The Girl Who Loved Tom Gordon by Stephen King with guest Dr. Carl Sederholm

*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" tabindex="-1" data-turn-id= "19cdd368-b155-425c-899e-f0b055ee4971" data-testid= "conversation-turn-18" data-scroll-anchor="false" data-turn= "assistant"> You may not be interested in the horror genre, but you still might enjoy Stephen King's The Girl Who Loved Tom Gordon. In this episode, we speak with Dr. Carl Sederholm—the best apologist I've heard for why horror can be such an insightful and meaningful genre. For one, it trusts young protagonists with frightening "adult" problems. It also explores the fears we keep tucked in our subconscious, giving us a safe space to confront them. And sometimes, it even provides a strange kind of anxiety relief by letting us see that someone else's day is going much worse than our own. In this book, nine-year-old Tricia becomes lost in the woods of Maine, tormented by mosquitoes, spooked by mangled deer heads, and ultimately confronted by the bear of her nightmares, the "God of the Lost." Facing what seem like impossible hurdles, Tricia survives in part because of her unwavering admiration for her baseball hero, Tom Gordon. His God becomes the one she believes can carry her through. And even if the book isn't always enjoyable, the ending is the icing on an otherwise unsavory cake. But you have to make the survival trek to appreciate it. In my opinion, it's totally wo