Decanonized

Is Salome a victim of circumstance, or the destroyer of empire? Mezzo-soprano and one opera’s philosophical fug girls Perri DiChristina joins us to dive head-first into Strauss’s fin-de-siècle shocker. Additional topics include: Greta Thunberg and the Gaza Freedom Flotilla, Oscar Wilde’s moodboard, and why John Pierpont Morgan sucked.Follow Perri via Thrilled to Announce (also on Substack and Instagram as @thilledtoannounceee), and on Instagram at @pricklyper.Full show notes, including related reading and recommended recordings at: http://decanonized.com/episodes/strauss-salome

Does Don Giovanni ever actually end? Or are we just living in a constant state of deferral with a final boss that will never be defeated? Critic Sylvia Korman joins us to delve into this question and more, including why this is your favorite philosopher's opera, whether Donna Anna is a Horse Girl, Leporello in the Manosphere, and recent productions of Don Giovanni at the Met and Berlin's Komische Oper. Additional topics include: tenors who @ Elon Musk, the Oscar Mayer Wienermobile, Kierkegaard, and the Bardo.Full show page including a synopsis of Don Giovanni, playlist, and recommended reading.  More show info at decanonized.com.Follow Sylvia on Twitter at @cowboyverismo. Follow their alter ego, People Mad at Opera, at @operacomments.Read Sylvia's opera reviews for Parterre Box.

Sometimes, we can have nice things. Like a bel canto opera where, despite the mad scene stretching across all three acts, the stakes are low, the Fs are high, and everyone is happy at the end. Musicologist and critic Aksel Tollåli joins us to discuss a lovely opera about a lovely soprano and her lovely mental breakdown. Topics include Risorgimento chauvinism, opera's girlhood era, Lee Pace as Vincenzo Bellini, and operas whose entire plots would be resolved if the characters had just one (1) conversation. Follow Aksel on Instagram and Bluesky. Full playlist, reading list, and synopsis of I Puritani.

Time, nostalgia, and very fancy lesbians? It must be Der Rosenkavalier. Writer, historian, and co-host of Bad Gays Ben Miller joins us for a discussion of Richard Strauss’s four-and-a-half hour work of where both nothing happens and everything happens. Topics include: whether Rosenkavalier is a comedy or tragedy, the Viennese aristocracy, opera queens and mezzosexuals, the “German she-devil” who sued the Met (and won), and one of opera’s most problematic characters.Show page (including a playlist, recommended reading, opera synopsis and more): https://www.decanonized.com/episodes/strauss-der-rosenkavalierMore info: https://www.decanonized.comFollow Decanonized on Instagram at @decanonizedFollow Ben at: https://benwritesthings.com, on Instagram at @benwritesthings and on Bluesky at benwritesthings.bsky.social

On Episode 1 of Decanonized, mezzo-soprano Nikola Printz joins us to discuss what many consider to be the greatest opera: Georges Bizet's Carmen (1875). Topics include fate, othering, hating cops, whether Carmen really has to die, why Don José would make the worst camping partner, and the dream blunt rotation of Alexander Chee, Tank Girl, and Susan McClary. For this episode, we saw Carmen live in Berlin via an organ trafficking-coded production by Ole Anders Tandberg at the Deutsche Oper, so bonus digressions on kidney harvesting and bull testicles! Show page (including a playlist, recommended reading, opera synopsis and more): https://www.decanonized.com/episodes/bizet-carmen More info: https://www.decanonized.comFollow Decanonized on Instagram at @decanonizedFollow Nikola at: https://www.nikolaprintz.com and on Instagram at @itisnika