S2E37: The New Yorker's new climate anthology, The Fragile Earth—w/ coeditors David Remnick & Henry Finder

People resist reading about climate change because it seems less immediate than other pressing issues. Add to that the fact that the climate crisis doesn’t lend itself to narrative. So, then, how do you tell an ‘untellable story’ in a way that draws readers in and effectively reorients the way they see the world? Henry Finder and David Remnick are the coeditors of The Fragile Earth: Writing from The New Yorker on Climate Change. On this episode of the Reversing Climate Change podcast, Henry and David join Ross to explain what inspired the creation of this new anthology, discussing how they made decisions regarding what pieces to include and what makes writing about climate change such a distinct challenge. Henry and David weigh in on their work as editorial director and editor at The New Yorker, sharing the process they use to conceive of and manage new projects and describing the magazine’s ongoing commitment to long-form writing.  Listen in to understand how optimistic Henry and David are about our ability to address the climate crisis and learn how The Fragile Earth tells the story of climate change through pieces by Bill McKibben, Elizabeth Kolbert, and Jonathan Franzen, among many others. Connect with Nori Purchase Nori Carbon Removals Nori Nori on Facebook Nori on Twitter Nori on Patreon Nori Newsletter Resources The Fragile Earth: Writing from The New Yorker on Climate Change edited by David Remnick and Henry Finder The New Yorker David Remnick at The New Yorker Lenin’s Tomb: The Last Days of the Soviet Empire by David Remnick The Bridge: The Life and Rise of Barack Obama by David Remnick The New Yorker Radio Hour The End of Nature by Bill McKibben Elizabeth Kolbert Elizabeth Kolbert at The New Yorker Bill McKibben on Reversing Climate Change EP095 Field Notes from a Catastrophe: Man, Nature, and Climate Change by Elizabeth Kolbert The Sixth Extinction: An Unnatural History by Elizabeth Kolbert ‘Lake Chad: The World’s Most Complex Humanitarian Disaster’ in The New Yorker Jonathan Franzen’s Piece on Antarctica