Weird Era

About Yann Martel: YANN MARTEL is the author of Life of Pi, the global bestseller that won the 2002 Man Booker Prize and was adapted to the screen in the Oscar-winning film by Ang Lee. He lives in Saskatoon, Canada. About Son of Nobody: Harlow Donne has devoted his life to the Classical world. When a chance comes up to study an obscure collection of papyrus fragments at Oxford University, he seizes it. Though it means leaving his daughter and fracturing marriage back home in Canada, this is the kind of career break he desperately needs. In the depths of the Bodleian Library, Harlow discovers a lost account of the Trojan War, a glimpse into the founding of Western civilization itself. He names the epic poem The Psoad, after its protagonist, a Greek commoner identified as Psoas of Midea, but known to all as son of nobody. As sole translator and interpreter of The Psoad, Harlow dedicates the poem and its footnotes to his daughter, Helen. Under his gaze, the text unlocks echoes of Ancient Greece into the present day, and a personal message to his beloved child appears. Despite the two-thousand-year gap between the two, a thread hasn’t frayed: the universal song of homesickness and regret, of ambition, love, and grief. In this masterpiece of myth, history, and domesticity, Son of Nobody explores how stories become facts, the price we pay to share them, and how we live—then, now, and always.

About Andrew Martin: Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He teaches in Brooklyn and New Hampshire, and lives in New York City with his family. About Down Time Without Cassandra, Aaron would probably be dead. Fortunately, she won’t leave him—despite the drinking, flirting, solipsism, armchair socialism, overspending, infidelity, catastrophic depression, and disparate but increasingly frequent spells of drug- and booze-addled debauchery. Unfortunately, she might be reaching the end of her rope. Cass and Aaron, like the other neurotic, ambivalent intellectuals in their orbit, are getting older. There’s Malcolm, with his own alcoholism and marginally more successful writing career; his partner, Violet, a doctor with little patience for both; Antonia, a teaching fellow whose book about ecocide may get her tenure at a prestigious university near Harvard Square—yes, that one. When Sam, a charming trust-fund punk at the center of this loose network, dies suddenly, and a global pandemic takes hold, all five must contend with the lives they’ve made: their desires and disappointments, habits and hang-ups, pathologies and addictions, and the possibilities of making art and being good as the earth whirls to its end. Down Time marks the delightful return of Andrew Martin, the author of the pitch-perfect slacker classics Early Work and Cool for America. Compulsively readable and contagiously intelligent, this is a wryly comic social novel of settling down, selling out, growing up, and getting out that turns a terribly funny and hyper-literate eye on our most desperately guarded ambitions: to love and be loved, to know and be known, to stay sane, if only just.

About Daniyal Mueenuddin: DANIYAL MUEENUDDIN was brought up in Lahore, Pakistan, and Elroy, Wisconsin. A graduate of Dartmouth College and Yale Law School, his stories have appeared in The New Yorker, Granta, Zoetrope, and The Best American Short Stories 2008, selected by Salman Rushdie. His collection In Other Rooms, Other Wonders was a finalist for the Pulitzer Prize and the National Book Award. For a number of years he practiced law in New York. He now divides his time between Oslo, Norway, and his farm in Pakistan’s South Punjab. About This is Where the Serpent Lives: Moving from Pakistan’s dazzling chaotic cities to its lawless feudal countryside, This Is Where the Serpent Lives powerfully evokes contemporary feudal Pakistan, following the destinies of a dozen unforgettable characters whose lives are linked through violence and tragedy, triumph, and love. Orphaned as a little boy and fending for himself in the city streets, Yazid rises to a place of responsibility and respect in the Lahore household of Colonel Atar, a powerful industrialist and politician, only to find that position threatened by conflicting loyalties and misplaced trust. Born on Colonel Atar’s country estate to a poor gardener, Saqib is entrusted with the management of a pioneering business, but he overreaches and finds himself an outlaw, confronting the violence of the corrupt Punjab Police. The colonel’s son competes with his cherished brother for the love of a woman and discovers that her choice colors his life with unexpected darkness as well as light. In matters of power and money and the heart, Mueenuddin’s characters struggle to choose between paths that are moral and just and more worldly choices that allow them to survive in the systems of caste, capital, and social power that so tightly grip their culture. Intimate and epic, elegiac and profoundly moving, This Is Where the Serpent Lives is a tour de force destined to become a classic of contemporary literature.

About Lauren Rothery: Lauren Rothery was born in London and raised in San Diego. She spent her twenties writing and directing short films and music videos between New York and Los Angeles. In 2020, she moved to Europe and began writing fiction. Television is her first novel. About Television: An aging, A-list movie star lotteries off the entirety of his mega-million blockbuster salary to a member of the general viewing public before taking up with a much younger model. His non-famous best friend (and often lover) looks on impassively, while recollecting their twenty-odd years of unlikely connection. And an aspiring filmmaker, unknown to them both, labors over a script about best friends and lovers while longing for the financial freedom to make great art. Told in their alternating, intricately linked perspectives, Television is a funny, philosophically astute novel about phenomenal luck, whether windfall or chance encounter. Like Joan Didion’s classic Play It as It Lays, but speaking to a since irrevocably changed Hollywood, it portrays a culture in crisis and the disparities in wealth, beauty, talent, gender, and youth at the heart of contemporary American life. In this glittering but strange new world, lit up by social media and streaming services—what, if not love, can be counted in your favor? With plays in chronology, bright, nimble dialogue, and a profoundly modern style, Lauren Rothery’s debut novel is an arresting feat of literary impressionism, and marks the arrival of a significant new talent to the landscape of American fiction.

SOUVANKHAM THAMMAVONGSA is the author of four poetry books and the short story collection How to Pronounce Knife, winner of the 2020 Giller Prize and 2021 Trillium Book Award and finalist for the National Book Critics Circle Award and PEN America Open Book Award. Her stories have won an O. Henry Award and appeared in The New Yorker, Harper's Magazine, The Paris Review, The Atlantic, Granta, and NOON. She has also written book reviews for The New York Times, and edited the anthologies Best Canadian Poetry (2021) and The Griffin Poetry Prize (2021). Born in the Lao refugee camp in Nong Khai, Thailand, she was raised and educated in Toronto. Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound depth. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost. A woman navigating the complicated power dynamics among her fellow Susans, whose greatest fears and desires lie just behind the gossip they exchange. As the day's work grinds on, the friction between Ning's two identities—as anonymous manicurist and brilliant observer of her own circumstances—will gather electric and crackling force, and at last demand a reckoning with the way the world of privilege looks at a woman like Ning. Told over a single day, with razor-sharp precision and wit, Pick a Colour confirms Souvankham Thammavongsa's place as literature's premier chronicler of the immigrant experience, in its myriad, complex, and slyly subversive forms.

About Alan Light: Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let’s Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light. About Don't Stop: Why We (Still) Love Fleetwood Mac's Rumours: The author of The Holy or the Broken and former editor-in-chief of Vibe brings his “thoughtful and illuminating” (The New York Times) insight to Fleetwood Mac’s iconic album Rumours, celebrating its story, mythology, and enduring impact. On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time. Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts. In Don’t Stop, award-winning journalist and bestselling author Alan Light unravels the enduring allure of Fleetwood Mac’s monumental album. Since its 1977 release, Rumours has captivated generations with its unparalleled blend of romantic turmoil and musical genius. Light explores the album’s transformation from a pop phenomenon to a cultural touchstone, and its unique ability to remain relevant in today’s rapidly changing music scene. Drawing on in-depth interviews with current artists inspired by Fleetwood Mac, as well as fans who have only recently discovered the album, Light investigates what keep Rumours at the forefront of popular culture, from Glee to Saturday Night Live to Daisy Jones & the Six. Through insightful analysis and storytelling, Don’t Stop celebrates the album’s trail blazing sound and diverse voices, and the emotional depth that continues to fascinate audiences. From the incredible soap opera behind the album’s creation to its embrace in the age of TikTok, this book presents a kaleidoscopic view of a landmark work that has transcended its time.

About Zadie Smith: Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW, Swing Time, and The Fraud; as well as a novella, The Embassy of Cambodia; three collections of essays, Changing My Mind, Feel Free and Intimations; a collection of short stories, Grand Union; and the play, The Wife of Willesden, adapted from Chaucer. She is also the editor of The Book of Other People. Zadie Smith was born in north-west London, where she still lives. About Dead and Alive: A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays. In the past two decades, few writers have been able to master the craft and art of the essay in the way that Zadie Smith has. Her discerning eye and singularly intimate perspective emblazon Smith as a preeminent critic of our generation, society, and culture. In her inimitable honesty and poignant voice, Smith studies the fault lines that divide us and consistently finds within them grounds for solidarity and compassion. This eagerly awaited new collection brings Zadie Smith’s unique skills as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five sections—eyeballing, considering, reconsidering, mourning, and confessing—she unspools personal dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk when researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to look at the young Michael Jackson and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. And she shows us once again in Dead and Alive her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times. A master of perception always in search of a lesser-known reality, Smith continually assesses, and reassesses, what it means to identify with the contemporary world, and how we choose to remember the history that brought us here.

About Erin Somers: Erin Somers is a reporter and news editor at Publishers Lunch. Her first novel, Stay Up with Hugo Best was a Vogue Best Book of the Year in 2019. Her writing has appeared in The New Yorker, The Paris Review, The New York Times Book Review, The New Republic, New York magazine, The Atlantic, Esquire, GQ, Best American Short Stories, and many other publications. She has been the recipient of an Emerging Writer Fellowship from the NYC Center for Fiction, a fellowship from the Millay Colony, and was a 2020 finalist for a National Magazine Award. She lives in New York's Hudson Valley with her family. About The Ten Year Affair: A hilariously acerbic sliding doors novel about a chance meeting between two young parents, both happily married (just not to each other) that sparks a will-they-won’t-they romance—perfect for fans of Big Swiss and Acts of Service. When Cora meets Sam at a baby group in their small town, the chemistry between them is undeniable. Both are happily married young parents with two kids, and neither sees themselves as the type to engage in an affair. Yet their connection grows stronger, and as their lives continue to intertwine, the romantic tension between them becomes all-consuming—until their worlds unravel into two parallel timelines. In one, they pursue their feelings. In the other, they resist. As reality splits, the everyday details of Cora’s life—her depressing marketing job, her daughter’s new fascination with the afterlife, her husband’s obsession with podcasts about the history of rope—gain fresh perspective. The intersecting and diverging timelines blur the boundaries of reality and fantasy, questioning what might have been and what truly matters. The Ten Year Affair is a witty, emotionally-charged exploration of marriage, family life, and the roads not taken, that ultimately asks: do we really want our fantasies to come true?

About Jason Purcell: Jason Purcell (they/them) is a writer and musician from amiskwaciwaskahikan, Treaty 6 (Edmonton, Alberta). They are the author of the poetry collections Swollening (Arsenal Pulp Press) and A Place More Hospitable (Anstruther Press). They are a PhD student in the Department of English and Film Studies at the University of Alberta. About Crohnic: A poetic meditation on what it means to live a medicated life, looking toward sites of nature where life and death exist side by side Crohnic is a brilliant and moving collection of poems that asks, what is the landscape of a medicated life? From their convalescence in a room that overlooks the North Saskatchewan River, author Jason Purcell thinks ecologically with medical records, prescriptions, and dosages, staying attuned to place and to what it might mean to live a life relying on something - in this case, an interminable course of medication - that hurts you in some ways to help you in others. How does the terrain of life change? Picking up the threads of sickness first plucked in Swollening, Crohnic charts two years of Purcell's treatment for Crohn's disease, journeying from hospital rooms to bogs and muskeg, places where life and death intermingle and create the conditions for one another's flourishing. This is a world populated by coyotes, ermines, steroids, pine, infusion drips, moss, pills, and ice. These other-than-human beings come together in Crohnic, coalescing into relations that together form a personal narrative of the management of chronic illness.

About Amie Barrodale: Amie Barrodale’s stories and essays have appeared in The Paris Review, Harper’s Magazine, and other publications. In 2012 she was awarded The Paris Review’s Plimpton Prize for Fiction for her story “William Wei.” She is the author of You Are Having a Good Time: Stories. About Trip: A woman embarks on an odyssey through the afterlife to help her son, who is literally and figuratively lost at sea: a hilarious and deeply moving voyage of the body and the mind. Sandra dies suddenly at a death conference in Nepal attended by academics and mystics. Days later, back in America, her teenage son, Trip, runs away with a man who picks him up on the side of a road. Sandra tries to get a message back to Trip through the mystics, but the mystics are distracted, and her son and the strange man set out to sea. Amie Barrodale’s first novel features restless souls, Buddhist deities, divorcees in recovery programs, arguing academics, uncomprehending school principals, and treatment centers for troubled teenagers. It journeys from body to body, through life and death and back again. It tells the story of a mother and son who find other people hard to understand and who are themselves misunderstood. Guiding this wild, unpredictable journey is deep devotion: the desire to save a child and to be a good mother despite it all. Wide-eyed with wonder, blazingly funny and achingly moving, Trip brings us the deeper meaning of The Tibetan Book of the Dead: the past is a memory, the future is a projection, the present is gone before we can see it.

About Vincenzo Latronico: Born in Rome, Vincenzo Latronico studied philosophy at the University of Milan and has since published numerous books in Italian, including The Conspiracy of Doves and Gymnastics and Revolution. In addition to his own writing, he has also translated the work of many writers into Italian including work by George Orwell, Oscar Wilde, and Alexander Dumas. He lives in Milan. Sophie Hughes is a translator of Spanish and Italian literature. Her translation of The Remainder by Alia Trabucco Zerán was shortlisted for the International Booker Prize 2019, and her translation of Fernanda Melchor’s Hurricane Season was shortlisted for the same prize. Her writing and translations have appeared in McSweeney’s, The Guardian, The Paris Review, The White Review, Frieze and The New York Times. She lives in the United Kingdom. About Perfection: A scathing, provocative novel about contemporary existence by a rising star in Italian literature. Anna and Tom, an expat couple, have fashioned a dream life for themselves in Berlin. They are young digital "creatives" exploring the excitements of the city, freelancers without too many constraints, who spend their free time cultivating house plants and their images online. At first, they reasonably deduce that they've turned their passion for aesthetics into a viable, even enviable career, but the years go by, and Anna and Tom grow bored. As their friends move back home or move on, so their own work and sex life—and the life of Berlin itself—begin to lose their luster. An attempt to put their politics into action fizzles in embarrassed self-doubt. Edging closer to forty, they try living as digital nomads only to discover that, wherever they go, "the brand of oat milk in their flat whites was the same." Perfection—Vincenzo Latronico's first book to be translated into English—is a scathing novel about contemporary existence, a tale of two people gradually waking up to find themselves in various traps, wondering how it all came to be. Was it a lack of foresight, or were they just born too late?

About Ocean Vuong: Ocean Vuong is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We’re Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he used to work as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City. About The Emperor of Gladness: Ocean Vuong returns with a bighearted novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship to himself, his family, and a community on the brink. Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Ocean Vuong’s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.

About Curtis McRae: Curtis John McRae is editor-in-chief at Yolk Literary Journal. His fiction has appeared in The New Quarterly, Prairie Fire, Chronicling the Days anthology (Guernica Editions, 2021), and others. Quietly, Loving Everyone is his debut short story collection. About Quietly, Loving Everyone: A striking debut collection by one of Montreal’s brightest young writers. Quietly, Loving Everyone, Curtis McRae’s debut collection of stories, assembles a meditative and often profound cycle of portraits pulled from everyday Canadian life. A young boy raises James Dean from the dead, only to find out the cult icon is not the playmate he’d hoped for. A university student riddled with ulcers silently spirals after being diagnosed with an autoimmune disease. A young girl takes a road trip with her older sister to Cape Cod, and years later reconstructs the tragic circumstances behind what she remembers. A couple goes on a date at an old porn theatre that is the last remaining vestige of a neighbourhood that has moved on. McRae plays witness characters at those crucial beginnings or ends of relationships, with lovers, friends, family, and most importantly themselves.

About Adelaide Faith: Adelaide Faith worked as an editor in the Schools Department of Channel 4 before training to be a veterinary nurse at Battersea Cats and Dogs Home, after which she worked as a nurse at the RSPCA and the PDSA. Her short fiction has appeared in Forever Magazine, Hobart, Vol. 1 Brooklyn, Maudlin House, Farewell Transmission, ExPat Press, and Stone of Madness Press. She is a member of Chelsea Hodson’s Morning Writing Club, and she lives in Hastings with her young daughter and old dog, Pierrot. About Happiness Forever: A complete refreshment and uplift of energy: a hilarious, beguiling first novel for the head and the heart. Sylvie is happy only when she’s in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything: the false hope promised by eighties music; what a dog’s inner life is really like and how sad, she, Sylvie is, outside that room. She’s aware she has an obsession, but whether it’s some flavor of erotic transference or a lost person’s need to connect, Sylvie isn’t sure. Outside therapy Sylvie has what she considers to be a small life: a job as a veterinary nurse, companionship from her tattoo artist friend via text, and seaside walks with her brain-damaged dog, Curtains. But maybe therapy is making a difference, inviting her to imagine possibilities—possibilities that include a new friend she meets on the beach. When the therapist starts to prepare Sylvie for the terrible fact that all treatment has to come to an end, Sylvie can’t stop herself from imagining sleeping in her car parked outside the therapist’s house. That won’t work. She has to be brave. Be brave, Sylvie! We love you. In this wonderful, hilarious, stunning debut, Adelaide Faith captures the vulnerability, difficulty and joy of personhood, of being a person, of being alive.

About Adam Ross: ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters. About Playworld: “In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.” Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm. Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.

About Amanda Leduc: AMANDA LEDUC is a disabled writer whose most recent novel, The Centaur's Wife, is "an exquisite magical world, perfectly rendered, for [a] dark and wonderful story about the dream life of outsiders and the disabled" (Heather O'Neill). Her non-fiction book Disfigured: On Fairy Tales, Disability, and Making Space was nominated for the 2020 Governor General’s Award. Her essays and stories have appeared across Canada, the US, the UK and Australia, and she speaks regularly across North America on accessibility and the role of disability in storytelling. Amanda holds a Master's degree in Creative Writing from the University of St. Andrews. She has cerebral palsy and presently makes her home in Hamilton, Ontario, where she lives with a very lovable dog named Sitka, who once ate and peed on a manuscript. (Everyone’s a critic, it seems.) About Wild Life: Amanda Leduc’s dazzling new novel follows two walking, talking hyenas as they interact with humans over decades. Blurring the line between human and animal, these strange messengers reveal what is possible when the cages that contain us are broken. In 19th-century Scotland, young Josiah is banished by his father for seeing the divine in the animals around him and sent to Siberia with a small Christian mission to purge such nonsense from his soul. Miserably scrubbing the chapel floor one night, Josiah is visited by what he thinks is God in animal form. When his saviours, a hyena and her mate, rescue him from a natural disaster that kills the other missionaries and then bring him safely home, he founds a religion based on his belief that God granted speech to the hyenas as part of a divine plan to heal and exalt the human race. The hyena pair, Barbara and Kendrith, aren't so sure that Josiah has it right. But with their beautiful strangeness, they utterly transform the people they encounter over succeeding generations. As Josiah's church gathers adherents, more and more animals start to speak to humans—from signing baby gorillas to seductive alligators. At first one or two rebellious pets make a break for freedom, but then comes a mass exodus of all animals held captive, forcing people to contend with a wildness in themselves they have spent millennia denying. The end of this remarkable fairytale is both joyful and devastating, completely dissolving the boundary between what's "human" and what's "animal."

About Katie Kitamura: Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University. About Audition: One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

About Kevin Nguyen: Kevin Nguyen is the author of the novel New Waves. He is the features editor at The Verge and was previously a senior editor at GQ. He lives in Brooklyn. About My Documents: Ursula, Alvin, Jen, and Duncan grew up as cousins in the sprawling Nguyen family. As young adults, they’re on the precipice of new ventures: Ursula as a budding journalist in Manhattan, Alvin as an engineering intern for Google, Jen as a naïve freshman at NYU, and Duncan as a promising newcomer on his high school football team. Their lives are upended when a series of violent, senseless attacks across America creates a national panic, prompting a government policy that pushes Vietnamese Americans into internment camps. Jen and Duncan are sent with their mother to Camp Tacoma while Ursula and Alvin receive exemptions. Cut off entirely from the outside world, forced to work jobs they hate, Jen and Duncan try to withstand long, dusty days in camp and acclimate to life without the internet. That is, until Jen discovers a way to get messages to the outside. Her first instinct is to reach out to Ursula, who sees this connection as a chance to tell the world about the horrors of camp—and as an opportunity to bolster her own reporting career in the process. Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.

About Laurie Woolever: Laurie Woolever is a writer and editor. She spent nearly a decade assisting Anthony Bourdain, with whom she coauthored the cookbook Appetites and World Travel. She’s written about food and travel for the New York Times, GQ, Food & Wine, Lucky Peach, Saveur, Dissent, Roads & Kingdoms, and others, and has worked as an editor at Art Culinaire and Wine Spectator. She is also the New York Times bestselling author of Bourdain: The Definitive Oral Biography. About Care and Feeding: A candid, funny, and occasionally devastating memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedy In this moving, hilarious, and insightful memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there’s more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain. Behind the scenes, Laurie’s life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all—from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli—while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood. As the food world careens toward an overdue reckoning and Laurie’s mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life’s work that she truly values: care and feeding.

About Andrew Lipstein: Andrew Lipstein is the author of Last Resort (2022), The Vegan (2023), and Something Rotten (2025). He lives in Brooklyn, New York, with his wife and three sons. About Something Rotten: In his provocative, crackling new novel, Andrew Lipstein spins a wicked web through the heart of Copenhagen. You'll question everyone and everything—even the very nature of truth. Cecilie is a fed-up New York Times reporter. Her husband, Reuben, is a disgraced former NPR host and grudging stay-at-home dad. Neither can wait to flee New York and spend the summer in Copenhagen, Denmark, Cecilie’s hometown. But their vacation begins to turn inside out as soon as they land: Cecilie’s first love, Jonas, has been diagnosed with a rare, fatal illness. All of Cecilie’s friends are desperate to get him help—that is, except for Mikkel, a high-powered journalist who happens to be the only one Jonas will listen to. Mikkel’s influence quickly extends to Reuben, who’s not only intoxicated by Mikkel’s charm, but discovers in him a new model of masculinity—one he found hopelessly absent in America. As Mikkel indoctrinates Reuben with ever more depraved stunts, Reuben senses something is seriously amiss. Cecilie, too, begins to question who to trust—even herself. Drawn in by the gravity of the past, she can’t help but stray onto the road not taken. A twisting, thrilling tale of loyalty and deceit, lovers and fools, Andrew Lipstein's Something Rotten proves that sometimes to be kind you have to be cruel beyond belief.

About Haley Mlotek: HALEY MLOTEK is a writer, editor, and organizer whose work has appeared in the New York Times Magazine, The New Yorker, The Nation, T Magazine, ELLE, Harper’s Bazaar, Hazlitt, and n+1, among others. She is a founding member of the Freelance Solidarity Project, a distinct division for digital media workers within the National Writers Union, and teaches in the English and Journalism departments at Concordia University. Previously, Mlotek was the deputy editor of SSENSE, the style editor of MTV News, the editor of The Hairpin, and the publisher of WORN Fashion Journal. About No Fault: When Haley Mlotek was ten years old, she told her mother to leave her father. Divorce was all around her. Her mother ran a mediation and marriage counseling practice out of Mlotek’s childhood home, and Mlotek spent her preteen years answering the phones and typing out parenting plans for couples in the process of leaving each other. She grew up with the sense that divorce was an outcome to both resist and desire, an ordeal that promised something better on the other side of something bad. But when she herself went on to marry—and then divorce—the man she had been with for twelve years, suddenly, she had to reconsider everything she thought she understood about divorce. Deftly combining her personal story with wry, searching social and literary exploration, No Fault is a brilliant account of 21st century divorce—its remarkably common yet seemingly singular impact, and what it reveals about our society and our desires for family, love, and friendship. Mlotek asks profound questions about what divorce should be, who it is for, and why the institution of marriage maintains its power, all while charting a poignant and cathartic journey away from her own marriage and towards an unknown future. Brilliant, funny, and unflinchingly honest, No Fault is a kaleidoscopic look at marriage, secrets, ambitions, and what it truly means to love and live with uncertainty, betrayal, and hope.

About Torrey Peters: Torrey Peters is the bestselling author of the novel Detransition, Baby, which won the PEN/Hemingway Award for Debut Novel and was named one of the 100 Best Books of the 21st Century by The New York Times. It was also a finalist for the National Book Critics Circle’s John Leonard Prize, a finalist for the Brooklyn Public Library Book Prize, and longlisted for the Women’s Prize for Fiction. She has an MFA from the University of Iowa and an MA in comparative literature from Dartmouth. Peters rides a pink motorcycle and splits her time between Brooklyn and an off-grid cabin in Vermont. About Stag Dance: n this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

About Lauren Elkin: Lauren Elkin is the author of Art Monsters and Flâneuse, a New York Times Book Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among other publications. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London. About Scaffolding: The debut novel by the acclaimed author of Flâneuse and Art Monsters, Lauren Elkin’s Scaffolding is a story of Paris, desire, love, psychoanalysis, and the turbulent affairs of two couples across time. Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective. Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn’t sure he’s ready for fatherhood. Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin’s Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we’ve loved live on in us.

About Fawn Parker: FAWN PARKER is the author of the novels What We Both Know, longlisted for the 2022 Scotiabank Giller Prize, Set-Point, and Dumb-Show, and the poetry collection Soft Inheritance, winner of the Fiddlehead Poetry Book Prize and the J. M. Abraham Atlantic Poetry Award. Her story “Feed Machine” was longlisted for the 2020 Writers’ Trust McClelland & Stewart Journey Prize, and her story “WunderHorse II” was anthologized in André Forget’s After Realism. Fawn is a Ph.D. student at the University of New Brunswick. She divides her time between Toronto and Fredericton. About Hi, It's Me: Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs. Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages. I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her. In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?

About Sofia Ajram: Sofia Ajram (he/she) is a metalsmith and literary horror writer who specializes in feverish stories of anomalous architecture and gay pining. He is the editor of the forthcoming Bury Your Gays: An Anthology of Tragic Queer Horror. She has also given lectures on contemporary horror films at Monstrum Montreal and serves as a moderator of r/horror on Reddit. Sofia lives in Montreal with her cat Isa. Find them on Twitter and Instagram @sofiaajram. About Coup de Grâce: A mindbending and visceral experimental horror about a young man trapped in an infinite Montreal subway station, perfect for readers of Mark Z. Danielewski and Susanna Clarke. Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn’t been trapped there accidentally, and amongst the shadows and concrete, he comes to realise that he almost certainly is not alone. A terrifying psychological nightmare from a powerful new voice in horror.

In celebration of our 100th episode, Alex and Sruti reflect on just a few of their favourite conversations throughout the years, including conversations with Elif Batuman, Sean Thor Conroe, Lillian Fishman, Isle McElroy, Ottessa Moshfegh, Larissa Pham, and Marie-Helene Bertino.

About Nora Lange: Nora Lange's writing has appeared or is forthcoming in BOMB , Hazlitt , Joyland , American Short Fiction , Denver Quarterly , HTMLGiant , LIT , The Fairy Tale Review, and elsewhere. Her project Dailyness was longlisted for the 2014 Leslie Scalapino Award for Innovative Women Performance Writers. She received her MFA from Brown University's Literary Arts Program where she was a Kaplan Fellow, and will be a 2024 fellow at the Los Angeles Institute for the Humanities. An earlier iteration of Us Fools was shortlisted for The Novel Prize in 2020, a prize to recognize and publish novels that explore and expand the possibilities of the form. She lives in Los Angeles, California. About US Fools: A tragicomic, intimate American story of two precocious sisters coming of age during the Midwestern farm crisis of the 1980s. Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents’ volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis. As Jo and Bernie’s imaginative solutions for escape come up short against their parents’ realities, the family leaves their farm for Chicago, where Joanne—free-spirited, reckless, and unable to tame her inner violence—rebels in increasingly desperate ways. After her worst breakdown yet, Jo goes into exile in Deadhorse, Alaska, and it is up to Bernadette to use all she’s learned from her sister to revive a sense of hope against the backdrop of a failing world. With her debut novel, Nora Lange has crafted a rambunctious, ambitious, and heart-rending portrait of two idiosyncratic sisters, determined to persevere despite the

About Kevin Lambert: Born in 1992, Kevin Lambert grew up in Chicoutimi, Quebec. May Our Joy Endure won the Prix Médicis, Prix Décembre, and Prix Ringuet, and was a finalist for the Prix Goncourt. His second novel, Querelle de Roberval, was acclaimed in Quebec, where it was nominated for four literary prizes; in France, where it was a finalist for the Prix Médicis and Prix Le Monde and won the Prix Sade; and Canada, where it was shortlisted for the Atwood Gibson Writers' Trust Fiction Prize. His first novel, You Will Love What You Have Killed, also widely acclaimed, won a prize for the best novel from the Saguenay region and was a finalist for Quebec’s Booksellers’ Prize. Lambert lives in Montreal. Donald Winkler is a translator of fiction, non-fiction, and poetry. He is a three-time winner of the Governor General's Literary Award for French-to-English translation. He lives in Montreal. About May Our Joy Endure: Winner of the 2023 Prix Médicis, Prix Décembre, and Prix Ringuet Céline Wachowski, internationally renowned architect and accidental digital-culture icon, unveils her plans for the Webuy Complex, her first megaproject in Montreal, her hometown. But instead of the triumph she anticipates in finally bringing her reputation to bear in her own city, the project is excoriated by critics, who accuse her of callously destroying the social fabric of neighborhoods, ushering in a new era of gentrification, and many even deadlier sins. When she is deposed as CEO of her firm, Céline must make sense of the charges against herself and the people in her elite circle. For the first time in danger of losing their footing, what fictions must they tell themselves to justify their privilege and maintain their position in the world that they themselves have built? Moving fluidly between Céline’s perspective and the perspectives of her critics, and revealing both the ruthlessness of her methods and the brilliance of her aesthetic vision, May Our Joy Endure is a shrewd examination of the microcosm of the ultra-privileged and a dazzling social novel that depicts with razor-sharp acuity the terrible beauty of wealth, influence, and art.

About Kristen Felicetti: Kristen Felicetti is a writer based in Rochester, NY. For over a decade, she edited the literary magazine The Bushwick Review. Log Off is her debut novel. About Log Off: In the early 2000s, from a dial-up connection in a Western New York suburb, sixteen-year-old Ellora Gao logs on to the Internet to start a secret LiveJournal. Abandoned as a child by her troubled mother and left with her former stepfather Brian, an emotionally distant alcoholic, Ellora hopes to find the close relationships online that are missing from her real life. But her online diary isn't entirely serious, it's also where she can gossip and rant about music, books, and everyone at her high school, including two intriguing new friends, Alice, a reformed bad girl, and Tiff, a cocky musical prodigy. As the school year unfolds, Ellora shares every challenge she faces with her growing LiveJournal readership: memories of her estranged mother, frustration with Brian's lack of parenting, concern for Alice's health, romantic feelings for Tiff, and her place in a post-Y2K world on the cusp of major change.

About Jeff VanderMeer: Jeff VanderMeer is the author of Hummingbird Salamander, the Borne novels (Borne, The Strange Bird, and Dead Astronauts), and The Southern Reach Trilogy (Annihilation, Authority, and Acceptance), the first volume of which won the Nebula Award and the Shirley Jackson Award and was adapted into a movie by Alex Garland. He speaks and writes frequently about issues relating to climate change as well as urban rewilding. About Absolution: The surprise fourth volume in Jeff VanderMeer’s Southern Reach series—and the final word on one of the most provocative and popular speculative fiction series of our time. When the Southern Reach trilogy was first published a decade ago, it was an instant sensation, celebrated in a front-page New York Times story before publication, hailed by Stephen King and many others. Each volume climbed the bestseller list; awards were won; the books made the rare transition from paperback original to hardcover; the movie adaptation became a cult classic. All told, the trilogy has sold more than a million copies and has secured its place in the pantheon of twenty-first-century literature. And yet for all this, for Jeff VanderMeer there was never full closure to the story of Area X. There were a few mysteries that had gone unsolved, some key points of view never aired. There were stories left to tell. There remained questions about who had been complicit in creating the conditions for Area X to take hold; the story of the first mission into the Forgotten Coast—before Area X was called Area X—had never been fully told; and what if someone had foreseen the world after Acceptance? How crazy would they seem? Structured in three parts, each recounting a new expedition, Absolution is a brilliant, beautiful, and ever-terrifying plunge into unique and fertile literary territory. There are some long-awaited answers here, to be sure, but also more questions, and profound new surprises. It is the final word on one

About Kenzie Allen: Kenzie Allen is a Haudenosaunee poet and multimodal artist. A finalist for the National Poetry Series, her work has appeared in Poetry magazine, Boston Review, Narrative, The Paris Review’s The Daily, Best New Poets, Poets.org, and other venues. Born in West Texas, she now shares time between Toronto, Ontario; Stavanger, Norway; and the Oneida reservation in Green Bay, Wisconsin. About Cloud Missives: Intimate, dissecting, and liberating, Cloud Missives is a poetry collection of excavation and renewal. Like an anthropologist, Kenzie Allen reveals a life from what endures after tragedies and acts of survival. Across four sections, poems explore pop culture—the stereotypes in Peter Pan, Indiana Jones, and beyond—fairy tales, myths, protests, and forgotten histories, before arriving at a dazzling series of love poems that deepen our understanding of romantic, platonic, and communal love. Cloud Missives is an investigation, a manifestation, and a celebration: of the body, of what we make and remake, of the self, and of the heart. With care and deep attention, it asks what one can reimagine of Indigenous personhood in the wake of colonialism, what healing might look like when loving the world around you—and introduces readers to a profound new voice in poetry.

About Charlotte Shane: Charlotte Shane is a nonfiction author and essayist. She is the author of Prostitute Laundry and N.B., both published by TigerBee Press, which she cofounded in 2015. Her writing has appeared in The New York Times, The New York Times Magazine, The Nation, Bookforum, Harper’s, Sports Illustrated, and elsewhere. About An Honest Woman: In her early twenties, Charlotte Shane quit her women’s studies graduate program to devote herself to sex work because it was a way to devote herself to men. Her lifelong curiosity about male lust, love, selfishness, and social capital dovetailed with her own insatiable desire for intimacy to sustain a long career in escorting, with unexpectedly poignant results. Shane uses her “unsparing honestly” (The New York Times Book Review) and her personal and professional history to examine how men and women struggle in their attempts at a romantic and sexual bonding, no matter how true their intentions. As she takes stock of her relationships—with clients, with her father, with friends, with married men, and later, with her own husband—she tells a candid and haunting tale of love, marriage, and (in)fidelity, as seen through the eyes of the perpetual “other woman.” Braiding the personal and the universal, An Honest Woman is a merciless and moving love letter to men and an indictment of habitual dishonesty, a condemnation of every social constraint acting on heterosexual unions, and a hopeful affirmation of the possibility for true connection between men and women.

About Danzy Senna: Danzy Senna is the author of four previous works of fiction, including the bestselling Caucasia and, most recently, New People, as well as a memoir. The recipient of numerous awards and honors, she teaches writing at the University of Southern California. About Colored Television: A brilliant take on love and ambition, failure and reinvention, and the racial-identity-industrial complex from the bestselling author of Caucasia Jane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel—a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” Finally, some semblance of stability and success seems to be within her grasp. But things don’t work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane—until they go terribly wrong. Funny, piercing, and page turning, Colored Television is Senna’s most on-the-pulse, ambitious, and rewarding novel yet.

About Rumaan Alam: Rumaan Alam is the author of the New York Times bestselling novel Leave the World Behind, which was a finalist for the National Book Award and adapted into a major motion picture, as well as two other novels. His writing has appeared in The New York Times, the Wall Street Journal, The New Yorker, and elsewhere. He lives in Brooklyn. About Entitlement: A novel of money and morality from the New York Times bestselling author of Leave the World Behind Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief? Taut, unsettling, and alive to the seductive distortions of money, Entitlement is a riveting tale for our new gilded age, a story that confidently considers questions about need and worth, race and privilege, philanthropy and generosity, passion and obsession. It is a provocative, propulsive novel about the American imagination.

About Monica Datta: Monica Datta received degrees in architecture and urban design from the City University of New York, the London School of Economics, and the Bartlett School of Architecture (UCL), as well as an MFA in creative writing from Washington University in St. Louis, from which she received a Divided City/Mellon Foundation Graduate Research Fellowship to study segregation in fiction and urban morphology in France, Morocco, and Germany. Her writing has appeared in The New Inquiry, Conjunctions, and many other journals. She teaches at Pratt Institute and the Cooper Union. About Thieving Sun: In this searing debut novel, for readers of Katie Kitamura and Rachel Cusk, the tragic aftermath of a youthful relationship years after its end brings the life of a mourning woman in New York--and the pursuit of art--into stark relief. Told in short passages through a musical device, this international story follows Julienne and Gaspar to Syria, China, Germany and elsewhere. Julienne, a student of sculpture, and Gaspar, a young composer, fall in love at a small college and share a home for more than a decade before encountering the fundamental rift that will change their lives. The reverberations of grief force Julienne to confront her painful past including the mystery of her own birth and the fantastical story ascribed to it by her flight attendant mother, so that she can envision, for the first time, a real future. Ultimately, Thieving Sun is a profound and contemporary meditation on art, grief, debt, suicide, loss, and the danger of being alive.

About Heather O'Neill: Heather O’Neill is a novelist, short-story writer and essayist. Her most recent novel, When We Lost Our Heads, was a #1 national bestseller and a finalist for the Grand Prix du Livre de Montréal. Her previous works include The Lonely Hearts Hotel, which won the Paragraphe Hugh MacLennan Prize for Fiction and was longlisted for the Women’s Prize for Fiction and CBC’s Canada Reads, as well as Lullabies for Little Criminals, The Girl Who Was Saturday Night, and Daydreams of Angels, which were shortlisted for the Governor General’s Literary Award for Fiction, the Orange Prize for Fiction and the Scotiabank Giller Prize two years in a row. O’Neill has also won CBC’s Canada Reads and the Danuta Gleed Award. Born and raised in Montreal, she lives there today. About The Capital of Dreams: From the hugely acclaimed author beloved by literary lights, including Emily St. John Mandel, Kelly Link, and Mona Awad, a dark dystopian fairytale about an idyllic country ravaged by war—and a girl torn between safety and loyalty. Sofia Bottom lives in Elysia, a small country forgotten by Europe. But inside its borders, the old myths of trees that come alive and faeries who live among their roots have given way to an explosion of the arts and the consolations of philosophy. From the clarinetists to the cabaret singers, no artist is as revered as Sofia’s brilliant mother, the writer Clara Bottom. How can fourteen-year-old Sofia, with her tin ear and enduring love of ancient myths, ever hope to win her mother’s love? When the country’s greatest enemy invades, and the Capital is under threat, Clara turns to her daughter to smuggle her new manuscript to safety on the last train evacuating children from the city. But when the train draws to a suspicious halt in the middle of a forest, Sofia is forced to run for her life and loses her mother’s most prized possession. Frightened and alone in a country at war, Sofia must find a way to reclaim what she has lost. On an epic journey through woods and razed towns, colliding with soldiers, survivors, and other lost children, Sofia must make the choice between kindness and her own survival. In this stunning novel set in an imaginative world yet reflective of our own times, Heather O’Neill delivers a vivid, breathtaking dark fairytale of life, death, and betrayal.

About Tony Tulathimutte: Tony Tulathimutte is the author of Private Citizens and Rejection. His work has appeared in The Paris Review, n +1, The Nation, The New Republic, and The New York Times. The recipient of an O. Henry Award and a Whiting Award, he runs the writing class CRIT in Brooklyn. About Rejection: From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

About Yasmin Zaher: Yasmin Zaher is a Palestinian journalist and writer born in 1991 in Jerusalem. The Coin is her first novel. About The Coin: A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags. But America is stifling her—her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly. In enthralling, sensory prose, The Coin explores nature and civilization, beauty and justice, class and belonging—all while resisting easy moralizing. Provocative, wry, and inviting, The Coin marks the arrival of a major new literary voice.

About Domenica Martinello: About Good Want: Exploring the value and shame ascribed to our desires both silly and serious – artistic, superficial, spiritual, relational – these poems grapple with deeply rooted questions: How can there be a relationship between goodness and godliness, if god is a character with shifting allegiances and priorities? Is clarity worth the pain of redefining your experience of the world? Is privacy the same as secrecy the same as deceit? Each caveat becomes a prayer, ritual, invocation, dream, or confession, requiring a blind faith that feels increasingly more impossible to sustain. Good Want looks inward, at once both sincere and tongue-in-cheek, to confront the hum of class and intergenerational trauma. Playing with and deconstructing received notions of ‘good,’ ‘bad,’ and ‘god,’ these poems open up a series of further possibilities: empathy for difficult people, acceptance of our difficult selves, and joy in every difficult thing. "These are lush, provocative poems that luxuriate in unexpected detail while examining how economic precarity shapes both shame and desire. Firmly rooted in the working class, Martinello explores the hunger we inherit from our ancestors, what it means to indulge from a position of bottomless want, and to 'Waste not your wanting.' With impressive range, a sense of humor, and entrancing musicality, Good Want is a celebration of the gluttony of girlhood, the paradoxes of faith, and everyday pleasures of a “small, specific life.” – Cassidy McFadzean, author of Crying Dress "Good Want is a baroque painting of Dutch aristocracy, but all the subjects’ garments are secretly from Walmart. I mean this in the best way. Each poem cracks me open and out shines a never-before-seen shade of light." – Shy Watson, author of Cheap Yellow "Sometimes the confessor reckons with the confessional. In Good Want, it's a wracking and lucky sometimes, full of piss and vinegar, and one that finds Domenica Martinello performing the wonderment, the depth and push and pull, between what there is to reveal and what each revelation ruptures or binds. Happily, sadly, the poet scours a life lived and unearths inheritances, burdens, and selves destined for and not for the telling. And tells them brilliantly as she pleases." – D.M. Bradford, author of Bottom Rail on Top

About Walter Scott: Walter Scott is an interdisciplinary artist working in comics, drawing, video, performance, and sculpture. His graphic novel series Wendy chronicles the continuing misadventures of a young artist in a satirical imagining of the contemporary art world. Scott's eponymous party girl has previously been featured in three graphic novels Wendy; Wendy's Revenge and Wendy: Master of Art as well as in Canadian Art; Art in America; The New Yorker; The New York Times and MoMA Magazine. Scott has been nominated or longlisted for the Ignatz Awards, Canada Reads, the Believer Book Award, and the Doug Wright Award, and finally, the Sobey Art Award—considered to be the preeminent fine art award in Canada. About The Wendy Award: Everybody’s favorite party girl Wendy is so back When Wendy is nominated for the coveted National FoodHut Contemporary Art Prize alongside her friend Winona, all of her millennial dreams seem to be coming true. She lives a post-pandemic, polyamorous fine artist’s lifestyle in the big city and basks in the glory of national attention with the success of her popular comic strip, “Wanda." But not even achieving bona fide art star fame can hide the truth: a never-ending struggle with imposter syndrome. After she cracks in an online interview and gets dragged in the comments section, she heads straight to a local watering hole to drown her sorrows. Several lines of coke, too many drinks, and one all night rager with fans later, Wendy is ready to curse Gen Z and confront her addictions. All the while, she and Winona drift apart as a younger Indigenous artist wedges herself between them. Will Wendy’s commitment to change wind up short-lived? The Wendy Award incisively skewers the art world with its corporate overlords, performative activism, generational wealth, and weaponized therapy speak. A showcase of Walter Scott’s deft wit and social commentary, The Wendy Award asks the hard questions, like Do they still give awards to men? Should we be grateful for the exposure? And what exactly is Big Auntie Energy?

About Billy-Ray Belcourt: BILLY-RAY BELCOURT (he/him) is a writer from the Driftpile Cree Nation. His debut novel, A Minor Chorus, won the Ethel Wilson Fiction Prize and was longlisted for the 2022 Scotiabank Giller Prize. His bestselling memoir, A History of My Brief Body, won the Hubert Evans Non-Fiction Prize and was a finalist for the Lambda Literary Award and the Governor General’s Literary Award. He won the 2018 Griffin Poetry Prize for his debut collection, This Wound Is a World, which was also a finalist for the Governor General’s Literary Award. A recipient of the prestigious Rhodes Scholarship and an Indspire Award, Belcourt is Assistant Professor of Indigenous Creative Writing at UBC. About Coexistence: A collection of intersecting stories about Indigenous love and loneliness from one of contemporary literature’s most boundless minds. Across the prairies and Canada’s west coast, on reserves and university campuses, at literary festivals and existential crossroads, the characters in Coexistence are searching for connection. They’re learning to live with and understand one another, to see beauty and terror side by side, and to accept that the past, present, and future can inhabit a single moment. An aging mother confides in her son about an intimate friendship from her distant girlhood. A middling poet is haunted by the cliché his life has become. A chorus of anonymous gay men dispense unvarnished truths about their sex lives. A man freshly released from prison finds that life on the outside has sinister strictures of its own. A PhD student dog-sits for his parents at what was once a lodging for nuns operating a residential school—a house where the spectre of Catholicism comes to feel eerily literal. Bearing the compression, crystalline sentences, and emotional potency that have characterized his earlier books, Coexistence is a testament to Belcourt’s mastery of and playfulness in any literary form. A vital addition to an already rich catalogue, this is a must-read collection and the work of an author at the height of his powers.

This week, Alex talks to Myriam Lacroix about her novel, How It Works Out, queer fiction, the Canadian literary landscape, love as hunger, and parallel worlds. About Myriam Lacroix: MYRIAM LACROIX was born in Montreal to a Québécois mother and a Moroccan father, and currently lives in Vancouver. She has a BFA in Creative Writing from the University of British Columbia and an MFA from Syracuse University, where she was editor in chief of Salt Hill Journal and received the New York Public Humanities Fellowship for creating Out-Front, an LGBTQ+ writing group whose goal was to expand the possibilities of queer writing. About How it Works Out: “What an audacious, breathtaking, and inspiring debut. The power of this formally innovative and deeply funny book is that everything exists to serve the compassionate heart at its core. Myriam Lacroix’s work is a cause for celebration.” —GEORGE SAUNDERS, #1 New York Times bestselling author of Lincoln in the Bardo and Liberation Day Surreal, darkly comic and achingly tender, Myriam Lacroix's exuberant debut sees a queer love story play out in many alternate realities. What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out? When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker—or sexier—would their dynamic be if one were a power-hungry CEO, and the other her lowly employee? From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love’s many promises and perils. Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a genre-bending, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.

About Lauren Oyler: Lauren Oyler's essays on books and culture appear regularly in The New Yorker, the New York Times, the London Review of Books, Harper's, and other publications. Her debut novel, Fake Accounts, was published in 2021. She lives in Berlin. About No Judgement: From the national bestselling novelist and essayist, a groundbreaking collection of brand-new pieces about the role of cultural criticism in our ever-changing world. In her writing for Harper’s, the London Review of Books, The New Yorker, and elsewhere, Lauren Oyler has emerged as one of the most trenchant and influential critics of her generation, a talent whose judgments on works of literature—whether celebratory or scarily harsh—have become notorious. But what is the significance of being a critic and consumer of media in today’s fraught environment? How do we understand ourselves, and each other, as space between the individual and the world seems to get smaller and smaller, and our opinions on books and movies seem to represent something essential about our souls? And to put it bluntly, why should you care what she—or anyone—thinks? In this, her first collection of essays, Oyler writes with about topics like the role of gossip in our exponentially communicative society, the rise and proliferation of autofiction, why we’re all so “vulnerable” these days, and her own anxiety. In her singular prose—sharp yet addictive, expansive yet personal—she encapsulates the world we live and think in with precision and care, delivering a work of cultural criticism as only she can. Bringing to mind the works of such iconic writers as Susan Sontag, Pauline Kael, and Terry Castle, No Judgment is a testament to Lauren Oyler’s inimitable wit and her quest to understand how we shape the world through culture. It is a sparkling nonfiction debut from one of today’s most inventive thinkers.

About Cameron Russell: Cameron Russell has spent the last twenty years working as a model for clients including Prada, Calvin Klein, Victoria’s Secret, H&M, Vogue, and Elle. With over forty million views, her TED talk on the power of image is one of the most popular of all time. She is the co-founder of Model Mafia, a collective of hundreds of fashion models striving for a more equitable, just, and sustainable industry. She continues to organize, consult, and speak to transform extractive supply chains and center climate justice. She lives in New York with her family. About How To Make Herself Agreeable to Everyone: Scouted by a modeling agent when she was just sixteen years old, Cameron Russell first approached her job with some reservations: She was a serious student with her sights set on college, not the runway. But modeling was a job that seemed to offer young women like herself unprecedented access to wealth, fame, and influence. Besides, as she was often reminded, “there are a million girls in line” who would eagerly replace her. In her fierce and innovative memoir, Russell chronicles how she learned to navigate the dizzying space between physical appearance and interiority and making money in an often-exploitative system. Being “agreeable,” she found, led to more success: more bookings and more opportunities to work with the world’s top photographers and biggest brands. But as her prominence grew, Russell found that achievement under these conditions was deeply isolating and ultimately unsatisfying. Instead of freedom, she was often required to perform the role of compliant femme fatale, so she began organizing with her peers, helping to coordinate movements for labor rights, climate and racial justice, and bringing MeToo to the fashion industry. Intimate and illuminating, How to Make Herself Agreeable to Everyone is a nuanced, deeply felt memoir about beauty, complicity, and the fight for a better world.

About Alexander Sammartino: Alexander Sammartino lives in Brooklyn. He received his MFA from Syracuse University. Last Acts is his first novel. About Last Acts: Following a near-death experience, an entrepreneurial father-and-son duo wreak havoc and fend off bankruptcy in this unflinching portrayal of the absurdities of American life. “Hilarious, exceptional.” —Dan Chaon, The New York Times Book Review • “Honest, highwire, virtuosic writing that summons up the world with all its charms and hazards.” —George Saunders Even though his firearms store is failing, things are looking up for David Rizzo. His son, Nick, has just recovered after a near-fatal overdose, which means one thing: Rizzo can use Nick’s resurrection to create the most compelling television commercial for a gun emporium that the world has ever seen. After all, this is America, Rizzo tells himself. Surely anything is possible. But the relationship between father and son is fragile, mired in mutual disappointment. And when the pair embarks on their scheme to avoid bankruptcy, a high stakes crash of hijinks, hope, and disaster ensues. Featuring a cast of unforgettable characters, this razor-sharp social satire lays bare both the gun and opioid crises. Fans of Don DeLillo and Stephen Markley will be thrilled by this smart, inventive debut.

About Brontez Purnell: Brontez Purnell is the author of several books, most recently 100 Boyfriends, which won the 2022 Lambda Literary Award in Gay Fiction, was longlisted for the 2022 Mark Twain American Voice in Literature Award and the 2021 Brooklyn Public Library Literary Prize, and was named an Editors' Choice by the New York Times Book Review. The recipient of a 2018 Whiting Writers' Award for Fiction and the 2022 Foundation for Contemporary Arts Robert Rauschenberg Award, he was named one of the thirty-two Black Male Writers of Our Time by T: The New York Times Style Magazine in 2018. Purnell is also the frontman for the band the Younger Lovers and a renowned dancer, performance artist, and zine-maker. Born in Triana, Alabama, he's lived in Oakland, California, for two decades. About Ten Bridges I've Burnt: In Ten Bridges I’ve Burnt, Brontez Purnell—the bard of the underloved and overlooked—turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. “The most high-risk homosexual behavior I engage in,” Purnell writes, “is simply existing.” The thirty-eight autobiographical pieces pulsing in Ten Bridges I’ve Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers’ rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement. With the same balance of wit and wisdom that made 100 Boyfriends a sensation, Purnell unleashes another collection of boundary-pushing writing with Ten Bridges I’ve Burnt, a book as original and thrilling as the author himself.

About Eliza Barry Callahan: Eliza Barry Callahan is a writer and artist from New York, New York. Shortly after receiving her BA from Columbia, where she studied visual art, art history, and poetry, she returned to the university where she received her MFA in writing (2022). Her writing has been published in frieze, The Believer, The Brooklyn Rail, and BOMB. She also writes, performs, and releases music via Los Angeles-based label, ANTI- Records with a record forthcoming in 2023. About The Hearing Test: A young woman reorients her relationship to the world in the wake of sudden deafness in this mesmerizing debut novel for readers of Rachel Cusk, Clarice Lispector, and Fleur Jaeggy When the narrator of The Hearing Test, an artist in her late twenties, awakens one morning to a deep drone in her right ear, she is diagnosed with Sudden Deafness, but is offered no explanation for its cause. As the specter of total deafness looms, she keeps a record of her year—a score of estrangement and enchantment, of luck and loneliness, of the chance occurrences to which she becomes attuned—while living alone in a New York City studio apartment with her dog. Through a series of fleeting and often humorous encounters—with neighbors, an ex-lover, doctors, strangers, family members, faraway friends, and with the lives and works of artists, filmmakers, musicians, and philosophers—making meaning becomes a form of consolation and curiosity, a form of survival. At once a rumination on silence and a novel on seeing, The Hearing Test is a work of vitalizing intellect and playfulness which marks the arrival of a major new literary writer with a rare command of form, compression, and intent.

About Mariah Stovall: Mariah Stovall has written fiction for the anthology Black Punk Now, and for Ninth Letter, Vol 1. Brooklyn, Hobart, the Minola Review, and Joyland; and nonfiction for The Los Angeles Review of Books, Full Stop, Hanif Abdurraqib’s 68to05, The Paris Review, Poets & Writers, and LitHub. I Love You So Much It’s Killing Us Both is her first novel and 24 Hour Revenge Therapy is her favorite Jawbreaker album. She lives in New Jersey. About I Love You So Much It's Killing Us Both: Set in the suburbs of Los Angeles and New York City, I Love You So Much It’s Killing Us Both is an immersive journey into the life and mind of Khaki Oliver, who’s perennially trying to disappear into something: a codependent friendship, an ill-advised boyfriend, the punk scene, or simply, the ether. These days it’s a meaningless job and a comfortingly empty apartment. Then, after a decade of estrangement, she receives a letter from her former best friend. Fiona’s throwing a party for her newly adopted daughter and wants Khaki to join the celebration. Khaki is equal parts terrified and tempted to reconnect. Their platonic love was confusing, all-consuming, and encouraged their worst impulses. While stalling her RSVP, Khaki starts crafting the perfect mixtape—revisiting memories of formative shows, failed romances, and the ups and downs of desire and denial—while weighing the risks and rewards of saying yes to Fiona again. One song at a time, from 1980s hardcore to 2010s emo, the shared and separate contours of each woman’s mind come into focus. Will listening to the same old songs on repeat doom Khaki to a lonely life of arrested development? Or will hindsight help her regain her sense of self and pave a healthy path for the future, with or without Fiona?

About Alexandra Tanner: Alexandra Tanner is a Brooklyn-based writer and editor. She is a graduate of the MFA program at The New School and the recipient of fellowships from MacDowell and The Center for Fiction. Her writing appears in The New York Times Book Review, Gawker, and Jewish Currents, among other outlets. Worry is her first novel. About Worry: Named a Most Anticipated Book of 2024 by Nylon, The Millions, and Debutiful! Frances Ha meets No One Is Talking About This in a debut that follows two siblings-turned-roommates navigating an absurd world on the verge of calamity—a Seinfeldian novel of existentialism and sisterhood. It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that’ve plagued Poppy since childhood flare up. Jules’s uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls’ mother, a newly devout Messianic Jew, starts falling for the same deep-state conspiracy theories as Jules’s online mommies. Jules, halfheartedly struggling to scrape her way to the source of her ennui, slowly and cruelly comes to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. And Amy Klobuchar might have rabies. As the year shambles on and a new decade looms near, a disastrous trip home to Florida forces Jules and Poppy—comrades, competitors, constant fixtures in each other’s lives—to ask themselves what they want their futures to look like, and whether they’ll spend them together or apart. Deadpan, dark, and brutally funny, Worry is a sharp portrait of two sisters enduring a dread-filled American moment from a nervy new voice in contemporary fiction.

About Sarah Mintz: Sarah Mintz is a graduate of the English MA program at the University of Regina. Her work has been published with Book*Hug Press, JackPine Press, Radiant Press, Apocalypse Confidential, The Sea & Cedar Literary Magazine, and Agnes and True . Find out more at https://smintz.carrd.co/. About Norma: Widowhood and weirdos, online and off, NORMA is so dark it smarts. It’s a terrible freedom to linger unaccounted for. Norma is waking up and cracking up. Decades of marriage, housekeeping, and family responsibility: buried with her husband Hank. Now, she’s free, gorging on an online riot of canceled soap operas, message boards, and grocery store focus groups. Transcribing chatter for fifty cents a minute. It’s all of humanity—grim, funny, and desperate—wafting into her world, a world reeking with the funk of old fast food wrappers, cold stale recycled air, and desiccated car upholstery. And one where appropriate boundaries are suddenly slipping too, when a voice from one of her transcripts goes from virtual to IRL and just down the block. NORMA is a tart, unhinged flail into widowhood, the parasocial, and some of the more careworn corners of the internet.