#401: Coppola's Queens, Pt. 2 — Priscilla

Power and identity in Sofia Coppola's Priscilla Presley biopic.

Episode 401 of the The Next Picture Show podcast, hosted by Genevieve Koski, Keith Phipps, Tasha Robinson & Scott Tobias, titled "#401: Coppola's Queens, Pt. 2 — Priscilla" was published on November 21, 2023 and runs 80 minutes.

November 21, 2023 ·80m · The Next Picture Show

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Summary

As biopics go, the new PRISCILLA is decidedly less rambunctious than the 2006 provocation MARIE ANTOINETTE, but each of these intimate, sympathetic portraits of a woman who lived in a man’s shadow and under his control are unmistakable as the work of Sofia Coppola. This week we get into how our reactions to PRISCILLA — both positive and negative — were affected, even shaped, by its place in Coppola’s filmography, and whether the film’s compressed third act is a feature or a bug. Then we head into Connections, which is stacked with comparison points between the two films’ ideas about power and identity as expressed through fashion, sex, physical vulnerability, and inappropriate puppies. And in Your Next Picture Show, we give the spotlight to another film that’s currently in theaters and was in contention for this week’s pairing: Alexander Payne’s THE HOLDOVERS. Please share your comments, thoughts, and questions about MARIE ANTOINETTE, PRISCILLA, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Description

As biopics go, the new PRISCILLA is decidedly less rambunctious than the 2006 provocation MARIE ANTOINETTE, but each of these intimate, sympathetic portraits of a woman who lived in a man’s shadow and under his control are unmistakable as the work of Sofia Coppola. This week we get into how our reactions to PRISCILLA — both positive and negative — were affected, even shaped, by its place in Coppola’s filmography, and whether the film’s compressed third act is a feature or a bug. Then we head into Connections, which is stacked with comparison points between the two films’ ideas about power and identity as expressed through fashion, sex, physical vulnerability, and inappropriate puppies. And in Your Next Picture Show, we give the spotlight to another film that’s currently in theaters and was in contention for this week’s pairing: Alexander Payne’s THE HOLDOVERS. Please share your comments, thoughts, and questions about MARIE ANTOINETTE, PRISCILLA, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

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