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Michael Harenberg über algorithmische Bastelsynthesizer, akustische Interfaces und audioästhetische KI-Kollaborationen

EPISODE · Dec 12, 2021 · 24 MIN

Michael Harenberg über algorithmische Bastelsynthesizer, akustische Interfaces und audioästhetische KI-Kollaborationen

from Sounds of Sound Studies · host AG Auditive Kultur und Sound Studies

Michael Harenberg ist Komponist und Professor für Musikalische Gestaltung und Medientheorie an der Hochschule der Künste in Bern. Seine künstlerischen und wissenschaftlichen Schwerpunkte bilden neben digitalen Klangkulturen vor allem experimentelle Interfaces, virtuelle Instrumente sowie die Körperlichkeit elektroakustischer Musik im Kontext instrumentaler und installativer Settings. Er war von 2004 bis 2014 Vorsitzender der „Deutschen Gesellschaft für Elektroakustische Musik“ und erhielt im Wintersemester 2016/17 die Edgar-Varèse-Gastprofessur für Computermusik des DAAD an der TU-Berlin. Heute ist er Co-Leiter des Bachelorstudiengangs Sound Arts - Musik und Medienkunst sowie des Masterstudiengangs Contemporary Arts Practice an der Hochschule der Künste Bern. Für diese Episode habe ich mich mit Michael Harenberg online über Webex getroffen.

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Michael Harenberg über algorithmische Bastelsynthesizer, akustische Interfaces und audioästhetische KI-Kollaborationen

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