Kyle Meredith With...

Judith Light says horror found her, not the other way around, but The Terror: Devil in Silver might be the role that proves she belongs there. Talking with Kyle Meredith, the legendary actress gets into disappearing into the character of Dory, a woman abandoned inside a psychiatric hospital for decades, while also digging into the series’ bigger themes around mental health, homelessness, and a healthcare system that leaves people behind. Along the way, she talks about working with Dan Stevens, CCH Pounder, and Steven Root, the “wild hysteria” offset that kept everyone sane while making something this dark, and why entertainment works best when it gets people talking afterward.Listen to Judith Light chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kimiko Glenn says every relationship on her debut EP Modern Dance was either doomed from the start or became material eventually, and talking with Kyle Meredith, she gets into the very real stories behind it all. The Orange Is the New Black and Kiff star talks about finally putting her “secret” songs out into the world after years of treating music like a private diary, channeling grief into her first single “Oh Honey,” and finding a weirdly perfect lane between synth-pop confessionals and total visual chaos. They also get into dating in the age of the manosphere, emotionally intelligent men apparently becoming an endangered species, directing her own completely unhinged “Hang Out Forever” video, and why voice acting accidentally gave her the freedom to become a musician in the first place. Also, she’s playing Peni Parker in the new Spider-Man animated movie, which means Gerard Way technically helped create one of her next big roles.Listen to Kimiko Glenn chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jack Antonoff says all he really wants out of life is to make records and tour, and that turns into a surprisingly heavy conversation with Kyle Meredith about grief, ancestry, community, religion, and why Bleachers’ new album Everyone for Ten Minutes accidentally became an origin story. They get into the “ancestral pact” of leaving home to chase art, Bruce Springsteen’s advice about building a life around music, the weirdness of becoming famous enough to watch your own history rewritten, and why Antonoff thinks concerts are closer to church than actual churches. There’s also plenty on balancing the producer side with the artist side, finding “magic” in recording sessions, and why sometimes the demo is still the best version no matter how much money you throw at it.Listen to Jack Antonoff chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Maya Hawke tells Kyle Meredith that her new album MAITREYA CORSO accidentally became a love record after falling deeper into her relationship and eventually marrying songwriting partner Christian Lee Hudson, and the conversation gets pretty fascinating from there. They talk about writing songs together while navigating a real relationship, the fear of being fully seen by another person, and how tracks like “Dreamhouse” and “Bring Home My Man” became about learning to stop hiding parts of yourself. Hawke also opens up about finishing Stranger Things 5 while making the record, the depression that followed the end of the series, and how being more selective with acting roles finally changed her confidence on the film side too.Listen to Maya Hawke chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Courtney Barnett is back talking with Kyle Meredith about Creature of Habit, digging into those years between records, the move to LA, and why that chapter is more backdrop than the story itself. She gets into second-guessing songs like “Mostly Patient” and “Site Unseen” before pulling them back from the edge, trusting instinct even when it feels like a dead end, and how ideas can sit for years before finally clicking. There’s also talk about subtle callbacks across her catalog, turning old riffs into new songs, and working with Flea and Katie Crutchfield in a loose, live-in-the-room session. And somewhere in there, she’s still figuring out if those songs are actually talking to each other or if that’s just us connecting the dots.Listen to Courtney Barnett chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Natalie Alyn Lind got the call, packed her bags in two days, and suddenly she’s at cowboy camp learning to rope for Dutton Ranch, and she tells Kyle Meredith how that whirlwind turned into one of the most immersive roles of her career. She talks about building a “wild and free” character who evolves in ways fans won’t see coming, going toe-to-toe with Annette Bening, and why the show’s messy family dynamics are the real hook. Then it flips completely as she dives into Halloween Store, the slasher she’s starring in, producing, casting, and even editing herself, calling it her love letter to old-school horror and the project that’s got her hooked on filmmaking beyond acting.Listen to Natalie Alyn Lind chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Paul Bettany says he believes in genius “the same way I believe in libraries,” and that pretty much sets the tone as he and Will Sharpe talk Amadeus with Kyle Meredith, digging into why this story still hits and what a longer series lets them explore beyond the film. Bettany leans into Salieri’s perspective but says this version finally gives Mozart equal weight, especially the toll genius takes at home and not just in the spotlight. Sharpe, meanwhile, talks about using Mozart’s music as a way into the character, chasing the mix of playfulness, ego, and eventual darkness that builds across the series. And somewhere in there, you get a reminder that genius might be real, even if no one quite understands it.Listen to Paul Bettany and Will Sharpe chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jena Malone catches up with Kyle Meredith to talk about her first album under her own name, Flowers for Men, which pulls together a decade of voice memos, poems, and late-night recordings into something she calls “sci-fi folk.” She gets into how becoming a parent reshaped her creativity, why she’s more interested in building new myths about love and the future than following traditional songwriting rules, and how tracks like “You’ve Been on My Mind” and “F*** Boys” came from flipping perspective and owning projection. There’s also talk of her new Netflix series The Boroughs, the Duffer Brothers’ follow-up to Stranger Things, which trades kid heroes for older characters facing aliens and mortality.Listen to Jena Malone chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Shawn Colvin tells Kyle Meredith how A Few Small Repairs accidentally became her breakthrough, powered by "Sunny Came Home" and that unforgettable Grammy moment, but also the pressure that hit right after when success finally showed up on album four. She talks about letting go of chasing hits, the weird reality of being labeled a “divorce record,” and how that freedom is exactly what made it connect. Then the conversation shifts into her later work with The Starlighter, pulling from a childhood book of lullabies that stuck with her for decades, which turns into this full-circle moment between her early musical life and raising her daughter. It’s about instinct, timing, and the strange way the songs you don’t aim at radio sometimes end up everywhere.Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Peter Capaldi and Cush Jumbo catch up with Kyle Meredith to talk about stepping back into the world of Criminal Record for its second season, digging into the evolving dynamic between their characters while the story tackles timely themes like extremism, morality, and power. Capaldi discusses the challenge of playing things closer to the chest this time around, dialing back his usual expressive instincts to keep his character more guarded, while Jumbo leans into June’s growing confidence and the cost of sticking to her moral compass as the stakes rise. They also get into how much of the story they actually want to know ahead of time, the spontaneity that comes from minimal rehearsal, and how the show manages to pull off big, cinematic moments on a tight budget, including that explosive opening riot scene.Listen to Peter Capaldi and Cush Jumbo chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The cast of The Audacity, including Billy Magnuson, Jonathan Glatzer, Paul Adelstein, Simon Helberg, Rob Corddry, Meaghan Rath, Everett Blunck, Thailey Roberge, and Ava Marie Telek, all sit down with Kyle Meredith to unpack a Silicon Valley satire that feels a little too close to reality, from ego-driven CEOs and “wild god” founder worship to the quieter damage done behind the scenes. Across the conversations, they dig into characters who think they’re doing good while chasing power and influence, the irony of building technology meant to connect people while becoming more isolated, and how money and ambition tend to expose rather than create corruption. Adelstein talks about playing emotional disconnection, Helberg leans into the contradiction of a man obsessed with connection who can’t achieve it, and Corddry admits to borrowing from great performances like Succession, while Rath points out that even the most well-meaning players are still playing the same game. Meanwhile, the younger cast frames the show’s real question: whether the next generation can break the cycle or is doomed to repeat it, offering a bit of hope in a world where the adults are mostly lost, all wrapped in a series that balances unsettling truths with absurd moments like karaoke curveballs and perfectly aimed truffles.Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Barbie Ferreira, Devon Bostick, and Chandler Levack all sit down with Kyle Meredith to unpack Mile End Kicks, starting with Ferreira on playing a version of Levack and how stepping into a character rooted in real life meant leaning into the awkward, chaotic reality of your early 20s while also producing the film and bringing her own mix of influences from One Direction to Alanis Morissette; Bostick follows, talking about learning guitar from scratch to play a convincing indie band member, finding himself in the character, and helping capture that specific moment where nobody has it together but everyone’s pretending they might; and Levack ties it all together, explaining how her time as a SPIN critic during the blog rock era turned into a decade-long process of shaping the story, making the lead character more flawed and active, pulling inspiration from Almost Famous and Jagged Little Pill, and recreating a now-vanished music journalism world with the right mix of real songs and original tracks.Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jason Mewes sits down with Kyle Meredith to talk about building a career that’s lasted more than three decades, from his start in Kevin Smith’s Clerks to the ever-expanding Jay And Silent Bob universe, and now into new territory with his YouTube series Five Things. The show, set inside a convenience store, uses everyday items as a jumping-off point for conversations that go way off the usual press-tour script, pulling out stories even longtime collaborators haven’t heard before. Mewes also gets into the evolution of his stand-up "Diary Of A Manchild," how sobriety still shapes the way he approaches the stage, and why he’s shifted away from the heavier material toward something looser and more personal. Along the way, he talks about directing Madness In The Method, revisiting earlier films like Drawing Flies, launching a Murdoch Mysteries podcast, and the reality that staying in the business often means creating your own opportunities. It’s a conversation about longevity, luck, and figuring out how to keep doing what you love, all while still finding time to circle back for another run in the View Askewniverse.Listen to Jason Mewes chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Joe Bonamassa and George Benson join Kyle Meredith to talk about the massive tribute album B.B. King Blues Summit 100, a 40-artist, 32-song celebration of B.B. King that pulls in everyone from Eric Clapton to Sheryl Crow, Marcus King, and more. The two guitar greats trade stories about their personal history with B.B., from Benson being called his favorite guitarist to Bonamassa touring with him at just 12 years old, while digging into what made B.B.’s playing, songwriting, and stage presence so singular. Along the way, they get into the overlap between blues and jazz, Benson’s breakthrough with “This Masquerade,” and the challenge of honoring a legend without trying to outdo him. And as they start joking and interviewing each other mid-conversation, it turns into exactly the kind of moment you hope for when two icons sit down.Listen to Joe Bnamassa and George Benson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Keeley Karsten joins Kyle Meredith to talk about stepping into the long-awaited Malcolm in the Middle revival, Life’s Still Unfair, playing Leah, Malcolm’s sharp, impulsive daughter who mirrors him without trying. Karsten admits she hadn’t even seen the original series before landing the role, leading to a crash-course binge ahead of filming, which helped her understand the family dynamics she was about to walk into. The Fablemans actress gets into the pressure of joining a cast that already has decades of chemistry, how quickly Bryan Cranston, Frankie Muniz, and the rest made her feel like part of the family, and the challenge of mastering the show’s signature fourth-wall breaks. She also highlights how the reboot balances absurd comedy with heavier ideas like generational baggage, all while keeping things fast and funny across just four episodes that leave the door open for more. And if there’s talk of a Leah-focused future, she’s not confirming anything, but she’s definitely not saying no either.Listen to Keeley Karsten chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jon Hamm, Amanda Peet, Olivia Munn, James Marsden, and creator Jonathan Tropper all join Kyle Meredith to unpack Season 2 of Your Friends And Neighbors, which shifts away from the first season’s heist-of-the-week setup into something darker and more character-driven, with Tropper calling it the show’s The Empire Strikes Back moment as the story pivots toward consequences and the bigger question of why Andrew Cooper keeps doing this at all; Hamm talks about slipping back into Coop’s rhythm and trusting that long-term arc, Peet gets into Mel’s storyline and how the show folds in menopause, identity, and midlife upheaval, while Munn returns as Sam to face the fallout of her choices and Marsden arrives as Owen Ash, a magnetic disruptor who feels somewhere between James Bond and Jay Gatsby, and across the board they dig into the push and pull of characters who are constantly working against themselves, the balance of humor and tension, and the details like Coop’s movie tastes.Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Derek Trucks joins Kyle Meredith to talk about the Tedeschi Trucks Band’s new album Future Soul, a record he says captures the group feeling “present and current” while also hitting a new creative stride. He gets into working with producer Mike Elizondo to shape a more aggressive, forward-leaning sound, how songs like “Hero” tap into the band’s punk and grunge instincts, and why the title track demanded a guitar tone that felt like it might fall apart mid-take. Trucks also talks about writing after years back on the road post-pandemic, trimming down from a potential double album, and learning to serve the song even within a 12-piece lineup. Along the way, he reflects on rediscovering the joy of recording, surprising himself in the studio, and the full-circle moment of opening for the Eagles decades after first crossing paths with Joe Walsh.Listen to Derek Trucks chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gaten Matarazzo, Sean Giambrone, and Lulu Wilson sit down with Kyle Meredith to talk about the absolutely unhinged ride that is Pizza Movie, a Hulu comedy that turns a simple late-night food run into a full-blown, multi-level hallucination adventure. The trio get into how the script first landed, why they skipped any “method research” when it came to the drug-fueled premise, and how the film plays like a video game with different phases—including body swaps, puppet worlds, and even a butterfly POV. They also break down the “Switcheroo” sequence and how they avoided tired body-swap tropes in favor of something sharper and more character-driven, plus the reality of shooting most of the movie inside a transformed middle school that somehow feels like a dozen different locations. It’s a fast, funny conversation about a movie that’s aiming straight for cult classic status.Listen to Gaten Matarazzo, Sean Giambrone, and Lulu Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steve Zahn and Audrey Zahn sit down with Kyle Meredith to talk about turning their real-life father-daughter dynamic—and years spent in the competitive dance world—into the heartfelt indie film She Dances. Drawing from Audrey’s upbringing in dance competitions and layering in a quiet but powerful story of grief, the two discuss how the film became a deeply personal family affair, even featuring cameos from their own relatives. They get into the chaos and camaraderie of dance culture, the decision to avoid broad comedy in favor of something more honest, and how their new production company is helping champion this kind of storytelling. It’s also a look at indie filmmaking finding its footing again, with Kentucky as the backdrop, and how sometimes the most intimate stories hit the hardest.Listen to Steve Zahn and Audrey Zahn chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Marisa Tomei, Sherry Cola, Ciara Bravo, and Marco Pigossi all sit down with Kyle Meredith to talk about You’re Dating A Narcissist, a rom-com that keeps twisting the knife as it asks who’s actually the problem in modern relationships. Tomei gets into playing a psychology professor obsessed with spotting narcissists—while maybe missing her own tendencies—while Cola talks about the rare chance to play in a story where every woman gets a full arc and no one’s entirely right. Bravo brings the emotional center, caught between her mother and fiancé, while Pigossi leans into the ambiguity of a character who might be charming… or something else entirely. Along the way, they talk about reuniting after High Tide, the film’s three-year journey to release, Cola’s turn in Shrinking with Jessica Williams, and how this story plays like a mystery where your instincts keep flipping right up to the end.Listen to Marisa Tomei, Sherry Cola, Ciara Bravo and Marco Pigossi chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Felicia Day sits down with Kyle Meredith to talk about her new graphic novel, The Daughter Of Sparta, a feminist reimagining of Greek mythology inspired by a nearly forgotten figure with just one line in ancient texts. She traces the project back to pandemic-era insomnia, deep dives into mythology, and a desire to tell a story that Hollywood wouldn’t necessarily greenlight—leading her to embrace independence in a big way. Along the way, she opens up about identity, creative control, and the dangers of chasing approval over authenticity, themes that echo from her early work like The Guild to her Audible series Third Eye. Day also teases a Kickstarter-backed The Guild reunion movie for its 20th anniversary, plus new creative habits—from oil painting to learning Polish—that are shaping her next chapter.Listen to Felicia Day chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The cast and creators of Outlander come together to talk with Kyle Meredith about Season 8 as the long-running series heads toward what might be its final chapter, with Sophie Skelton and Richard Rankin reflecting on Brianna and Roger’s evolution—her finally coming into her own, him still searching for purpose—while admitting every new script came with that familiar “what are they going to do to us now?” feeling. Meanwhile, John Bell and Izzy Meikle Small discuss Young Ian stepping into fatherhood and Rachel becoming fully part of the Fraser’s Ridge family, along with the emotional weight of filming a season everyone knew could be the end. On the creative side, Matthew B Roberts and Maril Davis break down how to close out a decade-plus story without turning it into a “very special episode,” keeping things true to the show’s roots while still delivering payoff—and even upping the ante with Annie Lennox on the theme. And while there’s talk of closure, time travel rules still apply, meaning in the world of Outlander, the story might never really be finished.Listen to Tim Roth, Steven Knight and Tom Harper chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ed O’Brien catches up with Kyle Meredith to talk about his second solo album, Blue Morpho, a record born out of the isolation and emotional weight of the pandemic. Reflecting on how a “dark night of the soul” led to a daily practice of playing guitar without expectation, O’Brien explains how those raw moments became the foundation of the album’s songs, shaped further through collaboration with producer Paul Epworth. He also discusses the record’s deep connection to nature, the influence of writers like Wendell Berry, and how embracing rather than avoiding darkness led to something unexpectedly beautiful. Along the way, O’Brien looks back at Radiohead’s recent reunion tour, shares a story about the band’s very first gig in 1985, and considers how his solo work now sits alongside the “mothership” of the band, with both worlds continuing to evolve side by side.Listen to Ed O'Brien chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith sits down with Tim Roth, creator Steven Knight, and director Tom Harper to talk about Peaky Blinders: The Immortal Man, the film that brings Tommy Shelby’s story to its long-planned conclusion. Knight reveals that the idea of ending Peaky Blinders with a movie set during World War II was part of the plan from the very beginning, while Harper discusses translating the series into a more focused cinematic finale—complete with intense practical sequences like the brutal mud fight between Cillian Murphy and Barry Keoghan and a collapsing tunnel scene filmed largely for real. Roth also talks about joining the universe after a personal invitation from Murphy, reshaping his character into a deceptively calm Nazi sympathizer, and how his own family’s World War II history gave the role emotional weight. Along the way, the conversation touches on real historical inspirations—from the bombing of Birmingham’s BSA factory to wartime spiritualists claiming to speak with the dead—as well as Roth’s friendships with icons like David Bowie and Patti Smith, all while reflecting on the legacy and final chapter of one of television’s most beloved crime stories.Listen to Tim Roth, Steven Knight and Tom Harper chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lamb Of God frontman Randy Blythe talks with Kyle Meredith about the band’s 10th album Into Oblivion, tracing its origins back to election night 2024 and a solitary drive listening to The Cure, which sparked the first lyrics to the song “Sepsis.” Blythe discusses how the record became a reflection on modern collapse—technology’s false promise of connection, the breakdown of social contracts, and the role protest has historically played in shaping change—while also pointing to influences ranging from Nick Cave to writers like Douglas Rushkoff. Along the way, he and Kyle get into the Cold War anxieties that shaped Blythe’s worldview, the challenge of keeping a ferocious vocal style intact after decades in metal, and how songs from Into Oblivion might translate to the stage as Lamb of God pressure-tests them live.Listen to Randy Blythe chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lily Rabe sits down with Kyle Meredith to talk about the third season of Shrinking, where her character Meg — the daughter of Harrison Ford’s Paul — finally steps further into the spotlight and into a complicated dynamic with Jason Segel’s Jimmy. Rabe discusses how the storyline grew organically from the chemistry between characters rather than long-planned “breadcrumbs,” what it’s like bouncing between the show’s emotional therapy-driven world and heavier stage work like Ibsen’s Ghosts at Lincoln Center, and why comedy actually isn’t that far from tragedy in her approach to acting. Along the way, she reflects on working with a stacked cast, going toe-to-toe with Segel’s improvisational instincts, her years in American Horror Story, and other projects including Downtown Owl, and Presumed Innocent — all while explaining why Meg remains one of the easiest characters for her to slip back into each season.Listen to Lily Rabe chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Juno Temple joins Kyle Meredith to talk about the wild, funny, and unexpectedly emotional new film Good Luck, Have Fun, Don't Die, directed by Gore Verbinski and co-starring Sam Rockwell, Haley Lu Richardson, Michael Peña, and Zazie Beetz. Known to many as Keeley from Ted Lasso, Temple tells Kyle how the script landed in her inbox while she was shooting Venom: The Last Dance and immediately pulled her in with its bonkers dark-comedy take on AI, social media addiction, and even school tragedy. She talks about filming in Cape Town, balancing Viking helmets with grounded emotion, exploring motherhood in the middle of an apocalypse, and why Rockwell is exactly the guy you’d follow to save the future.Listen to Juno Temple chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Louisville filmmaker Evan Mascagni and author Joe Keith Bickett sit down with Kyle Meredith to dig into the wild, complicated true story behind the Cornbread Mafia — the so-called “unorganized” group of Kentucky farm boys who became one of the biggest marijuana operations in the country. Bickett, who served more than 20 years in prison and later wrote three memoirs reclaiming the narrative, talks about the myths, the media frenzy, and the draconian sentences handed down during the height of the War on Drugs — including how nonviolent marijuana charges landed him and others decades behind bars. Mascagni, whose new documentary on the Cornbread Mafia premieres at SXSW, explains why the story feels especially urgent now in an era of legalization, and how the film balances outlaw legend with real human cost. It’s a conversation about injustice, reinvention, Southern storytelling, and what happens when the “Godfather of Grass” era collides with modern cannabis culture.Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Actor and multi-hyphenate Adam Goldberg sits down with Kyle Meredith to talk about his latest album as The Goldberg Sisters, When The Ships Of My Dreams Return, a sweeping, interconnected record that finds him revisiting childhood, fatherhood, and the passage of time. Known for roles in Dazed And Confused, Saving Private Ryan, Fargo, and five seasons of The Equalizer, Goldberg discusses how growing up in a home marked by his parents’ split — and a stained-glass window reading “When the Ships of My Dreams Return” — became the emotional anchor for the new songs. He and Kyle get into the record’s fluid, almost symphonic structure, writing about death on tracks like “Everybody Is Dying,” processing memory from the perspective of a parent, and why this album — made entirely on his own — became both isolating and cathartic. They also touch on leaving Los Angeles, the changing landscape of acting post-pandemic and strikes, and why directing films remains as daunting as ever.Listen to Adam Goldberg chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Two legendary songwriters, two very different approaches, and both talking with Kyle Meredith about what keeps the creative spark alive decades in. Joan Armatrading joins Kyle to discuss her 21st album, Not Too Far Away, why writing about love never runs out of angles, and her decision to write all the lyrics first so the emotion would lead the music. She also talks about keeping songs gender-neutral so more people can see themselves inside them, programming her own drums, and fully embracing the solo process. Then The Waterboys’ Mike Scott calls in to break down the ambition behind the double album Out Of All This Blue, his “no filler” rule inspired by classics like Exile On Main St, and how new love, fatherhood, and even making up songs for his daughter fueled a flood of creativity. He also dives into bringing funk and hip-hop textures into the mix and expanding The Waterboys into a nine-piece live band with two drummers.Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mike Patton joins Kyle Meredith to talk about the unexpected collaboration with The Avett Brothers on their 2025 release AVTT/PTTN, a record that started as a remote experiment and quickly became what Patton calls a “third personality” with its own DNA. He dives into learning how to fit his voice into the brothers’ blood-bound harmonies, discovering Scott Avett’s lyrics felt eerily personal, and how most of the writing felt “frighteningly organic.” Patton also teases the 2026 tour kicking off in Louisville, promising a sprawling set that includes the full album, Avett staples, selections from Faith No More and Mr. Bungle, and some unexpected covers, all while reflecting on the idea that none of his projects are “side” gigs—they’re all the main event.Listen to Mike Patton chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fenton Bailey and Randy Barbato stop by to talk with Kyle Meredith about their latest HBO Max documentary Murder In Glitterball City, a true-crime story that hits especially close to home since it was shot in Louisville, just blocks from where Kyle’s sitting. The World of Wonder founders (the same duo behind The Eyes Of Tammy Faye and Party Monster) dig into why this case — involving a body found in a Victorian mansion basement and two lovers blaming each other — demanded a different kind of true-crime approach, one that looks beyond the crime itself and into community, queer history, addiction, mythmaking, and the ghosts a city carries with it. Bailey and Barbato also talk about expanding beyond the source book, finding unforgettable local characters, navigating the responsibility of telling difficult LGBTQ stories honestly, and why this case still haunts them long after filming wrapped.Listen to Fenton Bailey and Randy Barbato chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Maia Mitchell and Susie Porter join Kyle Meredith to talk about Season 2 of The Artful Dodger, the Hulu and Disney+ series that finds Lady Bell and Lady Jane in much heavier territory. Mitchell discusses Belle’s six-month offscreen transformation — surviving surgery, fighting to save Jack from the noose, and losing some of her innocence along the way — while Porter shares what it’s like stepping back into Lady Jane’s privileged but evolving perspective, especially as the show tackles poverty, sexism, and class in 1850s Australia. They also get into the ultra-realistic medical scenes (complete with prosthetic torsos and live “artery” blood pumps), including the now-infamous belly button moment that Mitchell calls the worst thing the show has ever made her do.Listen to Maia Mitchell and Susie Porter chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Actress Haley Lu Richardson sits down with Kyle Meredith to unpack the brilliantly bonkers ride that is Good Luck, Have Fun, Don't Die, the first film in a decade from director Gore Verbinski, and one she admits she devoured in a single sitting. Richardson gets into how the script landed in her lap, why Ingrid instantly clicked as a character, and what it’s like anchoring a movie she calls everything-but-the-kitchen-sink genre-wise (Verbinski’s own term: “psychotic opera”). She also shares stories from set with Sam Rockwell, including helping him prep his now-iconic scene for The White Lotus, plus the realities of living in a handmade princess dress for an entire shoot.Listen to Haley Lu Richardson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith catches up with David Thewlis and Thomas Brodie-Sangster to talk Season 2 of Hulu’s The Artful Dodger. Thewlis points to Fagin’s new status (wealthier, unhingier, and no longer Dodger’s underling) and the arrival of Inspector Boxer — a “bad guy” who’s inconveniently ethical, educated, and annoyingly handsome. Brodie-Sangster says they’re basically done worrying about Dickens now (“our source material becomes season one”), talks about having to “find the voice again” after the break, and admits the medical jargon goes in one ear and out the other. Also: Brodie-Sangster wants more running and action; Thewlis wants less running, more head-shaving (which he calls “liberating”). He also reveals that he kept an actual beard diary to time his facial hair around other gigs.Listen to David Thewlis and Thomas Brodie-Sangster chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Two of the most influential hitmakers of the last half-century sit down with Kyle Meredith for a wide-ranging conversation about what it means to write songs that outlive their moment. Desmond Child talks about finally stepping center stage with his first live release, Desmond Child Live, revisiting decades of world-dominating songs, and how writing his autobiography, Livin On A Prayer: Big Songs Big Life, pushed him to reflect on legacy, mentorship, and the emotional weight songs like “Livin’ on a Prayer” still carry. Alongside him, David Foster digs into his own retrospective project, breaking down the theatrical instincts behind his biggest productions, the famous studio moments with Whitney Houston and Celine Dion, and how he’s shifted his creative focus toward Broadway and long-form storytelling, including the Betty Boop musical. Together, the two songwriters reflect on adapting to changing eras, choosing when to step back from chasing radio, and why the stories behind the songs may ultimately matter as much as the hits themselves.Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Maynard James Keenan digs into the fifth Puscifer album Normal Isn't, unpacking how the record functions as a kind of cultural status report—part political frustration, part tech anxiety, part dark humor. Keenan explains why the band feels like it’s finally being “discovered” years after the fact, how this album leans harder and hits sharper than its predecessors, and why observation—not preaching—is the real job here. The conversation also gets into the creation of the new character Bellendia Black, the expanding world of videos and graphic novels, the uneasy usefulness of AI, and why being the underdog still matters. Along the way, there’s talk of Bowie, language as satire, and why Normal Isn’t feels less like rebellion for rebellion’s sake and more like an inevitable reckoning.Listen to Maynard James Keenan chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Film producer Gill Holland joins Kyle Meredith to trace his nearly 30-year career that adds up to around 150 films, from early Sundance breakthroughs like Hurricane Streets to documentaries such as Flow: For Love Of Water and the beloved Big Star doc, plus cult favorites like Greg The Bunny. Holland digs into what a producer actually does, why rejection is basically part of the job description, how the ’90s indie boom cracked Hollywood open, and why that spirit might be poised for a comeback in the age of streaming and AI. Along the way, he explains why Louisville became home, how Kentucky keeps finding its way into his work, and what’s next, including new projects with Sarah Silverman and Bonnie “Prince” Billy.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith sits down with Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie to unpack how Shrinking season 3 on Apple TV might be the show’s richest chapter yet. The cast talks about how the series keeps deepening its characters without losing the jokes, from Gabby’s emotionally loaded monologues and Brian realizing he doesn’t have life figured out, to Derek finally stepping out from behind the zen-smile and Liz living at full-throttle anxiety year-round. Miller dives into the show’s carefully chosen needle drops and long-gestating music moments, Urie breaks down that unforgettable Les Misérables singalong watched silently by Harrison Ford, McGinley reflects on playing Derek as an “iceberg,” and Williams explains how she ramps up for scenes that hit hard right out of the gate.Listen to Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie chat about all this and more or watch the videos on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Talking with Kyle Meredith, Petula Clark and Don McLean both reflect on what it means to keep creating decades into a career, each from their own corner of the musical universe. Clark walks through the making of Living For Today, from recording in a tiny garden studio in London to shaping the title track’s light-to-serious turn, reconnecting with Tony Hatch, and navigating the nerves (and respect) that come with reinterpreting classics—from Peggy Lee’s “Fever” to the Beatles’ “Blackbird”—while embracing songs like “Downtown” as lifelong companions rather than burdens. McLean, meanwhile, digs into the long road behind Botanical Gardens, rejecting the idea that he lives solely in the shadow of “American Pie” or “Vincent,” and instead framing the album as a mix of styles, metaphors, and ideas that took years—sometimes decades—to finally surface. From songwriting as a visual, almost cinematic act to letting songs wait until they’re ready, both artists land on the same truth: the work doesn’t give up on you, it just keeps knocking until you let it back in.Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Platinum-selling singer Carnie Wilson of Wilson Phillips sits down with Kyle Meredith ahead of her 2026 She Rocks Awards honor to talk about the full arc of her career — from the monster success of Wilson Phillips and the harmonies that defined a generation to the overlooked gems like Shadows And Light and the criminally underrated The Wilsons, which reunited her with her father Brian Wilson and let the band rock harder than anyone expected. Wilson opens up about mental health advocacy, sobriety, grief, OCD, motherhood, and why being honest has always mattered more than being polished. There’s also plenty of love for studio life, unreleased vault material, Christmas records, and the idea that history might finally catch up with the albums that slipped through the cracks the first time.Listen to Carnie Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In a pair of conversations tied together by one very uneasy stash house, Kyle Meredith talks with Catalina Sandino Moreno and Sasha Calle about Netflix’s The Rip, a crime thriller that’s less about shootouts than the slow psychological squeeze of not knowing who to trust. Moreno reflects on returning to morally complex material after Maria Full of Grace, what it’s like sharing scenes with Ben Affleck and Matt Damon, and why this run of action-heavy roles marks a surprisingly fun new chapter in her career. Calle digs into playing Desi, the film’s human wildcard, balancing stillness with intensity, delivering a pivotal monologue, and how her soap-opera background prepared her for pressure-cooker moments. Along the way, both talk about Joe Carnahan’s high-energy set, the film’s ensemble chemistry, and why The Rip works best when it slows down and lets the paranoia breathe.Listen to Catalina Sandino Moreno and Sasha Calle chat about all this and more or watch both interviews on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steven Knight and Malachi Kirby dig into the darker second chapter of A Thousand Blows, where the optimism of the first season has been beaten down by reality in 1880s East End London. Knight talks about shooting both seasons back-to-back, building an immersive, walkable version of Victorian London, and grounding the story in real history without sanding off its chaos, while Kirby breaks down Hezekiah’s transformation from hopeful newcomer to a man fueled by pain, rage, and survival instinct. They get into how that massive physical and emotional shift shaped the performances, the toll of a year-long boxing regimen, and why the show’s bleakness is still rooted in resilience and forward motion. It’s a conversation about destiny versus choice, history crashing into personal lives, and how A Thousand Blows uses real people and real places to tell a story that keeps finding new ways to hit harder.Listen to Steven Knight and Malachi Kirby chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Neko Case is back with Neon Grey Midnight Green, her first new album in years, and she’s catching up with Kyle Meredith to talk about why this record feels like a celebration of music itself — the people who make it, the people who listen, and the strange, communal magic that happens when everyone meets in the same room. Case digs into how the album stands apart from her recent autobiography, why trusting herself as a producer matters more than ever, and how recording with real musicians shaped the sound. Along the way, the conversation wanders into dream logic, songwriting perspectives, live performance energy, Indigenous ways of thinking, and her lifelong love of spiders — and how paying attention to the small, overlooked things might just make us better listeners, better humans, and maybe even better roommates to the creatures in our basements.Listen to Neko Case chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Taped back in 2012, as Aimee Mann, Joe Henry, and Over the Rhine’s Karin Bergquist were deep in Louisville filming what would become Pleased to Meet Me, the indie music-film directed by Archie Borders and released in 2013. Talking with Kyle Meredith, the trio breaks down the strange thrill of musicians stepping into acting roles, how the movie’s story about forced collaboration mirrored their real-life creative chaos, and why chasing fame had already lost its appeal. Along the way, they got candid about the fear of embarrassing themselves, the freedom that came after the music industry’s collapse, and why discovery — not commercial validation — is the only thing worth showing up for.Listen to Aimee Mann, Joe Henry & Karin Bergquist chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Walker Scobell sits down with Kyle Meredith to talk about jumping back into the role that changed everything as Percy Jackson and the Olympians heads into its bigger, more physical second season on Disney+, opening up about how stepping away between seasons actually made him a better actor, why Season 2 demanded more stunt work and endurance, and how growing up in real time messes with audience perception on a long-gestating effects-heavy show. Along the way he reflects on working opposite Michael Douglas in Looking Through Water, learning on the fly fight choreography scenes that took weeks to shoot only to end up on the cutting room floor, and why improvisation can suddenly become canon. Plus, he teases Season 3 moments with Kate McKinnon that nearly broke him on set, talks about sharing scenes with comedy heavyweights, and explains why sometimes the best prep is just going back to school and being a normal kid for a while.Listen to Walker Scobell chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Filmmaker Morgan Neville sits down with Kyle Meredith to unpack his Netflix documentary Breakdown 1975, a deep dive into a year when America seemed to collectively lose its footing and still made some of its greatest movies in the process. Neville explains why you can’t tell the story of 1975 without the years around it, how post-Watergate anxiety, cultural whiplash, and political exhaustion bled directly into films like Chinatown, Dog Day Afternoon, Taxi Driver, Jaws, and Star Wars, and why that moment eerily mirrors where we find ourselves 50 years later. The conversation also touches on New Hollywood’s last great gasp, the rise of Reagan-era thinking before Reagan ever took office, how movies functioned as a national therapy session, and why the shared theatrical experience itself now feels endangered.Listen to Morgan Neville chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this special holiday-themed conversation, Emmylou Harris and Lorrie Morgan sit down with Kyle Meredith to talk Christmas music, lifelong friendships, and the long arcs of their careers. Harris reflects on her quietly beloved album Light of the Stable, singing alongside Dolly Parton, and why songs like “Coat of Many Colors” carry the spirit of Christmas even without the tinsel. She also opens up about her deep commitment to animal rescue through Bonaparte’s Retreat and the push toward no-kill shelters, plus an upcoming expanded reissue of The Ballad of Sally Rose and work on her memoir. Morgan shares stories from Nashville Christmas specials, explains her connection to modern classics like “Grown-Up Christmas List,” and talks about teaming up with Pam Tillis on their album Come See Me and Come Lonely, built from deep-cut country favorites and a friendship that grew later in life.Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Aiyana-Lee sits down with Kyle Meredith to talk about a truly surreal 2025 — from grinding it out as an independent artist to getting a life-changing DM from Spike Lee that led to her starring role in Highest 2 Lowest. She opens up about how Lee discovered her music, writing and performing the film’s title track and end-credit song, and what it was like working alongside Denzel Washington. The conversation also digs into her songwriting roots, growing up around legendary music history, surviving rough label experiences, reclaiming her voice on singles like “City of Lies,” and figuring out where music and acting go next now that the spotlight’s officially on.Listen to Aiyana-Lee chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Director Paul Feig talks with Kyle Meredith about adapting The Housemaid from Freda McFadden’s bestseller, shaping its sly tonal shift from “fun unsettling” to full-on psychological thriller, and why he ultimately added entire pieces to the story that aren’t in the book. Feig digs into the dual-POV structure, explains his aversion to lazy voiceover, and breaks down how the film balances an hour of questions with an hour of answers. He also gets into building nuanced female-led stories (from Bridesmaids to Ghostbusters to A Simple Favor), collaborating with a wildly good-looking cast, and letting actors define their characters through wardrobe and posture. And Kyle gets him talking about a perfectly framed martini shot and the hidden gin bottles that have become Feig trademarks.Listen to Paul Feig chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy