Cup of Hemlock Theatre Podcast

Welcome back to the 293rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 293rd episode we have an episode of “The Cup: Editorial” in which Co-Artistic Producers Ryan Borochovitz and Dr. Robert Motum – author of the 2024 essay from Intermission Magazine, “Why would anyone do a PhD in theatre?” continue their discussion. This time they explore the disciplinary borders, laborious ampersands, and precious time, while digging even deeper into the state of graduate-level Humanities education before spiralling into an unexpectedly lengthy tangent on the peculiar field of Performance Studies.PART 1 OF THIS DISCUSSION: https://www.youtube.com/watch?v=R4cL0f9FYxY READ ROBERT’S ORIGINAL ARTICLE: https://www.intermissionmagazine.ca/artist-perspective/phd-theatre/ Follow our panelists: Dr. Robert Motum – Various Platforms: @robertmotum // Website: https://www.robertmotum.com/ Not-a-Dr. Ryan Borochovitz – NEXT Mag: https://nextmag.ca/search/borochovitz Follow us on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 292nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 292nd episode we have an episode of “The Cup: Editorial” in which Co-Artistic Producers Ryan Borochovitz and Dr. Robert Motum – author of the 2024 essay from Intermission Magazine, “Why would anyone do a PhD in theatre?” as they get to the bottom of the titular question he posed two years ago. They have a rigorous discussion all about academic burnout, precarious job markets, and micronationalism.LISTEN TO PART 2 OF THIS DISCUSSION!READ ROBERT’S ORIGINAL ARTICLE: https://www.intermissionmagazine.ca/artist-perspective/phd-theatre/ Follow our panelists: Dr. Robert Motum – Various Platforms: @robertmotum // Website: https://www.robertmotum.com/Not-a-Dr. Ryan Borochovitz – NEXT Mag: https://nextmag.ca/search/borochovitz Follow us on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 291st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 291st episode we bring you a a new instalment of our subseries 'Screened Plays'. This time we are covering the Oscar winning film Hamnet (2025), directed by Chloé Zhao, starring Jessie Buckley and Paul Mescal, adapted from Maggie O’Farrell’s novel of the same name. Join host Mackenzie Horner and his panelists for a deep dive discussion all about grieving mothers, emotional manipulation, and arthouse cinema for people who don’t like arthouse cinema.Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Istvan Dugalin – Instagram: @istvandugalin // Theatre Criticism Blog: https://istvandugalin.com/Macklin – [Prefers not to be followed. Just send all that love to CoH instead; she won’t mind!]Ryan Borochovitz – NEXT Mag: https://nextmag.ca/search/borochovitzFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 290th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 290th episode we bring you a Duet Review of American devotion, a new Marilyn Monroe bio-drama written by Franca Miraglia, directed by Mario D’Alimonte, and presented by By The Word Productions. Join Ryan Borochovitz and special guest Sophie Bouey, as they discuss speculative flights of fancy, biographical factoids, and the way celebrity captures the public’s imagination.American Devotion played at Crow’s Theatre (345 Carlaw Ave, Toronto, ON) until June 21st, 2026. This review contains many SPOILERS for American Devotion. It will begin with a general non-spoiler review until the [23:51] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Sophie Bouey –Instagram: @sophiebouey Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 289th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 289th episode we bring you a Duet Review of Next to Normal, directed by Anthony Goncharov and presented by Bowtie Productions at Native Earth’s Aki Studio. Join Mackenzie Horner and Jillian Robinson as they unpack the struggle of love through grief, the strength of letting the light in, and the importance of holding onto your Henrys. Next to Normal played at Native Earth’s Aki Studio (585 Dundas St. East) until June 6th, 2026. This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [14:48] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, if it is remounted in the future, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuJillian Robinson – Instagram: @jillian.robinson96 Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiriesto [email protected]

Welcome back to the 288th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 288th episode we bring you a Duet Review of Fiddler on the Roof in Yiddish, directed by Joel Grey, presented in Toronto by the Harold Green Jewish Theatre Company, starring Steven Skybell as Tevye alongside a heavy-hitting Canadian ensemble. Join Mackenzie Horner and returning guest Lori Ossip, as they revisit Anatevka to discuss not-quite-dead-yet languages, the texture of authenticity, and the reclamation of tradition. Fiddler on the Roof in Yiddish played at the Elgin Theatre (189 Yonge St., Toronto, ON) until June 7th, 2026. Tickets can be purchased from the following link: https://hgjewishtheatre.com/2025-2026-Fiddler-on-the-Roof.html This review contains many SPOILERS for Fiddler on the Roof in Yiddish. It will begin with a general non-spoiler review until the [26:44] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Lori Ossip – Instagram: @girllikestheatre // Blog: https://girllikestheatre.com/ // Her other article on Yiddish Fiddler: https://www.ottawalife.com/article/in-this-production-of-fiddler-on-the-roof-tevye-speaks-in-yiddish-but-the-warning-is-universal/ Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 287th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 287th episode we bring you a Duet Review of Tadrak’s Tales created & performed by Joel Bazin and presented by Lore Keepers at Red Sandcastle Theatre. Join Jillian Robinson and Raidyn Brodhagen, as they recollect the whimsy of interactive theatre, share secret adventures, and relish in the ways of a goblin market.Tadrak’s Tales played at Red Sandcastle Theatre (922 Queen St. East) from May 19 - May 24, 2026. This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [00:11:37] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, if it is remounted in the future, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Raidyn Brodhagen – Instagram: @raidynfromstratfordFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 286th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 286th episode we have a new artist interview. This particular conversation is between our Associate Artistic Producer Jillian Robinson and Ahmed Moneka and Jesse LaVercombe, the book writers of the new The Tragically Hip musical, It’s A Good Life If You Don’t Weaken, happening now at Theatre Aquarius and remounting in October at Thousand Islands Playhouse. Join this trio as they talk about cohesive collective collaboration, launching Canadian legacy, and their brotherly bond for book-writing and beyond. It’s A Good Life If You Don’t Weaken plays at Theatre Aquarius (190 King William St., Hamilton, ON) from April 26 - May 24, 2026. Tickets can be purchased at the following link : https://purchasing.theatreaquarius.org/EventAvailability?EventId=9001&ref=bookNow&scroll=timeAndDatesFollow Ahmed - Ahmed Moneka on Apple Spotify or SpotifyFollow Jesse - Instagram : @jesselavercombeFollow Theatre Aquarius - @theatreaquarius Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 285th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 285th episode we bring you a Duet Review of 12 Litres 880 Steps created, directed, and performed by Anita La Selva, presented by The Unbridled Theatre Collective & Aluna Theatre. Join Mackenzie Horner and Jillian Robinson, as they remark on the power of theatre: a platform to gallop when routine is rigid, to explain when most moments have been quieted, and to be a breath of air quelling drowning pasts.12 Litres 8800 Steps plays at Factory Theatre Mainspace (125 Bathurst St.) from May 1 - May 17, 2026. This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [16:20] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Mackenzie Horner - Mackenzie Horner – Instagram: (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: @BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 284th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 284th episode we bring you a Duet Review of Karma written by Aksam Alyousef, directed & dramaturged by Ash Knight, and presented by Pleiades Theatre. Join Jillian Robinson and Katie Crompton, as they unveil the beauty of scenic specificity, unpack the impact of performing multi-generational trauma, and praise the subtle yet blunt portrayal of our violent histories.Karma plays at Theatre Passe Muraille Mainspace (16 Ryerson Ave.) from May 1 - May 17, 2026. This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [12:08] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Katie Crompton – Instagram: @katiercrompton // Upcoming Performance : Glee Cabaret with Small but Mighty Productions - https://www.eventbrite.ca/e/glee-cabaret-tickets-1987355816746 - Follow @smallbutmightyproductions_ for more information! Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 283rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 283rd episode we bring you a Duet Review of The Division, written and directed by Andrew Kushnir, presented by Project: Humanity, Pyretic Productions, and Crow’s Theatre. Join Ryan Borochovitz and returning guest Lori Ossip, as they get a little vulnerable while discussing Wii avatars, N-ratings, and the burdens we carry. The Division is playing at the Crow’s Theatre (345 Carlaw Ave., Toronto, ON) until May 24th, 2026. Tickets can be purchased from the following link: https://www.crowstheatre.com/shows-events/the-division This review contains many SPOILERS for The Division. It will begin with a general non-spoiler review until the [32:06] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Lori Ossip – Instagram: @girllikestheatre // Blog: https://girllikestheatre.com/ // NEXT Mag: https://nextmag.ca/search/%22lori+ossip%22 Ryan Borochovitz – NEXT Mag: https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 282nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 282nd episode we bring you a Duet Review of Knife written & directed by Eric Trudell, presented by Stagepunk Theatre. Join Jillian Robinson and Raidyn Brodhagen, as they discuss seamless cyclical theatricality, unpack loving layers of masculine friendship, and title Eric Trudell as ‘Triple Threat Trudell’.Knife played at The Theatre Centre’s BMO Incubator Space (1115 Queen St. W.) from April 22 - April 26, 2026. This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [00:12:55] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, if it is remounted in the future, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Raidyn Brodhagen – Instagram: @raidynfromstratfordFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 281st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 281st episode we bring you a Duet Review of Boys With Cars written, choreographed, and performed by Anita Majumdar, directed by Brian Quirt, produced by Nightswimming, presented in association with Young People’s Theatre. Join Mackenzie Horner and Jillian Robinson, as they discuss the power of stark and sharp solo storytelling, the necessity of remounting relevance and reality, and the beauty of knowing that the audience is for sure along for the ride. Boys With Cars is playing at Young People’s Theatre (165 Front St. E.) from April 13 - April 24, 2026. Only school group performances are available upon episode release. This review contains SPOILERS. The episode will begin with a general non-spoiler review until the 16:01 mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production in potential future runs, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Mackenzie Horner – Instagram: (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: @BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuJillian Robinson – Instagram: @jillian.robinson96 Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiriesto [email protected].

Welcome back to the 280th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 280th episode we bring you a Duet Review of The Moors written by Jen Silverman, directed by Bryn Kennedy, presented by Riot King. Join Jillian Robinson and Mackenzie Horner, as they discuss the power of proper parody, the destructive force of desolate unknowingness, and the ever-human lust for love and belonging.The Moors is playing in The Theatre Centre’s BMO Incubator Space (1115 Queen St. W.) from April 3 - April 19, 2026. Tickets can be purchased from the following link: https://theatrecentre.org/tickets/?eid=188037This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [16:05] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Mackenzie Horner – Instagram: (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: @BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 279th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 279th episode we bring you a Duet Review of Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays, a double-bill of new works written by Zaiba Baig, directed by Tawiah Ben M’Carthy, co-presented by House of Beida and Buddies in Bad Times Theatre. Join Ryan Borochovitz and special guest Shan Fernando, as they discuss intersectional identities, illusory deceptions, and incestuous coffee commercials. The Begging Brown Bitch Plays are running at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until April 18th, 2026. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/the-begging-brown-bitch-plays/ This review contains many SPOILERS for The Begging Brown Bitch It will begin with a general non-spoiler review until the 25:16 mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Shan Fernando – Instagram: @shan.fernando // Reviews: https://theextramile.ca/category/entertainment/ Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 278th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 278th episode we bring you a Duet Review of Cyclops: A Satyr Play, written/directed/performed by Griffin Hewitt (loosely inspired by Euripides, and maybe also Homer), presented by Panic Theatre and Talk Is Free Theatre. Join Ryan Borochovitz and returning guest Max Aackerman, as they discuss comedy, tragedy, and the many phallic objects in between.Cyclops: A Satyr Play is playing at B Street Arts Hub (1100 Bathurst St, Toronto, ON) until April 4th, 2026. Tickets can be purchased from the following link: https://www.tift.ca/shows/cyclops-a-satyr-play-2 This review contains many SPOILERS for Cyclops: A Satyr Play. It will begin with a general non-spoiler review until the [20:16] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Max Ackerman – Personal Instagram: @mackerman12 // Dandelion Theatre: @dandeliontheatreto & dandeliontheatreto.com // The Avenue Road Music and Performance Academy: @avenueroadmusic & avenueroadmusic.com Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 277th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 277th episode we bring you a Duet Review of Anywhere, written Michael Ross Albert, directed by Cass Van Wyck, presented by Leroy Street Theatre and One Four One Collective, starring Kaitlin Race and Anne van Leeuwen. Join Mackenzie Horner and Ryan Borochovitz, as they discuss meaty roles, poverty tourism, and precariously scattered Lego.Anywhere is playing at the Assembly Theatre (1479 Queen St W, Toronto, ON) until April 2nd, 2026. Tickets can be purchased from the following link: https://www.theassemblytheatre.com/anywhere This review contains many SPOILERS for Anywhere. It will begin with a general non-spoiler review until the [12:15] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 276th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 276th episode we bring you a Duet Review of A Mirror, written Sam Holcroft, directed by Tamara Vuckovic, presented in its Toronto premiere by ARC. Join Mackenzie Horner and Ryan Borochovitz, as they discuss holy matrimony, authoritarian regimes, and the true function of art. A Mirror is playing at 918 Bathurst Centre for the Arts (appropriately located at 918 Bathurst St, Toronto, ON) until March 28th, 2026. Tickets can be purchased from the following link: https://arcstage.com/happening-next/a-mirror/This review contains many SPOILERS for A Mirror. If you don’t want anything spoiled, watch until the [08:19] mark. If you want a little more information about what the show’s really about (but without major spoilers of where it’s going), continue watching until the [24:58] mark. After that, there will be an in-depth/anything goes/spoiler-rich discussion. Proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 275th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 275th episode we bring you a Duet Review of he Herald, written and directed by Jill Connel, presented in its world premiere by It Could Still Happen and Buddies in Bad Times Theatre. Join Mackenzie Horner and Ryan Borochovitz, as they discuss Herculean labours, manosphere argonauts, and the things they’ve barely retained from theatre school. The Herald is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until March 14th, 2026. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/the-herald/ This review contains many SPOILERS for The Herald. It will begin with a general non-spoiler review until the [19:35] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 274th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 274th episode we bring you a Duet Review of Love You Forever And More Munsch, based on five beloved children’s books by Robert Munsch, adapted for the stage by Stephen Colella and Sue Miner, co-directed by Colella and Karen Gilodo, presented at Young People’s Theatre. Join Ryan Borochovitz and special guest (his mom) Diana Rosenthal, as they talk all about memorable melodies, noisy imaginations, and how parents can use ladders to let their children know they love them. Love You Forever And More Munsch is playing at Young People’s Theatre (165 Front St E, Toronto, ON) until March 21, 2026. Tickets can be purchased from the following link: https://www.youngpeoplestheatre.org/shows-tickets/love-you-forever-and-more-munsch/ This review contains many SPOILERS for Love You Forever And More Munsch. It will begin with a general non-spoiler review until the [25:56] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Diana Rosenthal – Instagram: @bkind2allkinds Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]: 0:00 – Intro: You Agreed to This5:37 – Pre-Spoiler 25:50 – SPOILERS from here on out 26:38 – Mortimer’s Framing Device 40:09 – Lights & Sounds 48:33 – You’re Out of Order! 57:48 – On Ladders & Tennis Rackets 1:01:35 – Sign Off

Welcome back to the 273rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 273rd episode we bring you a Duet Review of An Intervention by Mike Bartlet, directed by 郝邦宇 Steven Hao, and presented in its Toronto premiere as the inaugural production by Downstage Theatre Company. Join Mackenzie Horner and Ryan Borochovitz, as they discuss resourceful staging solutions, questionable wordplay, and the high costs of producing indie theatre. An Intervention ran at Native Earth Performing Arts’ Giisiz Studio (585 Dundas St E, Toronto, ON) from February 11th to 15th, 2026. More information about the production can be found on the company’s Instagram, @downstage.theatreco CONTENT WARNING: An Intervention contains themes, discussions, and depictions of substance abuse (particularly alcoholism) and suicide; this review, likewise, speaks directly to these topics. Viewer discretion is strongly advised. Less importantly, this review contains many SPOILERS for An Intervention. It will begin with a general non-spoiler review until the [32:44] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. Though the run has already ended, you may still choose to proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]: 0:00 – Introduction 3:26 – Pre-Spoiler: TTC Be Crazy Sometimes 4:17 – P-S: Synopsis, Pt.1 12:05 – P-S: What Did I Miss?17:26 – P-S: General Appraisal 24:17 – P-S: How Old? 28:07 – P-S: Production Elements 32:43 – SPOILERS from here on out 33:14 – Synopsis, Pt.2 43:08 – Not Thinking Clearly 45:15 – Wordplay (ft. Mike Bartlett’s Cock) 53:23 – Vagueness vs. Obliqueness 57:33 – Red Rope & Neckties 1:01:39 – The Moment After 1:02:48 – Toward a More Affordable Future 1:08:09 – Sign Off

Welcome back to the 272nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 272nd episode we bring you a Duet Review of White Rabbit, Red Rabbit by Nassim Soleimanpour, presented by One Four One Collective, Nassim Soleimanpour Productions, and The Assembly Theatre. Co-Artistic Producer Mackenzie Horner is joined by new guest panelist Sophie Loosley-Millman to unpack this no-rehearsal, no-director, no-set theatrical experiment—where a different performer each night opens a sealed envelope and reads the script for the first time live on stage. Featuring Anand Rajaram as the performer they saw, the duo explores his unique take, the symbolism woven through the text, and whether Sophie would teach the play in her classroom.White Rabbit, Red Rabbit is playing at The Assembly Theatre (1479 Queen St. W., Toronto, ON) until February 20th, 2026. Tickets can be purchased from the following link: https://www.theassemblytheatre.com/whiterabbitredrabbit This review contains many SPOILERS for White Rabbit, Red Rabbit. It will begin with a general non-spoiler review until the [12:25] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Sophie Loosley-Millman – Instagram: @soph.lmFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]: 0:00 – Intro: Romeo's Butt 4:32 – Pre-Spoiler12:17 – SPOILERS from here on out 12:37 – Remember the Order 15:56 – Beast Fable 21:06 – Unreliable Narrators 22:34 – One of the classic blunders! 26:28 – Anand Rajaram 29:34 – Language Barrier 31:57 – Say Uncle 35:34 – Grade 1237:55 – Sign Off

Welcome back to the 271st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 271st episode we have a new artist interview. This particular conversation is between our Associate Artistic Producer Jillian Robinson and Julia Cratchley, the Choreographer & Artistic Director of the epic immersive dance company, Transcen|Dance Project. Together these two unveil the behind-the-scenes magic of immersive performance, discuss how paramount remounts are, and map out the benefit of indulging the good with the bad.Follow Transcen|Dance Project – Instagram/TikTok: @transcendanceprojectWebsite : https://www.transcendanceproject.com/Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 270th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 270th episode we have an episode of “The Cup: Editorial” in which Co-Artistic Producers Ryan Borochovitz and Mackenzie Horner pull together various threads that have been on our mind around the topic of Shakespeare on film prompted in part by the Oscar buzz around Chloé Zhao’s Hamnet. What does it mean for a movie to be (or not to be) Hamlet? Is Disney’s The Lion King really as Hamlet-ish as your cool English teacher would have you believe? What are some pitches for new Shakespearean film adaptations we’d like to see? Join Ryan Borochovitz and Mackenzie Horner, as they discuss everything from Hamnet to Hamlet, Burton to Branagh, and Pride Rock to pumpkin pants. Follow our panelists: Mackenzie Horner – Instagram: (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: @BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuRyan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow us on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]: 0:00 – Intro: no hat upon his head (2.1.89)2:36 – The Topic at Hand9:14 – To be (or not to be) Definitive 19:59 – Hamnet (Non-Spoilers) 24:45 – Weird Hamlets & Classic Hamlets 31:19 – Hakuna Matata 50:17 – To be (or not to be) Hamlet 1:11:42 – The Northman 1:17:22 – End of Act 1 1:21:40 – Let’s Do Some Fun Buzzfeed 1:22:30 – M1: Merry Wives of Windsor (dir. Paul Feig) 1:26:38 – R1: Bikebeth (dir. Robert Lepage) 1:32:52 – M2: Bike-us Andronicus 1:38:24 – R2: Denzel’s Othello 1:41:05 – M3: Richard II 1:47:04 – R3: Comedy of Error (dir. NOT Joss Whedon) 1:51:30 – M4: A Claymation Night’s Dream 1:53:40 – Conclusion: What Can You Do Differently? 1:57:36 – Sign Off

Welcome back to the 269th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 269th episode we bring you a Round-up Review of Dead of Winter, produced by Eldritch Theatre and Spindle Collective. Join Jillian Robinson and Mackenzie Horner, as they discuss 6 new spooky and gory stories, supported by ominous musicality, each highlighting fear through fantasy and reality. Dead of Winter was the first Toronto horror theatre festival and played at Red Sandcastle Theatre (922 Queen St. E., Toronto, ON.) from January 21-25, 2026. More information about the show can be found at: https://deadofwinterprogram.my.canva.site/This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [07:47] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. This iteration of the production has ended but if the production gets remounted in the future, we recommend you stop watching after that point, or at least proceed at your own risk.TIMESTAMP NAVIGATOR: 0:00 – Intro 2:49 – Festival Overview (Pre-Spoiler) 7:25 – SPOILERS from here on out 8:13 – spilleHOLLE 12:05 – The Matchmaker 16:52 – Musical Interlude: Andra Zlatescu 18:41 – The Hag of Bell Island 24:15 – Perfect Pains 29:08 – Jimmy 34:24 – Musical Interlude: Morgara 36:16 – Mercy of the Vampire 41:31 – Sign Off Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Mackenzie Horner – Instagram: (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: @BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 268th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 268th episode we bring you a Duet Review of Make Banana Cry choreographed by Andrew Tay and Stephen Thompson. Join Jillian Robinson and Randy Lei Chang, as they discuss the performative workings of pace, absurdity, and isolating body politic theatricality that illuminate the Western xenophobia toward Asian culture. Make Banana Cry was a Toronto Dance Theatre production in partnership with Buddies in Bad Times Theatre and played at Buddies in Bad Times Theatre (12 Alexander St., Toronto, ON.) from January 14-17, 2026. More information about the show can be found at: https://buddiesinbadtimes.com/show/make-banana-cry/This review contains SPOILERS. The episode will begin with a general non-spoiler review until the [11:53] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. This iteration of the production has ended but if the production gets remounted in the future, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Randy Lei Chang – Instagram: @_r0ndy_Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiriesto [email protected]

Welcome back to the 267th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 267th episode we bring you a Duet Review of the musical Company, written by Stephen Sondheim (music and lyrics) and George Furth (book), presented by Talk Is Free Theatre, directed by Dylan Trowbridge, and starring Aidan deSalaiz in the role of Bobby. Join Ryan Borochovitz and special guest Lori Ossip, as they discuss concept musicals, queer intimacies, and invisible props. Company is playing at the Theatre Centre (1115 Queen St W, Toronto, ON) until February 8th, 2026. Tickets can be purchased from the following link: https://theatrecentre.org/event/company-talk-is-free/ This review contains many SPOILERS for Company. It will begin with a general non-spoiler review until the [36:34] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Lori Ossip – Blog: https://girllikestheatre.com/ // NEXT Mag: https://nextmag.ca/search/%22lori+ossip%22 Ryan Borochovitz – NEXT Mag: https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Happy New Year and welcome back to the 266th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 266th episode we bring you a very special episode of “The Cup: Editorial” in which we kick off 2026 with a very specialepisode where we look back on the year that’spassed, the plays we loved, and the episodes weproduced. Join our Golden Trio (@jillian.robinson96,@mackenzie_horner, and @ryanborochovitz ) as theyraise their cups and give a final cheer to 2025!Here’s a list of all the episodes from 2025 that we shout out in this episode (in order of first mention). If any of them piqued your interest, give them a watch/listen: Last Year’s New Year Editorial: https://www.youtube.com/watch?v=EFbj9OcwkYU She’s the Man (Screened Play): https://www.youtube.com/watch?v=pLROdb5QKno The Prime of Miss Jean Brodie (Screened Play): https://www.youtube.com/watch?v=1suZULFP2Yg Celebrity Casting Editorial: https://www.youtube.com/watch?v=bJDEtdeL5Gw Theatre, Sitcoms, and SNL Editorial: https://www.youtube.com/watch?v=kFEASVrYnQ4 Doubt: https://www.youtube.com/watch?v=XlIkl3Rvzz4 Toronto Fringe Review Roundup 2025 Pt.1: https://www.youtube.com/watch?v=CtBoqIHnLCI Toronto Fringe Review Roundup 2025 Pt.2: https://www.youtube.com/watch?v=2UkeDPQXM8w Toronto Fringe Review Roundup 2025 Pt.3: https://www.youtube.com/watch?v=w46JrYXmiP0 The 25th Annual Putman County Spelling Bee: https://www.youtube.com/watch?v=kSn6aGoS9ck A Public Display of Affection: https://www.youtube.com/watch?v=OdrQ6GAxDQI Romeo Pimp: https://www.youtube.com/watch?v=jCNUqbr7sfA Born-Again Crow: https://www.youtube.com/watch?v=6wtY7LzGg0Q Shrek the Musical: https://www.youtube.com/watch?v=JdfkQKxlfy8 MONKS: https://www.youtube.com/watch?v=O19CrIz4EL8 The Threepenny Opera: https://www.youtube.com/watch?v=4uO16YDR9xU Ophis: https://www.youtube.com/watch?v=iA0ptZKOJuY Wing Chun Dance Drama: https://www.youtube.com/watch?v=EzY-bUrrSaQ Moonlight Schooner: https://www.youtube.com/watch?v=zKqMOx8IGZk Game of Life: https://www.youtube.com/watch?v=9DHd3lzDt2Y The Green Line: https://www.youtube.com/watch?v=3ixPUf-PP9o tick, tick…BOOM!: https://www.youtube.com/watch?v=Gdw3Az4h9mE Tatum Lee & Lizzie Moffatt Interview: https://www.youtube.com/watch?v=cXCtnMtu9tE Last Landscape: https://www.youtube.com/watch?v=vXrxk0HGuHw Bug: https://www.youtube.com/watch?v=SXu3ep5ElJ4 A Christmas Carol: https://www.youtube.com/watch?v=SQg6urySq2s Invasion: Christmas Carol: https://www.youtube.com/watch?v=NmmXqrAgHfY Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitzFollow us on Instagram/Facebook/Twitter: @cohtheatre If you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 265th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 265th episode we bring you a Duet Review of Wing Chun Dance Drama directed & choreographed by Han Zhen and Zhou Liya. Join Jillian Robinson and Bri Clarke, as they discuss the pillars of humanity: a dance of feminine & masculine, encased in speed & stillness, aspiring to stand in the beam of radiant light. Wing Chun Dance Drama is playing at Meridian Hall (1 Front St. E., Toronto, ON) until January 4, 2026. Tickets can be purchased from the following link: https://www.wingchundancedrama.com/performancesThis review contains SPOILERS. The episode will begin with a general non-spoiler review until the [19:57] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Bri Clarke – Instagram: @brianna_clarkee // Website : www.briclarke.ca // Podcast : @artversationspod // Sze-Yang Ade-Lam (Wing Chun teacher in Toronto) Instagram : @likewaterwingchunFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 264th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 264th episode we bring you a Duet Review of A Christmas Carol written by Charles Dickens, directed by Chloë Rose Flowers, presented by King Theatre Company / Trisan Construction. Join Jillian Robinson and Emily Cornelius, as they discuss this all-around beautiful depiction of the timeless classic that once again proves to bless us, everyone!. A Christmas Carol is playing at the Schomberg Community Hall (325 Main St., Schomberg, ON) from December 13 - December 21, 2025. Tickets can be purchased from the following link: https://www.kingtheatre.ca/christmascarolThis review contains SPOILERS. The episode will begin with a general non-spoiler review until the [13:08] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Emily Cornelius – Instagram: @emilycorn94 // Upcoming show : Dance Nation @outside_the_march, @coalminetheatre at Coal Mine Theatre from April 12 - May 3, 2026. Tickets can be purchased from the following link : https://tickets.coalminetheatre.com/event/330:21/Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 263rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 263rd episode we bring you a Duet Review of Invasion: Christmas Carol, a Dickensian holiday improv extravaganza presented by Knifefight Theatre in association with One Four One Collective and the Assembly Theatre. Join Jillian Robinson and Ryan Borochovitz, as they discuss Victorian japes, demonic babies, and the sex life of Ebenezer Scrooge.Invasion: Christmas Carol is playing at the Assembly Theatre (1479 Queen St W, Toronto, ON) until December 14th, 2025. Tickets can be purchased from the following link: https://www.theassemblytheatre.com/invasionchristmascarol Follow Knifefight Theatre to read about all of the other invaders you may have missed: @knifefighttheatre Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 262nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 262nd episode we bring you a Duet Review of Moonlight Schooner, written by Kanika Ambrose, directed by Sabryn Rock, a Necessary Angel Theatre Company production in association with Canadian Stage and Tarragon Theatre. Join Associated Artistic Producer Jillian Robinson and new guest Divine Angubua as they discuss the importance of identifying the individual, the need for community, and the necessary role of text & movement to penetrate the never ending cycle of colonial oppression. Moonlight Schooner is playing at Berkeley Street Theatre (26 Berkeley St.) from November 21st to December 14th, 2025. Tickets can be purchased from the following link: https://my.canadianstage.com/overview/9330 This review contains many SPOILERS for Moonlight Schooner. It will begin with a general non-spoiler review until the [14:53] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Divine Angubua– Instagram: @ angubua_for_presidentFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 261st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 261st episode we bring you a Duet Review of he Unauthorized Hallmark(ish) Parody Musical, with book by Tim Drucker and Bonnie Milligan, music by Joel Waggoner and lyrics by Tim Drucker, Bonnie Milligan and Joel Waggoner, directed by Tim Drucker, produced by Paquin Exhibitions & Theatrical and presented by FEVER. Join Co-Artistic Producer Mackenzie Horner and Associate Artistic Producer Jillian Robinson, as they discuss all the clever homages to Hallmark Christmas movie tropes, the show’s very catchy songs, and the twist ending! The Unauthorized Hallmark(ish) Parody Musical is playing at The Royal Theatre (608 College Street, Toronto, M6G 1B4) from November 20th, 2025 to January 4th, 2026. Tickets can be purchased from the following link: https://bit.ly/3MGQx1rThis review contains many SPOILERS for The Unauthorized Hallmark(ish) Parody Musical. It will begin with a general non-spoiler review until the [13:50] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 260th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 260th episode we bring you a Duet Review of BUG, written by Tracy Letts, directed by Andrew Cameron, presented by The King Black Box in partnership with Elkabong Theatre Projects. Join Co-Artistic Producer Mackenzie Horner and new panelist Istvan Dugalin, as they discuss the tricks of stage combat and how brilliantly this production pulled it off, if this production should have kept the intermission break, and all the details and hidden symbolism woven into the production design of this piece. BUG is playing at The King Black Box (1224 King Street West, 3rd floor -no elevator) from Nov 28th to Dec 13th. Tickets can be purchased from the following link: https://www.thekingblackbox.com/event-details/bug-by-tracy-letts-2025-12-13-20-00 This review contains many SPOILERS for BUG. It will begin with a general non-spoiler review until the [17:18] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: @BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Istvan Dugalin – Instagram: @istvandugalinWebsite: https://istvandugalin.com/Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 259th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 259th episode we bring you a Duet Review of Shrek the Musical, with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori, directed by Herbie Barnes, presented by Young People’s Theatre. Join host and Co-Artistic Producer Mackenzie Horner and Associate Artistic Producer Jillian Robinson, as they discuss the strengths of YPT’s abridged adaptation, the majesty and ingenuity of this production’s dragon puppet and the inventive ways the show found its balance between individuality and honouring the past films and major productions that proceeded it.Shrek the Musical is playing on the Ada Slaight Stage (165 Front Street East, Toronto, ON M5A 3Z4) from Nov 13th – Dec 30th, 2025. Tickets can be purchased from the following link: https://www.youngpeoplestheatre.org/tickets/shrek/This review contains many SPOILERS for Shrek the Musical. It will begin with a general non-spoiler review until the [16:18] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 258th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 258th episode we bring you a Duet Review of tick, tick…BOOM! by Jonathan Larson, directed by Meredith Shedden, presented by Bowtie Productions. Join Ryan Borochovitz and special guest Lori Ossip, as they discuss non-competitive indie producing, footnotes to RENT, and how to traverse New York City by public transit.tick, tick…BOOM! is playing at Alumnae Theatre (70 Berkeley St, Toronto, ON) until November 15th, 2025. Tickets can be purchased from the following link: https://bowtieproductions.ca/tick%2C-tick-boom-1 This review contains many SPOILERS for tick, tick…BOOM! It will begin with a general non-spoiler review until the [32:31] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Lori Ossip – Blog: https://girllikestheatre.com/ // NEXT Mag: https://nextmag.ca/search/%22lori+ossip%22 Ryan Borochovitz – NEXT Mag: https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 257th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 257th episode we bring you a Duet Review of Dissonant Species, written by Heather Marie Annis and Michael Gordon Spence, directed by Jacquie P.A. Thomas, and presented by Theatre Gargantua. Join host and Co-Artistic Producer Mackenzie Horner and Associate Artistic Producer Jillian Robinson as they discuss the show’s bold fusion of sound, movement, and emotion; the deeply personal and resonant monologues that explore connection, anxiety, and self-expression; and the ensemble’s masterful collaboration in crafting a visceral, immersive sonic experience.Dissonant Species is playing at Factory Theatre (125 Bathurst Street, Toronto, Ontario M5V 2R2) from November 6th to November 23rd. Tickets can be purchased from the following link: https://purchase.factorytheatre.ca/EventAvailability?EventId=50602 This review contains many SPOILERS for Dissonant Species. It will begin with a general non-spoiler review until the [16:14] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Jillian Robinson – Instagram: @jillian.robinson96Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 256th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 256th episode we have a new artist interview. This particular conversation is between our Co-Artistic Producer Mackenzie Horner and the Director, Costume and Production Designer of the production Romeo Pimp which we recently covered and the Artistic Director of The King Black Box Sophie Ann Rooney. Together they unpack Sophie's creative process — from conceptualizing and designing a piece to bringing Romeo Pimp to life. The conversation dives behind the scenes into rehearsal-room stories, explores the layers of symbolism Sophie wove into the production, and delves into her reflections on what happens when some audience members miss the subtle details embedded in her work.CONTENT WARNING: This conversion about the play Romeo Pimp contains depictions, references, or implications of sexual exploitation & trafficking, grooming & psychological abuse, mental health & dissociation, substance use, violence, threats & intimidation, verbal & sexualized language themes of consent, power, and identity. If you are a victim or survivor of human trafficking, or think someone might be, please contact the Canadian Human Trafficking Hotline to be connected with support services or law enforcement in your community. The Canadian Human Trafficking Hotline can be reached 24/7 by phone at 1-833-900-1010 or online at www.canadianhumantraffickinghotline.ca.Follow Sophie Ann Rooney – Instagram: @shotbylofaFollow The King Black Box – Instagram: @thekingblackboxFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 255th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 255th episode we bring you a Duet Review of Doubt: A Parable by John Patrick Shanley, presented by Wren Theatre, directed by Tatum Lee, and starring Bonnie Anderson, Robert Notman, Lizzie Moffatt, and Jessica Myrie. Join Mackenzie Horner and Ryan Borochovitz, as they relitigate a controversial opinion, unspool some twine, and applaud uniquely humanized performances. Doubt: A Parable is playing at the Annex Theatre (730 Bathurst St, Toronto, ON) until October 25th, 2025. Tickets can be purchased from the following link: https://www.wrentheatre.com/doubt-a-parable CONTENT WARNING: Doubt is concerned with themes of child abuse, sexual violence, homophobia, racism, and paedophilia. As a result, this review, likewise, speaks directly to many of these topics. Viewer discretion is advised. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuRyan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitzFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 254th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 254th episode we have a new artist interview. This particular conversation is between our Associate Artistic Producer Jillian Robinson and Meaghan Salmon the artistic director and co-founder of Sunbeam Theatre Company, and director of their upcoming production of Antigone. Together they discuss the importance of creating your own doors to walk through, implementing a game plan, and paying homage to humanity’s universal truths. Antigone is running from November 5th to 9th, 2025 at the Factory Theatre (125 Bathurst St, Toronto, ON). Tickets can be purchased from the following link: https://purchase.factorytheatre.ca/EventAvailability?EventId=50802 Artsworker discount code: ANTIGONE15 Follow Meaghan – All platforms: @meaghan_salmon Follow Sunbeam – Instagram/Facebook/Threads/TikTok: @sunbeamtheatre.co // Website: https://www.sunbeamtheatrecompany.ca/ Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 253rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 253rd episode we bring you a Duet Review of Blackbird, written by David Harrower, directed by Dean Deffett, starring Cyrus Lane and Kirstyn Russelle, presented by Talk Is Free Theatre. Join Jillian Robinson and Ryan Borochovitz, as they praise performances, untangle ambiguities, and unpack the trash.Blackbird is playing at Hope United Church (2550 Danforth Ave, Toronto, ON) until October 18th, 2025. Tickets can be purchased from the following link: https://www.tift.ca/shows/blackbird CONTENT WARNING: Blackbird contains themes of pedophilia, statutory rape, and sexual abuse; this review, likewise, speaks directly to these topics. Viewer discretion is advised. Less importantly, this review contains many SPOILERS for Blackbird. It will begin with a general non-spoiler review until the [24:08] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 252nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 252nd episode we bring you a Duet Review of The Green Line, written and directed by Makram Ayache, presented by In Arms Theatre Company and MENA Collective, in association with Buddies in Bad Times and Factory Theatre. Join Jillian Robinson and Ryan Borochovitz, as they discuss braided histories, dances with duality, and the beauty that can emerge in a violent rupture.The Green Line is playing at Buddies in Bad Times Theatre (12 Alexander Street, Toronto, ON) until October 4th, 2025. Tickets can be purchased from the following link: https://buddiesinbadtimes.com/show/the-green-line/ This review contains many SPOILERS for The Green Line. It will begin with a general non-spoiler review until the [12:38] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected].

Welcome back to the 251st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 251st episode we bring you a Duet Review of Enormity, Girl, & the Earthquake in Her Lungs written by Chelsea Woolley, directed by Andrea Donaldson, presented by Nightwood Theatre in association with Tarragon Theatre. Join host Jillian Robinson and special guest Katie Crompton, as they discuss the necessity to connect, forgive, and empower the past, present, and future self. Enormity, Girl, and the Earthquake in Her Lungs is playing at the Nancy & Ed Jackman Performance Centre (877 Yonge St.) from September 16 to October 5, 2025. Tickets can be purchased from the following link: https://tapestryopera.my.salesforce-sites.com/ticket/#/events/a0SOF000000KwCj2AK TW: Enormity presents the traumatic impact of child abuse, including physical, sexual, and psychological. It is not graphically depicted in the show, but we discuss these themes in this review. Less importantly, this review contains SPOILERS. The episode will begin with a general non-spoiler review until the [00:05:33] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Katie Crompton – Instagram: @katiecrompton // Upcoming Show : Antigone with @sunbeamtheatre.co at Factory Theatre from November 6th - 9th. Tickets on sale soon! Keep an eye on Sunbeam’s Instagram for the latest updates! Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiriesto [email protected].

Welcome back to the 250th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 250th episode we bring you a Duet Review of Romeo Pimp, written by Jesse McQueen, directed by Sophie Ann Rooney, presented by The King Black Box in partnership with One East Productions. Join Co-Artistic Producer Mackenzie and Jadyn Nasato as they unpack the layered details and symbolism woven throughout the production, reflect on the power that the intimacy of the theatre space brought to the piece, and explore the impact of the choice to leave Jamie’s father unseen.Romeo Pimp is playing at The King Black Box (1224 King Street West, Unit #300-3rd floor, Toronto, ON, M6K 1G4) from September 17th to October 4th. Tickets can be purchased from the following link: https://www.thekingblackbox.com/event-details/romeo-pimp-by-jesse-mcqueen-world-premiere-2025-09-24-20-00 CONTENT WARNING: Romeo Pimp contains depictions, references, or implications of sexual exploitation & trafficking, grooming & psychological abuse, mental health & dissociation, substance use, violence, threats & intimidation, verbal & sexualized language themes of consent, power, and identity. If you are a victim or survivor of human trafficking, or think someone might be, please contact the Canadian Human Trafficking Hotline to be connected with support services or law enforcement in your community. The Canadian Human Trafficking Hotline can be reached 24/7 by phone at 1-833-900-1010 or online at www.canadianhumantraffickinghotline.ca.Less importantly, this review contains many SPOILERS for Romeo Pimp. It will begin with a general non-spoiler review until the [25:43] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Mackenzie Horner –Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Jadyn Nasato – Instagram: @jadyn.nasatoHeadshots Studio– Instagram: @hdshts.studiosFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 247th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 247th episode we have a new artist interview. This particular conversation is between our our Co-Artistic Producer Mackenzie and the sketch comedy troupe members Rami Khan of Potato Potato and Becky Ablack of Small Friend Tall Friend. Both of whom are fresh off their appearance in the very first installment of Spotlight at The Second City—a brand-new Toronto series where the city’s best and emerging sketch troupes present their sharpest 30 minutes. Together these three discuss their comedy origin stories, favourite political impressions, how they built their Spotlight sets, and the art of tackling divisive topics in today’s polarized world.Spotlight at The Second City series continues on a monthly basis at The Second City Toronto (1 York Street, Toronto, ON, Canada). Tickets can be purchased from the following link: https://www.secondcity.com/shows/toronto/spotlight-at-the-second-city-tor Follow Rami Khan – Instagram: @ ramikhan_ Follow Potato Potato – Instagram: @ potatopotatopresents Follow Becky Ablack – Instagram: @beckyablack Follow Small Friend Tall Friend – Instagram: @ smallfriend.tallfriend // Website: https://smallfriendtallfriend.carrd.co/?fbclid=PAZXh0bgNhZW0CMTEAAafsjHnr8eQyr9vgXM83m_5XKg56qsN4tPQpEYu5c9iuilpQTe2kpTfBDVaYZQ_aem_OXTGv8nnBOL-_XT83fxYmA Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 248th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 248th episode we have an episode of “The Cup: Editorial” in which Co-Artistic Producer Ryan Borochovitz and returning guest Dewy Stewart pull together various threads that have been on our mind around concepts of comedy, liveness, mass media, and mass culture – which all converge into an examination of the relationship between theatre, sitcoms, and Saturday Night Live. These two discuss live studio audiences, the boundaries of comedy, and possible futures for a less exclusionary artform.Follow our panelists: Dewey Stewart – Instagram: @deweystew & @brucecomedy Ryan Borochovitz – [Just send all that love to CoH instead; he won’t mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow us on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 247th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 247th episode we have a new artist interview. This particular conversation is between our Associate Artistic Producer Jillian Robinson and Yvonne Ng, major multi-hyphenate artist including Artistic Director of tiger princess dance projects and founder of Dance Made in Canada / Fait au Canada. These two discuss he power of curiosity, belonging, and being the f*%cking bird!Follow tigerprincessdanceprojects – Instagram/Facebook: @tigerprincessdanceprojects Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 246th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 246th episode we bring you a Duet Review of episode 8 of The Roll Players, a real DnD campaign played by ‘the best improvisers in the world’, dungeon mastered by Kris Siddiqi, played by Andy Hull, Sarah Hillier, & Sharjil Rasool, NPC’d by Aurora Browne. Lisa Merchant, & Paul Bates. Join Jillian Robinson and Raechel Fisher, as they roll for initiative, break down DnD basics, and relay a fantastically funny evening out.The campaign continues! The Roll Players plays at Comedy Bar Danforth (2800 Danforth Ave.) once a month, typically the last Tuesday of each month. Tickets can be purchasedfrom the following link: https://comedybar.ca/shows/the-roll-playersBecause this particular show is a one-off, improvised installment of the overall DnD campaign, we unpack all of the details of the show in this episode. Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Raechel Fisher – Instagram: @raefisher411 // Twitch: COMING SOON, stay tuned via Instagram // Feature Movie : A Knight’s War - https://www.primevideo.com/detail/A-Knights-War/0G4QDTZWHOW5SV3DJSTXRB0EI3Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 245th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 245th episode we have a new artist interview. This particular conversation is between our Co-Artistic Producer Ryan and Artistic Director Michael Caldwell and Managing Director Morgan Norwich, the dynamic duo currently stewarding the SummerWorks Performance Festival, which just concluded its 35th anniversary season. Together these three discuss serendipitous programming, the anatomy of a yearly theme, and being at service to an artistic community.Follow SummerWorks – All Socials: @summerworksfun & #summerworksfun // Website: https://summerworks.ca/ Follow Michael – All Socials: @mahkemahke Follow Morgan(’s Boylesque troupe) – Instagram: @boylesqueto // Website: https://www.boylesqueto.com/ Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiries to [email protected]

Welcome back to the 244th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 244th episode we bring you a Duet Review of Tuesdays with Morrie, written by Jeffrey Hatcher & Mitch Albom, directed by Chloë Rose Flowers, presented by King Theatre Company. Join Jillian Robinson and Emily Cornelius, as they discuss the importance of supporting new theatre companies and choosing your own life adventure, all while leading with love and a good cry.Tuesdays with Morrie is playing at Pine Farms Orchard, King City from August 13th-28th, 2025. Tickets can be purchased from the following link: https://www.kingtheatre.ca/tuesdayswithmorrieThis review contains many SPOILERS for Tuesdays with Morrie. It will begin with a general non-spoiler review until the 00:10:27 mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillianrobinson.96Emily Cornelius – Instagram: @emilycorn94 Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you’d like us to review your upcoming show in Toronto, please send press invites/inquiriesto [email protected]