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Perdido, Juan Tizol

EPISODE · May 11, 2021 · 52 MIN

Perdido, Juan Tizol

from Jazz Piano Skills · host Dr. Bob Lawrence

Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, play an iconic jazz standard by Juan Tizol, Perdido. In this Jazz Piano Lesson you will:DiscoverThe iconic jazz standard PerdidoLearnHow to improvise over Perdido Changes using Arpeggio and Scale Motion with EnclosuresPlayPerdido using a classic and comfy Latin GrooveFor maximum musical growth, be sure to use the Jazz Piano Podcast Packets for this Jazz Piano Lesson. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while studying and practicing Inverted Melodic Dominant Shapes.Download Podcast PacketsIllustrations (detailed graphics of the jazz piano skill)Lead Sheets (beautifully notated music lead sheets)Play Alongs (ensemble assistance and practice tips)EPISODE OUTLINE:IntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsDemo 1Perdido - the headOne ChorusAABA Form‘A’ Section = II-V-I‘B’ Section = Rhythm Changes Bridge (Dominant Circle of 5ths)Demo 2Perdido - Straight Arpeggio ImprovisationChord Tones OnlyRoot, 3rd, 5th, 7thOne ChorusAABA Form‘A’ Section = II-V-I‘B’ Section = Rhythm Changes Bridge (Dominant Circle of 5ths)Demo 3Perdido - Straight Scale ImprovisationDiatonic Tones OnlyRoot, 2nd, 3rd, 4th, 5th, 6th, 7thOne ChorusAABA Form‘A’ Section = II-V-I‘B’ Section = Rhythm Changes Bridge (Dominant Circle of 5ths)Demo 4Perdido - Combo of Straight Arpeggio and Scale ImprovisationChord Tones Only (Arpeggio Motion)Root, 3rd, 5th, 7thDiatonic Tones Only (Scale Motion)Root, 2nd, 3rd, 4th, 5th, 6th, 7thOne ChorusAABA Form‘A’ Section = II-V-I‘B’ Section = Rhythm Changes Bridge (Dominant Circle of 5ths)Demo 5Perdido - Straight Arpeggio (Root to 3rd) with EnclosuresChord Tones Only (Arpeggio Motion)Root, 3rd, 5th, 7thEnclosures placed on the first note played in each measureOne ChorusAABA Form‘A’ Section = II-V-I‘B’ Section = Rhythm Changes Bridge (Dominant Circle of 5ths)Demo 6Perdido - Straight Scales (Root to 3rd) with EnclosuresDiatonic Tones Only (Scale Motion)Root, 2nd, 3rd, 4th, 5th, 6th, 7thEnclosures placed on the first note played in each measureOne ChorusAABA Form‘A’ Section = II-V-I‘B’ Section = Rhythm Changes Bridge (Dominant Circle of 5ths)Demo 7Perdido - Combo, Straight Arpeggios and Scales (Root to 3rd) with EnclosuresChord Tone Only (Arpeggio Motion)Diatonic Tones Only (Scale Motion)Root, 2nd, 3rd, 4th, 5th, 6th, 7thEnclosures placed on the first note played in each meaSupport the show

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Perdido, Juan Tizol

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