The Eyeshot Podcast on Street & Documentary Photography

Gary Knight on war, evidence, and the limits of what a photographer can know. In this Eyeshot 50mm conversation the British photojournalist, co-founder of VII Photo Agency and Executive Director of The VII Foundation, explains why nobody wins a war, why he no longer needs to be the one telling other people's stories, and why he believes photojournalism has to be liberated from the press.Four decades inside conflict, from Cambodia to Bosnia, Kosovo, Iraq and Afghanistan. He is harder on his own work than on anyone else's: he calls what he made in Bosnia superficial, and says that four decades in, he trusts his own certainty less than he did at the start. He talks about the ethics of proximity and the gift handed to you by the people who let you in, about founding VII on a shoestring in September 2001, about The Stringer and what happens when journalists face the questions they spend their lives asking everybody else, and about the grieving mother photograph we have all seen too many times.Gary Knight co-founded VII Photo Agency on 9 September 2001. He is Executive Director and co-founder of The VII Foundation, which runs the VII Academy and its education programmes for photographers from the majority world.Interview © Eyeshot. Gary Knight appears courtesy of The VII Foundation.Watch the full video interview on YouTube.https://youtu.be/bbTeIWcX5ZQ

Max Sturgeon on street photography, flash, and the emotion that layering leaves out. In this Eyeshot 50mm conversation the American photographer explains why he lowers the camera and waits for people to look at him before he releases the shutter.In this Eyeshot 50mm interview, Max Sturgeon, American photographer and winner of the Eyeshot Open Call in the series category, describes a practice built entirely outside the conventional route. Photography reached him through two other passions, cinema and travel, and after twenty years working on film sets he moved what was left of that creative energy into the street. He does not shoot at home, because nothing there surprises him any more, and he defends the position of the outsider without dismissing the argument for the local photographer. He breaks one of the most repeated rules of the genre on purpose: he frames through the viewfinder, lowers the camera, and waits for eye contact before he takes the picture. He calls street photography soulless when it stacks people and layers with no emotion underneath. He talks about the flash he swore he would never use, and about the trap it sets for the photographers who do. He admits, without softening it, that he shoots pictures he knows will do well online. And he explains how Of a Different Stripe was already edited before he ever submitted it, how a workshop on sequencing changed the way he builds a body of work, and why anyone entering an open call should send a series. Follow Eyeshot for more street and documentary photography.His book Of a Different Stripe was published by Eyeshot in 2021, hardcover, 160 pages, with a foreword by Vineet Vohra. The limited edition is sold out.Watch the full video interview on YouTube. https://youtu.be/tz2epbYN7AY

Lorenzo Catena designed buildings before he photographed people. In this Eyeshot 50mm conversation the Roman street photographer, co-author with Valeria Tofanelli of the sold out Eyeshot book Mareterno, explains what happened the day he watched another photographer reinterpret his own architecture, and everything that followed. In this Eyeshot 50mm interview, Lorenzo Catena talks about reading the street in thresholds and layers, choosing between color and black and white at gut level, making flash pass for natural light, the year and a half spent photographing the sea of Rome for Mareterno, why the rules of street photography are not a checklist, what the reel culture is doing to photographers, and why the future of street photography is the authenticity of the moment.Watch the full video interview on YouTube: https://youtu.be/8BasAeD5evc

Bill Shapiro spent years deciding which photographs a country would look at. In this second Eyeshot 50mm conversation he moves to the other side of the submission and says plainly what a juror sees, what an editor does, and what has kept photographers working for decades. In this Eyeshot 50mm interview, Bill Shapiro, former Editor-in-Chief of LIFE, founding editor of LIFE.com and co-founder of BluePhoto Collective, returns as a juror of the Eyeshot Open Call 2026. He dismantles the belief that jurors reward work resembling their own, describes the picture that made him choose against his own taste, and explains why a photograph that needs four paragraphs of explanation is not communicating well enough. He talks about the editor as a stand-in for the viewer, editing as a genuinely artistic act, and the danger of a style that hardens into a gimmick. He argues that gatekeeper is not a dirty word, describes the small daily act he uses to force his own algorithm open, and names what has mattered more than talent in every long career he has watched. He closes with the photographs of a village in northern New Mexico that sat in a basement for fifty years before anyone saw them. Follow Eyeshot for more street and documentary photography.

British Malaysian photographer Ian Teh has spent more than three decades photographing the relationship between economic development, environmental change and human life, and now returns to the China archive that began his career. In this Eyeshot 50mm interview, British Malaysian documentary photographer Ian Teh talks with Lucrezia Bonarota about growing up between Malaysia, China and Britain, the 1995 journey that turned photography into a possible life, and the long, patient years spent documenting China during its most dramatic transformation. He speaks about photographing progress without celebrating or condemning it, the migrant workers behind projects of staggering scale, editing people into silhouettes to reveal the machine that moved them, and why a photograph is strongest when it leaves room for reflection. His new limited edition with Eyeshot, Undercurrents – Reframed: China 1999-2008, reopens that archive and reinterprets it from the present. Follow Eyeshot for more street and documentary photography.

American street photographer Richard Bram has spent more than forty years catching the small, telling gestures of public life, most recently from his base in London, and now shapes a vast black-and-white archive into a book of fleeting narratives. In this Eyeshot 50mm interview, Richard Bram talks with Lucrezia Bonarota about coming to photography late, self-taught, at thirty-two, armed with 'ignorance and courage'. He learned in the darkroom and the public library, trained his eye editing under pressure ('a good edit fills the wastebasket'), and became a founding member of in-public, the collective that insisted street photography was not dead. He speaks about wanting uncertainty over explanation, why the click turns reality into fiction, the ethics of candid work today, and the street as a theatre set waiting for its actors. His new limited edition with Eyeshot, Restless Eye, gathers decades of that restless, curious looking into one book. Follow Eyeshot for more street and documentary photography.

British photographer Paul Trevor has spent more than fifty years photographing public life, most of it in East London, and now reopens his black-and-white archive as a book that plays. In this Eyeshot 50mm interview, British street and documentary photographer Paul Trevor talks with Lucrezia Bonarota about a life spent photographing public life. Largely self-taught, he came to photography through cinema and co-founded the Exit Photography Group in 1973, learning alongside other photographers who had no school but each other. He speaks about street photography as learning about loss, the shots that haunt you because you missed them, the generosity of the street, and the discipline of the analogue years: the darkroom, the contact sheets, the slow burn. His new limited-edition book with Eyeshot, Riffs, returns to his archive from the 1970s and 1980s and pairs images from different times and places until new meaning appears through rhythm and surprise.

Documentary photographer Alex Kornhuber has spent more than twenty years photographing Peru, its people, land, labour and migration, and the question of who we really are. In this interview, Peruvian-German documentary photographer Alex Kornhuber talks about a life spent photographing Peru. Born to a German father and a Peruvian mother, Alex has always felt he belongs everywhere and nowhere, a feeling that lets him enter realities different from his own. Over two decades he moved past the tourist mask of Peru toward its hidden, more difficult places: mining towns like La Rinconada at 5,400 meters, the extraction economy that shapes entire families, and the land that makes its people resilient and creative. He speaks candidly about the ethics of consent, stealing a shot and negotiating with the people in it, the emotions that get in the way of editing, and what he keeps from masters like Koudelka, Robert Frank and Cartier-Bresson.

In this episode of Eyeshot 50mm, Australian street photographer Mark Davidson talks about street photography beyond Instagram, visual performance, clichés, and the pressure to make images that simply “work” online. Together, we discuss his late start in photography, his relationship with Melbourne, the use of flash as a way to capture tension and unease, the ethics of photographing strangers, and why failure, patience, and long-term projects are essential to building meaningful work.Eyeshot 50mm is our interview series dedicated to street and documentary photography: raw, direct conversations with photographers who turn the streets into visual stories. Subscribe to Eyeshot, explore our books and discover more interviews with contemporary street and documentary photographers.

Five Eyeshot photographers on what photography is for now: gear and humility, fame and the unique eye, ethics, survival, and why they keep looking."How to See: Best of Eyeshot Q2" brings together the five photographers of this season's Eyeshot release, Margarita Mavromichalis (Street Weather), Markus Andersen (The Grey Hours), Paul Russell (The Secret Lives of Humans), Federico Rios (White Line), and Adriana Zehbrauskas (Alma), in a single thematic conversation about contemporary photography. From street photography and documentary photography to ethics, authorship, visual storytelling, gear obsession, personal work, dignity, survival, memory, and the act of looking, this episode is a slow and human conversation about what still gives a photograph meaning in a world saturated with images.Not five interviews, but one story told through five different eyes. Discover the Q2 Eyeshot Collection and pre-order the books before June 30.

Richard Sandler joins Eyeshot 50mm for a raw conversation on New York street photography, film, flash, eye contact, documentary filmmaking, and what it means to photograph the unrehearsed human face. One of the defining street photographers of late 20th-century New York, Sandler reflects on photographing the city in the 1980s, working with Leica cameras and flash, learning from Gary Winogrand, dealing with risk, rejection, the technique of two pictures in one frame, the same technique he once taught a young Bruce Gilden, and the presence of the photographer in the frame. He speaks about why he never wanted to be invisible, why eye contact can reveal something deeply human, and why the best photographs often ask more questions than they answer. Direct, funny and uncompromising, a portrait of a photographer who never stopped questioning what he was looking at.

In this episode we sit down with acclaimed photojournalist Ed Kashi of VII Photo Agency to explore his 45 years journey through documentary photography, visual activism, and the art of “candid intimacy" in over 100 countries. Known for his deep commitment to social issues, Ed reflects on the ethical responsibilities of the photographer, the emotional power of the still image, and the evolution of his visual language. We dive into his sold-out book with Eyeshot, “Visual Riffs”—a limited edition book now available for pre-order. Ed discusses how photography becomes a form of therapy, storytelling, and resistance, and shares insights into his creative process, from personal obsessions to field experiences across the globe.

Robin Schimko, also known as The Real Sir Robin, joins Eyeshot 50mm for a direct conversation on street photography, YouTube, algorithms, AI, flash, gear culture, and what happens when social media starts shaping the way photographers see. In this episode, Robin reflects on the difference between being a street photographer and playing the YouTube game, questioning how algorithms reward repetition, imitation, silhouettes, POV videos, gear obsession, and easily consumable images. He also discusses why good street photography is not about perfection, why AI may push photography toward a dangerous idea of the “perfect image,” and why the real value of the medium still lies in instinct, presence, failure, and visual identity.He talks about a decade with the same Leica Q and 28mm lens, gear as costume, photographing around the shock at Thailand's Vegetarian Festival, the biggest beginner mistake he sees in workshops, what it takes to make a living without diluting the work, and why in the age of AI a flawed real photograph matters more than a perfect generated one.

In this episode, American street photographer Chuck Patch reflects on a lifetime of image-making, from his first camera and darkroom experiences to his years working with museums, archives, and photographic collections. The conversation moves through his influences, including Garry Winogrand, Walker Evans, Vivian Maier, Joel Meyerowitz, and Henri Cartier-Bresson, while opening a deeper discussion on what makes a street photograph last over time. Patch speaks about the beauty of mundane subjects, the limits of perfect composition, the shift from black and white to color photography, and why authenticity in photography has changed across generations. He also reflects on the role of Flickr and online photography communities, the fear of criticism, the value of amateur photography, and the difference between the traditional “decisive moment” and a more emotional, social, and narrative understanding of street photography. This is a conversation about street photography as attention, memory, community, intuition, and emotional connection.

Sandra Cattaneo Adorno joins Eyeshot 50mm to discuss street photography, memory, Brazil, abstraction, light, and the freedom of starting photography later in life. In this episode, Sandra reflects on how the street can become more than a place to document reality. Through color, reflections, bodies, gestures, gold, silver and fragments of everyday life, her work transforms ordinary moments into something poetic, personal and dreamlike. From Rio de Janeiro to New York, she shares how photography changed the way she sees the world and why street photography can move beyond the decisive moment.

In this episode, we sit down with acclaimed documentary photographer Dave Jordano. Dave Jordano did not come to documentary photography through the street. He came through still life, three decades of commercial work in Chicago with an 8x10 camera, planning every detail, controlling every light. When he returned to personal work around 2000, he brought that patience with him: the tripod, the long study, the frame decided before the shutter. He is, by his own account, the opposite of a street photographer. In this episode of Eyeshot 50mm he talks about treating the world as a still life, about why he refused to photograph Detroit as a fashionable ruin when "people still live here", about consent as a slow method built on conversation and returned prints, and about the one rule that held a fifty-year life together: love what you do, and treat it as a gift, not as work.

n this episode of Eyeshot 50mm, Paulie B discusses street photography, shooting strangers, ethics, New York, Walkie Talkie, visual clichés, and why he is not trying to be Daniel Arnold.Paulie B is a photographer, filmmaker, and creator of Walkie Talkie, the YouTube series that has opened up the process of street photography to a wider community. In this conversation, he reflects on what it means to photograph in public today: when to approach, when to disappear, how to deal with confrontation, and why being a street photographer requires more than one way of seeing.From the pressure of photographing New York to the responsibility of making images of strangers, from social media comparison to the clichés of contemporary street photography, this episode is a direct and honest conversation about process, fear, ethics, community, and the future of street photography.

In this episode, Melissa O’Shaughnessy shares her journey from darkroom to digital, from shyness to confidence, and from family snapshots to internationally acclaimed street photography. Known for her vibrant color and human-centered compositions, Melissa reflects on building her philosophy on photography, and what it means to find your voice on the street. As the cover artist of Eyeshot’s sold-out limited edition all-women issue “No Man’s Land: Women Reclaiming the Streets”, Melissa dives into the challenges and strengths of photographing as a woman in a historically male-dominated genre. In this in-depth interview, we talk about identity, ethics, color vs. black and white, the influence of Joel Meyerowitz, and how one photograph can hold an entire story.

In this episode of Eyeshot 50mm, Richard Koci Hernandez reflects on photography, AI, Instagram, visual journalism, and what it means to make images in a world already overflowing with them. A photographer, visual storyteller, educator, and one of the most influential voices in contemporary image-making, Hernandez moves through the major shifts that shaped his career: film photojournalism, the digital transition, multimedia journalism, mobile photography, Instagram, and now AI-assisted visual culture. Rather than treating new tools as threats, he argues that photographers must understand them before they can criticize, reject, or use them with clarity.The conversation explores photography’s unstable relationship with truth, the future of photojournalism, the role of transparency, the limits of AI-generated imagery, and why this may be one of the most important moments for a new generation of visual journalists and image-makers.

David Gibson, celebrated street photographer and member of the UP Photographers collective, joins us for the second episode of “50mm.” Explore how street photography has evolved, learn abstract photography tips, and discover powerful insights on photography techniques, gender in photography, and more. In this in-depth interview, Gibson explains how instinct and technique guide the quest for iconic images, how technology and the internet reshaped photography’s journey, and why a supportive photography community fosters mutual inspiration. He also discusses writing, visual storytelling, and the art of observation, offering reflections on the impact of AI on the future of photography. Whether you’re looking for photography advice as a hobbyist or seeking new perspectives as a professional, this conversation delivers valuable lessons and creative inspiration for everyone.

Seamus Murphy joins Eyeshot 50mm to discuss documentary photography, war, Afghanistan, Ireland, PJ Harvey, and why images should challenge us rather than comfort us. A raw conversation on photojournalism, long-term work, ethics, memory, and the difficult responsibility of looking. In this episode, Murphy reflects on a life shaped by photography: from leaving Ireland and finding his voice through the camera, to working across conflict zones, returning again and again to Afghanistan, and resisting the narrow labels of “war photographer” or “documentary photographer.” The conversation moves through photojournalism, personal projects, visual freedom, and the tension between information, emotion, and form.

Former LIFE Magazine Editor-in-Chief, Bill Shapiro, shares rare behind-the-scenes stories from the golden era of photojournalism to today’s digital challenges. From curating iconic covers to navigating ethical dilemmas, Shapiro offers an insider’s view on editing, storytelling, and what makes a photograph truly unforgettable. In this episode, we explore his philosophy on empathy in photography, how to surprise a juror, and the delicate balance between history and the present in visual storytelling. Whether you’re a photographer, editor, or photography lover, this conversation will inspire and challenge your perspective.

David Campany, creative director of the International Center of Photography in New York, writer, curator and theorist, joins Eyeshot 50mm to discuss street photography, documentary photography, photobooks, interpretation, and why photographs are better at suggesting than explaining the world. In this conversation, Campany reflects on the limits of the photographic image, the difference between looking and understanding, and the role of writing, captions, sequencing, and context in documentary photography. From the idea that street photography is not really about “the street” to the tension between ambiguity and over-explanation, this episode opens up some of the most important questions around contemporary photography today.

Phil Penman sits down with Eyeshot 50mm to talk about street photography, photojournalism, paparazzi culture, and building a 30-year career in New York City. From 9/11 to celebrity chaos, from ethics to AI, this is a raw conversation about what it really takes to survive as a professional photographer. In this episode, Phil reflects on growing up with a news photographer father, working as chief photographer for newspapers, surviving the high-pressure world of paparazzi photography, and eventually returning to personal street work in NYC. We discuss speed, instinct, consent, privacy, social media algorithms, AI, technical perfection vs emotion, and why real photography still matters.

A Brazilian documentary photographer working across Latin America and beyond, Adriana Zehbrauskas from the VII Foundation joins Eyeshot 50mm to discuss documentary photography, photojournalism, ethics, trust, AI, migration, Mexico, and her new Eyeshot book “Alma”. In this conversation, she reflects on what it means to photograph real life without staging, manipulation, or excuses.In this episode, we talk about the discipline of newspaper work, why “we do not publish excuses,” the obsession with gear, women in photojournalism, the responsibility of photographing vulnerable communities, and why trust has become even more fragile in the age of AI-generated images. Adriana is also the author of “Alma”, a limited-edition photobook published by Eyeshot, rooted in Mexico and shaped by attention, dignity, and social reality.

Colombian photojournalist and Pulitzer finalist Federico Rios Escobar joins Eyeshot 50mm to discuss documentary photography, the war on drugs, and his new monograph “White Line”. In this Eyeshot 50mm interview, Colombian photojournalist Federico Rios Escobar refuses the aura of the unique photographer. Best known for his five-year coverage of the Darien Gap for the New York Times, finalist for the Pulitzer Prize, Rios calls himself "one more photographer". He thinks of photography as a pizza, his work as one slice of a wider conversation that takes shape only when many voices look at the same situation. We talk about documenting three sides of the same Colombian conflict, the army's, the farmer's, the rebel group's, on three consecutive days. He discusses Leica primes, manual focus as slow practice, and documentary photography as a jam session.

Paul Russell joins Eyeshot 50mm to talk about street photography, humor, gear culture, social media, and his new Eyeshot book The Secret Lives of Humans. In this conversation, he questions the rise of mediocre street photography online, defends the value of candid public moments in the age of AI.Paul Russell reflects on what makes a street photograph meaningful: not obvious irony, not gear obsession, not social media visibility, but timing, observation, subtle humor, and the ability to recognize the unusual within everyday life. His work looks at people almost like a form of natural history — a study of humans in public space, caught in gestures, rituals, habits, and strange social choreography."The Secret Lives of Humans", his new monograph with Eyeshot, reads like a BBC nature documentary where the species on screen is our own. Pre-order open until 30 June 2026.

In this episode of Eyeshot 50mm, Australian photographer Markus Andersen talks about why he rejects the label “street photography,” why analogue still matters, how Instagram changed photographic culture, and why editing needs time. A sharp conversation on photographing life, not categories. We discuss post-production, sequencing, creative parameters, and why complex photography often struggles in today’s fast social media economy. Markus Andersen is also the author of Eyeshot’s limited edition book “The Grey Hours” (available until June 30th). He reflects on quiet images, atmosphere, light, human presence, and the difference between shooting for visibility and building long-term work.

In this episode of Eyeshot 50mm, we sit down with Margarita Mavromichalis to talk about street photography, documentary photography, visual education, social media, and why the quietest images are often the ones that matter most. Margarita is the author of Street Weather, her limited-edition book with Eyeshot. From her sharp take on gear culture to the pressure of instant gratification on Instagram, Margarita reflects on what shapes a photographic language today: observation, editing, influence, travel, and the refusal to reduce photography to labels. Her work moves across cities, cultures, and public spaces while staying deeply rooted in human presence, ambiguity, and timing.

Street photographer Aaron Berger discuss his journey from Thailand to New York, building a voice in color photography, and capturing what he calls the “micro-dramas” of everyday life. Known for his obsessive daily practice, Berger shares how being self-taught shaped his vision, the influence of Garry Winogrand, and the delicate balance between luck, instinct, and structure in street photography. In this interview, Aaron reflects on editing choices, photographing families, diversity without clichés, and his relationship with film vs. digital. As a member of UP Photographers and the author of sold-out Eyeshot limited edition book ”Same Time Tomorrow”, Berger explores how to turn routine into ritual and passersby into protagonists.

Sandra Hernández, Mexican photographer, founder of Observadores Urbanos, and an active voice in Latin American, reflects on street photography, documentary photography, the female gaze, everyday life, intention, and human connection. Her work moves between urban life, memory, visibility, and the relationship between people and place. She is also connected to platforms including Women Street Photographers, Women Photograph, and The Raw Society. In the conversation, we talk about the blurred line between street photography and documentary photography, photographing the ordinary with intention, why the “invisible photographer” is a myth, women’s visibility in photography, Latin American representation, community-building, and what it really takes to make a living from photography today.

In this episode, we sit down with Don Hudson, a master of street and documentary photography with over 40 years of experience. Don is the author of Eyeshot's sold out edition “Can I Get a Witness?” that collects his most iconic images—a raw and authentic journey into the heart of the American Midwest in the ’70s and ’80s. During the interview, Don shares anecdotes about creating this project and discusses how his photographs narrate the culture and daily life of that era. The conversation touches on many exciting and current themes: from consent and ethics in photographing strangers on the street, to the differences between analog and digital photography, up to the impact of AI (Artificial Intelligence) on modern photography. We discuss the cultural impact of street photography—how images can bear witness to social changes and influence our perception of reality. Don offers his sincere perspective on how photography, both analog and digital, can serve as a witness of our times and on the photographer’s role in society.

In this episode, we sit down with Australian street photographer Julia Coddington to talk about intimacy in street photography, color, crowded frames, Instagram, consent, and the place of women in contemporary photography. A sharp conversation on how photographs are made, shared, and understood today. Julia reflects on how she moves inside a scene rather than observing it from a distance, why light comes before subject and composition, why she is drawn to dense and layered frames, and why getting the image right in-camera still matters. The conversation also opens up bigger questions around street photography vs documentary photography, aesthetic trends shaped by social media, women in photography, confidence, collectives and the structural undervaluation of women’s work.

In this raw and unfiltered 50mm interview, Blake Andrews dismantles the clichés of street photography. He talks about shooting in rural alleys instead of bustling cities, embracing imperfection, and rejecting labels altogether. With an unconventional and ironic eye, he explains how mistakes, chance, and confusion make his photos unforgettable.We dive into his darkroom process, analog gear, and obsession with black-and-white. Blake also opens up about ethical boundaries, what makes a photo truly successful—and why photography should never be too perfect.This insightful interview explores his journey, influences, and philosophy.

In this episode of Eyeshot 50mm, we sit down with Siegfried Hansen, one of the most influential voices in contemporary street photography, to explore how seeing comes before shooting. Hansen talks about geometry as a visual language, street photography beyond faces and gestures, and why the obsession with the decisive moment often limits how we read the street. Drawing from painters, jazz musicians, and photographers like Henri Cartier-Bresson, he reflects on intuition versus intention, editing as distance rather than control, and why coincidence is never truly accidental when your way of seeing is trained.

In this episode, we meet Bouwe Brouwer, Dutch street photographer and member of the UP Collective, to explore what street photography becomes when it moves away from spectacle and toward quiet precision. Bouwe approaches photography as an act of subtraction rather than accumulation. In this conversation, we talk about origins and photographic identity, black and white as both a conceptual and emotional choice, as well as failure, and the fine line between street photography and narrative documentation. We also discuss photographic collectives, online popularity, and the myths and distortions of contemporary photography.

Mike Miller talks about photographing Tupac, Snoop Dogg, Eazy-E, and the rise of West Coast hip hop from the inside. Miller reflects on growing up in Los Angeles, discovering photography through skateboarding and music, and building trust with artists at the center of a cultural shift. We talk about hip hop imagery, access, instinct, iconic album covers, the difference between commercial work and cultural documentation, and why some photographs outlive the industries that commissioned them. From analog process and Polaroids to social media, overproduction, and the future of music photography, this is a conversation about staying true to your eye while history is unfolding in front of you.

In this episode of The Eyeshot Podcast on Street & Documentary Photography, we speak with Belgian photographer Nick Hannes about his long-term approach to documenting contemporary society. His work explores globalization, consumerism, and the construction of neoliberal cities, focusing on the tension between individuals and the systems they inhabit. Through a combination of research and chance, Hannes builds layered images that balance technical precision with ambiguity. The conversation also introduces "Mirage", his upcoming book with Eyeshot available until March 31st— a reflection on urban illusion, control, and the social and ecological consequences of contemporary development.

From early street photography to a more painterly, surreal black-and-white language, Alison McCauley breaks down what makes her raise the camera: beauty, oddness, reflections, soft focus, and the freedom of the street’s unpredictability. We also go deep on editing and sequencing, subtle post-production, ethics, the value of imperfection, and why DIY camera filters became part of her signature look. She talks about “Beyond Here”, her limited edition book and ongoing visual search for belonging, home, and the feeling of being “anywhere but here.”

French documentary photographer Nicolas Castermans reflects on the long process behind Breath of Modernity, his project developed over years in the highlands of Cusco. From guiding treks above 4,000 meters to building trust with local families, he shares how photography became a way to witness cultural change, disappearing traditions, and the tension between tourism, survival, and identity. We talk about long-term documentary work, spontaneity and why strong photography takes time. Castermans also speaks about photographing with respect, avoiding cliché and building a body of work that goes beyond single images.

In this episode, Magnum Photos legend and Eyeshot Open Call 2025 juror Richard Kalvar reflects on his journey through photography, from fashion shoots in New York to theatrical scenes on the streets of Paris. Known for his dry humor, sharp eye, and philosophical take on reality, Kalvar discusses ambiguity, instinct, black and white aesthetics, and what truly makes a photograph stand the test of time. Kalvar shares stories behind his iconic images, talks about “Earthlings” and its long evolution, and offers candid insights on judging photography competitions, working within Magnum, and finding unexpected moments in everyday life.

In this episode of Eyeshot 50mm, street photographer Graciela Magnoni joins us for a deep conversation on what street photography really means today as a method of seeing.From meeting Sebastião Salgado at 17 to developing a journalist’s press-pass mindset, Graciela reflects on how access shapes confidence, how freedom can turn into entitlement, and why photographing cultures that aren’t your own demands more than curiosity. We discuss the female gaze, representation, stereotypes, and the responsibility of visual storytelling in contemporary photography. We also unpack serendipity in street photography as well as on the uncomfortable realities of today’s photography landscape: social media algorithms, iPhone culture, virality vs. quality.