STAR WARS Music in James Joyce's Book

First James Joyce had produced "Finnegans Wake", a cryptic text that drew attention from Joseph Campbell, the author of "The Hero with a Thousand Faces", from which George Lucas then borrowed heavily to draft his "Star Wars" story. Taking a more direct step from James Joyce to Star Wars: I seek out sequences of relevant letters in "Finnegans Wake" to turn them into respectively pitched musical notes so that they should echo various themes composed by John Williams for the Star Wars soundtrack. Here for example, a set of short takes on "Jedi Steps" from "The Force Awakens", SW episode 7. The source letter sequences: Var. 1: "aedhaheadecdbdabedadbehfechagaec" Var. 2: "DagDgDgDgDgeaheagabe" Var. 3: "adgegaadaabbadbbeadadedeeheceefhacaeceegffhcehchaagecagfdheadaebedhbeadcbceadfeeghffa" Var. 4: "beaeheaafeeeadefahehahehheceaebeaeafachaeeaahefaeheae" The source passages of "Finnegans Wake": Var. 1 [FW 149.04-06]: "[guff]alled quith a quhimper, made cold // blood a blue mundy and no bones without flech, taking kiss, // kake or kick" Var. 2 [FW 377.35-36]: "Dang! Ding! Dong! // Dung! Dinnin. Isn't it great he is swaying above" Var. 3 [FW 430.26-30]: "and smilingly smelling, pair and pair about, broad // by bread and slender to slimmer, the nice perfumios that came // cunvy peeling off him (nice!) which was angelic simply, savouring // of wild thyme and parsley jumbled with breadcrumbs (O nice!) // and feeling his full fat" Var. 4 [FW 590.06-08]: "beaten wheat, not after Sir Joe Meade's father, thanks! // They know him, the covenanter, by rote at least, for a chameleon // at last, in his true falseheaven"

First James Joyce had produced "Finnegans Wake", a cryptic text that drew attention from Joseph Campbell, the author of "The Hero with a Thousand Faces", from which George Lucas then borrowed heavily to draft his "Star Wars" story. Taking a more direct step from James Joyce to Star Wars: I seek out sequences of relevant letters in "Finnegans Wake" to turn them into respectively pitched musical notes so that they should echo various themes composed by John Williams for the Star Wars soundtrack. Here for example, six takes on "Rey's Theme" from "The Force Awakens", SW ep. 7. The source sequences of letters: Var. 1: "degheaHeAdadgeheaghheeheaeahghheafaeAheehceeEeea" Var. 2: "AceadeadeaadeacdaeeddheabeaCfaeaahefadhagfaedeadhgfheadadefhehbdadaceade" Var. 3: "headhagaeheaaheaaghaefhfahgheaegbaaeadheaaheadggchgeabad" Var. 4: "aaeedcecadheheadhedbgeecghcheacheaeagedadaadead" Var. 5: "aehegefheehaheagbefgabegaegadcheabebaba" Var. 6: "aeagdFeeadgaadgaeefeeefheaadaeheadgabbegagageaddddeage" The source passages of "Finnegans Wake": Var. 1 [FW 025.14-17]: "drengs, in the Salmon // House. And admiring to our supershillelagh where the palmsweat // on high is the mark of your manument. All the toethpicks ever // Eirenesians" Var. 2 [FW 161.25-29]: "in Acetius and Oleosus and Sellius // Volatilis and Petrus Papricus! Our Old Party quite united round // the Slatbowel at Commons: Pfarrer Salamoss himself and that // sprog of a Pedersill and his Sprig of Thyme and a dozen of the // Murphybuds and a score and more" Var. 3 [FW 202.26-29]: "her and how it was gave her away. She // was just a young thin pale soft shy slim slip of a thing then, // sauntering, by silvamoonlake and he was a heavy trudging // lurching lieabroad" Var. 4 [FW 343.30-32]: "allaverred // cromlecks,and when I heard his lewdbrogue reciping his cheap // cheateary gospeds to sintry and santry and sentry and suntry I" Var. 5 [FW 406.32-34] "to make the ingestion for the // moment that he was guilbey of gulpable gluttony as regards chewable // boltaballs," Var. 6 [FW 540.22-24]: "mansiemagd. For peers // and gints, quaysirs and galleyliers, fresk letties from the say and // stale headygabblers, gaingangers and dudder wagoners,"

John Williams's themes in James Joyce's "Finnegans Wake". More: archive.org/details/FarWars and: www.waywordsandmeansigns.com/news/star-wars-and-finnegans-wake Description: "The Ballad of Persse O'Reilly", a fragment of "Finnegans Wake" was reduced to a 1122-long sequence of musically symbolic {ABCDEFGH} letters. The letters were turned into respectively pitched musical notes; duration and accentuation are mine.

A 1:10 duration stretch of the soundwork found here: https://archive.org/details/FarWars and here: http://www.waywordsandmeansigns.com/news/star-wars-and-finnegans-wake Description: Echoes of John Williams's themes in Joyce's letters of "Finnegans Wake": "The Ballad of Persse O'Reilly", a fragment of Joyce's "Finnegans Wake" was reduced to a 1122-long sequence of its musically symbolic {ABCDEFGH} letters. The letters were turned into musical notes of relevant pitch; their duration and other accentuation were my choice.

Expected imitation / soundalike: Mark Griskey's "Korriban" theme from the KOTOR 2 game soundtrack. From James Joyce's "Finnegans Wake"(612.03-04): ["belongahim Exuber High Ober King Leary very dead"] only the letters of the set {ABCDEFGH} were left, 21 of them. Their sequence ["begahEbeHghbegeaedead"] was translated into 21 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: the ostinato bars of the Imperial March through "Battle of the Heroes" to "Darth Vader's Theme" to end with "The Emperor's Theme", all from Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" ["Allalivial, allalluvial! Some here, more no more, more again lost alla stranger. I've heard tell that same brooch of the Shannons was married into a family in Spain. And all the Dunders de Dunnes in Markland's Vineland beyond Brendan's herring pool takes"] (213.32-36) only the letters of the set {ABCDEFGH} were left, 77 of them. Their sequence ["AaaaaaeheeeeeagaaaageeheadehaaebchfhehaaaedafaaAdaheDdedeDeaadeadbedBedahegae"] was translated into 77 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: Mark Griskey's "Sith Tomb" of KOTOR II gametrack, itself playing on "The Emperors Theme" from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" (213.29-32): ["shawl. Good mother Jossiph knows, she said. Whose head? Mutter snores? Deataceas! Wharnow are alle her childer, say? In kingdome gone or power to come or gloria be to them farther?"] only the letters of the set {ABCDEFGH} were left, 57 of them. Their sequence ["haGdhehheadheheadeeDeaaceahaaeaehechdeagdegeecegabehefahe"] was translated into 57 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: Mark Griskey's "Sith Tomb" of KOTOR II gametrack, itself playing on "The Emperors Theme" from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" ["ore ouse! Essonne inne! // By earth end the cloudy but I badly want a brandnew bankside, bedamp and I do, and a plumper at that! For the putty affair I have is wore out, so it is, sitting,yaping and waiting for my old Dane hodder dodderer, my life in death companion, my frugal key of our larder, my much-altered"] (201.04-09) only the letters of the set {ABCDEFGH} were left, 97 of them. Their sequence ["eeEeeBeahedhecdbbadeebadebadebedaaddadaeahaFheaffahaeegagadagfdDaehddedddeefedeahcafgaefadechaeed"] was translated into 97 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily. [Note to die-hard Joyceans: The 10th note is "E", not "A", as I followed the 2012 Bindervoet & Henkes edition of FW, where there is "earth nd", not "earth and".]

Expected imitation / soundalike: Mark Griskey's "Sith Tomb" of KOTOR II gametrack, itself playing on "The Emperors Theme" from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" (334.21-24): ["frees our fleas round sadurn's mounted foot; built the Lund's kirk and destroyed the church's land; who guesse his title grabs his deeds; fletch and prities, fash and chaps; artful Juke of Wilysly; Hugglebelly's Funniral; Kukkuk Kallikak"] only the letters of the set {ABCDEFGH} were left, 73 of them. Their sequence ["feefeadadedfbhedaddeedhechchadhgeehegabhdeedfechadefahadchaafefHggebeFaaa"] was translated into 73 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: Mark Griskey's "Sith Tomb" of KOTOR II gametrack, itself playing on "The Emperors Theme" from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake"(334.21-24): ["your thing to me I will gamey a sing to thee. Stay where you're dummy! To get her to go ther. He banged the scoop and she bagged the sugar while the whole pub's pobbel"] only the letters of the set {ABCDEFGH} were left, 58 of them. Their sequence ["hgegaeagheeaheeedgehegheHebagedhecadhebaggedhegahehehebbbe"] was translated into 58 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: "Abandoned and Pursued" plus a bit of "E.T. Main Theme" from the E.T. soundtrack, and "The Emperors Theme" from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" [(613.15-21) "laurens now orielising benedictively when saint and sage have said their say. A spathe of calyptrous glume involucrumines the perinanthean Amenta: fungoalgaceous muscafilicial graminopalmular planteon; of increasing, livivorous, feelful thinkamalinks; luxuriotiating everywhencewithersoever among skullhullows and charnelcysts of a weedwastewoldwevild when Ralph the Retriever"] only the letters of the set {ABCDEFGH} were left, 118 of them. Their sequence ["aeegbeedceheaadagehaeadheaAahefcageceheeaheaAeafgagacecafcagaaaaefceagfeefhaaageeheceheeeaghadchaecfaeedaededheahheeee"] was translated into 118 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: the march theme from "Indiana Jones and the Raiders of the Lost Ark" combined with "Darth Vader's Theme" plus a bit of "The Force Theme" from Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" [(055.26-32) "their treegrown girls, king's game, if he deign so, are in such transfusion just to know twigst timidy twomeys, for gracious sake, who is artthoudux from whose heterotropic, the sleepy or the glouch, for, shyly bawn and showly nursured, exceedingly nice girls can strike exceedingly bad times unless so richtly chosen's by (what though of riches he have none and hope dashes hope on his heart's horizon) to gar their great moments greater"] only the letters of the set {ABCDEFGH} were left, 131 of them. Their sequence ["heeeggggaefhedegaechafgdefgacaehahdfheheecheeehegchfhbaadhedeceedgcegcaeeceedgbadeechchebhahghfchehehaeeadhedahehehheahgahegeaegeae"] was translated into 131 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: the 5-tone motif of "The Close Encounters of the Third Kind" intertwining with shorted "Darth Vader's Theme" and "Sith Theme" from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" (055.26-32): ["(their convoy wheeled encirculingly abound the gigantig's lifetree, our fireleaved loverlucky blomsterbohm, phoenix in our woodlessness, haughty, cacuminal, erubescent (repetition!) whose roots they be asches with lustres of peins. For as often as the Archicadenus, pleacing aside his Irish Field and craving their auriculars to recepticle particulars before they"] only the letters of the set {ABCDEFGH} were left, 121 of them. Their sequence ["hecheeedeccgabdheggagfeeefeeaedecbebhhedeehaghcacaebeceeehehebeachehefeFafeaheAchcadeeacgadehhFedadcagheacaececeacabefehe"] was translated into 121 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: "Yoda's Theme", "Sith Theme (Emperor's Theme)", "The Force Theme" and a briefling of "Star Wars (Opening) Theme" from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" (320.22-29): ["(a wuke. Ugh! // — Stuff, Taaffe, stuff! interjoked it his wife's hopesend to the boath of them consistently. Come back to May Aileen. // — Ild luck to it! blastfumed the nowraging scamptail, in flating furies outs trews his cammelskins, the flashlight of his ire wackering from the eyewinker on his masttop. And aye far he fared from Afferik Arena and yea near he night till Blawland Bearring, baken be the brazen sun"] only the letters of the set {ABCDEFGH} were left, 137 of them. Their sequence ["aeghffaaffeffeedhfeheedhebahfheceCebacaAeedcbafedheaggcaafagfeehcaehefahghfheacegfheeeehaAdaefahefaedfAffeAeaadeaeaheghBaadBeagbaebehebae"] was translated into 137 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: "The Force Theme" and "Sith Theme" (Emperor's Theme) medley from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" (308.L1(12-16)-R1&2-F1&2-309.01): ["(L1) Balance of the factual by the theoric Boox and Coox, Amallagamated. (R1) MAWMAW, LUK, YOUR BEEFTAY'S FIZZIN OVER! (R2) KAKAOPOETICS LIPPUDENIES OF THE UNGUMPTIOUS. (F1) Kish is for anticheirst, and the free of my hand to him! (F2) And gags for skool, and crossbuns and whopes he'll enjoyimsolff over our drawings on the line! // It may not or maybe a no concern"] only the letters of the set {ABCDEFGH} were left, 103 of them. Their sequence ["BaacefhefacabhehecBadCAaagaaedAABEEEFAFEAAECDEEFHEGhfacheadhefeefhadhAdgagfadcbadheheeffedagheeaabeacce"] was translated into 103 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Expected imitation / soundalike: "The Force Theme" and "Darth Vader's Theme" medley from the Star Wars soundtrack by John Williams. From James Joyce's "Finnegans Wake" (576.19-26): ["true terminus of straxstraightcuts and corkscrewn perambulaups, zeal whence to goal whither, wonderlust, in sequence to which every muckle must make its mickle, as different as York from Leeds, being the only wise in a muck's world to look on itself from beforehand; mirrorminded curiositease and would-to-the-large which bring hills to molehunter, home through first husband, perils behind swine and horsepower down to hungerford,"]. only the letters of the set {ABCDEFGH} were left, 126 of them. Their sequence ["eefaaghcadcceeabaeahecegahhedeeecehcheeceaeceadffeeafeedbegheeacdeffbefehaddedceaeaddheagehchbghehehehghfhbadebehdeadheedhgefd"] was translated into 126 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 30th Variation on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 34 letters of the set {A/B/C/D/E/F/G/H} ["caaafcaeadCddecheddgghedbhafdAeaAd"] from this fragment of Joyce's "Finnegans Wake" (625.21-23): ["capital part for olympics to ply at. Steadyon, Cooloosus! Mind your stride or you'll knock. While I'm dodging the dustbins. Look what I found! A lintil pea. And"] was translated into 34 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 29th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 41 letters of the set {A/B/C/D/E/F/G/H} ["acabeadffcafAfafecaaeeaeHeeadghffafheeeFa"] from this fragment of Joyce's "Finnegans Wake" (623.19-21): ["air. My currant bread's full of sillymottocraft. Aloof is anoof. We can take or leave. He's reading his ruffs. You'll know our way from there surely. Flura's"] was translated into 41 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 28th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 83 letters of the set {A/B/C/D/E/F/G/H} ["heaabeefeeafehgdfegfhbedbadhaghefheeehagaafcaeeaecehabeedAdafefFaeadgceechcheaeGhaa"] from this fragment of Joyce's "Finnegans Wake" (618.36-619.04): ["the natural bestness of pleisure after his good few mugs of humbedumb and shag. While for whoever likes that urogynal pan of cakes one apiece it is thanks, beloved, to Adam our former first Finnlatter and our grocerest churcher, as per Grippiths' varuations"] was translated into 83 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 27th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 38 letters of the set {A/B/C/D/E/F/G/H} ["heahaeadeafcaefabageeaefheaceDfgehegad"] from this fragment of Joyce's "Finnegans Wake" (617.24-26): ["To hear that lovelade parson, of case, of a bawl gentlemale, pour forther moracles. Don't forget! The grand"] was translated into 38 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 26th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 20 letters of the set {A/B/C/D/E/F/G/H} ["aeaafcaeebaeabgbgafe"] from this fragment of Joyce's "Finnegans Wake" (596.26-27): ["appears a funny colour; stoatters some; but a quite a big bug after"] was translated into 20 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 25th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 51 letters of the set {A/B/C/D/E/F/G/H} ["fdbeddbfefedghedaefhecacaeeeaghdaceaeeedhehadccaeee"] from this fragment of Joyce's "Finnegans Wake" (575.34-36): ["found, beyond doubt of treuson, fending the dissassents of the pickpackpanel, twelve as upright judaces as ever let down their thoms, and, occupante extremum"] was translated into 51 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 24th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 45 letters of the set {A/B/C/D/E/F/G/H} ["hafacAchfedchaafacaHfaaeeaheeeegadeeeheaedeea"] from this fragment of Joyce's "Finnegans Wake" (564.32-34): ["Shamus Swiftpatrick, Archfieldchaplain of Saint Lucan's. How familiar it is to see all these interesting advenements with one snaked's eyes! Is all?"] was translated into 45 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 23rd of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 58 letters of the set {A/B/C/D/E/F/G/H} ["BaaDaeahafcafaeaaHeeeeaahefadabeadheeheeaeeadaaahadagdcAdd"] from this fragment of Joyce's "Finnegans Wake" (561.19-22): ["Biryina Saindua! Loreas with lillias flocaflake arrosas! Here's newyearspray, the posquiflor, a windaborne and heliotrope; there miriamsweet and amaranth and marygold to crown. Add"] was translated into 58 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 22nd of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 48 letters of the set {A/B/C/D/E/F/G/H} ["eaaehhheecabegheafcaefcadaeegafhchhefeededefcaaa"] from this fragment of Joyce's "Finnegans Wake" (558.11-14): ["exaltation, still we think with Sully there can be no right extinuation for contravention of common and statute legislation for which the fit remedy resides, for Mr Sully, in corporal amputation"] was translated into 48 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 21st of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 39 letters of the set {A/B/C/D/E/F/G/H} ["ecaadhecaafcafhaafeheeaceececheefeefead"] from this fragment of Joyce's "Finnegans Wake" (551.19-21): ["precipitation towards the culmination in latification of what was formerly their utter privation, competence, cheerfulness, usefulness and"] was translated into 39 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 20th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 82 letters of the set {A/B/C/D/E/F/G/H} ["BeeeeaedbDdDBehBadFahagFadAgaeeAadAeeeadegadeHeadhAhceeEggadAheaadheaCacheghfaaaad"] from this fragment of Joyce's "Finnegans Wake" (498.09-13): ["Betters M.P, permeated by Druids D.P, Brehons B.P, and Flawhoolags F.P, and Agiapommenites A.P, and Antepummelites P.P, and Ulster Kong and Munster's Herald with Athclee Ensigning and Athlone Poursuivant and his Imperial Catchering, his fain awan, and"] was translated into 82 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 19th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 41 letters of the set {A/B/C/D/E/F/G/H} ["eececgecdgaeedebacgaaegcccedhahadadeedche"] from this fragment of Joyce's "Finnegans Wake" (482.32-34): ["Mezienius connecting Mezosius including was verted embracing a palegrim, circumcised my hairs, Oh laud, and removed my clothes"] was translated into 41 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 18th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 50 letters of the set {A/B/C/D/E/F/G/H} ["adaaeadaeaeadfcafaacebacdeaeeeahechaefgaaafheAchae"] from this fragment of Joyce's "Finnegans Wake" (458.36-459.02): ["and it will follow you pulpicly as far as come back under all my eyes like my sapphire chaplets of ringarosary I will say for you to the Allmichael"] was translated into 50 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 17th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 39 letters of the set {A/B/C/D/E/F/G/H} ["aaaccfffacaefaaegheegeeadeecdabaheheabg"] from this fragment of Joyce's "Finnegans Wake" (450.26-28): ["(olala!) is as cockful of funantics as it's tune to my fork. Naturale you might lower register me as diserecordant, but I'm athlone in the lillabilling"] was translated into 39 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 16th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 43 letters of the set {A/B/C/D/E/F/G/H} ["adaadfcaeaefadcaececegAbeebheadaffegEbafEha"] from this fragment of Joyce's "Finnegans Wake" (446.27-30): ["and rally rats' roundup! 'Tis post purification we will, sales of work and social service, missus, completing our Abelite union by the adoptation of fosterlings. Embark for Euphonia!"] was translated into 43 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 15th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 71 letters of the set {A/B/C/D/E/F/G/H} ["aacaaacaaahaheeehehchheeheAdfcdgaeggbeeedeeeaffacaaffachefedgefhaaeadae"] from this fragment of Joyce's "Finnegans Wake" (298.03-06): ["Paa lickam laa lickam, apl lpa! This it is an her. You see her it. Which it whom you see it is her. And if you could goaneggbetter we'd soon see some raffant scrumala riffa. Quicks herit fossyending. Quef! So post that to your pape and smarket."] was translated into 71 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 14th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 40 letters of the set {A/B/C/D/E/F/G/H} ["gaeHadaheACAEFCAGEADHEFEEEAFHEAhahaaaaAa"] from this fragment of Joyce's "Finnegans Wake" (272.L3-F2): ["(L3) slogan plumpers. (L4) Hoploits and atthems. (R1) PANOPTICAL PURVIEW OF POLITICAL PROGRESS AND THE FUTURE PRESENTATION OF THE PAST. (F1) What's that ma'am? says I. (F2) As you say"] was translated into 40 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 13th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 31 letters of the set {A/B/C/D/E/F/G/H} ["aaafcagehaaacafadahadffhbabdach"] from this fragment of Joyce's "Finnegans Wake" (169.15-17): ["an artificial tongue with a natural curl, not a foot to stand on, a handful of thumbs, a blind stomach"] was translated into 31 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 12th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 39 letters of the set {A/B/C/D/E/F/G/H} ["adhaeafedcedadffcaeheaeagehfaeahegageca"] from this fragment of Joyce's "Finnegans Wake" (166.07-09): ["and with a real fur, reduced to 3/9, and muffin cap to tone (they are "angelskin" this fall), ostentatiously hemming apologetically"] was translated into 39 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 11th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 41 letters of the set {A/B/C/D/E/F/G/H} ["adeaafcaaeaeefahaeaBaefadaahfabhagfaaaaea"] from this fragment of Joyce's "Finnegans Wake" (154.09-12): ["tardeynois at all for you cannot wake a silken nouse out of a hoarse oar. Blast yourself and your anathomy infairioriboos! No, hang you for an animal rurale! I am"] was translated into 41 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 10th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 45 letters of the set {A/B/C/D/E/F/G/H} ["AbbacefbeaaefCaeBbebFheadHedheeeadfheDaeheaea"] from this fragment of Joyce's "Finnegans Wake" (106.32-34): ["Abbrace of Umbellas or a Tripple of Caines, Buttbutterbust, From the Manorlord Hoved to the Misses O'Mollies and from the Dames to their Sames, Many-"] was translated into 45 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 9th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 37 letters of the set {A/B/C/D/E/F/G/H} ["feeaaaaeeAafcaehagdaeeeeedbeadheeedda"] from this fragment of Joyce's "Finnegans Wake" (094.15-17): ["free, ana mala woe is we! A pair of sycopanties with amygdaleine eyes, one old obster lumpky pumpkin and three meddlars"] was translated into 37 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 8th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 30 letters of the set {A/B/C/D/E/F/G/H} ["eaaahedhefbefhcaffacedgebeahaa"] from this fragment of Joyce's "Finnegans Wake" (061.18-19): ["nearvanashed himself, by one of his co-affianced to get your breath, Walt, and"] was translated into 30 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 7th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 41 letters of the set {A/B/C/D/E/F/G/H} ["eaadbeafCaaccdaHeeefcaHedehaDeededefadece"] from this fragment of Joyce's "Finnegans Wake" (054.09-11): ["bleak and bronze portal of your Casaconcordia: Huru more Nee, minny frickans? Hwoorledes har Dee det? Losdoor onleft mladies, cue."] was translated into 41 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 6th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 61 letters of the set {A/B/C/D/E/F/G/H} ["Aaedeadehecaafcaefhcheaedgbheehefefadceeehchhadegbefecaededfa"] from this fragment of Joyce's "Finnegans Wake" (052.01-04): ["Anny Oakley deadliness (the consummatory pairs of provocatives, of which remained provokingly but two, the ones he fell for, Lili and Tutu, cork em!) empties which had not very long before contained Reid's family"] was translated into 61 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 5th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 45 letters of the set {A/B/C/D/E/F/G/H} ["aaddacfacfhecehahehaefheaeagehacdhheeaahagdae"] from this fragment of Joyce's "Finnegans Wake" (050.36-051.01): ["an autodidact fact of the commonest that the shape of the average human cloudyphiz, whereas sallow has long daze"] was translated into 45 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.

Here's the 4th of the 30 Variations on Star Wars Themes by John Williams. That I found in a book by James Joyce (d. 1941). A sequence of 30 letters of the set {A/B/C/D/E/F/G/H} ["baadeachfacfabfeageeeabacefaee"] from this fragment of Joyce's "Finnegans Wake" (042.33-34): ["balls and poplin in search of a croust of pawn to busy professional gentlemen, a brace of palesmen"] was translated into 30 respectively pitched musical notes. No two (different) notes start at the same time. Duration attributed arbitrarily.