, new album release, vinyl records, music interviews, live music performances, band formation stories, musician collaborations, recording studio experiences, music production insights, Americana music, gospel influences in rock, music festival performances, artist promotion strategies, musical inspirations.TranscriptSpeaker A00:00:00.160 - 00:01:19.200This week on Country Fried Rock, I talk with Lee Gallagher of Lee Gallagher and the Hallelujah. Their self titled kind of debut record just came out in January.This midwestern songwriter formed his band in the bay area of San Francisco, merging his indie rock roots with the psychedelic folky vibe of the area. It's a great record and a fun conversation with Lee Gallagher today on Country Fried Rock. We really appreciate your support for country Fried Rock.Every so often we offer a limited edition T shirt only, on sale for three weeks. And when they're gone, they're gone forever. Our brand new design is a spark plug with a very small Country Fried rock logo.On sale now for three weeks [email protected] Country FriedRock 4 it's the limited edition T shirt number four designed by Skillet Gilmour, noted musician and designer with Crawl Space Press. They're super soft with women's kids v neck hoodie, long sleeve and they're all on sale right now for three weeks only.Teespring.com Country Fried Rock 4 Get yours before it's gone forever. My guest today on Country Fried Rock is Lee Gallagher with a brand new self titled record, Lee Gallagher and the Hallelujah. Welcome.Speaker B00:01:19.200 - 00:01:20.480Thank you. Thanks for having me.Speaker A00:01:20.720 - 00:01:23.850So how'd y' all end up out in California, kind of?Speaker B00:01:23.850 - 00:02:05.850Well, I think all of us fell into the dream of California, I guess. I don't know. I wasn't begging to leave. I'm from Cincinnati. Cincinnati has a great music scene, great history.You know, I've met all sorts of people there. Pootsie Collins lives there. I met his brother Catfish, or he died, which is cool. Just lots of cool stuff.But I don't know, we just, we all kind of met out here. We're all from Indiana and Ohio and Louisiana. We came together kind of by accident. I met Kirby, who plays the piano playing in the street.I walked past him and he had an upright piano out in the street and he was playing with a drummer.And I kind of just had to stop and turn around and I got up the courage, kind of asked what they were doing and yeah, and then we kind of hooked up and then everybody kind of fell in.Speaker A00:02:05.930 - 00:02:09.289When did it kind of gel and become like, hey, I think we're a band?Speaker B00:02:10.010 - 00:03:14.190Well, I drove over to meet with Kirby. First of all, I love the piano and it's very rare to find somebody who really plays the piano.A lot of times you see people kind of standing behind a keyboard holding down cords, but this guy can play. And so I was excited to Meet him. And I drove her to his house.He lives in El Cerrito, over in the East Bay, which the only thing I knew about El Cerrito is our holy records, blues folk based record labels based out of there. And that's where John Fogarty's from. That's the only thing I knew. So I went over there and it was cool to drive around there. And I went to his house.He has an upright piano in his house. And I kind of just sat down and played some old blues songs. And that was it. And then we got Jacob Landry, who plays the guitar from Louisiana.I kind of. I met him on Craigslist. That was the only Craigslist involved in the thing.Pretty much Craigslist for me is all I did is like, list like 10 cool, cool bands. And he replied, you

SummaryIn this episode, we’re catching up with Cale Tyson, an artist known for his classic country sound and heartfelt songwriting. He’s got an exciting year ahead. He just signed with Clubhouse Records, which means his special double EP will soon be available across the UK. At the same time, he’s gearing up to record a new country soul album at the legendary Fame Studios in Muscle Shoals, Alabama.We dive into Cale’s journey so far, from the music that’s inspired him to how his sound has evolved over the years. He shares the stories behind his latest projects and gives us a glimpse into what’s next. It’s a conversation full of reflection, passion, and a deep love for the roots of American music.Here's What We Wrote in 2015Cale Tyson surprised us with news of his upcoming country soul debut album, recording this spring at FAME Studio in Muscle Shoals, Alabama. His two recent EPs took him to traditional country music, cementing his transition from Texas indie folk to Nashville. After straddling the bubble of Belmont and real-life working musicians, Tyson is ready to find his voice in the coming year.Show NotesWe dive into Cale Tyson’s journey as a country artist, tracing how his sound has grown from folk-inspired beginnings to a more traditional country style.He talks about albums like High on Lonesome, which reflect his love for classic country and his desire to channel the spirit of legends like Ray Price.Cale opens up about his next big move: recording a country soul album at the legendary Fame Studios in Muscle Shoals, Alabama.This upcoming project is a big step for him, as he experiments with fuller arrangements, including horns and strings, a noticeable shift from his earlier, more stripped-down work.It’s a moment of artistic growth, and Cale shares what’s inspiring this new direction and how he’s approaching the creative process.LinksCale TysonCale Tyson on BandcampYou may also enjoy our conversation with Jim WhiteSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsAfter you buy music or see a show with these musicians, we would love your support with a few dollars in our Tip JarChapters00:02 - Cale Tyson's Musical Journey03:56 - Transitioning to Nashville: Cale Tyson's Journey08:49 - The Evolution of a Music Career11:00 - New Collaborations and Upcoming Tours15:08 - Discussing Upcoming Album and Recording Plans19:34 - The Rise of Doug Segers: A Nashville StoryTakeawaysIn this episode, we sit down with Cale Tyson to talk about his journey as an artist and where his music is headed next.Cale's got a big year coming up. He’s getting ready to release a new album and dive into some exciting new projects.One of the big highlights? He’s heading to the legendary Fame Studios in Muscle Shoals to record a country soul record.With help from Clubhouse Records, his music will soon reach even more listeners across the UK, expanding his international audience.He looks back on how his sound has shifted over time: starting out more folky, then leaning into a traditional country vibe that really feels like home.Cale also talks about how much he values collaboration, especially getting to play and record with some of Nashville’s most talented musicians.Mentioned in this EpisodeClubhouse RecordsFame StudiosTeespringKrall SP Base PressJohnny AppleseedSchematic StudioPrater DayBandit BrandRecommended If You LikeCale Tyson, Country Fried Rock, traditional country music, country soul record, Fame Studios, Muscle Shoals, album release, Clubhouse Records, UK distribution, Cheater's Wine, Nashville music scene, Belmont University, pedal steel player, indie rock, songwriting process, live performances, music collaborations, country music podcast, Americana music, indie country artistsTranscriptSpeaker A00:00:00.080 - 00:01:32.150This week on Country Fried Rock, we're talking with Cale Tyson. With a couple of very traditional country eps under his belt, he's got an exciting year in store.After signing with Clubhouse Records for UK distribution, our Euro friends can look for a special double EP album release sometime in the next year. While here in the States, Cale is getting ready to head to the noted Fame Studios in Muscle Shoals, Alabama to record a country soul record.He's already released a couple of teaser videos and we're looking forward to talking with Cale Tyson today on Country Fried Rock. We really appreciate your support for Country Fried Rock.Every so often we offer a limited edition T shirt only on sale for three weeks and when they're gone, they're gone forever. Our brand new design is a spark plug with a very small Country Fried Rock logo.On sale now for three weeks [email protected] Country FriedRock 4 it's the limited edition T shirt number four designed by Skillet Gilmore, noted musician and designer with Krall SP Base Press. They're super soft, women's kids v neck hoodie, long sleeve and they're all on sale right now for three weeks only.Teespring.com country friedrock4 get yours before it's gone forever. My guest today on Country Fried Rock is Kale Tyson with a brand new, well, not so much brand new. It's my fault.I dropped the ball and didn't return the email. But it's a fantastic record. Cheater's Wine. Welcome.Speaker B00:01:32.310 - 00:01:33.270Hey, how's it going?Speaker A00:01:33.430 - 00:01:41.990Fantastic. So I've been listening to your music, I guess since High on Lonesome was when I first became familiar with you. What took you to Nashville?Speaker B00:01:42.630 - 00:02:34.000Basically I grew up in Fort Worth, Texas for the most part and then I went to college for a year.I wanted to go down to Austin to go to school down there, didn't get accepted and then ended up going to SMU in Dallas, started getting into the music scene there and I had a friend who had moved to Nashville and you know, I was telling him kind of the things with the music scene there versus what I wanted to do and wasn't really happy with everything that was going on. And he was like, man, you should come, come out here, come out to Nashville. There's Belmont University here.You can go there and finish your degree and everything and, you know, take music more seriously. So yeah, I ended up transferring to Belmont and finished my degree here.And the funny thing about that was the guy who had convinced me to come out here, he moved back to Fort Worth, like, a month before I moved out here. I moved out here and knew. Knew nobody.Speaker A00:02:34.160 - 00:02:35.040Oh, my goodness.Speaker B00:02:35.040 - 00:02:35.520Yeah.Speaker A00:02:35.600 - 00:02:37.120So Belmont is pretty intense.Speaker B00:02:37.600 - 00:03:55.650Yeah, it was.You know, I got a music business degree, and I quickly realized that, you know, it took me maybe a year of going to school and doing internships that I was like, you know, I don't really want to be in the music business on the business side, per se. I couldn't do both the creative and the business aspects of it.But the cool thing about it was the school taught me so much about things I needed to be doing as an artist that I would have never found out that early on, as far as pros, as far as, you know, publishing and all sorts of stuff. Another cool thing about it was just I met a lot of the people that I. That I still play with today and made a lot of great friends there.And, yeah, it was a good school. It was a good, good experience for me. Yeah. I mean, and I had never experienced that level of competition either.I mean, well, just Nashville in general, but, you know, the kind of thing with Belmont that I managed to get away from. Everyone talks about the Belmont bubble. While you're going to school there, you can get so involved with the music scene.Just the Belmont to forget about, you know, the whole community in Nashville as the whole city. So when I moved to Nashville, I lived off campus originally, and, I mean, the whole time I had a house here.And so I think that was really good for me, to actually be able to never, never fall into that bubble. And it was always there, but it was friends with people that, you know, didn't necessarily go to school, and so it's good.Speaker A00:03:55.650 - 00:03:56.170Hey, y'.Speaker B00:03:56.170 - 00:03:56.210All.Speaker A00:03:56.210 - 00:04:10.370This is Sloan Spencer, the host of Country Fried Rock. We've had an incredible year with more people finding us on the radio and our podcast than we ever imagined. Thank you all so much.Careful what you wish for. You just might get it.Speaker B00:04:10.370 - 00:04:13.570Hey, this is Kale...

SummaryThis week on Country Fried Rock from 2015, we dive into the story behind the long-awaited return of 6 String Drag, a band that made waves in the late '90s before quietly stepping away from the spotlight.We caught up with bassist Rob Keller to talk about the band’s journey, from their beloved album Hi Hat to their brand-new record, more than 15 years later.The big question: why the long break, and what brought them back together now?Even though we recorded this one out in the field (so the audio’s a little rough), the conversation is full of great insights into the evolution of roots rock and roll.Rob opens up about the unique dynamics of reuniting with old bandmates, how their creative process has changed over the years, and what it feels like to make music together again.We also touch on the magic of reconnecting—not just as musicians, but as friends—with songs that carry the weight of time and experience.It’s a heartfelt look at a band rediscovering its rhythm, and a reminder of how music can bring people back together, even after years apart.Show NotesIn this episode of Country Fried Rock, we hit the road—literally—trying out mobile recording gear to capture the feel of live, in-the-moment conversations. Here’s what you can expect:We sit down with Rob Keller, bassist and creative force behind 6 String Drag, for a deep dive into the band's history and recent reunion.Rob shares stories from the High Hat era, an album that had the band on the verge of a major breakout back in the '90s.We talk about the band’s long silence after that high point, and the personal and professional factors that led to their extended hiatus.The conversation blends nostalgia with fresh excitement, as Rob reflects on what it’s been like to reconnect with Kenny Roby and the rest of the band after 15 years.He opens up about how their sound has changed, what’s stayed the same, and how life off the road shaped the music they’re making now.Despite some audio hiccups from recording in the wild, the heart of the conversation comes through, full of honesty, history, and hope for what’s next.This episode is all about second chances, old friends, and the music that never really goes away.Here's What We Wrote Back in 2015Kenny Roby (previously featured) and Rob Keller disbanded 6 String Drag at the top of their game, nearly 15 years ago. The first new album from 6 String Drag, Roots Rock N Roll, brings the group together again, ranging the gamut of roots rock with their brother-from-another-mother harmonies. Why would a regionally beloved band, seemingly at the peak of success, fall off the face of the earth? Love.Links6 String Drag on BandcampWelfare Liners on Bandcamp (Rob Keller in a side project)Roberto Adega on Bandcamp (Rob Keller project in Portuguese)You might also like our conversation with Jim WhiteAfter you buy music or see a show, we appreciate your support with a few dollars in our Tip JarSloane Spencer now hosts a Gen X sleep podcast, Sleep with Rock StarsTakeawaysIn this episode of Country Fried Rock, we talk about 6 String Drag’s return to recording after an 18-year break. Yes, it’s been that long!Rob Keller shares how his musical path has evolved over the years, including his work with both 6 String Drag and the Welfare Liners.There’s real excitement around the band’s upcoming album, their first in nearly two decades and reflects everything they’ve learned and lived through since the early days.Rob talks about the importance of supporting local record stores and how much it means when fans pick up physical copies of the music.We also touch on the realities of touring: the good, the tough, and how musicians juggle their love for the road with family life back home.And finally, we get into what it actually takes to make a record these days, from songwriting to studio time to the collaborative magic that brings it all together.It's a laid-back, honest conversation about returning to your roots, growing through the years, and still chasing the music.Mentioned in this Episode 6String Drag Welfare Liners Drive By Truckers Memories and Birds Adobe Audition Fidelatorium Jason Merritt McKenny Joe Swank Skillet Gilmore Drivin n CryinRecommended If You LikeCountry Fried Rock, Six String Drag, Rob Keller interview, roots rock music, bluegrass band, new album release, mobile recording technology, music podcast, Americana music, band reunions, live music shows, vinyl record production, folk rock, band dynamics, songwriting process, music collaboration, audio quality issues, house concerts, regional music scenes, music industry insights, 6 string dragTranscriptSpeaker A00:00:00.240 - 00:00:58.940This week on Country Fried Rock, we decided to take the show on the road for a few weeks, testing out some new technology for mobile recording. Yep, it sounded like a great idea, but unfortunately, it doesn't sound that great.So don't miss a minute of the Country Fried Rock road trips on countryfriedrock.org this week on Country Fried Rock, I talk with Rob Keller of Six String Drag.After their successful album hi hat in the 1990s, the band seemed poised to move beyond their regional success when they seemingly fell off the face of the earth. What happened to that great combination of Kenny Robey and Rob Keller and friends as Six String Drag?This is another one of our field recordings, so the audio quality is not quite up to our standards, but it's a great conversation about roots rock and roll. The first record in 15 years from Six String Drag, it's Rob Keller of Six String Drag this week on Country Fried Rock.Speaker B00:00:59.410 - 00:01:09.250My guest today on Country Fried Rock is Rob Keller, bass player, musician, songwriter, producer, and currently back with Six String Drag again. Hey.Speaker C00:01:09.490 - 00:01:09.970Hey.Speaker B00:01:10.290 - 00:01:27.090So just in some context for listeners, we met through mutual friends a few years ago, and then I realized at the same time, I was like, oh, that's the same Rob Keller from Six String Drag. Wait a minute. What are you doing playing bluegrass? What have you been doing musically for the last few years?Speaker C00:01:27.890 - 00:02:08.670Well, the last few years, as you might know, I've been in the. I've started a bluegrass band called the Welfare Liner. Three years ago, just playing.I really put it together, really just because I was bored and didn't have a lot of playing going on in the area. And I played bluegrass in the past and I had some friends that also played. And so we decided to put the band together.And then as it progressed, I started writing songs for the band. So we put out one record so far and we've got one in the can actually. Actually have another record supposed to come out next year, so.So that's what I've been doing, really, up until about a year ago. Been hooked back up with Kenny again, the Six String Drag, which has been a real blast.Got the one record about to come out and we're really excited about it.Speaker B00:02:09.070 - 00:02:20.670There's lots more that goes on with all that. Kenny Robey is, of course, the Kenny that you're talking about.And we actually featured Kenny on his last solo record, Memories and Birds, which was a beautiful record as well.Speaker C00:02:21.070 - 00:02:32.960Yeah, he recorded that at the same time we recorded the Welfare Liners. And we were swapping songs back and forth and playing Each other's songs, you know, because we were all through all this. Yeah.My wife's like brothers. We're like brothers.Speaker B00:02:33.920 - 00:02:41.360Speaking of which. And I'm sure I know I'm not the person won't be the last to say it. Your voices together when you sing. You do sound like brothers.Speaker C00:02:41.920 - 00:02:51.120That's true. We love the brother harmony. Something really has clicked with Kenny and I as far as the.We seem to have our own little sound with it and people seem to enjoy it. We enjoy it.Speaker B00:02:51.380 - 00:02:55.780At what point did it become, hey, let's. Let's see what Six String Drag might look like?Speaker...