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Sons de la Memòria | Born CMM

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Sons de la Memòria | Born CMM

Curated by Arnau Horta, and following the link between the sound arts and intangible heritage, the program of sound interventions "Sons de la Memòria" at El Born Centre de Cultura i Memòria of Barcelona is intended as a framework for the presentation of live performances, sound installations and other hybrid formats that explore the issue of memory and its malleable nature through music.Sounds (and music in particular) have a unique ability to trigger emotional reactions and relive lived, perhaps forgotten, stories, inviting us to reimagine and even fictionalize memory. Under the effects of music, memory can become an evanescent and ghostly material, pierced by imagination and fantasy. It is in this sense that one must understand the notion of "hauntology" that cultural critic Mark Fisher (1968-2017) borrowed from Jacques Derrida to describe a series of musical proposals that seem to oscillate between nostalgia and aspiration for a lost future, projecting itself back and forth in tim

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    Sons de la memòria 3 | Born CCM | Shiva Feshareki & Arnau Horta

    Third part of Sons de la Memòria cycle, a sound intervention program presented in El Born CCM, Barcelona. The Anglo-Iranian artist Shiva Feshareki (London, 1987) is one of the most prominent experimental composers of her generation and one of the leading representatives of the latest batch of the turnabilist movement. Using manipulated vinyl records and other artifacts Feshareki has developed a fascinating body of work that includes references to the work of great pioneers of electronic composition such as Eliane Radigue, Pauline Oliveros and Daphne Oram, founder of the legendary BBC Radiophonic Workshop. Sons de la Memòria Act 3: Shiva Feshareki Interview by Arnau Horta A El Born Centre de Cultura i Memòria / Eufònic production 2020 Podcast production: Matías Rossi http://www.eufonic.net

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    Sons de la Memòria 2 | Born CMM | Julian House & Arnau Horta

    Sons de la memòria és un programa d’intervencions sonores que es presenta en accions semestrals a El Born CCM amb actuacions en viu, instal·lacions sonores i altres formats. En la segona sessió, Arnau Horta parla amb Julian House, artífex del segell Ghost Box, per explorar la memòria musical d’una Anglaterra situada en un món paral·lel, fascinant i angoixant, en el qual ressonen les composicions del BBC Radiophonic Workshop, les identitats sonores sintètiques d’obscurs departaments governamentals, el pop espectral i el folk sobrenatural. Sons de la Memòria Act 2: Julian House Interview by Arnau Horta A El Born Centre de Cultura i Memòria / Eufònic production 2020 Producció podcast: Matías Rossi

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    Sons de la memòria | Born CCM | Simon Reynolds & Arnau Horta

    Sons de la memòria és un programa d’intervencions sonores que es presenta en accions semestrals a El Born CCM amb actuacions en viu, instal·lacions sonores i altres formats. A la sessió inaugural, conversa entre Simon Reynolds i Arnau Horta a propòsit del concepte de com sota els efectes de la música la memòria pot esdevenir un material evanescent i fantasmal, travessat per la imaginació i la fantasia. Sons de la Memòria Act 1: Simon Reynolds Interview by Arnau Horta A El Born Centre de Cultura i Memòria / Eufònic production 2019 Producció podcast: Matías Rossi

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ABOUT THIS SHOW

Curated by Arnau Horta, and following the link between the sound arts and intangible heritage, the program of sound interventions "Sons de la Memòria" at El Born Centre de Cultura i Memòria of Barcelona is intended as a framework for the presentation of live performances, sound installations and other hybrid formats that explore the issue of memory and its malleable nature through music.Sounds (and music in particular) have a unique ability to trigger emotional reactions and relive lived, perhaps forgotten, stories, inviting us to reimagine and even fictionalize memory. Under the effects of music, memory can become an evanescent and ghostly material, pierced by imagination and fantasy. It is in this sense that one must understand the notion of "hauntology" that cultural critic Mark Fisher (1968-2017) borrowed from Jacques Derrida to describe a series of musical proposals that seem to oscillate between nostalgia and aspiration for a lost future, projecting itself back and forth in tim

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