Episode 94 - Salad Days

EPISODE · Dec 2, 2025 · 3 MIN

Episode 94 - Salad Days

from The Professor's Bayonet · host Jason Dew

William Shakespeare’s 1623 tragedy, Antony and Cleopatra, is renowned for its depiction of a complex and fully developed female character in the person of one of its title figures.  Cleopatra, recalling the inexperience of her youth, exclaims, “My salad days, when I was green in judgment, cold in blood, to say as I said then.”  She had been, in other words, a novice at all things pertaining to life, which might not excuse past behavior, but it certainly explains it.  We have all had our salad days, dear listeners.  Cleopatra merely calls it what it is, and in doing so, reveals a level of self-awareness that is difficult not to admire.  The accumulated years do not escape her.  She knows her finitude.  She makes no effort to avoid it. I first encountered these lines as a graduate student in a class on Shakespeare.  I recall my professor – a man likely in his fifties at the time – pausing for a moment on what it meant to be so acutely aware of the passing of time and the sheer brevity of one’s life – a puff of smoke blown away quickly by successive years.  I may or may not have grasped the gravity of what was being considered at the time, but I certainly am able to grasp it now, being a man about to turn fifty-one.  Salad days.  When the years were green and the horizons wide and intoxicating.  Even the rays of the sun were somehow different then. The Bard, through his characterization of the historic Cleopatra, was undoubtedly prompting his audience to grapple with the meaning of their own lives – the accumulating years, the many, many memories stacked one upon another – what we are supposed to do with it all if anything.  Just experience it.  Feel it.  Reminisce.  This is a surface interpretation, which still passes muster.  However, we might also consider the larger context.  Cleopatra, after all, was a powerful woman known for her beauty.  This is more than just a character nodding toward her younger days.  This is a figure of some stature acknowledging that stature is not enough.  It is never enough.  Even flowers wilt.  Cleopatra is very much aware of this fact, which gives her character a much deeper layer, indeed. Youth, naivete, and idealism all seem to be common enough bedfellows.  I had my own ideals in my salad days, and if I am to be honest, I still cringe at the naivete I so boldly put on display before the world.  My ignorance was a spectacle.  I thank God for the many graces that were extended to me then and now.  Cleopatra’s line in this play, then, should be seen as an example of owning up to the reality of youth.  Being impetuous is a part of the landscape.  More to the point, when one is young, there is just life.  When one has accumulated some years, life naturally divides itself by eras, big and small.  One’s salad days are merely one era.  To see it as such is a sure sign of maturity.  To extend it beyond its proper borders is a sign of immaturity.  Nobody likes a forty-year-old adolescent. On that note, Cleopatra would be an outlier in the current age.  The postmodern condition has Tasmanian-devil-like gone after every tradition and common understanding formerly in place, and age was no exception.  While I submit that age really is only a number, some formerly agreed upon values should not have been shown the curb.  The aged do have something of value to offer.  There really is wisdom beneath the gray hairs.  The older should be heeded.  The young should sit quietly and listen.  This does not mean to refrain from questioning.  It means to give respect where it is due and to recognize one’s own salad days for what they are, for even the queen of Egypt was humble enough to do just that. 

NOW PLAYING

Episode 94 - Salad Days

0:00 3:58

No transcript for this episode yet

We transcribe on demand. Request one and we'll notify you when it's ready — usually under 10 minutes.

No similar episodes found.

MG Show MG Show The MG Show, hosted by Jeffrey Pedersen and Shannon Townsend, is a leading alternative media platform dedicated to uncovering the truth behind today’s most pressing political issues. Launched in 2019, the show has grown exponentially, offering unfiltered insights, comprehensive research, and real-time analysis. With a commitment to independent journalism and factual integrity, the MG Show empowers its audience with knowledge and encourages active participation in the political discourse. The Game Radio Popolare Soldi, lavoro, avidità, disoccupazioni: il grande gioco dell’economia smontato ogni giorno da Raffaele Liguori. Photo Breakdown Scott Wyden Kivowitz Photo Breakdown is a podcast in which we explore the world of photography with a trusted guide, host Scott Wyden Kivowitz. His expertise and passion bring the industry to life as we explore the stories, trends, and ideas shaping it today. Join us as we dissect everything from incredible photographs and creative techniques to the latest gear releases and hot topics in the photography community.In each episode, we break down what’s happening behind the scenes - whether it’s making a powerful image, a candid discussion on industry trends, or a reflection on the tools and technology changing how we make photographs. You’ll get insights, expert opinions, and a fresh perspective on what’s top of mind for photographers right now.Anticipate short, engaging episodes brimming with ideas and inspiration. Be part of the conversation by sharing your thoughts, voice notes, and comments. Your participation is what makes our community vibrant and dynamic.It’s more than just photography - everyth The Last Outlaws Impact Studios at UTS In a History Lab season like no other, we're pulling on the threads of one of Australia's great misunderstood histories, moving beyond the myths to learn what the Aboriginal brothers Jimmy and Joe Governor faced in both life and death.Australia's budding Federation is the background setting to this remarkable story, that sees the Governor brothers tied to the inauguration of a 'new' nation and Australia's dark history of frontier violence, racial injustice and the global trade and defilement of Aboriginal ancestral remains. This Impact Studios production is a collaboration with the Governor family, UTS Faculty of Law and Jumbunna Institute for Indigenous Education and Research.The Last Outlaws teamKatherine Biber - UTS Law Professor and Chief InvestigatorAunty Loretta Parsley - Great-granddaughter of Jimmy Governor and the Governor Family Historian Leroy Parsons - Governor descendant, Narrator and Co-WriterKaitlyn Sawrey - Host, Writer and Senior ProducerFrank Lopez - Writer,
URL copied to clipboard!