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How to Buy and Sell Used Gear

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No Technical Element Should Distract You from the Story on Stage

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The Bass Whisperer: From Confusion to Alignment

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Random Questions with Nick Malgieri from d&b

5

IEM: The Recipe for Failure and How to Avoid It

6

Why is the 125 Hz band so Important?

7

Sexual Harassment Is a Workplace Safety Issue

8

How to Choose a Digital Console & Deal With Cranky Artists

9

Nobody Cares until the Shit Hits the Fan

10

Intro to Digital Wireless Intercom with Peter Erskine

11

What happens if you're not familiar with a speaker?

12

Nothing in an audio analyzer tells you how good it sounds

13

that moment when you realize monkeys are trying to steal your gear

14

When will this 'immersive' fad be over?

15

EQ Your Vocal Reverb Return

16

Be Helpful From Anywhere in the World (pandemic or not)

17

You Need a Sound System Preflight Checklist

18

How to Settle Arguments and Get a Job Using Prediction Software

19

Loudness Metering, Getting Jobs, and IEMs

20

Building Virtual Mix Environments for Education

21

What we learned about the LV1 and loudness metering in DC

22

NEW WORKSHOP: Phase Alignment Science Academy

23

How to Make a Stage Plot That Will Save You Time and Misunderstanding

24

I have a favor to ask you

25

The Difficult Balance of Hustle and Self-care for Live Event Technicians

26

The 5%: Women in Pro Audio

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What (wo)men want: How IEM mixes differ by gender

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I'm Here to Make You Sound as Good as Possible

29

Right Now Is the Best Time to Build

30

Gain Before Feedback Is Independent of the Level of the Talker

31

Rog and Nathan's 5-hour Show about End-fire vs Gradient Arrays

32

Can you mix better on speakers with flat magnitude and phase?

33

Do cardioid subwoofer arrays work underneath a stage?

34

You can't predict subwoofer behavior in a room at 40Hz, but you can test it

35

Compare 300 Different Microphones with Double Blind Listening Tests from Your Own Studio

36

Is your Dante network truly redundant?

37

How Dave Gunness Finally Cracked the Code on Passive Cardioid Subwoofers

38

How Using Less EQ Can Stop Your Show from Sounding Horrible

39

1 Graph Setting You Need to Change in Smaart for Faster EQ Decisions

40

What You Should Know About Communication And Trust Between Artists And Sound Engineers

41

How to develop a habit of logical troubleshooting

42

Guess How Many Measurements Positions You Need for Proper Output EQ (it's more than 1!)

43

Merlijn's Subwoofer Alignment Method Will Make You Feel like a Jedi Master

44

Dave Rat's Simple Problem Solving Mindset for a Long Fulfilling Career in Pro Audio

45

Choosing an online mixing course: Essential Live Sound Training vs Guerrilla Mixing

46

How an improperly connected motor cable arced up the chain and almost ended in disaster

47

This iPhone App Helps Musicians Mix Themselves from Stage

48

Sound system design for the Eagles Super Bowl Parade

49

Fighting Microphone Feedback WITHOUT a Graphic EQ While Mixing Monitors from FOH

50

If Poor Speaker Choice and Placement Were a Crime, We'd All Go to Jail

51

Real World troubleshooting tips for wireless microphone and In-ear-monitor dropouts and interference

52

If you're using audio over IT, but you don't know how it works, you will fail.

53

What's the difference between Broadway and Rock 'n' Roll to a system tech?

54

This secret weapon will make a Profile sound like no other Profile you've heard before

55

What is the best sounding target EQ curve to use in Smaart on every show?

56

I made sure every sound engineer, tour manager, and production manager knew I wanted to tour

57

How Robert Scovill Got Fired by John Cougar Mellancamp and Hired by Prince

58

How To Find Work And Become A Freelance Sound Engineer

59

Why Andrew Stone Only Mixes For Himself

60

Stop Smaarting the Sound System

61

How Jamie Anderson Saves Time in System Tuning with Smaart Check Points

62

Recovering from Burnout and Avoiding Overwhelm

63

Guerrilla Mixing

64

Why Touring Sound Engineers Are Getting Paid Less

65

Mixing Monitors for Tears for Fears

66

Dan Dugan and the Birth of the Automatic Microphone Mixer

67

Lessons from Module 5 of Pro Audio Workshop: Seeing Sound

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Lessons from Module 4 of Pro Audio Workshop: Seeing Sound

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Lessons from Module 3 of Pro Audio Workshop: Seeing Sound

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Lessons from Module 2 of Pro Audio Workshop: Seeing Sound

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Lessons from Module 1 of Pro Audio Workshop: Seeing Sound

72

Is my course right for you? (opening today!)

73

Bobby Owsinski: Why Do Concerts Sound So Bad?

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Simple Ideas to Improve Acoustics in Recording Studios and Concert Halls

75

FOH Mixing: EQ it till it sounds good

76

Smaart is just a tool. You are the analyzer.

77

Everything I Feared about Digico Consoles Is Wrong

78

5 Pro Drummers Explain How to Make a Drum Kit Quieter on Stage

79

This Is How to Find the Perfect Show Volume Without an SPL Meter

80

Get Booked Solid in Pro Audio

81

This Marketer Will Make You Look at Your Career Totally Differently

82

How to Be a Self Starter in the Audio Industry

83

9 Tips for Easy In Ear Monitor Setup

84

Americans Like a Lot of Bass

85

This Is Why You Are Over EQing with Merlijn van Veen

86

110 Questions about Sound System Tuning - Pt. 4

87

The Amazing Capacity and Limitation of the X32 with Drew Brashler

88

Make Space for Bass in Your Ableton Live Mixes

89

110 Questions about Sound System Tuning - Pt. 3

90

110 Questions about Sound System Tuning - Pt. 2

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110 Questions about Sound System Tuning - Pt. 1

92

Audio Calculators for Sound System Tuning

93

Mauricio Ramirez: Trust your ears, not just the audio analyzer

94

How to Mix Intuitively Using Daily Ear Training Games

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From the Sound Up ✈️ BONUS: How to speed up your growth

96

From the Sound Up ✈️ Lesson 14: Turning it all into a system

97

From the Sound Up ✈️ Lesson 13: Reaching out to potential clients

98

From the Sound Up ✈️ Lesson 12: Reaching out to colleagues

99

From the Sound Up ✈️ Lesson 11: How do you make friends as an adult?

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From the Sound Up✈️ Lesson 10: Who should I build relationships with?

101

From the Sound Up✈️ Lesson 9: How do you get it?

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From the Sound Up✈️ Lesson 8: Why is this important?

103

From the Sound Up✈️ Lesson 7: Your positioning statement

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From the Sound Up✈️ Lesson 6: What makes you special?

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From the Sound Up✈️ Lesson 5: What makes you

106

From the Sound Up✈️ Lesson 4: Who is your ideal client?

107

From the Sound Up✈️ Lesson 2: Commit To Your Goals

108

From the Sound Up✈️ Lesson 3: Financial and time needs

109

From the Sound Up✈️ Lesson 1: Introduction

110

Sound Design Live Episode 71 - Free Business Training: From the Sound Up✈️

111

Do you want a job as a touring FOH sound engineer? You need to hear this.

112

Behind the Scenes of the Ringling Brothers Circus Sound System

113

SATlive + Thomas Neumann: Sound system tuning with a single measurement microphone

114

SIM3 School with Bob McCarthy: Our biggest takeaways

115

Circus Touring with 21 Channels of Sim 3 Audio Analyzer

116

How to start offering podcast production services to your clients

117

Position Yourself for Non-stop Touring as a Stage Manager and Lighting Technician

118

Is IATSE worthwhile for sound engineers?

119

Networking and Referral Strategy for Sound Engineers

120

Content Marketing Strategy for Freelance Audio Engineers

121

Build self-confidence for better productivity with this simple habit of relaxation

122

Silence: The secret ingredient to sound design in advertising

123

Don't sell services; sell solutions

124

Mixing the most difficult musical on Broadway: Rock of Ages

125

ATTENTION, MUSICIANS: You need to figure out where money is made.

126

Turn Your iPhone into a Wireless Microphone

127

Is Live Sound Ruining Your Back? Health Mistakes You Don't Know You Are Making

128

SPECIAL REPORT: Sound System Design for Small Venues with Bob McCarthy

129

1 Critical Skill to Get Stage Theatre Jobs: How Surrey University Is Training Audio Engineers

130

The good, the bad, and the ugly of being a Tour Managing FOH Engineer

131

How Mike Built a Thriving Audio Business by Working All-night Parties That No One Else Wanted

132

360˚ Interactive Live Video Streaming with Zero Crew

133

Control Ableton Live from your Guitar with Wireless Bluetooth

134

How Jim Digby and the Event Safety Alliance Can Save Your Ass

135

The Sound Engineer's Path Webinar

136

What a CPA, Bookkeeper, & Business Manager Can Do for Your Business

137

How to Take Control of Your Wireless Microphones

138

Important Facts about Noise Induced Hearing Loss and How to Protect Yourself

139

11 Lessons I Learned From Ken 'Pooch' Van Druten

140

Multi Channel Wireless Home Theater Sound Systems

141

What the Hell Is AV Integration?

142

Learn To Become A Recording Engineer Online

143

Learn from the Sound Engineers for Tori Amos, Prodigy, and The White Stripes Online

144

10 Critical Tax Questions Answered For Sound Engineers

145

Mixing The Biggest Festivals In Europe with Dave Swallow

146

How To Find Speaker Coverage In One Step

147

Sound System Design & Optimization with Bob McCarthy

148

Behind Moldover's Kickstarter Success

149

Food And Drink At Work For Sound Engineers

150

Greatest Hits Volume 1

151

Beyond FOH: Job Search Advice For Sound Engineers

152

Career Advice For Freelance Designers

153

Condenser vs. Dynamic Microphones For Live Sound

154

Show Networks and Control Systems

155

From Highschool Dropout To Head Of Audio

156

Larry Crane & Tape Op Magazine

157

Cables Are Dead

158

From Free To Fee - How To Incorporate Internet Streaming Into Your Live Event

159

Laptops Do Not Make Live Sound Simpler

160

It's A Golden Age For Internet Broadcast

161

Climbing The Ladder To Broadway Sound Designer

162

Designing Without A Script

163

Super Fun Instrument Design

164

Turning Technology Into Performance

165

Sound Design From The Actor's Perspective

166

Build A $100,000 Mixing Board

167

How To Use Plugins with an Analog Console And Wireless Control

168

Out Of Ideas? Just Add Reverb!

169

Create Your Own Speaker Processing App + Sound Design Meets Computer Programming

170

Sound Design for the Pulitzer Prize Winning Play "Ruined"

171

FL Studio Rocks + Free Barbie Samples

172

How To Mic An 800 Seat Theatre With Floor Mics

173

Mixing For Emmylou Harris & Producing SXSW

174

Use Subtitles To Reinforce Localization In Your Surround Sound Installation

175

Perfect Club Sound - Dance Music Kills? - What is Serato?