My Take on Music Recording with Doug Fearn cover art

All Episodes

My Take on Music Recording with Doug Fearn — 117 episodes

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Title
1

Basic Electronics for Recording Engineers - Part 5 - Schematic Diagrams

2

Basic Electronics for Recording Engineers - Part 4 - Gain Staging

3

Basic Electronics for Recording Engineers - Part 3

4

Basic Electronics for Recording Engineers - Part 2

5

The Weakest Link

6

Basic Electronics for Recording Engineers - Part 1

7

Variable Speed Recording

8

What Makes a Good Engineer?

9

Taylor Larson of MixWave

10

Assistant Engineers

11

Bleed Isn't Always a Bad Thing

12

Spring Birds: How I recorded birds in the woods in DSD

13

DSD Digital Recording

14

Does Quality Matter?

15

Building a Studio

16

Monitor Speakers and how to get the best sound out of them

17

Recording for Vinyl

18

How We Learn Audio Engineering

19

Single-Mic Recording

20

Choosing Microphones to Buy

21

Joseph Arnold - Violinist, Author

22

The Art of Producing - Part 3 - Mixing & Mastering

23

The Art of Producing - Part 2 - Mic'ing

24

The Art of Producing - Part 1

25

Fletcher, Munson, and You

26

Getting the Best Vocal Recording

27

Studio Accessories

28

Shawn Dealey on Dolby Atmos

29

Compression

30

Audiophiles Guide to Music Recording - Part 2

31

Audiophiles Guide to Music Recording - Part 1

32

Reverb

33

Plug-ins vs Hardware

34

Improving Acoustic Spaces

35

Twelve Rules for Better Recording

36

Recording Unfamiliar Instruments

37

In Case You Missed It...

38

Justin Gray on Immersive Audio Part 2

39

Justin Gray on Immersive Audio

40

Music/Life Balance with Corrie Lynn Green

41

Troubleshooting

42

Dave Hill

43

Choosing the Right Microphone

44

Headphones for Mixing

45

Terri Bright, SInger-songwriter and Behavioral Expert

46

Why Different Gear Sounds Different

47

Ribbon Microphones

48

Doug Fearn Interviewed by Corrie Lynn Green

49

The Evolution of Contemporay Music with Chuck Anderson

50

Listening

51

Your Recording Style

52

Studio Technology for Musicians Part 3 (with Corrie Lynn Green)

53

Studio Technology for Musicians Part 2 (with Corrie Lynn Green)

54

Studio Technology for Musicians (with Corrie Lynn Green)

55

The Future of Vacuum Tubes & What Might Have Been

56

Session Sociology

57

Karttikeya of Music Together International

58

Tuning

59

A Recording, Deconstructed

60

Recording Critiques - The first Five

61

Recording Critiques

62

Stereo Mic'ing Techniques

63

Chuck Anderson, Part 2

64

Chuck Anderson guitarist/teacher/recording artist

65

Studio Drummer John O'Reilly Jr.

66

DSD Recording with George & Geoff Hazelrigg

67

Audio Quality with George & Geoff Hazelrigg

68

Dolby Atmos explained by Dale Becker

69

Robin Eaton: Songwriter, Musician, Studio Owner

70

Tracking, Mixing, and Mastering

71

Harpischord Recording

72

Location Recording

73

Vacuum Tube Fundamentals

74

Theater of the Mind

75

Latency and Delay

76

Obie O'Brien: A Life In Music -- Part 2

77

Obie O'Brien: A life in music

78

Inside the Podcast

79

Manufacturing Pro Audio Equipment

80

Minimalist Mic'ing for Better Sound

81

Abbey Road Studios: My three days of recording

82

Cables, Connectors, and Studio Wiring

83

Colin Hay, Singer-Songwriter-Recordist

84

34 - All Kinds of Noise

85

33 - All Kinds of Distortion

86

Disc Cutting

87

31 - My Recording Career, Part 2: From 1973 to 2020

88

My Recording Career, Part 1: Early influences and first studio

89

The D.W. Fearn VT-7 Compressor

90

Tony Maserati, Mix Engineer

91

The VT-5 Equalizer: Design and Use

92

Joe Tarsia, founder of Sigma Sound Studios

93

25 Improving Your Audio For the World of Virtual Communications

94

What Flying Taught Me About Recording

95

Jason Miles, Producer, Synthesizer programmer, and Keyboard player

96

Microphone Preamplifiers: how I designed the D.W. Fearn preamps and how you can get the most out of them

97

Mix Engineer Mike Miller

98

Vacuum Tubes: Why They Sound Better for Audio

99

Tad Rollow, Research Engineer

100

My Conversation with Dom Morley

101

What Radio Broadcasting Taught Me About Recording

102

Dale Becker, Mastering Engineer

103

Microphones!

104

My Conversation with Producer/Engineer/Mixer Chris Tabron

105

Recording In Improvised Spaces

106

My Conversation with Mix Engineer Jon Castelli

107

What Morse Code Taught Me About Music Recording

108

A Conversation with Wes Dooley - Part 2

109

A Conversation with Jim Hamilton of Rittenhouse Soundworks

110

Using Magnetic Tape in the Studio

111

Tape Machine Alignment & Maintenance

112

Introduction to Recording to Tape

113

My Conversation with Wes Dooley of Audio Engineering Associates

114

The Room Where Music is Recorded

115

Overview of the Music Recording Process

116

A brief History of Music Recording

117

Your Hearing is Amazing!