Professor Carol

In Episode #2 of Encounters, we discuss significant events that changed or shaped our approach to music.

What are your top 10 selections of Classical Music? You really can't create good list that is so small, but Professor Carol and Hank can have fun trying. Our lists include some standards and some that may be a little off the beaten path. Your list would probably be quite different, but the discussion here may help you make some new discoveries. Or maybe it will help you think about the reasons you agree or disagree with our selections. And, particularly if you're new to Classical Music, we hope this gives you some new insights.

Dr. Michael Dodds and Professor Carol were formerly colleagues at Southern Methodist University. Dr. Dodds is now professor of music history at University of North Carolina School of the Arts and a frequent contributor to Professor Carol's courses. In Part Two of this interview we have a wide-ranging discussion of Michael's work as a composer and conductor, the history of maps, composer David Maslanka, and more on C.S. Lewis.

Dr. Michael Dodds and Professor Carol were formerly colleagues at Southern Methodist University. Dr. Dodds is now professor of music history at University of North Carolina School of the Arts and a frequent contributor to Professor Carol's courses. In a conversation over dinner about childhood books, Michael raised some intriguing aspects of C.S. Lewis's The Chronicles of Narnia, and that prompted this interview. The discussion in this Part 1 focuses on Michael Ward's book Planet Narnia.

Gregory Wilbur is Chief Musician at Cornerstone Presbyterian Church in Franklin, TN, as well as Dean and Senior Fellow of New College Franklin—a Christian liberal arts college that he helped to start. He enjoys discipling students and walking them through classics of literature, film, and music. He earned his Masters in Music Composition at the University of Alabama. He is the author of Glory and Honor: The Music and Artistic Legacy of Johann Sebastian Bach and has released two CDs of his compositions of congregational psalms, hymns and service music. In addition, he writes for choir, orchestra, film and chamber ensembles. His wife, Sophia, homeschools their daughter, Eleanor, and they all enjoy reading, cooking, taking walks and enjoying life in middle Tennessee.    

The Russian Orthodox church in Weimar, Germany is so small it would fit inside a typical lecture room at a university. It was built in 1860 to be the burial site of the Grand Duchess Maria Pavlovna, a Russian princess, the granddaughter of Catherine the Great. Listen as Professor Carol explains how architecture tells an important story in the history of Weimar.

This is our 4th engaging talk with Art Historian and Museum Curator, Peter Mooz. Today we talk about Edward Hopper - the painter and his legacy. Why does his strong following endure? What is it about this exquisite renderer that people "get?" What did he focus on in his paintings?  View a video hangout with Dr. Mooz and Professor Carol here: https://www.youtube.com/watch?v=FLiZ7zVPiRc  

How do you foster a love for the arts in children? What if you do not live close to "big City" resources? Dr. Peter Mooz gives some practical pointers for building a rich appreciation for art and history.

Another fascinating discussion with art historian Dr. Peter Mooz. Dr. Mooz talks about the art of Edward Hopper and the impact it carries. For more on art history and culture, visit <a href= "http://www.professorcarol.com">www.professorcarol.com. There you will find free courses, Art History forums, and premium courses for high school or continuing education.

Professor Carol speaks with Bloomberg journalist, Bill Arthur.

Is art an elective? Dr. Peter Mooz talks about the ways children come to know art. And he says no, rather than an elective, art is the greatest expression of a civilization. An artist uses his knowledge of technology, economics, philosophy, theology, and anatomy to tell us about his world. Children are able to put themselves in the viewer/artist relationship without any trouble and without any prejudices. Art helps children build up their visual muscles and develop their ability to discern as they view art.

Art Historian Peter Mooz discusses his new book “Religion in American Painting.” Although artists after the Renaissance gravitated to more secular themes, Dr. Mooz explains that American painters have been painting religion from the time of the first documented American painting in 1663 to today. Dr. Mooz explores the ways 19th-century artists like Thomas Cole, who founded the Hudson River School of painting, pursued religious themes of transcendentalism, and explains the religious symbols in the abstract-expressionist work of Mark Rothko.

Professor Carol speaks with Jim Weiss in Part 2 of their informal discussion from Jim Weiss' studio. 

Visiting Randy and Jim Weiss is always the best fun! This time I was able to join Jim in his studio to record two podcasts on storytelling and the arts. This is episode 1. More will be up on my website soon (at www. professorcaro.com). Meanwhile if you haven't stocked up on his wonderful CDs, you'll find them in a new place these days, at peacehillpress.com/jim-weiss . 

This series of brief clips will give you a flavor of Professor Carol's audio podcasts with Carol's unique perspective, interviews with composers and performers, and musical examples. 

Elliott’s Hardware, a favorite institution in Dallas and a long-time sponsor of The Dallas Wind Symphony, inspires people to create things.  Composer-in-Residence John Gibson is no exception.  His latest composition, “Man Dreams in Hardware,” is played on instruments constructed from items found on the shelves at Elliott’s.  Imagine the Sawsaphone, the Patuba and Batuba, and the PVCiccolo!  Join Professor Carol as she talks with Gibson about his sweeping theme: God, Man, and Hardware.

We take a journey through the Arabian Nights, visit the Roman Goddess of the Dawn, and thrill to the tragic fate of Spanish seductress Carmen.  

Let's get to know Jeff Hellmer, pianist and director for the Dallas Wind Symphony's annual Big Band Boogie concert.

The Wind Symphony of the Greater Dallas Youth Orchestra is once again joining forces with The Dallas Wind Symphony.   The music of Norman Dello Joio will be part of this traditional event, and has its own story to tell.  

Frank Ticheli is a superstar composer in the world of Wind Music. Performers, audiences, and reviewers love the optimism, energy, and spontaneity of his music. Yet Professor of Composition at USC Tikeli must also teach the creative process. His observations offer insight into his works.

Professor Carol traces the path of film music up to the famous scores of master composer John Williams.  His ability to use "just a few notes" to intensify drama has captured our imaginations for four decades.     

The Tulsa Symphony Season Preview continues with Part Two.

A look at the Tulsa Symphony's 2007-2008 concert programs.

Rossini, the master of bel canto opera, retired young, rich, and famous. Decades later, in old age and ill health, Rossini returned to composition and crafted a liturgical mass as his final work, a work both spiritual and theatrical, Petit Messe Solonnelle. Works Discussed: Rossini's Petit Messe Solonnelle

Tchaikovsky's music holds a sacred place in Russian culture.  Dmitri Shostakovich said, "Without Tchaikovsky we could not endure our sorrows."  Professor Carol examines his Fifth Symphony and considers his life, his personal struggles, and his professional successes. Works Discussed:  Tchaikovsky Symphony No. 5, Symphony No. 4, The Nutcracker, Swan Lake, The Queen of Spades

Professor Carol considers the question "What is Music of the American Spirit?" by considering themes across two centuries of American choral repertoire.  She discusses the history, customs, and geography of America that inspire our diverse choral music, from Colonial times to the present, emphasizing texts of John Stirling Walker and Eric Johns, tunebooks and hymnals, liturgy, folk song, and spirituals.  Works Discussed: Leonard Bernstein: Mass; Aaron Copland: The Tender Land; Randall Thompson: "Alleluia"; choral works by David Conte, Hubert Bird, Ned Rorem, William Billings, and Stephen Paulus.

John Gibson's choral work "Mockingbird Sings" utilizes Native American texts of the Yuma Zuni, Laguna, and Apache tribes. The title refers to the individual charged with remembering events and traditions and his recounting of this oral history in songs and stories.  In this interview, Gibson explains his approach to setting these unusual texts to music and factors that distinguish American music from its European roots. The Arts District Chorale performs "Mockingbird Sings." Works Discussed:  John Gibson's "Mockingbird Sings"  

Professor Carol talks with Mary Preston, the resident organist of the Dallas Symphony Orchestra, about the Lay Family Concert Organ. The organ built by C.B. Fisk for the Morton H. Meyerson Symphony Center is one of the finest instruments ever built. Mary Preston joins the Dallas Wind Symphony in a concert to be featured on Michael Barone's syndicated radio show "Pipedreams."; Works Discussed: Hindemith Kammermusik No. 7; Walton "Crown Imperial"; Guilmant Finale from Sonata in D Minor

Chopin would have been surprised at the idea of a solo piano recital in a concert hall. Professor Carol talks about the programming of recitals and works of Bach-Busoni, Beethoven, Chopin, and Debussy. Works Discussed: Bach-Busoni Chorale Preludes; Beethoven Sonata No. 21, Opus 53 ("Waldstein"); Chopin Sonata No. 2; Debussy "Children's Corner" 

Professor Carol gives a biography of Schumann's early years, comparing Schumann's youthful work Papillons with his later Fantasy in C Major against the backdrop of his courtship of the young pianist Clara Wieck and the emerging Romantic image of the artist.Works Discussed: Schumann: Papillons, Op. 2; Fantasy in C Major, Op. 17

Hollywood is heir to the European musical traditions. The classic films were scored by composers trained in Europe and schooled in the classical traditions and by immigrant composers who escaped Germany after their work was denounced by the Nazis as "degenerate music" (Entartete Musik). Works Discussed: Bernard Herrmann: Psycho, Vertigo; Erich Korngold: Robin Hood; Aaron Copland: Red Pony; Virgil Thompson: The Plow that Broke the Plains

Military music inspires the troops, facilitates maneuver, intimidates the enemy, sends signals, marks daily events of camp life, entertains the troops in their leisure time, and comprises an important part of the pageantry and tradition of military life. Works Discussed: Scotland the Brave, Yankee Doodle, Mozart's Abduction from the Seraglio, Bugle Calls, The Army Song  

Carol interviews Dean Bouras, arranger for the Dallas Wind Symphony Big Band concerts, and John Trapani, leader of the John Trapani Big Band about the era, the music, and its popularity today. Works Discussed: Glenn Miller, Count Basie, Duke Ellington, Benny Goodman, Woody Herman, Norman Leyden

A youthful Brahms finds his signature style early in the Opus 10 Ballades based on the Scottish Ballad "Eduard" by Herder. Works Discussed: Brahms: Four Ballades, Op. 10

Student players in the Greater Dallas Youth Orchestra Wind Symphony join the professionals of the Dallas Wind Symphony for a "side by side" concert, featuring music of Dmitri Shostakovich, Paul Hindemith, Donald Grantham, Dan Welcher, and Giovanni Gabrieli.

Beethoven sliced and diced his themes, using musical rhetoric that rebelled against the natural melodic style of Mozart and that charted a path into 19th-century Romanticism. Professor Carol uses the Piano Sonata in E-Flat, Op. 31, to show how he did it. Works Discussed: Beethoven: Piano Sonata in E-Flat, Op. 31

Slavic composers Smetana, Rimsky-Korsakov, and Rachmaninov cared deeply about their national roots and national identity, and each knew how to seduce the ear of listeners with gorgeous melody, ravishing orchestration, and a heart-racing sense of the dramatic. Works Discussed: Smetana's The Moldau, Rimsky-Korsakov's Sheherazade, and Rachmaninov's Piano Concerto No. 2

Slavic composers Smetana, Rimsky-Korsakov, and Rachmaninov cared deeply about their national roots and national identity, and each knew how to seduce the ear of listeners with gorgeous melody, ravishing orchestration, and a heart-racing sense of the dramatic. Works Discussed: Smetana's The Moldau, Rimsky-Korsakov's Sheherazade, and Rachmaninov's Piano Concerto No. 2  

The tone poem of the late romantic era painted pictures and portrayed stories with a rich orchestral style that became the model for film music. In Part 2, Professor Carol explains features of John Williams' famous film scores and how we hear music differently when it accompanies drama. Works Discussed: John Williams, E.T., Schindler's List, Jaws, Superman, Close Encounters of the Third Kind, Harry Potter

The tone poem of the late romantic era painted pictures and portrayed stories with a rich orchestral style that became the model for film music. In Part 1, Professor Carol explains Gustav Holst's The Planets and some of the techniques that lead to the style of John Williams. Works Discussed: Gustav Holst, The Planets; John Williams, Olympic Theme and Fanfare

What's this program about?   The final segment of Glenn Mitchell's interview of Carol on KERA Radio turns to the Library of Congress's American Memory Project, Bill Monroe, John Fogerty, Harry Partch, and Scott Joplin.

What's this program about?   Glenn Mitchell's interview of Carol on KERA Radio continues in Part 2 with a discussion of the Sacred Harp (shape-note singing), Stephen Foster, American film music, Louis Armstrong, Broadway, and Ernest Tubb.

What's this program about?   Carol pays tribute to the late Glenn Mitchell with a reprise of her appearance in September 2000 on his radio program, reproduced here as a three-part podcast courtesy of KERA Radio. Carol and Glenn begin their discussion of America's highly varied musical heritage with reference to William Billings, Jimmie Rodgers, Charles Ives, and Frank Zappa.

What's this program about?Professor Carol continues her interview of John Corigliano and Jerry Junkin. Corigliano talks about his approach to composition and how he, and other top composers, are turning to wind bands for an exciting new sound. Works Discussed: Corigliano, Circus Maximus

What's this program about?Professor Carol interviews two friends and collaborators, composer John Corigliano and Maestro Jerry Junkin. Circus Maximus, Corigliano's explosive third symphony, vividly portrays ancient Rome's fascination with perpetual entertainment and our own culture's similar obsession. Works Discussed: Corigliano, Circus Maximus

In post-revolutionary France, the piano had replaced the harpsichord and the driving force behind the arts was moving from the court to the salons of Paris high society. Two composers, Liszt and Chopin, capitalized on these changes in very different ways and between them defined the future of piano music.

Professor Carol interviews Groucho, the singing parrot who stole the show at the Dallas Wind Symphony's 2006 season opener. Groucho talks about his life on stage and reprises his performance at the Meyerson Symphony Center. Works Discussed: Foster, Camp Town Races; Cohan, Yankee Doodle Dandy; Alouette

Percy Grainger's life story reveals a most unusual personality who left an enduring legacy as a virtuoso pianist, an inventor of instruments, a collector of English folk songs, and a composer of music for wind band. Works Discussed: Grainger, Lincolnshire Posy, The Immovable Do, Molly on the Shore.