All Episodes

Vivian Panka on Performing Regina in Mean Girls

Fringe in Fifteen | Verity Bajoria | "Smile"

Chris Palmer | Part 2 | Training Your Voice with Meisner, Michael Chekhov and Stanislavski

Shakespeare Saturday | Romeo & Juliet

Lucy Hind on Inter Alia and Intimacy Co-ordination

Melissa Vettore on Studying "The Method" and Prima Facie in Italy

Daisy Chute on Composing for Documentaries, Musical Theatre and Winning a Grammy

Lauren Carse on Understudying in the Prima Facie UK Tour

Shakespeare Saturday | Macbeth

Morgan Lloyd Malcolm on her play "The Wasp" and Writing for Theatre

Tómas Howser and Emily Dilworth on The Welkin by Lucy Kirkwood

Nicki Leighton-Thomas on Performing Jazz and Writing Music

Katie Louisa Morgan on her play "Fox" | A Show about Motherhood

Georgia Bird | Part 2 | Prima Facie on Tour and the Impact of Theatre

Helen Murray on Photographing the Theatre and Life

Sam Troughton on A Very Royal Scandal and Chernobyl

Georgia Bowers on The Impact of Applied Theatre

Maddie Hansen on Life as an Actor-Musician and Her Love of Sondheim

Simon Furness | Part 2 | The Seagull

Olivia Vinall on Performing Desdemona and Cordelia at the National Theatre

Sarah Spring | Part 2 | Hamlet and Much Ado about Nothing

Sam Haughton on Phantom, Universality of Material and Keeping the Faith

Laura Andresen Guimarães on Actor Musicianship, playing the Saxophone and Performing at the 2022 FIFA World Cup, Qatar

Siobhan Dowd on Voice Acting: Audiobooks and Commercials

Jayne Wisener on Sweeney Todd with Tim Burton and The Inbetweeners

Genevieve Chenneour on Artistic Swimming, "Diary of a Ghost" and Bridgerton

Georgina Castle on Life in Musical Theatre

Ellie McKay on Life Stories and Building From Rock Bottom

Elliot Cowan | Part 2 | Henry V, Stanley Kowalski and Mastering Self-Tapes

Claire-Monique Martin and Verônica Sarno on Mauro Fazion's "The Dying Wish" and How Theatre can Change the World

Kimberley Ford on Filmmaking for Actors and Coporations

Katie Matsell on Tennessee Williams and Shakespeare

Sarah Spring on Shakespeare: Soliloquies and Sonnets

David Dein on Theatre and Football

Robyn Paterson on Meisner Technique

Mildred Yuan | Part 2 | AI in the Industry and Embracing Our Humanity

Cassandra Woodhouse | Part 2 | Prima Facie's Impact and Looking After Your Nervous System

George Naylor on Understudying in "Second Best"

Joyce Hshieh on The Best Way to Learn Your Lines

Harriet Madeley on her play "Outpatient" and the Profundity of Theatre

Sarah Page on Writing for Theatre and Audible

Gaia Mondadori on The Witcher and her new play "Centre of the Universe"

Sarah Lawrie on Producing Off-West End Theatre and her new show "Elon Musk: Lost in Space"

Antonia Desplat on "Modigliani - Three Days on the Wing of Madness" and working with Johnny Depp

Tom Edden on Waiting for Godot and One Man, Two Guvnors

Maria Speight on Writing for Theatre and her new play "Maybe You Should Know"

Imogen Knight on Movement, working on HBO's Chernobyl and The Crucible at the Old Vic

Naarah on "Our Country's Good" and How Art Changes the World

Theresa Godly on "The Stranger I Love" and the Impact of Parental Alienation

Oliver Alvin-Wilson on "Now, I See" at Stratford East and the Impact of Theatre

Audrey Sheffield on Creating Truthful Theatre

Sam Valentine on Life as a Working Actor in the 21st Century

Michael Fox on Downton Abbey, Othello and Writing Music

Sally Williams on Working with ITV, Weather Reporting and Interviewing on the Red Carpet

Trish Wadley on Producing Theatre

Faith Omole on Writing for Theatre and her play "My Father's Fable"

Eleanor Rhode on Directing for the RSC and The Globe

Danielle Hope on Winning BBC's "Over the Rainbow" and Life in Musical Theatre

Yaël Farber on Arthur Miller's "The Crucible" and Directing for Theatre

Samuel Small on Growing Up in the Business

Miriam O'Brien on Pericles with the RSC, The Woman in Black and Short Film "The Date"

Louise Beresford on appearing in Magic Goes Wrong and Performing Comedy

Sarah Milton on Writing for Theatre

Alix Dunmore on Perfecting Accents

Annalie Howling on How to Live Your Best Life and How to Deal with Shame

Claire Cartwright on Shakespeare, Working with The Theatrical Guild and the Short Film "The Date"

Evangeline Victoria on Performing Weddings and Football Stadiums

Eve Shanu-Wilson on Performing Christine Daaé in Phantom of the Opera and Life as a West End Cover

Alex Mill on Being an Assistant Director and How Actors Can Know Their Worth

David Leveaux on Directing for Theatre and working with Harold Pinter and Tom Stoppard

Stefanie Sword-Williams on Self-Promotion | Part 2

Cassandra Woodhouse on Touring Theatre and the Impact of Prima Facie

Harry Burton on Harold Pinter | Part 3 | The Homecoming

Alexa Morden | Part 2 | Filmmaking

Felicity Jackson on Supporting Actors and Creating "Actors Pro Expo"

Alexa Morden on The Tough Side of the Business and How It Needs to Change

Lucy Eaton on Staged and Producing Theatre

JBR on Life as an Agent

Jeff James on Directing

Rosie Sheehy Part 2 | Machinal at the Old Vic and Puck at the RSC

Candida Caldicot on playing live in The Lehman Trilogy

Krupa Pattani on Mr Bates vs The Post Office and As She Likes It

Rachel Birch-Lawson on Movement

Tom Kelsey on Understudying in The Shark is Broken and A Little Life

Kate Godfrey Part 2 | Understanding Shakespeare

Jane Moriarty on Being an Associate Director, Prima Facie and Filmmaking

Georgia Bird on Stage Management and the Impact of Prima Facie

Chloe Wade on Writing for Theatre and her play As SHE Likes It

Mildred Yuan on Life as An Agent

Victoria Blunt on Vanya and Tackling a One Person Show

Justin Martin on Prima Facie and Directing For Theatre

Alison Tanney on The Importance of Theatre

Emilio Doorgasingh on A Little Life

Sabina "Sabs" Netherclift on Jacques LeCoq | Part 2

Orlando Mendez on The Voice USA, Country Music and Future Releases

Elliot Cowan on A Little Life

Laura Elphinstone on Line of Duty and Life as An Actor | Part 2

Dani Arlington on Prima Facie and The Importance of Understudies

Stefanie Sword-Williams on Self-Promotion and How It Isn't a Bad Thing

Rose Ryan on Laban and Intimacy Co-Ordination | Part 2

David Punter on Gothic Literature and Poetry

Claire J. Loy on Getting an Agent and Actors Learning to Trust Themselves

Rohan Carr on Theatre Automation and Working Behind the Scenes on A Little Life

Charlie MacGechan on Pinter and Building Run At It Shouting

Harry Burton on Harold Pinter | Part 2: No Man's Land

Rebecca Reaney on Movement | Part 2

Caroline Sheen on Musical Theatre

Catherine McNamara on Applied Theatre

Rosie Sheehy on Romeo and Julie at the National Theatre

Seema Bowri on Verbatim Theatre and Film "Little English"

Max Perryment on Sound Designing

Deka Walmsley on Billy Elliot

Aylam Orian on Method Acting and How It Isn't What We Think It Is

Scott "Friendly Reminder" Tatum on How to Live your Best Life

Abdullah Khan on Directing

Doug Kerr on Graphic Designing

Fit2Talk’s Bobby Windebank and Steffan Lloyd-Evans on an Actor’s Fitness and Lifestyle

Christopher McElroen on Directing for Theatre

Alex Gage on Training in Musical Theatre, Kinky Boots, and Life Performing on a Cruise

Steven Calvert on Life before and after Drama School

Thank You 🙏

Andy Johnson on How to Get into Drama School

David Grindley on R.C. Sherriff's Journey's End and Winning a Tony on Broadway

Kate Godfrey on deconstructing Shakespeare and Using your Voice in the Theatre

Chris and Tom Godwin on The Woman in Black

Mark Stratford on The Strange Case of Dr Jekyll & Mr Hyde

Adam Boardman on Life on Tour with Les Miserables and Keeping the Faith

Tom Berkeley and Ross White on Filmmaking

Jack Ellis on The Crucible, Richard III, and working with Sam Mendes

Katie Crooks on Hypnotherapy and Conquering Mental Boundaries

Michael Hoffman on Directing

Rebecca Reaney on Movement and the Importance of Actors

Mike Jibson on the Actor's Journey and performing in Hamilton in the West End

Andrew Davidson on Meisner and Script Analysis

Chris Palmer on the Human Voice and its Power

Dan Canham on A Monster Calls, creating Movement for Theatre, and Film Production

Matt Coulton on Jacques LeCoq and the Neutral Mask

Adrian Schiller on Arthur Miller's The Crucible and working with Yaël Farber

Rose Ryan on Laban, the "Efforts", and the Importance of Movement

Sabina "Sabs" Netherclift on Jacques Lecoq

Stu Goodwin on A Monster Calls and Devised Theatre

Laura Elphinstone on Chernobyl and Devised Theatre

Ben Furey on Voice, Dialects, and working on Broadway

Hannah Couzens on Photography and Capturing the Moment

Christian Patterson on Acting and Working at the National Theatre

David Barnett on Brecht

Simon Furness on Anton Chekhov's Uncle Vanya

Harry Burton on Harold Pinter