UFO95

I sat down with Parisian‑born, Brussels‑based producer UFO95 to trace the line between brutalist architecture, Detroit machine soul, and live techno. From early days in punk bands and birthdays above his parents’ club to a Tresor residency and a nerve‑tight Berghain performance, he unpacks how structure, space, and human error can turn a set into something physical.

We dive into the design choices behind the new UFO95 album A Brutalist Dystopian Society Part 2: concrete‑solid kicks, saturated drones, and spacious pads that carry the grey, functional, futuristic mood of brutalism without ornament. He explains why half his shows remain improvised, how shrinking his hardware rig sharpened the energy, and what different cities teach him about pacing a room. Expect thoughtful nods to Underground Resistance, Jeff Mills, Surgeon, and Regis, reframed through a personal lens that swaps copycat nostalgia for living lineage.

We also explore the craft behind the scenes: producing with the live arc in mind, writing twenty‑minute passages that breathe without a kick, and treating the club as a place to express, not excess. UFO95 talks candidly about resisting trends, favouring slow, minimal, and mental tracks while much of techno chases extremes, and why keeping protest and experimentation at the heart of the genre still matters.

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UFO95 on Instagram:

https://www.instagram.com/ufo95live/?hl=en

UFO95 on Bandcamp:

https://ufo95.bandcamp.com/

Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-Technica

My book Coming To Berlin is a journey through the city’s creative underground, and is available via Velocity Press

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