Trusty Chords

For close to 25 years now, Canada's own The Flatliners have been bringing their unique brand of punk to the world.Formed in 2002, the Ontario group are one of those rare bands who have managed to maintain the same line-up through the entirety of their career. They've used this stability to craft numerous records over the years, including the likes of 'The Great Awake', 'Cavalcade', and 'Dead Language' on Fat Wreck Chords, and most recently, 'Cold World'. Their seventh studio album, 'Cold World' is exactly what you're after from a new album by The Flatliners. Sharp yet smooth, but maintaining that frenetic energy that has accompanied their decades of work, it's an album definitely worth your time.Alongside his time in The Flatliners, guitarist and vocalist Chris Cresswell has spent almost a decade performing a similar role in Hot Water Music. You might have heard me mention Hot Water Music before, namely due to the fact that bassist Jason Black was the guest in our third-ever episode, and the fact that this very podcast is named after one of their songs.Needless to say, it's nice to welcome another member of the Hot Water Music family onto the Trusty Chords podcast.Anyway, have a listen to The Flatliners' 'Cold World', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

There's a very good chance that if you've found yourself listening to music in recent years and noticing there seems to be a stylistic shift to the straightforward pop and rock of the '60s, you've likely found yourself listening to The Lemon Twigs.Hailing from Long Island in New York, The Lemon Twigs is the musical project of brothers Brian and Michael D'Addario, who, after starting in the world of acting, found themselves focusing on music, forming their nascent band while in high school.From there, it's the standard story every group dreams of: demos attract interest, and before long, you're signed to a record label, making plenty of albums, appearing on TV, touring the world, and cultivating a strong fanbase.Just one month ago, however, the familial duo returned with their sixth album, the stellar 'Look For Your Mind!'. Tapping into the psychedelic power pop sound, it's a brilliant piece of work that underlines just how strong they are as songwriters and performers.Needless to say, when the opportunity came up, I knew I had to take the chance to have a chat to Brian and Michael to talk about their latest record.Anyway, have a listen to The Lemon Twigs' 'Look For Your Mind!' album, and I’ll see you at the end of the episode for some general housekeeping.

Last week saw the Trusty Chords podcast celebrate 100 episodes, so we here at TC HQ figured it was high time to offer up a few facts and stats from the past couple of years.We're talking information about the theme song, info on the longest and shortest episodes, the most chosen artists, albums, and songs, and all that other sort of granular stuff you didn't even know you wanted until now.

For about 15 years now, the Australian music scene has been home to The Pretty Littles, arguably one of the best rock bands this country has produced in quite some time.From humble beginnings with a batch of albums that largely flew under the radar, it was in 2016 or so that The Pretty Littles began to experience wider fame. Albums like 2016's 'Soft Rock For The Anxious' and 2018's 'Skeleton Run' helped cement them as staples of the independent rock scene, and there's a very good chance that 2020's 'Weekend Away' would have continued that trajectory, had it not arrived against the backdrop of COVID.That album was very close to being the last for the band, with The Pretty Littles effectively ceasing to exist after its arrival. Thankfully, the story doesn't end there, and frontman Jack Parsons kept the group going, enough to release 2025's 'Force' album, which was my favourite Australian release of 2025, and third-favourite record of the year overall.Given that Force took a while to arrive, one could have reasonably expected another few years to elapse before The Pretty Littles dropped a new record, but thankfully, we're celebrating today with the release of 'Mulga Wire', a fresh new album that shows that this is a band that don't just offer up some slick songs with stellar songwriting (try saying that five times fast), but commands your attention because of it.This week, I was lucky enough to have a chat with Parso, just days after he returned from the latest edition of Guts Touring up in the Northern Territory.Thankfully, he was bright-eyed and bushy-tailed enough to take part in what would be this podcast's 100th episode celebration (or as I'm calling it, the 'Trusty Chords 100th Episode Extrava-Spec-Ganza-Tacular'. Catchy, right?)Anyway, have a listen to The Pretty Littles' 'Mulga Wire', grab a ticket to their upcoming tour, listen back through that impressive discography, and I’ll see you at the end of the episode for some general housekeeping and some words about this podcast's 100-episode run.

If you're someone who has a penchant for music which is a little bit ferocious, a little bit honest, and a whole lot of impactful, then you might have come across Chasing Ghosts over the years.Originally, Chasing Ghosts was formed as a solo act by Jimmy Kyle, a Thungutti man who also happens to be a musician, storyteller, and educator up there with the best of them. Following Chasing Ghosts' arrival, albums arrived in due course, and soon enough, it expanded into a full-band affair.Records like 'Confessions From A Phone Booth' and 'I Am Jimmy Kyle' were followed by the 'Homelands' EP, and in 2025, we received the Therapy album. I'm going to editorialise a little bit when I say that 'Therapy' is a stunning record and one that is definitely worth your time.Early this month, however, Chasing Ghosts revealed that they were going on an indefinite hiatus. Noting that "family has to come first," Jimmy reflected on the impact that the band has had on both him and the wider community, and revealed that they wouldn't be going out with a whimper, but with a bang.Indeed, they announced one final show to take place at the Northcote Social Club this June, with the massive attention soon necessitating a second show. This week, Jimmy was kind enough to join me for a wonderful chat, discussing his musical history, the story of Chasing Ghosts, and the impending hiatus. As a bit of a peek behind the curtain, my band will actually be supporting Chasing Ghosts at their second Northcote Social Club show, but this hadn't been locked down while we were chatting.Anyway, buy a ticket to Chasing Ghosts' upcoming farewell show, listen back through that impressive discography, and I’ll see you at the end of the episode for some general housekeeping.

I daresay that The Sheila Divine are one of those great examples of a band who deserve much more attention than they've received over their career.Forming in Boston back in 1997, most casual fans of the group would've come on board around the release of 1999's 'New Parade' record, which spawned the likes of 'Hum', 'Like A Criminal', and more.If you're a fan of music from the late '90s (and frankly, if you're listening to this podcast, I daresay you are), 'New Parade' should be required listening. Go ahead, take 46 minutes and give it a run. I'll wait right here. (That was great, wasn't it?)But their story doesn't end there. Following another record a couple of years later, the group would split, with a pair of reunions eventually resulting in a constant stream of records since 2012 as an independent act.An acclaimed group of musicians, songwriters, and performers, the band's fanbase is strongest in the US northeast, as well as Belgium. And with good reason, too, because they are a stellar band who are still operating at full capacity, decades down the line.This week, they return with their latest album, the fantastic 'The Middle Ages.' If you're a fan of alternative rock with soaring choruses, frenetic energy, and a viscerally-earnest approach to the craft, you'd do well to check this one out.Since The Sheila Divine's inception, Aaron Perrino has been up the front, serving as vocalist and guitarist. This week, he was kind enough to join us for a chat (well, we actually spoke back in March) to chat about the band's history, their new record, and his familial link to another friend of the show.Anyway, have a listen to The Sheila Divine's 'The Middle Ages,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Ruby Jones is one of those musicians whose whole life has largely been spent in the pursuit of music, with a calling to the craft as a youngster soon finding itself following her for the entirety of her life.If her name isn't one that's familiar, there's a very good chance you might have seen her as part of Melbourne soul outfit Clairy Browne & The Bangin' Rackettes, which existed until 2015 and boasted Ruby as a member.Since then though, she's been very active as a solo artist, having launched her career a few years later, and releasing the stellar 'The Woman Who Loves You' album in 2021. There was a bit of a gap between releases after that, however, and it's taken us a little while to receive her new record, 'Souvenir.'Arriving last week, it's one of those records which definitely falls into the category of 'worth the wait', because Ruby has crafted an 11-track collection of tunes which showcase her stunning approach to folk and rock. Touching upon myriad topics such as creativity, heartbreak, toxic relationships, a love of place, and even climate catastrophes, it's a record which is varied in its approach, though anyone would be consistent in their opinion that it's a wonderful release.You might have guessed by now, but this week, I was lucky enough to have a chat with Ruby about her musical career, and how it led to the release of her new record.Anyway, have a listen to her 'Souvenir' album, buy a ticket to her upcoming launch show, and I’ll see you at the end of the episode for some general housekeeping.

Hello and welcome to Trusty Chords, the podcast which aims to celebrate music and those that create it.Spend just a few minutes chatting to Nick Manuell, and it's pretty clear that he's one of the hardest-working folks in the Australian music scene.Having been interested in music since his early years, a number of bands gave way to The Sinking Teeth, who were a staple of live stages for quite some time – close to a decade in fact.However, Nick's current list of bands can be traced back to 2013, when The Sinking Teeth went out on tour with punk icons Bodyjar for their 'Role Model' tour. Performing alongside Luca Brasi as fellow supports, it was just six years later that he'd be asked to join Bodyjar as their bassist.Since then, he's served as a member of the legendary rock group, starting another band – Raging Hormones – along the way.Most recently, Nick went back to that 2013 tour, because in 2024, he also joined Luca Brasi, this time as their rhythm guitarist. Needless to say, if you're in a band right now, be careful chatting to Nick, or else he might just be coming for your job.Alongside his stellar work in his numerous bands, Nick's work also extends to the worlds of photography, videography, recording, and so much more. I've been lucky enough to share stages with him, record in the studio with him, and have his camera pointed at my face, and he's a dedicated professional in every aspect.Next week, Nick is hitting the road with Luca Brasi as they kick off their 'If This Is All We’re Going To Be' tenth anniversary tour, but before he does that, he was kind enough to join for a lengthy chat about his musical history.Anyway, buy a ticket to Luca Brasi's upcoming Australian tour; listen through the discographies of The Sinking Teeth, Bodyjar, Raging Hormones, and Luca Brasi; and I’ll see you at the end of the episode for some general housekeeping.

It's pretty hard to think about punk music over the past 50 years without paying mind to the great Greg Ginn.Beginning his career with a radio equipment company before he was even a teenager, Ginn co-founded the band Panic with vocalist Keith Morris in 1976, with the group adopting the name Black Flag in 1978.The ensuing decade has been studied, talked about, written about, and immortalised at great length, with Black Flag quickly becoming one of the most hard-working, prolific, and energetic punk bands on the scene. When someone talks about hardcore punk, laments the 'glory days' of the genre, or turns their attention to what a punk band 'should' be, they're probably talking about Black Flag.Though Black Flag would split in 1986, a batch of reunions have taken place since, and just last year – in 2025 – Ginn announced the latest lineup of the band. This time around, it made headlines, largely due to the fact that the combined ages of his new bandmates don't equate to his own.While some critics have derided the latest era of Black Flag for featuring a 'Gen Z' lineup, and others have exercised some misogyny with comments towards their newly-recruited vocalist – the first woman to hold down the role – recent footage has shown that the band are actually firing on all cylinders.This May, Black Flag  are returning to Australia for a batch of shows, and to celebrate, the normally media-shy Ginn joined me for a brief chat about the band's latest happenings. We don't quite get to all of his favourite songs, but with such a hard question put to a great musical mind, who can blame him?Anyway, buy a ticket to Black Flag's upcoming Australian tour, and I’ll see you at the end of the episode for some general housekeeping.

I'll admit that when it comes to music in Australia, Canberra is a music scene that is typically overlooked.Which is a shame, because that's where most folks got to experience the rise of Kim Yang.Born in Taipei, Taiwan, Kim's formative musical years saw a brush with fame by way of an impressive appearance on Taiwan's Super Idol TV show. However, after relocating to Australia to professionally study music, Kim revisited the world of performing by way of busking in the streets of Canberra, eventually releasing a batch of recordings into the world.Following support slots for a run of local acts such as Josh Pyke, Ben Lee, Katie Noonan, and more, Kim's impressive foray with widespread attention preceded a move to Beijing in 2023, where she continued her musical journey on a global scale.In early May, Kim will release her debut album, the stellar 'Turn On The Lights.' It's an album that is a true pleasure to listen to, with Kim's penchant for curating an intimate, comforting mood with her music underpinned by her innate ability to showcase a sense of vulnerability and humanity in her lyrics.With lyrical themes focusing on identity, purpose, fear, and anxiety, while also drawing on her own journey through self-doubt, discovery, and acceptance, it's an album you would do very well to listen to.This week, I was lucky enough to have a chat with Kim ahead of the release of her album, and it was a true pleasure to learn more about her musical journey, and approach to her craft.Anyway, have a listen to Kim Yang's 'Turn On The Lights' when it arrives on May 7th, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For the Australian music fans among us (and I've looked at the podcast demographics – that's most of you), the name Dean Hanson might not be to the level of household recognition, though his work is certainly on the way.For close to two decades now, Dean has served as the guitarist of Ball Park Music, a group who are – in my opinion – one of the country's most consistently good groups. Sure, they might not have won an ARIA (yet), and they might have only received their first local chart-topper (so far) last year, their work is stellar, their live experience immense, and their reputation as solid performers established.But for fans of Dean (and there are plenty), there's good news in the pipeline, because he has today released his debut album under his solo moniker, Zeano.Dubbed 'Window Seat, Always,' Dean figured it was time to put all those ideas he had bubbling away under the surface to good use and to finally make a record which showcases them all. Working with Tim Hart of Boy & Bear, a ten-day recording period gave way to an album which is truly exceptional.Some records get unfairly overlooked when described as a 'solo project', but don't let that fool you, Dean has crafted a record which could easily stand tall on its lonesome if he had no prior brand recognition.That is to say, this is a record you should give your time to. Come for the outgoing pop rock near the start, and stay for the introspective work that populates the back end – you won't regret it.As you might be able to assume, I was lucky enough this week to have a chat with Dean for the podcast, where we talked about solo projects, supporting big name acts, and creating music solely for the love of it.Anyway, have a listen to Zeano's 'Window Seat, Always,' buy a ticket to his album launch show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Those keeping their finger on the pulse of the Australian music scene may have noticed that just a few weeks ago, we were blessed with the release of 'Spectacular Denial,' the debut album from Anna Smyrk.An artist who has been performing for many years in various guises, Anna has been working on a solo career for most of the last decade, and it's been a pure treat watching her release music with increasing regularity.According to her website, she's someone who crafts songs for "word nerds and pop hook obsessives", which is probably why I enjoy her music so much.With her long-awaited debut album, we've received a powerful collection of tracks that transcend genre lines and traverse myriad topics, with much of the record serving as a vehicle for dealing with grief.That's all to say, it's an album that is as powerful as it is immersive, and vulnerable as it is brave. I don't think I'm making a bold claim when I say it's one you should definitely listen to.Recently, I was lucky enough to have a chat with Anna about her many years spent as a wonderful musician, and the journey to this stunning record as well.I will apologise in advance that there's a few audio hiccups from time to time, but as always, if you don't mind, then neither do I.Anyway, have a listen to Anna Smyrk's 'Spectacular Denial,' buy a ticket to her upcoming shows, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

I'm going to make a bold claim that if you're listening to this podcast, you've got a very good taste in music. That's why I think you'd do very well to check out Melbourne's own Fairtrade Narcotics.A genre-defying six-piece ensemble who are often described as blurring the edges of jazz rock and psychedelic pop, they've been in the game for close to a decade now, making lovers of luscious tunes swoon, and melting faces along the way.This week, they release their second album, 'Recession Pop', and I believe it's one of those albums you need to listen to in full to really appreciate. Don't go shuffling it on streaming or picking out the singles – pop it on, sit with it, and let it musically overwhelm your senses.Describing the record as a "soundtrack to a bubble-gum dystopia", it's an album which comes from a period of evolution and change for the band. Alongside relocating studios, welcoming new members, and further honing their eclectic sound, Recession Pop is a sonic snapshot of a band who have been at it for some time, but are only now showcasing their full potential as songwriters, performers, and artists.This week, I was lucky enough to catch up with Wilsen Conn, George Inglis, and Brooke Kymberley of Fairtrade Narcotics for a chat. If George sounds familiar, that's because he joined in during the Sleepazoid chat a few weeks back. Much like that podcast, drummer Luca Soprano couldn't make it – but I'm not taking it personally.Anyway, have a listen to Fairtrade Narcotics' 'Recession Pop', buy a ticket to their upcoming tour and their album launch show this evening, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For close to 15 years now, I've been a massive fan of Adelaide's Bad//Dreems.Regarded as one of Adelaide's finest purveyors of pub-rock (a term they initially shied away from), Bad//Dreems first formed back in 2011, and wasted no time hitting the ground running.A debut EP gave way to 2015's 'Dogs At Bay,' which was followed by 2017's 'Gutful,' and 2019's 'Doomsday Ballet.' In 2023, the group re-emerged from COVID with Hoo Ha!, their best-performing record to date, and their only one to (so far) to receive an ARIA Award nomination.As I said at the start, I've been a massive fan of Bad//Dreems across this past decade-and-a-half. In fact, if you know anything about me, it's how much I am a fan of this group.As it stands, they're currently the band I've seen the most, I've also spent time in the studio with them, and they even refer to me as their number one ticket holder – which I'm not going to complain about.Last week, they released their fifth album, 'Ultra Dundee,' which is arguably one of their finest releases to date. It's powerful, it's mysterious, it's angular, jagged, and luscious, and it's the distillation of what Bad//Dreems have been leading to after all these years.Sadly, the record was also accompanied by the news that, after their upcoming tour, Bad//Dreems will be going on an indefinite hiatus.So I recently wiped away the tears and had a chat with founding Bad//Dreems members guitarist Alex Cameron, and vocalist Ben Marwe. Together, we had a lengthy chat about their career, their new record, and what this hiatus means for them.Anyway, have a listen to Bad//Dreems' 'Ultra Dundee,' buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you've ever thought to yourself, "Son of a gun, I reckon 'bush-psych' is one of those genres that should exist," well, have I got a name for you.That name is William Crighton, the Australian musician originally from Dubbo, who launched his career 25 years ago. However, his musical journey really begins in earnest with the release of his self-titled 2016 album.Remarkable in his musical approach thanks to a profound compositional and lyrical sense that manages to intertwine time, place, country, and emotion in a raw, yet profound mix, Crighton's work has been recognised as, I believe the technical term is 'pretty bloody good', having taken home the ARIA Award for Best Blues And Roots Album off the back of 2022's 'Water And Dust'.Today, Crighton is back with another corker of a record, 'Colonial Drift'. If you're in the mood for a good time, I implore you to pop those headphones on, sit back, and let him transport you with his myriad musical talents.This week (well, we recorded this over a month ago), I was lucky enough to be joined by William Crighton for a chat about his new record, his musical past, and everything else. The audio is a bit spotty due to a poor internet connection, but I won't fret if you don't.Anyway, have a listen to William Crighton's 'Colonial Drift', have a listen to our chat, buy a ticket to his upcoming tour, and I’ll see you at the end of the episode for some general housekeeping.

For over two decades now, the world of indie rock and emo has hosted none other than Pennsylvania's Tigers Jaw.First formed in 2005 as a two-piece, the project soon expanded and began releasing music. In 2008, their self-titled second album was released, firmly establishing the group as one of the genre's finest acts. In fact, you'll find tracks like 'Plane vs. Tank vs. Submarine' and its sublime follower 'I Saw Water' rightly considered some of the best in the '00s emo revival.This is all to say that Tigers Jaw do a pretty fine job, and that formative success has only followed them. While the group's membership has ebbed and flowed – though always comprising Ben Walsh since its formation and Brianna Collins since 2006 – their music has continued, with new records arriving with regularity.Now, after five years, Tigers Jaw are back with their latest record, Lost On You, and it's a stellar piece of work. Powerful, emotive, and punchy as ever, it's an amazing album which shows that more than 20 years into their career, Tigers Jaw are nowhere close to being done with their roles as impressive musicians.This week, I was lucky enough to have a chat with Ben Walsh in the lead-up to the record's release on March 27th. Anyway, have a listen to Tigers Jaw's Lost On You when it arrives (but listen to the rest of their discography in the meantime), have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

I'd like to imagine that I'm like a lot of people when I say that I enjoy music that doesn't take itself too seriously. That's probably why I found myself resonating with Electric Six when they first broke onto the scene over two decades ago.By the time they turned heads with 2003's debut album, 'Fire', the group had been around for quite some time already, having first launched as The Wildbunch in Detroit back in 1996, and adopting their current name a few years later following some shuffling of members.That debut album was an impressive one, spawning hits like 'Danger! High Voltage', 'Dance Commander', and 'Gay Bar,' and proving that you don't need to be a solemn-faced, suit-wearing rocker to make a splash.They certainly rocked though, blending elements of rock, disco, and even metal in their work to craft a sonic palette which was as varied as it was impressive. Hell, their latest tour poster calls it 'disco-punk and metal-funk', so it's one hell of a descriptor.Pretty soon, they became a prolific entity, and between 2003 and 2023, they averaged around one album a year between myriad live shows. That initial success brought with it a pair of Australian visits in 2004 and 2005, but from there it was a long wait for a return. In 2023, they made a long-overdue comeback, following it up again the year after. Now, Electric Six are back for another Australian tour this month, and to celebrate, I was lucky enough to spend some time with frontman Dick Valentine (or Tyler Spencer, as his driver's license would tell you) for a chat about the group's enduring legacy.Anyway, have a listen to Electric Six's lofty discography (maybe start with 'Fire' – it's great!), have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you're one of those folks who contends that pop-punk was at its best in the '00s (and it was, let's face it), then there's a pretty good chance you've bumped a bit of Cartel in your time.First formed in Georgia back in 2003, it didn't take long for Cartel to hit their stride, recording and releasing music, while also touring in earnest. In 2005, however, they struck it big with the release of their debut album, 'Chroma.'A stellar masterwork of the genre, 'Chroma' is the sound of a young group combining their shared influences to craft something incredibly special. It's got hooks, it's got riffs, and it's got that cathartic edge that everyone strives for when it comes to music of the era.Over the years, Cartel have continued to grow. They became the second (and final) band to appear on the Band In A Bubble series (following on from previous podcast guests Regurgitator), they toured Australia on numerous occasions, and have released three more albums.However, since the release of 2013's 'Collider,' the band haven't toured Australia or released a new album. That sort of changed last year when they released a re-recorded version of 'Chroma' for its 20th anniversary, and announced a new run of Australian tour dates – which kick off this weekend – and will see them playing the record in full.This week, I was lucky enough to be joined by Cartel's Will Pugh, days before his latest trek to Australia, and mere weeks after his last. Together, we spoke about the band's formation, the legacy of 'Chroma,' and how that new album has been cooking.Anyway, have a listen to Cartel's 'Chroma,' have a listen to our chat, buy a ticket to their tour, and I’ll see you at the end of the episode for some general housekeeping.

For close to 25 years now, the Australian music scene has been home to a little group called Kisschasy. First forming in around 2002, the group rose to fame in 2005 with their exceptional debut record 'United Paper People,' and – having not exhausted their brilliance on their first outing – followed it up two years later with the stunning 'Hymns For The Nonbeliever.'Two years later, the group gave us their third album with 'Seizures,' and sadly didn't follow it up. A new record was demoed, but it never saw the light of day, and in 2015, Kisschasy bade us farewell after a final tour.In 2022, a return was on the cards, with the band playing their debut album as part of the Good Things festival that year. Following more tours, the band began sharing new music in 2025, and now they're back with their long-awaited fourth album, 'The Terrors Of Comfort.'I truly cannot tell you how much I love Kisschasy. They are a band who have been with me for over 20 years now, and if they had a dollar for every time I'd listened to one of their songs, I'm sure they'd be recording albums on gold microphones at Abbey Road after pulling up in their Ferraris.And in fact, 'The Terrors Of Comfort' is an album I implore you to listen to. It's only February, but I may have already found my album of the year. It's everything you love about Kisschasy's glory days, filtered through years of growth, evolution, and musical maturity that only a band like them can deliver.This week, I was lucky enough to be joined by guitarist and singer Darren Cordeux for a lovely chat where we discussed everything from the group's formation, to their classic era, to the new music. Plus it was a great chance for me to be a Kisschasy nerd for a while.Anyway, have a listen to Kisschasy's 'The Terrors Of Comfort,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Hello and welcome to Trusty Chords, the podcast which aims to celebrate music and those that create it.If you're not yet around sleepazoid, then now might be the time to change that, because according to all and sundry, they're on their way to becoming the 'next big thing' in Australian music.It's easy to see why, however. One only needs to take a look at their blissful mix of – as a colleague of mine described it – "gritty grunge and dreamy shoegaze" to see why they're drawing a crowd everywhere they go.And draw a crowd they do. Having shared their debut tracks back in 2024, sleepazoid released their debut EP 'running with the dogs' just last year. By the time I caught them, six months after that EP arrived, you'd be forgiven for thinking they've been around a decade or longer given how voracious their fanbase is, how packed their shows can be, and how intense they are as performers.Fast forward even further, and now, they've just released their latest EP, 'NEW AGE'. As you'd expect, it's another stunning piece of work from this group who simply can't help but make some amazing music, and it truly leaves you wondering just what amazing heights sleepazoid are about to scale next.This week, I was lucky enough to be joined by Nette France, Jo Pabis, Jim Duong, and George Inglis from sleepazoid (sadly, Luca Soprano couldn't make the chat) for an in-depth chat about their career and the new EP. This is one of my rare in-person chats, so excuse the spotty audio that occurs when five people  chat over two shared microphones.Anyway, have a listen to sleepazoid's 'NEW AGE' EP, buy a ticket to their upcoming shows, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If there's one thing that you need to know about Joyce Manor, it's that every time they release a new album, their fans are in for a good time.In fact, I've been saying that for well over a decade now, having followed the Californian outfit since the release of their second album, 'Of All Things I Will Soon Grow Tired,' back in 2012.In the time since, they've released four more albums, a few more split EPs, myriad singles and music videos, and toured the world on numerous occasions. Not bad for a little group that kicked off rather quietly back in 2008.Now, 18 years into their storied career, Joyce Manor are back with their latest album, 'I Used To Go To This Bar.' For diehard fans of the group, it's exactly what you want out of a record from Joyce Manor, with that frenetic sense of energy and power being paired with their stellar lyrics and inimitable knack for writing a killer tune.This week, I was lucky enough to have a chat with not just one, but all three members of Joyce Manor, with Matt Ebert, Barry Johnson, and Chase Knobbe joining for what may actually be my favourite episode I've recorded to date.Anyway, I'll let you be the judge of that from a listener's perspective. So in the meantime, have a listen to Joyce Manor's 'I Used To Go To This Bar,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you've listened to Australian music at any point over the last 25 years, the chances are good you've bumped a bit of The Herd from time to time.Formed in Sydney out of, and by, members of the Elefant Traks collective, The Herd wasted no time in sharing their myriad musical influences with the world. After their self-titled debut scored praise thanks to the likes of the song 'Scallops' (to date, a word I cannot pronounce correctly thanks to the song), second album 'An Elefant Never Forgets' attracted attention thanks to enduring political cuts such as '77%' and 'Burn Down The Parliament'. But it was 2005's 'The Sun Never Sets' that really set the spotlight upon them. Packed full of intricate rhymes, a vast array of musical themes, and arguably one of the best local releases of that year, it was an album whose impact is far greater than its commercial performance. The record also scored an additional boost after The Herd performed a cover of Redgum's 'I Was Only 19' for triple j's Like A Version segment, cementing them into local musical history.While two more records followed over the next six years, The Herd have been largely absent from our stages for years now. But this year, that's changing, with the group coming together for a 20th anniversary tour in support of 'The Sun Never Sets.' Performing the record alongside some of their other classics, it's bound to be a stellar experience for all and sundry.This week, I was lucky enough to be joined by Tim Levinson (otherwise known as Urthboy) for a chat about the record and the upcoming tour. Anyway, have a listen to The Herd's 'The Sun Never Sets,' buy a ticket to their upcoming shows, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

I'll be honest when I say that there's a good chance a lot of folks who appear on this podcast are unknown by large portions of the listenership. That's not a bad thing, of course, since it helps promote discovery and all that sort of thing.However, there's another very good chance that this week's guest is one that you do know, especially given he's the first Grammy Award-winner (that I know of) to appear on this podcast. That person is John Gourley, the co-founder of Alaskan rock outfit Portugal. The Man. Having formed back in around 2004, it didn't take long for the group to start releasing music, and by the time I discovered them in 2009, they'd already released four records. Plenty of tours followed, including a few trips to Australia, and a spot on the final Big Day Out lineup. Then 2017 happened. That was the year the whole world caught on thanks to their unavoidable single 'Feel It Still'. It topped the charts around the world some months after it was released, and in early 2018, Portugal. The Man took home the Grammy for Best Pop Duo/Group Performance.It took a few years for the band to release their next album, and following a bit of a personnel overhaul in 2024 and 2025, Portugal. The Man returned in November with their tenth album, 'SHISH,' which is certainly worth your time if you're a fan of immersive, introspective pop rock.This week (well, it was last year when we recorded this actually), I was joined by Gourley for a chat about the band's rise to fame, their brush with success, and – of course – their latest album.Anyway, have a listen to Portugal. The Man's 'SHISH,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

It's been about two decades now since the world of Australian hip-hop welcomed Matt Colwell, otherwise known as 360, onto the scene. A rapper with a flair for mixing genuineness with wry humour and slick rhymes, 360 rose to wider fame in 2011 with the release of his 'Falling & Flying' album. Reaching No. 4 on the ARIA charts, it saw him take home two ARIA Awards from the ten nominations he received that year. His 'Boys Like You' single would hit No. 3, and his next two albums – 2014's 'Utopia' and 2017's 'Vintage Modern' – would hit No. 2 and No. 3 on the charts, respectively. That is to say, he's had a solid taste of commercial success.But it doesn't end there, because this year, he returned with his fifth album, 'Out Of The Blue.' His first record in eight years, it was a long wait for hardcore fans, but came about following time spent on recovery as he went through a period of rehab to overcome addiction and to enter a newfound state of sobriety and stability.Next year, 360 heads out on his latest tour, the ambitious Back And Forth tour with longtime friend and collaborator Pez, with the pair literally going back and forth across the country from February until June.This week, I was lucky enough to have a chat with 360 as we spoke about his new music, his approach to the craft, and his journey from the darkness into light.Anyway, have a listen to 360's 'Out Of The Blue,' buy a ticket to his upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

It was just over 30 years ago that power pop outfit the Icecream Hands formed in Melbourne. With its origins lying in Adelaide group The Mad Turks From Istanbul in the '80s, the power pop sensibilities of The Mad Turks followed over to the Icecream Hands, which has featured founding songwriter, vocalist, and guitarist Charles Jenkins ever since.Throughout their storied history, Jenkins and the Icecream Hands have carved out an impressively dedicated fanbase, have scored a few ARIA Award nominations, and are frequently met with critical acclaim, though commercial success has often eluded them.In 2007, their album 'The Good China' was followed by a hiatus of sorts where Jenkins would focus more on his solo work for a while, whether it be under his own name, or with The Zhivagos or The Amateur Historians.In 2020, the Icecream Hands returned with their album 'No Weapon But Love,' and fast-forward another five years and we've now received the exceptional 'Giant Fox Pineapple Tree.' If you're a fan of music which is not just pleasurable to listen to, but features some of the best songwriting you'll hear this year, then this new album is one worth your time.This week, I was lucky enough to be joined by Jenkins for a lovely chat where we discussed his musical history, the importance of good songwriting, and the Icecream Hands' journey to today.Anyway, have a listen to the Icecream Hands' 'Giant Fox Pineapple Tree,' buy a ticket to their upcoming shows, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For close to 30 years now, the Australian music scene has sporadically played host to the exceptional Cordrazine.Fronted by Hamish Cowan, who formed the group following time spent in the group Blindside, Cordrazine were the very definition of a star that shone brightly, and for a period far shorter than they should have.Releasing their 'Time To Leave' EP in 1997, the group's singular sound saw them making it into triple j's Hottest 100 of the year when their track 'Crazy' hit the No. 17 position, and by 1998, debut album 'From Here To Wherever' hit the national top 10 and resulted in two ARIA Award nominations.Sadly, Cordrazine were not long for this world, and they split soon after. Cowan would go on to form the duo Hamish with Bryan St James, but we wouldn't see Cordrazine again until 2010, when the 'Always Coming Down' album was released into the world.Since then, it's been a little sporadic on the live front, though we've recently seen a handful of new tunes released by the group in the lead up to the release of the 'You See In Me' EP, which arrives today.The EP will be followed by a launch show at the Northcote Social Club next week, which is being billed as the final opportunity to see Cordrazine live.This week, I was lucky enough to be joined by Cowan, who was kind enough to take part in not just one, but two chats, after we simply ran out of time in our first meeting to talk about all the things we had to. Anyway, have a listen to Cordrazine's 'You See In Me' EP, buy a ticket to their final show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

I could probably hazard a guess and say that we all know people like These New South Whales: stunning musicians, effortlessly funny, charismatic, and just all 'round impressive people.With that in mind, it's hard to pick out what to focus on when talking about their achievements.Maybe we could talk about their musical career, which has brought with it a handful of albums and even an ARIA nomination?There's also room to discuss their amazing live performances, which are as ferocious as they are arresting.Perhaps we could focus on their comedic side, which resulted in their very own Comedy Central series?Or maybe we could point our attention to their 'What A Great Punk' podcast, which is closing in on a lofty 500 episodes?Ultimately, These New South Whales are the sum of many parts, and all of them done very well in tandem.This week, the group release their fourth album, 'GODSPEED,' and in typical fashion, it's a pretty stellar release. Alongside its arrival, they're hitting up the east coast of Australia for a series of free instore performances which are then followed by a series of live podcast recordings, wrapping up the first season of 'What A Great Punk.'With so much going on, I caught up with These New South Whales' Todd Andrews and Jamie Timony to have a chat about the new record, 500 episodes of their podcast, and their eclectic love of music.Anyway, have a listen to These New South Whales' 'GODSPEED,' buy a ticket to this weekend's podcast recording tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

I'm going to go out on a limb here and say this – the chances are very good that you do not know my guest today. In fact, I hadn't even heard about my guest until just a few months ago.That all changed back in June when I played a show in Ruovesi, Finland, on whose line-up the band Cliff Barnes could also be found.Also hailing from the gorgeous country that is Finland, Cliff Barnes is the sort of band that any self-respecting lover of '90s rock should familiarise themselves with immediately. Fuzzy, raucous, and energetic, fans of Dinosaur Jr. will undoubtedly recognise some parallels with their sound, while folks who enjoy their music loud and laden with hooks will be well-catered to.When I caught Cliff Barnes live, I left with a copy of their debut album, 'Free Flyin',' which arrived in 2023 – roughly 25 years since the group had first formed and begun making music. Truly, you'd do well to check them out, especially given that I've been unable to stop recommending them to friends since I heard them.I also left that show with a definite need to chat to JP Jakonen, the founder, guitarist, and vocalist of Cliff Barnes, who – away from his time in the music world – should be called Dr JP Jakonen, with his professional career seeing him serve as a prolific author due to his specialties in the fields of philosophy, psychology, and religion.So that's exactly what I did recently. I called up JP to have a chat about his myriad musical projects, the work of Cliff Barnes, and to gain a bit of an insight into what he does for a day job.Anyway, have a listen to Cliff Barnes' 'Free Flyin',' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

There's a very good chance that one of Australia's next big rock bands is going to be The Belair Lip Bombs.Hailing from Frankston in Victoria, The Belair Lip Bombs aren't exactly from a massive musical metropolis, but that hasn't stopped them thriving.First formed in 2017, the quartet issued a pair of EPs ahead of their 2023 debut album, 'Lush Life,' which arrived to widespread acclaim. Since then, things have been looking up even more for the group, with an appearance at the South By Southwest music conference garnering the attention of Jack White's Third Man Records label, and seeing the group become the first Australian outfit signed to the iconic stable.Since then, their profile has only grown, and with the release of last week's 'Again' album, it's clear The Belair Lip Bombs are well on their way to global prominence.This week, I was lucky enough to chat with drummer Daniel Devlin, who joined to discuss the group's rise to fame and the sounds and influences of their latest album.Anyway, have a listen to The Belair Lip Bombs' 'Again,' buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you're not yet a card-carrying member of the Georgia Knight club, then you're in prime position to change your life.Originally from Melbourne, Georgia Knight has been part of the music world for some years now, having made a public debut with her solo material back around 2019.As she continued to write and record, Georgia shared more music until the release of her 'Hell On Bent Street' EP, showcasing a truly stellar approach to her musical craft which is probably best described as indie rock with elements of folk thrown in.Since then, things have been a bit quiet. While Georgia recorded a full album around 2023, and while she's played plenty of shows since, we've been waiting to hear new music for some time, with that drought set to end this week with the release of 'Beanpole.'A truly gorgeous album which shows a darker vibe to her already-impressive music, Beanpole is one of those albums you can't just listen to once, with its cinematic vibes and elements of trip-hop and avant-garde instrumentation enticing you to pop the headphones on and give it more of your time.I was lucky enough to catch Georgia a few times at BIGSOUND in Brisbane this year, and it's become crystal clear she's well on her way to becoming one of the country's most exciting musical exports.That's exactly why I made sure that I needed to have a chat with her for the podcast this week, which I did when she called in from her car in New Zealand for a lengthy discussion on music, social anxiety, and a love of great songwriters.Anyway, have a listen to Georgia Knight's 'Beanpole,' buy a ticket to her upcoming launch show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you've been paying attention to the Australian music scene in recent years, there's a good chance you may have come across the enigmatic majesty that is Our Carlson.Having got his start in the hardcore world over two decades ago, Carlson has spent the past few years cementing himself as a commanding figure within the world of electronic music, describing his work as "trauma doof from The Peoples Poet."In 2021, his 'A Bit Much' EP gave punters a taste of what was to come, with passionate lyricism and stellar compositions fast winning over audiences. Meanwhile, 2023's follow-up, 'A Bit 2 Much,' continued the trend, and gave us a further taste of what was still to come.This year, he's released the full-length record, 'OC Spray,' a collection of nine tracks that showcase his musical diversity and myriad lyrical focuses. Alongside doof beats and eclectic production, you can even find elements of hyperpop and raw, stark vulnerability. It's a hell of a record, and one you definitely need to hear.Alongside the recorded music, however, Carlson also uses his position to champion the causes that matter. Whether it's the likes of calling out strobes at shows, or campaigning for Indigenous rights, a free Palestine, or the rights of the LGBTQI+ community, Carlson is a man with many focuses at any given time.This week, I was lucky enough to catch up with him again and have a chat about the new record, and everything that's gone on over these past few years.Anyway, have a listen to Our Carlson's 'OC Spray,' have a listen to our chat, buy a ticket to his current tour, and I’ll see you at the end of the episode for some general housekeeping.

Ask anyone, and there's a good chance that many Australian music fans will describe Gareth Liddiard as one of the pillars of this country's music scene.For Liddiard, his musical career began back in the '90s, entering this creative world alongside the formation of The Drones, who are often regarded one of Australia's most revered bands. Alongside numerous albums and myriad live performances, The Drones took home awards like the inaugural Australian Music Prize, while 'Shark Fin Blues' was voted the best Australian song by contemporary songwriters.While The Drones would enter a hiatus of sorts in 2016, Liddiard has kept at it, forming Tropical Fuck Storm the following year. Since then, that's been his main project, though he's also dabbled with Springtime alongside luminaries Chris Abrahams and Jim White.Weird, discordant, and ever-arresting, Tropical Fuck Storm this year released 'Fairyland Codex,' their fourth studio album, and first full-length record since 2021. It's a stellar album, and one they're about to head out on the road to support with an Australian tour.This week, I was lucky enough to speak to Gareth Liddiard once again, funnily enough, just a day after 'Fairyland Codex' nabbed a spot as a finalist for the Australian Music Prize.Anyway, have a listen to Tropical Fuck Storm's 'Fairyland Codex,' buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For the past few years now, I've been watching Newcastle outfit dust rise through the ranks, ticking achievements off their bucket lists as if it's no big deal.I've eagerly watched them since I wrote their very first piece of press back in 2021, premiering their first single, and manifesting good things for them. Since then, it's been stunning to see them continuously drop stellar pieces of incendiary post-punk, deliver amazing live shows, and even find themselves supporting names like Interpol, Bloc Party, and more.Needless to say, it's always great to see a band such as dust reaching huge heights and continuing to represent Australian music on the global stage.This month, the group unleashed their long-awaited debut album, 'Sky Is Falling.' If you've not listened to it yet, you're undoubtedly in for a treat, with dust showing themselves as one of the most exciting groups in Australia today.This week, I was lucky enough to speak to vocalists and guitarists Gabriel Stove and Justin Teale from dust about their rise to fame and the release of their amazing debut album.Anyway, have a listen to dust's 'Sky Is Falling,' buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you're a fan of music from the '90s, or just the indie-rock genre in general, then the chances are probably pretty much perfect that you're aware of The Lemonheads.First formed in Boston back in 1986, the group has been fronted by Evan Dando since its earliest days, with Dando being the driving force (and only original remember) since 1989.The Lemonheads rose to widespread prominence in the early '90s thanks to records like 'It's A Shame About Ray' and 'Come On Feel The Lemonheads,' with the former being largely written in Australia when Dando became good friends with Smudge's Tom Morgan.Though The Lemonheads would split back in 1997, they've been an active presence again since 2005, with a self-titled record arriving in 2006. Since then, there's been a few archival releases and reissues, while the brilliant 'Varshons' cover albums arrived in 2009 and 2019.However, earlier this year, it was announced that The Lemonheads would finally be releasing their first new record of original material since 2006. Titled 'Love Chant,' it's a brilliant record that any self-respecting music fan needs to listen to immediately.News of the record also brought with it a return to Australia for The Lemonheads, who played their first local shows in the country since 2019 back in May. A massive return for a group who are effectively honorary Australians these days, I was lucky enough to get the chance to catch up with Dando while he was in the country, visiting him in his hotel room for his first local interview, just hours after he landed in the country.If you know me, then you'd likely know how stoked I was to have this opportunity to chat to a figure in the musical world whose legacy has been immensely impactful. But as expected, it was a bit of a wildcard experience, with Dando also giving this podcast its first live performance of… well, anything to date. We also had a couple of technical issues but it works out fairly well, I feel.Anyway, have a listen to The Lemonheads' 'Love Chant,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Since 2021, New South Wales quartet The Rions have been rising stars in Australia's eclectic music scene.First forming in year seven back in 2016 and releasing a few singles at the start of this decade, The Rions rose to fame four years ago when they were announced as the winners of triple j's Unearthed High competition.Winning the esteemed prize despite being unable to promote their work too strongly thanks to the ongoing pandemic, the group remained determined to keep on creating, releasing further singles and then a pair of EPs across 2023 and 2024.Now, we come to 2025 where they've finally arrived at the release of their debut album, 'Everything Every Single Day.' A stellar release from the (still comparatively) young group, it shows The Rions operating at their best, forging ahead as they continue to craft enticing music and bring it around the world.Oh, and I say the world given that their profile has risen so dramatically that they've now been performing an impressive run of dates throughout the UK and Europe alongside Australia, with further shows in these regions set to take place very soon.This week, I was lucky enough to have a chat with drummer Tom Partington and guitarist Harley Wilson for the podcast.Anyway, have a listen to The Rions' 'Everything Every Single Day,' buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For decades now, Dave Graney has been one of the most important names in the world of Australian music.First making his appearance in the music world in the late '70s, the South Australian-born Graney found wider fame as a member of The Moodists with partner Clare Moore, with the group's influential post-punk sound seeing them based in London as their profile grew.Following the band's split, Graney and Moore pivoted by way of forming Dave Graney 'N' The Coral Snakes. An eclectic project which lasted for around a decade, it ended up being one of Graney's most popular undertakings, resulting in myriad acclaimed records and even a famous ARIA Award for Male Artist Of The Year.That win was off the back of the brilliant album, 'The Soft 'n' Sexy Sound,' which – while actually the lowest-charting of all charting Coral Snakes albums – helped mark Graney's name in the history books with indelible ink.Though other projects would follow over the years (including The Dave Graney Show, The Royal Dave Graney Show, The Lurid Yellow Mist, solo work and others), this year, the Coral Snakes are hitting the road to give 'The Soft 'n' Sexy Sound' its well-deserved 30th anniversary treatment. Frankly, I'd be heading along just to hear one of Australia's greatest songs, 'Rock 'N' Roll Is Where I Hide,' in the live setting.This week, I was lucky enough to have a chat with Dave for the podcast. It was actually supposed to be both him and Clare on the call, but she had to pull out at the last minute, so I'll be sure to catch her another time.Anyway, have a listen to Dave Graney 'N' The Coral Snakes' 'The Soft 'n' Sexy Sound,' buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For well over a decade now, Jacob Banks has been enchanting listeners the world over with his immersive blend of soul and R&B. Rising to prominence following his success in a music competition in 2012, Banks quickly became a hot ticket, scoring plenty of airplay thanks to his early singles, including collaborative singles with the likes of Wretch 32 and Chase & Status.Singles soon turned to EPs, and by the end of 2018, he'd released his debut album after signing to Interscope the year prior. Alongside myriad appearances on TV soundtracks and video games, Banks has continued writing, recording, and releasing stellar music at every turn. Last year, he kicked things off with the release of 'Yonder,' a three-part series of EPs that arrived over the coming months and were eventually compiled as a full album just a few months ago.If you've not yet heard Jacob Banks, I recommend giving Yonder a spin so as to allow yourself the chance to witness just what this amazing musician is capable of when operating at his full capability.Next month, Banks will return to Australia for his second solo tour, with shows scheduled for Melbourne, Brisbane, Sydney, and also an appearance at the Wanderer Festival in New South Wales.But before that tour kicks off, this week I was lucky enough to be joined by Jacob Banks for a quick chat about how he's less of a musician and more of a storyteller – regardless of the medium.Anyway, have a listen to Jacob Banks' 'Yonder,' buy a ticket to his upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For the past five years now, Los Angeles has been home to the alt-rock/pop-punk outfit Beauty School Dropout. Initially being formed as a solo project from Colie Hutzler while still performing as part of the group Strangefaces, the project soon expanded with the membership of Brent 'Beepus' Burdett and Bardo Novotny. Swiftly, the group found themselves surrounded by a strong stable of supporters, including the likes of Blink-182's Mark Hoppus and Fall Out Boy's Pete Wentz, who cemented their belief in the group by signing them to the Verswire label.In these past five years, it's been a dizzying rise to fame for the group. Alongside two albums – including 2022's 'We Made Plans & God Laughed' and 2023's 'Ready To Eat' – Beauty School Dropout have been touring relentlessly, playing with a list of bands that any music fan would give their right arm to support.Today, the band release their third album, 'Where Did All The Butterflies Go?.' As you might expect, it's another solid piece of work, capturing their raw energy and inimitable ability to craft some amazing songs that will undoubtedly see them going far.This week, I was lucky enough to have a brief chat with Beepus, Colie, and Bardo ahead of the new record, while they were out on tour. As a result, the audio quality is a bit rough at some points, but look, if you don't mind, then neither do I.Anyway, have a listen to Beauty School Dropout's 'Where Did All The Butterflies Go?,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you've been listening to this podcast over the last year and a half, then you'd probably be aware of how much I love to shine a light on artists from Adelaide.Maybe it's my biased nature due to being from Adelaide, or maybe there's something in the water there, but whatever the case, I reckon one Adelaide act you need to hear right now is none other than Kurralta Park.Named for the Adelaide suburb of the same name, Kurralta Park are an impressive mix of indie-rock and emo that is wholly unique in the way that it captures emotion and filters it through a lens of true sincerity in how the music is crafted and performed.Initially beginning as a solo project for Bindi McCallum, Kurralta Park has since expanded into a three-piece, and just a matter of days ago, they released their debut album, 'Powell Place.'If you're someone who enjoys music with raw power, honest songwriting, and an impassioned delivery, then I think you need to find yourself listening to Kurralta Park right away.This week, I was lucky enough to have a brief chat with Bindi about the project's launch and its journey to now. Anyway, have a listen to Kurralta Park's 'Powell Place,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you're looking for an artist to give your attention to this year, I humbly and assertively request that it be MUDRAT.MUDRAT is a project that has been going officially since December 2023, with a string of releases arriving in that first year, including the likes of 'I HATE RICH CUNTS,' 'WE DESPISE THE BOURGEOISIE,' and 'YEAR OF THE RAT.'Judging by the titles alone, you can probably ascertain that social justice is a key component to the MUDRAT experience, with tracks such as 'YOU DON'T CARE ABOUT POOR PEOPLE' helping to cement that notion.Following an impressive rise to fame, including plenty of live shows and even a support for the likes of Denzel Curry, this month sees MUDRAT releasing the 'Social Cohesion' album. A brilliant and vital piece of music that speaks to contemporary topics ranging from Indigenous rights, race, social injustice, war, and myriad other matters, I'm of the belief it's one of the best Australian releases you will hear this year.This week, I was lucky enough to be joined by Sean Thompson for a chat about the MUDRAT project, how it came to be, and the importance of speaking when you know your voice will add something to the wider conversation.Anyway, have a listen to MUDRAT's 'Social Cohesion,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For over 15 years now, the worlds of emo, indie, and post-hardcore have been home to the ever-enjoyable The World Is A Beautiful Place & I Am No Longer Afraid To Die.If you're anything like me, you might have been intrigued by the group's often unmanageable name, but once you checked them out, you were struck by their inimitable approach to music, with an expertly-crafted blending of power, emotion, and technical prowess.An eclectic band whose surprises are as plentiful as their talents, they've undergone a number of lineup changes over the years, releasing myriad EPs and splits alongside a modest collection of albums.Their fourth record, 'Illusory Walls,' arrived in 2021 and after four long years of waiting, fans have this week received a new LP by way of the brilliant 'Dreams Of Being Dust.'As always, it's immersive and impactful, pairing raw emotion with blistering works of musical brilliance that leave you feeling a little bit stunned. In case you can't tell, I really liked this album.This week, I was lucky enough to have a brief chat with guitarists Chris Teti and Anthony Gesa ahead of the new record's arrival.Anyway, have a listen to The World Is A Beautiful Place & I Am No Longer Afraid To Die's 'Dreams Of Being Dust,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

It's probably fair to say that the world of rock music wouldn't look how it does today without a band like The Runaways.Formed in 1975, the group's all-female lineup was a breath of fresh air on the male-dominated scene, with debut single "Cherry Bomb" and their self-titled album arriving in 1976 to strong acclaim, despite not being a smash on the charts.Ultimately, The Runaways only existed for a few short years, but their influence was immense, informing countless other bands in the genre, and serving as proof that the music scene need not be filled with the same male performers.For half of The Runaways' life, vocalist Cherie Currie was up the front. Having joined the group at just 15, it was her iconic voice that helped lead the charge and cemented The Runaways' place in history.But her career doesn't start and end with The Runaways, she's been a solo musician, an actress, and for the past 25 years, a chainsaw artist. To say she's a woman of many talents is putting it lightly.This year, Cherie visits Australia for her second tour of the country, with this visit also set to be her last, having announced a decision to retire from the world of touring.This week, I was lucky enough to have a brief chat with Cherie about her influence, legacy, and her upcoming tour.Anyway, have a listen to The Runaways' brilliant discography, buy a ticket to Cherie's tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

When you think about Australian music, it's a little hard not to think about Davey Lane. That might sound grandiose, but given he's spent more than 25 years as a guitarist for local legends You Am I, it's hard to classify him any other way.Joining the already-established outfit at just the age of 18, Lane swiftly found himself as part of Aussie music royalty, eventually going on to be part of ARIA Award-winning releases and countless revered live shows.He's also stretched his musical wings with his other band, The Pictures, and since 2013, he's been releasing solo gear as well. While last year's brilliantly-titled cover album, 'How To Make Davey, Vol. 1,' was one of my favourite records of 2024, this year, Lane is back with another album, this time called 'Finally, A Party Record.'Feeling like a love letter to classic '70s rock, it's a testament to his anachronistic place within the world of Australian music, but for those listening close, it's not exactly a party record in the strictest sense. It's a little bit deep, it's a little bit powerful, and it's a great example of Lane's many and varied talents.This week, I was lucky enough to have a brief chat with Davey Lane about his musical journey, and his latest record. Just a quick warning, Davey was out and about when we had the chat, so there's a couple of audio drop-outs here and there, but if you don't mind, then neither do I.Anyway, have a listen to Davey Lane's 'Finally, A Party Record' when it arrives next week, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Hello and welcome to Trusty Chords, the podcast which aims to celebrate music and those that create it.For the past 25 years, Brisbane's Halfway have operated as one of those well-kept secrets that often feels as though only a select few know about.Of course, with ARIA, APRA, and AIR Award nominations (and a win the latter category), along with three Queensland Music Awards, it's fair to say that their reputation and creativity has managed to transcend the categorisation of well-kept secret and become one of those groups with a passionate fanbase.Formed out of the likes of Queensland outfit St. Jude, Halfway emerged in 2000 and swiftly became a band who demanded your attention. With immersive musicianship and arresting songwriting, it didn't take long for their profile to grow and for the albums to emerge.This year, Halfway returned with their first new album in three years, 'The Styx.' Once again, it's a stellar release from the sprawling outfit, with the record's lyrical themes serving as something of a concept album. Along with repeated tales of characters often overlooked by the wider world, and a luscious musical backing, it's a record that I really recommend you spend some time with – both passively and actively, so as to get the full experience.This week, I was lucky enough to chat with Halfway's John Busby about his musical journey, and the story of the group's latest record.Anyway, have a listen to Halfway's 'The Styx,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For a few decades now, one of Australia's greatest unsung musical heroes has been none other than Bryan Estepa. Born in the Philippines before moving to Australia as a child, Bryan has had a storied career as a musician, performing in bands such as Swivel and Hazey Jane before turning his attention toward solo gear. That solo gear first took form under the moniker Adeline before he decided to use his real name around 20 years ago.Since then, he's been a prolific artist, writing and recording frequently, and releasing myriad albums in recent decades.For those playing at home, the last time Bryan released a full-length album was back in 2019, with 'Sometimes I Just Don't Know' arriving before an EP called 'Back To The Middle' in 2021. But fast-forward to this year, and Bryan is back with another record called 'I See It Now.'It's an exceptional piece of work, drenched with clever songwriting, power-pop sensibilities, and an immense sense of passion. Truly, it's something worth your time.I've been following Bryan for many years now, but this week, I was lucky enough to finally have a chat with the great man about his musical career and that new album of his.Anyway, have a listen to Bryan Estepa's 'I See It Now,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Cast your mind back 20 years and you might be taken right back to a moment in time where one of the most exciting Australian bands out there on the scene was none other than End Of Fashion.Formed in Perth by Justin Burford, who was at the time a member of The Sleepy Jackson, End Of Fashion found itself slowly finding fame thanks to constant airplay on triple j, and by the time 2005 rolled around, the group were readying their debut album.I can speak from experience when I tell you that it was pretty hard to ignore the stark black and yellow colour scheme of the band's debut album and singles, and equally hard was it to overlook singles such as 'O Yeah' and 'The Game.'ARIA Award winners with loads of potential, End Of Fashion unveiled a few new albums over the coming years, but ultimately went a bit silent in the following years. However, there have been a few singles since 2020, and this year, the group will be putting out their self-titled debut on vinyl and hitting the road for a national headline tour.Speaking as someone who actually saw End Of Fashion back in 2006 as part of my first 'real' concert experience, I can't tell you how excited this makes folks like myself.As you might be able to gather by this point, I was lucky enough to be joined by the musical mastermind that is End Of Fashion's Justin Burford this week. And yes, I certainly did ask if he remembers that 2006 gig.Anyway, have a listen to End Of Fashion's back catalogue (and their self-titled debut), buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you know me (or simply listen to the podcast – both are very good options), then you'd likely know how much I like to surround myself with musicians I both enjoy and respect. Frankly, with that in mind, I reckon you can't go past someone like Ashlea Jaye.A lifelong lover of music and a self-described theatre kid, Ashlea has been a supporter of music for as long as I've known her. If you're from Adelaide, you might know her from her time hosting the Peripheral Noise show on Three D Radio, or you might know her from musical groups such as Twin Decoy or Left On Seen.It's the latter which might jog your memory the most, with the duo (which also comprises Will Adam) releasing some stellar music in recent years. Whether it's the killer debut single "Life Support," their cover of SZA's "Kill Bill," or their brilliant 'Wilted' EP from this year, you can't go wrong.Alongside that though, Ashlea is also a huge supporter and advocate for those with disabilities both in and out of the music scene. An AuDHD, disabled artist, creative, musician, singer, and writer who juggles so much in her day to day, the fact that July was Disability Pride Month felt like an immensely fitting time for us to speak.Also, because it's the month in which Left On Seen will play a stellar hometown show as part of Fangz' album launch tour. It's also going to be a special one, but I'll let Ashlea tell you why that is…Oh, in case you couldn't tell, Ashlea is my guest on this week's podcast! Needless to say, I'm always happy to use this podcast to showcase musicians who I call friends, and this was a great opportunity for Ashlea and myself to just nerd out for… a long time.Anyway, have a listen to Left On Seen's back catalogue, buy a ticket to their upcoming show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Ever since they released their debut single back in 2019, Queensland alt-rockers Cardboard Cutouts have been determined to keep themselves moving. Whether it's trying new things on the writing or recording front, or simply looking towards myriad artists for inspiration, it's easy to see they're a group who aren't happy to stay in one lane.Indeed, these past few years have seen the group slowly grow and evolve with each and every release, with EPs such as 'Weekends' and 'Patchwork' now giving way to their debut album, 'Politics & Footy Tips.'An impressive piece of work for the group, it's a record built upon combined decades of musical appreciation, and clearly focused on the shuffle feature. With each and every track feeling like its own little world, so too does the music ebb and flow, showcasing their varying musical approaches and their associated talent.What I'm trying to say is that it's a corker of a record that's worth your time.This week, Eliot Argus of Cardboard Cutouts was kind enough to join me for a far-reaching chat where we discussed everything from rockabilly bands to Norwegian black metal (though the latter one might have been me).Anyway, have a listen to Cardboard Cutouts' 'Politics & Footy Tips,' buy a ticket to their tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For a few years now, the Australian music industry has been home to a band whose current iteration has roots spanning back decades.In the early '90s, the Sydney scene featured an indie-rock trio dubbed The Templebears. Issuing three releases across as many years, the group never released a debut album, ultimately splitting around 1992.Its members would soon find themselves playing in bands such as Big Heavy Stuff and Atticus, before eventually re-emerging as The Templebears around 15 years ago.Fast-forward to 2019, and those same members were still playing together, but this time they'd adopted the name The Electorate to represent their new sonic focus. That trio would release their debut album, 'You Don't Have Time To Stay Lost', in 2020, and I highly recommend it if you've got the time.Now in 2025, they're back once again with a second record, this time called 'By Design'. Like its predecessor, it's exceptional, with a bit of growth and musical evolution on display.This week, I was lucky enough to chat to Josh Morris of The Electorate to discuss the band's history and its journey from conception to dissolution, and from reformation onwards to rebirth.Anyway, have a listen to The Electorate's 'By Design', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you're someone who likes their music a little bit dreamy, a little bit hazy, and a whole lot of brilliant, then you need to point your peepers toward New Zealand, where Auckland's Phoebe Rings have been providing just that for some years now. Initially beginning as something of a solo project for Crystal Choi, it swiftly expanded, bringing together a group of stellar artists to form what we now know today as Phoebe Rings.Of course, if you look a bit closely, you might recognise some of the artists in the mix. While Simeon Kavanagh-Vincent has performed with Princess Chelsea, Alex Freer has served as a member of Tiny Ruins, and Benjamin Locke's name can be found over myriad New Zealand releases.After releasing a debut EP a few years back, the group slowly worked toward the next logical step, debut album 'Aseurai.' If you've listened to it, then you'd already know just how amazing it is, and if you've not listened to it, then maybe check it out before you listen to me ramble for the next hour.Either way, Crystal and Simeon were kind enough to join me for a chat this week, and I can't thank them enough for their time and their wonderful insights. Anyway, have a listen to Phoebe Rings' 'Aseurai', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.