Ivana Ivkovic - A Step into the Void: Cracks in Choreography ( Korak v praznino: razpoke v koreografiji)

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Ivana Ivkovic - A Step into the Void: Cracks in Choreography ( Korak v praznino: razpoke v koreografiji)

Ivana Ivković - A Step into the Void: Cracks in ChoreographyWe are used to looking at the dancer’s body in performance as a body that is continuously in motion, a masterful body productive in its movement, a non-interrupted kinetic spectacle. However, if we stop that body in passage and take a step forward, toward the idea of dance as an act that also includes periods without movement, cracks or “negative spaces” of dance, we open up to the potential for a structural use of the void and stillness in contemporary choreography. Stepping and walking, stillness and silence, jumping and falling – these are some of the notions that I will be using to describe the work of Leja Jurišič, Selma Banich and Željka Sančanin, referencing canonical authors Trish Brown and Steve Paxton.Ivana Ivković (1975) studies at the Department of Dramaturgy at the Academy of Drama Arts in Zagreb. She is the editor-in-chief of Frakcija Journal for Performing Arts and collaborates with several other publications

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    Ivana Ivković - A Step into the Void: Cracks in Choreography ( Korak v praznino: razpoke v koreografiji)

    Ivana Ivković - KORAK V PRAZNINO: RAZPOKE V KOREOGRAFIJI Ponedeljek, 19. april 2010 ob 19.00 uri Cankarjev dom , M3/M4 Telo plesalca v predstavi smo navajeni gledati kot telo, ki je nenehno v gibanju, kot mojstrsko telo, plodno v svojem gibanju, kot neprekinjen kinetični spektakel. Toda če ustavimo to gibajoče se telo in naredimo korak naprej k ideji plesa kot dejanja, ki vključuje tudi obdobja brez gibanja, razpoke ali »negativne prostore« plesa, se odpremo možnosti za strukturno uporabo praznine in miru v sodobni koreografiji. Korakanje in hojenje, mir in tišina, skakanje in padanje – to so nekateri izmed pojmov, ki jih bom uporabljala za opis del Leje Jurišić, Selme Banich in Željke Sančanin v navezavi na kanonska avtorja Trish Brown in Steva Paxtona. Ivana Ivković študira dramaturgijo na Oddelku za dramaturgijo na Akademiji za gledališke umetnosti v Zagrebu. Je glavna urednica Frakcije - časopisa za uprizoritvene umetnosti, sodeluje pa tudi s številnimi drugimi publikacijami in s Centrom za dramsko umetnost. Bila je glavna koordinatorka projekta Zagreb – Kulturni kapital Evrope 3000, ki ga je skupaj organiziralo osem zagrebških neodvisnih kulturnih organizacij s področja scenskih umetnosti, novih medijev, vizualnih umetnosti, arhitekture in teorije. V preteklosti je sodelovala z zagrebško neodvisno gledališko skupino Oour (plesne produkcije: orangecut (2004), To be Confirmed (2005)). Je članica kolektiva BADco. (Deleted Messages, Fleshdance (2004), raziskovalni projekt leta 2005, memories are made of this, Protest and Negotiation (2006), 1 poor and one 0 (2008), The League of Time (2009)). Skupaj z Davidom Grassijem je uredila tekstualno-slikovni zbornik DemoKino – Virtual Biopolitical Agora (Aksioma in Maska, 2006).

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ABOUT THIS SHOW

Ivana Ivković - A Step into the Void: Cracks in ChoreographyWe are used to looking at the dancer’s body in performance as a body that is continuously in motion, a masterful body productive in its movement, a non-interrupted kinetic spectacle. However, if we stop that body in passage and take a step forward, toward the idea of dance as an act that also includes periods without movement, cracks or “negative spaces” of dance, we open up to the potential for a structural use of the void and stillness in contemporary choreography. Stepping and walking, stillness and silence, jumping and falling – these are some of the notions that I will be using to describe the work of Leja Jurišič, Selma Banich and Željka Sančanin, referencing canonical authors Trish Brown and Steve Paxton.Ivana Ivković (1975) studies at the Department of Dramaturgy at the Academy of Drama Arts in Zagreb. She is the editor-in-chief of Frakcija Journal for Performing Arts and collaborates with several other publications

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