Why Is This Good?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Say Yes” by Tobias Wolff. What can we learn from this quick story with great depth? How can a story create depth of character without relying on backstory and character history? How can a mundane setup help focus a story on its central point? How can a story introduce the main elements it will develop right at the start?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “At the Clinic” by Sally Rooney. What can we learn from this story about characters that are also the focus of a novel? How can we set up the threads that will be woven together through a story? How does point of view help focus what a story is about?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Work” by Denis Johnson. What can we learn from this story with a strong voice? How does the narrator shape the way we understand and experience the story? How does detachment play a part in the emotions of the story? How are connections and analogies drawn to help develop the feelings of important moments? How does the linear nature of prose writing dictate how we guide the reader through this kind of connective narrative? How can we create the right voice for our own stories?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Roy Spivey” by Miranda July. What can we learn from this delightful story of quirky characters? How can taking a character’s emotions to an absurd degree help get to the root of what it means to be human? How can we root a story in a truth about human experience?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “A Small Good Thing” by Raymond Carver. What can we learn from this masterful short story? How does a writer deliberately make a reader like or dislike a character? Can we deepen a character without exploring the character’s past? How does fiction employ empathy? How can we depict a character’s emotions by showing them in action?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “2BR02B” by Kurt Vonnegut. What can we learn from this piece of speculative fiction? How can we build an alternate, speculative world so quickly? How do characters who live in a world help reveal that world? How does choosing just the right set of characters help develop a story’s dynamics to their full potential? How can exaggeration help depict characters?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “A Worn Path” by Eudora Welty. What can we learn from this story where nothing happens? What is the plot? Is it a character portrait? How can we decide where a story begins and how much of it to tell?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Foster” by Claire Keegan. What can we learn from this spectacular story? How does the pace of the story work with the point of view to develop tension? How can we show a character grow and learn through a story? What makes a happy ending? How can an action beat in dialogue reveal deep character truths?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “In the Heart of the Heart of the Country” by William H Gass (starts page 172, click “borrow”). What can we learn from this vibrant, poetic story with an unusual structure? Is there a narrative arc? How can we shape our own stories? How do we develop and connect poetic images?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Teenage Wasteland” by Anne Tyler. What can we learn from this story? How can we think about the structure of a story in terms of a Greek tragedy? What’s up with JC’s image of a skipping stone as a story structure? How can we handle universal or timeless stories?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Necklace” by Guy de Maupassant. (French version here.)  What can we learn from this exemplar story? How can we fit characters to their stories? How can the shape of dialogue on the page help us guide the flow of the story? What did de Maupassant learn from Flaubert, and how has he guided the style of short fiction since? How does the ending of the story work? Where does the emotion come from?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Wedding Party” by Taylor Koekkoek. What can we learn from this simple story elevated by literary effects? How can a writer’s eye make a story feel important? How can a non-point-of-view character become the center of a story? How can we use dialogue to show who is controlling a conversation? How can we characterize a non-POV character?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “Eveline” by James Joyce. What can we learn from this famous story? How does Joyce structure the epiphany? Can we use that structure in our own stories? Are there hidden symbolic depths to the details of the story? How can a writer characterize a mood by word choice? How can we distinguish between a plot of events and a plot of choices?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “A Millionaire’s Girl” by Zelda Fitzgerald. What can we learn from this story written by the less-famous Fitzgerald? How would we describe the point of view of this story? How does the narrator mediate the story and depiction of Caroline? How good a writer was Zelda Fitzgerald?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Catbird Seat” by James Thurber. What can we learn from this funny little story? How does point of view function in this story? How can an objective point of view allow us to balance what the character knows with what the reader needs to know? How does simple but elegant prose help guide the reader swiftly through the story?

Interested in our novel mentorship program or have any other questions? Email us at [email protected] If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com In this episode, we discuss “The Grasshopper and the Bell Cricket” by Yasunari Kawabata. What can we learn from this Japanese short story? What is the role of the narrator in this story? How does the narrator offer literal perspective on the story? How can we capture the emotional core of a story?

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim. What can we learn from this story that plays off another classic story? How can a clear voice set the tone for a story? What distinguishes fantasy from realist storytelling that wants to comment on real-world issues? How can we shape our own voices for different stories? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Nine Billion Names of God” by Arthur C. Clarke. What can we learn from this classic story? What guides the length and development of a short story? What could turn a premise-driven story into a character-driven story? How does understanding the needs of a story determine where it should focus? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Hollow” by Breece D’J Pancake. What can we learn from this early success from a young writer? What does it mean for a writer to find their voice? What does it mean to write what you know? Is it actually bad to head-hop point of view? How do you circumscribe the events of a story to create a compelling portrait of a character? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Enormous Radio” by John Cheever (alternate version). What can we learn from this 1947 New Yorker story? How does the distinction between public and private life drive a story? How do stories rely on insights about human psychology? How does a story that predicts the future show us what it means to be human? How can we use fantastical elements to explore the psychology of characters? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “A Conversation with My Father” by Grace Paley. What can we learn from this semi-autobiographical story? How can we develop stories from our own experiences? How can an extended conversation drive a story? How does the tragedy of human mortality color the mood of a conversation? How can we capture a real-life feeling in our stories? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “A Manual for Cleaning Women” by Lucia Berlin. What can we learn from this story? How can we use a repeating structure in a story? How can the emotional shape of a story influence its structure? How does a story’s themes suggest structural features? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Everything That Rises Must Converge” by Flannery O’Connor. What can we learn from one of O’Connor’s best parables? How do details make a story richer? What does it mean for a story to have a meaning? How can detailed, concrete characters help a story find insights through drama? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Wood Sorrel House” by Zach Williams. What can we learn from this story? Do we need to interpret what the story means? Is there a metaphor? How can interior psychology be presented by external conflicts? How can we make sure our stories are understood as we intend? How can concrete details ground a story’s concerns? What makes a perfect detail? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Garden of Forking Paths” by Jorge Luis Borges. What can we learn from this seminal work? How does the Garden of Forking Paths function in the story? How can a story maintain momentum while shifting the reader’s expectations? How can a story explain something novel? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Found Objects” by Jennifer Egan (second story in this PDF). What can we learn from this story? How can plot serve character and character serve plot? How can a character be both a device and a character? Can a scene be developed as both a present scene and a memory at the same time? How does the character’s experience drive the reader’s understanding of a story? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Two Words” by Isabel Allende, originally “Dos Palabras”. What can we learn from this story translated from Spanish? How can we use our writing eye in descriptions? How can a story feel like a legend or myth? How does mythic storytelling influence how the narrative views its characters? How can a story leave an unanswered question and yet remain entirely satisfying? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Piano Teacher’s Pupil” by William Trevor. What can we learn from this short, well-crafted story? How can backstory help build the present moment? How can we establish throughlines? How are well-rounded characters developed? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Nine Lives” by Ursula K. Le Guin. What can we learn from another great story from a master of speculative fiction? How can we portray unusual experiences that are nonetheless fundamentally human? How can we keep our focus on what it means to be human even in wildly speculative fiction? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Veldt” by Ray Bradbury. What can we learn from this story of dangerous technology? How can a mystery drive a story? How can a future-looking story remain timeless? What are some ways a story can focus its concerns on humans and humanity? How wrong should things go in a story? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “How to Be an Other Woman” by Lorrie Moore. (Read First Section and Second Section.) What can we learn from this mock self-help instructional story? How are emotional moments developed? How do the second person and imperative mood function? How do keen imagery and highly metaphorical descriptions function? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Daemon Lover” by Shirley Jackson. What can we learn from this psychological thriller? How can anxiety drive a story? How can the prose and details create and develop a psychology or mood for a story? Can a psychological thriller provide a metaphor for social commentary? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Babylon Revisited” by F. Scott Fitzgerald. What can we learn from this story? How can fiction subtly reveal character motives? How can we use a slippery point of view to direct the reader’s attention at what’s important for the story? How can introspective revelations show the reader the complexities of a character or interactions between characters? How can a story be built around a moment? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Martyr” by Mary Gordon. What can we learn from this story of a character trying to remember and understand their brother? How does foreshadowing structure the unfolding of the story and our understanding of the characters? How does hindsight help shape the unfolding of the narrator’s telling of the story? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “A Visit of Charity” by Eudora Welty. What can we learn from this story about lonely people? How can distinct characters help develop a theme from several directions? How do the characters help develop the drama? Can we represent typically stereotyped characters with more depth? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “We Can Remember It for You Wholesale” by Philip K. Dick. What can we learn from this classic work of science fiction? How can a story keep redefining itself? How can a consistent character keep a story connected? How can we use character memories to inform a story? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Uncle Wiggily in Connecticut” by J. D. Salinger. What can we learn from this classic Salinger story? Can a third person point of view be purely external? How does subtext deepen a story? How can authentic dialogue and other interactions reveal underlying character? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Unaccompanied Sonata” by Orson Scott Card. What can we learn from this borderline science fiction story? What can happen when a story establishes a system in which the protagonist exists? Should we read or write with allegorical assumptions? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Werewolf” by Angela Carter. What can we learn from this quick, little take on a folktale? How can setting help characterize a story? How can the prose reflect the mood of a setting or character? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Zombie” by Joyce Carol Oates. What can we learn from this portrait of a real-life serial killer? How do we feel about a portrait of a monster? Why do we write fiction in the first place? What creates forward momentum in a story? How can we control the focus of a reader’s empathy? Should writers try to write from perspectives outside their personal experience? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Wind” by Lauren Groff. What can we learn from this tense, action-packed story? How can we make a story so gripping? How can a removed point of view help reveal more depth in a story? How can we enrich a story? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “These Golden Cities” by K. David Wade. What can we learn from this story about taking an acid trip? How does the story guide us through the character’s experience? How do the character’s thoughts and perspective interact with the narrative point of view? How can a story explore a common yet pivotal life experience? How does a story gain power from being of the current cultural moment? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Non-Zero Probabilities” by N. K. Jemisin. What can we learn from this bit of speculative fiction? How can world-building be personal to a character? Can we set up the reader to infer the nature of the world based on details we provide? How can changing the variables in a situation help develop a story? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “A Telephone Call” by Dorothy Parker. What can we learn from this intense interior monologue story? How does this nearly 100-year-old story still reflect modern reality? How does the representation of a spiraling, fixating mind still produce forward momentum? How can paragraphing and punctuation help guide the reading experience? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss Curtis Sittenfeld vs ChatGPT. What can we learn from this experiment in comparing a literary author with an AI-generated story? How would we critique the ChatGPT story? What makes the Sittenfeld story human? What can we learn from the way the two versions summarize conversations? What about the cliches? How good is ChatGPT’s writing? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Husband Stitch” by Carmen Maria Machado. What can we learn from this exploration of a familiar horror scenario? How can we expand on a common symbol in a story? How can we structure a story that comprises a lifetime? How do we focus such a story? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast On this episode, we discuss “The Celestial Omnibus” by E. M. Forster (starts page 54). What can we learn from this literary version of a fairy-story? How does the story pit pedantry against ingenuousness? Does it pick a winner? How does the story mimic the voices of its literary characters? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Complete” by Gabriel Smith. What can we learn from this story made up of semi-connected snippets? How can disconnected pieces of narrative connect with one another to create interwoven threads? How many first-parson narrators can a story have? How much should a story rely on the reader’s own story-external experience of things? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Sour Milk Girls” by Erin Roberts. What can we learn from this story about damaged people? Can a story explore a broken character? How can we present background as part of a scene happening in the moment? How can using a light speculative touch help a story dig into character? Can we write a story asking what a broken character would do as a result of their trauma? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “An Outpost of Progress” by Joseph Conrad. What can we learn from this classic story? How can a story incorporate a “thesis statement”? Can we step back from a story to offer editorial commentary? How do stories explore topics and ideas? Can we adopt a nineteenth-century authorial voice into a modern show-don’t-tell style? For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com