All Episodes

Four Orchestras from the 1950s: How Duet Tangos Manipulate Your Energy

Carlos Di Sarli: And Rufino's Unlikely Tango Alchemy

Francisco Lauro: The Maestro with the Empty Bandoneón

Lucio Demare and the Stolen Singer

Donato Racciatti: Nina Miranda and Uruguay's Smiling Tango

The Two Percent Legacy of Francisco Lomuto

Rodolfo Biagi: How Three Misfits Forged Argentine Tango

Alfredo De Angelis: How Italian Immigrants Created Argentine Tango

Lamarque, Simone, and Carreras: Female Tango Icons

Troilo and Marino: Tango's Golden Years

José García: How cheap suits made the Gray Foxes

Enrique Rodríguez: The Rare Milongas of Enrique Rodríguez

Miguel Caló: Silk, Champagne, and a Folk Singer

Osvaldo Pugliese: The Red Carnation on Pugliese’s Piano

Bandonegro, Sexteto Cristal, and Solo Tango Orquesta: Europe's Reinvention Of Golden Age Tango

Osvaldo Fresedo: The Man Who Put a Tuxedo on Tango

Pedro Laurenz: He Taught the Bandoneón to Scream

Francisco Canaro: The Henry Ford of Tango

Carlos Di Sarli: Di Sarli's Submerged Cathedral of Sound

Roberto Firpo: Firpo's Hidden 1935 Orchestral Gold

Rodolfo Biagi: The Witching Hands that Saved Tango

Conjunto Berretín: Resurrecting 1920s Tango in Portland

Orquesta Típica Victor: The Tuba Behind Tango’s Ghost Orchestra

Edgardo Donato: His Joyful Musical Gymnastics

Ángel D'Agostino: The Two Angels of Introvert Tango

Aníbal Troilo: Why Troilo's 1941 Tangos Are Too Fast

Ricardo Tanturi: The Doctor Who Perfected the Tango Waltz

Juan D'Arienzo: The King of the Beat's Tango Revolution

Francisco Canaro: Canaro & Famá's Electric Tango Machine