† What Radio Was Meant To Be ᾩ

                                How Streaming Killed Conventional TV Streaming didn't "kill" conventional TV overnight, but it delivered a slow, decisive blow through superior convenience, economics, and content strategy—fundamentally changing how people consume video. Traditional linear TV (broadcast + cable) relied on scheduled programming, bundled subscriptions, and ad-heavy models. Streaming flipped that with on-demand access, lower (or flexible) costs, and personalization. Key Mechanisms of Disruption Cord-Cutting and Subscriber Losses U.S. cable/satellite households dropped sharply—from around 100 million in 2014 to about 65 million in 2023, with continued steep declines. Pay-TV lost roughly 25 million subscribers since 2012. By 2025–2026, only about 36% of U.S. adults subscribed to cable or satellite, down from much higher penetration a decade earlier. Millions cut the cord annually as broadband became widespread. Viewership Shift (The Tipping Point) In May 2025, streaming captured 44.8% of total U.S. TV usage, surpassing broadcast (20.1%) + cable (24.1%) combined for the first time. By December 2025, streaming hit a record 47.5%, while cable fell to an all-time low of ~20%. From May 2021 to May 2025: Streaming usage +71% Cable -39% Broadcast -21% This trend accelerated further into 2026. Better Consumer Value Proposition On-demand vs. scheduled: Watch what you want, when you want, pause/rewind without DVR hassles. No bundles: Avoid paying for 200+ channels when you watch only a few. Streaming lets you pick (and churn). Price: Early Netflix was far cheaper than cable bills ($100+/month with sports/internet). Even with price hikes and ad tiers, the flexibility won out. Device freedom: Phones, tablets, smart TVs—anywhere, not tied to a set-top box. Fewer ads (initially): Binge-watching without commercial breaks was revolutionary. Content Arms Race Netflix pioneered originals (House of Cards, etc.) and poured billions into exclusive shows/movies. Traditional networks lost hit content to streaming. Cable networks suffered as sports and live events (their remaining stronghold) faced competition from YouTube, TikTok, and direct streaming deals. Younger viewers (especially 18–34) abandoned linear TV fastest—the average broadcast viewer is now over 60. Advertising Migration Ad dollars followed eyeballs. Linear TV ad revenue declined as targeted, measurable streaming ads (and ad-supported tiers) proved more efficient. Broadcasters and cable channels saw major writedowns (e.g., Warner Bros. Discovery). The Streaming Boom's Scale 83% of U.S. adults use streaming services. Households subscribe to 5+ services on average. YouTube, Netflix, and others drove massive growth. Not a Total "Death"—Yet Traditional TV retains strengths in live events (Super Bowl, elections, sports playoffs) where simultaneity matters. Some older demographics still prefer it. Networks have pivoted by launching their own streamers (Disney+, Peacock, Paramount+), but this often accelerates the decline of their linear channels. Many shows now premiere on streaming first or go direct-to-streaming. The result: Conventional TV isn't gone, but it's a shadow—niche, older-skewing, and increasingly ad-challenged. Streaming won by giving control to consumers in an era of infinite choice and high-speed internet. The industry is now in a new phase: streaming consolidation, higher prices, ad-tier growth, and "streaming fatigue" leading some to churn or return to cheaper linear options. But the structural shift is irreversible.

THE MYSTERIOUS DEATH OF KURT COBAINE    Kurt Cobain, the iconic lead singer and guitarist of Nirvana, was found dead on April 8, 1994, in the greenhouse above the garage of his Seattle home. A Remington 20-gauge shotgun lay across his chest, and he had suffered a gunshot wound to the head. The King County Medical Examiner determined that he had died around April 5, three days earlier. A suicide note, written in red ink and addressed in part to his imaginary childhood friend Boddah, was found nearby, expressing his struggles with fame, depression, and a loss of passion for music. High levels of heroin and traces of Valium were present in his system, consistent with his well-documented battles with addiction. The official ruling was suicide, supported by the Seattle Police Department’s investigation, autopsy findings, and reviews conducted years later, including in 2014. Close friends and family largely accepted this conclusion, citing Cobain’s long history of mental health issues, chronic pain, and suicidal ideation. He had recently left a drug rehabilitation center in Los Angeles and purchased shotgun shells shortly before his death. Despite this, the case quickly became shrouded in mystery due to perceived inconsistencies, such as the absence of legible fingerprints on the gun and questions about the note’s final lines. Over the decades, conspiracy theories have persisted, often alleging that Cobain was murdered—frequently pointing to his wife Courtney Love as a suspect or claiming a larger conspiracy. Private investigator Tom Grant and others have highlighted supposed anomalies in the evidence, fueling books, documentaries, and recent forensic debates. However, law enforcement has repeatedly reaffirmed the suicide ruling, dismissing alternative claims as lacking credible evidence. The enduring fascination reflects not only the tragedy of a brilliant artist lost too soon but also society’s reluctance to accept the painful realities of depression and addiction.

 Book Author Nelson Aspen  (Kindred Spirits: A Titanic Tale)     Nelson Aspen (born July 1, 1963, in West Chester, Pennsylvania) is an American entertainment reporter, journalist, author, television personality, cabaret performer, and emcee with a career spanning over four decades in media and entertainment. Early Life and Career Beginnings Aspen began his professional life in the spotlight at age eight. He acted on television, including a role on the long-running soap opera Search for Tomorrow, and appeared in other TV and film projects. After his soap opera stint, he moved into television production roles ranging from casting to writing. During a career hiatus, he discovered aerobics and fitness, becoming a top instructor who traveled the world leading master classes (reportedly including for Lady Diana). He has completed 20 marathons since 2001 and maintains a strong passion for health and fitness. Entertainment Reporting and Television Aspen is best known as a charming, witty entertainment reporter and correspondent. He has spent three decades on morning television outlets worldwide, delivering celebrity interviews, red carpet coverage, pop culture news, and breaking stories (such as the deaths of Michael Jackson, Whitney Houston, and others). He has interviewed countless A-listers, from Tom Cruise and Meryl Streep to Brad Pitt, Chris Hemsworth, and many more. Notable milestones include serving as the Microsoft Network’s first “Cyber-Star” with his web series Nelson’s World (182 live episodes) and long-term roles as a Hollywood correspondent for international morning shows (e.g., New Zealand’s TV3). In 2020, he was named International Media Journalist of the Year and has been a multiple-time Publicists Guild of America nominee. He continues to appear on outlets like GB News and others, providing showbiz insights. Books and Writing Aspen is a prolific author with roughly a dozen books across lifestyle, autobiography, cooking/entertaining, and fiction. Key titles include: Non-fiction/Lifestyle: Let’s Dish Up A Dinner Party! (2004, named a “Good Time Guru” by ELLE), Hollywood Insider: Exposed! (2008 autobiography), Dinner at Nelson’s (2010), My Prime Time (2014), and Your Home is Your Castle (2023, which hit #1 on Amazon charts in its category). Fiction: The semi-autobiographical Dancing Between the Raindrops trilogy (starting with a steamy 1980s NYC coming-of-age story, followed by The Hollywood Years, and concluding with Happily Ever After?), and the historical fantasy Kindred Spirits: A Titanic Tale (2025, inspired by his lifelong interest in the Titanic and his own experiences). Children’s: The Magnificent Mr. & Mrs. Maple (a story about chosen family). He also co-hosts the Titanic Talk podcast and has written for international publications. Performing and Other Work A 40-year veteran of the cabaret scene in NYC and Los Angeles, Aspen performs one-man shows blending music, storytelling, comedy, and audience interaction. Highlights include appearances at the Adelaide Cabaret Festival, Sydney Opera House, London’s West End (Crazy Coqs), and NYC venues. His 2024 Tony Bennett tribute show won three Broadway World Cabaret Awards, including Best Show. He frequently emcees events, moderates panels, speaks on topics like celebrity culture, fitness, and the Titanic, and leads travel tours (e.g., “Shades of Ireland” in 2026). Personal Style and Public Image Aspen is widely regarded for his warmth, empathy, wit, and upbeat “joie de vivre.” He is openly gay and often infuses his semi-autobiographical works with personal elements, themes of love, reinvention, and chosen family. He remains active across Instagram, his website (nelsonaspen.com), and various media platforms. In summary, Nelson Aspen has built a multifaceted career as a trusted showbiz insider who excels at connecting with audiences through television, books, live performance, and personal storytelling. He continues to evolve, with new books, tours, and appearances as of 2026.

Dean Butler Book Promotional Tour "Prairie Man: My Little House Life & Beyond" (born May 20, 1956) is a Canadian-American actor and producer best known for playing Almanzo Wilder in the later seasons of the classic NBC series Little House on the Prairie. Early Life Butler was born in Prince George, British Columbia, Canada, and raised in Piedmont, Northern California. He studied communication arts at the University of the Pacific in Stockton, California. Before breaking into acting, he supported himself with a job in a furniture shop. Acting Career His acting career began in the mid-1970s with small roles, including an extra appearance in The Streets of San Francisco. His first major role came in the 1978 TV movie Forever, an adaptation of Judy Blume’s novel. In 1979, he joined Little House on the Prairie as Almanzo Wilder, the love interest and eventual husband of Laura Ingalls (played by Melissa Gilbert). He appeared in the show’s final four seasons and the three post-series TV movies, becoming one of the most recognizable faces from the beloved pioneer drama. After Little House ended in 1983, Butler continued working in television and film. Notable roles include: Jeff “Moondoggie” Griffin in The New Gidget Hank Summers (Buffy’s father) in Buffy the Vampire Slayer Appearances in Desert Hearts, The Love Boat, and various other shows. He also performed on stage in productions such as Into the Woods and West Side Story. Later Career as Producer In the 2000s, Butler shifted focus toward producing. He worked as a producer for NBC Golf’s Emmy-nominated series Feherty for over ten seasons and has been involved in entertainment, sports, and documentary programming. He has also written and remains active in the Little House fan community, including releasing the 2024 memoir Prairie Man: My Little House Life and Beyond. Personal Life Butler has been married to actress Katherine Cannon (known for playing Felice Martin on Beverly Hills, 90210) since 2001. The couple met years earlier when Cannon auditioned for a role in the Michael Landon series Father Murphy. They live in the Los Angeles area. As of 2025–2026, Dean Butler is 69–70 years old and continues to engage with fans through appearances, social media, and his work preserving the legacy of Little House on the Prairie.

Waltons Actress Michael Learned (born April 9, 1939) Is an acclaimed American actress best known for her iconic role as Olivia Walton, the matriarch of the Walton family, in the long-running CBS drama series The Waltons (1972–1981). Early Life Born in Washington, D.C., she is the eldest of six daughters of Bruce Learned (a U.S. State Department diplomat) and Elizabeth Duane Hooper. She spent her first 10 years on a family farm in Connecticut before the family moved to Austria when she was 11. She attended boarding school in England (Arts Educational School, Tring), where she discovered her passion for theater and decided to pursue acting. Her unusual first name (Michael) was given by her father, who said if she had been a boy, she would have been named Caleb. Career Highlights The Waltons: Learned’s breakout role was as Olivia Walton. She was billed as “Miss Michael Learned” early on to avoid gender confusion among viewers. She appeared regularly through Season 7 (leaving after a reduced schedule agreement), with her character’s exit explained by tuberculosis. She made guest returns and appeared in several reunion movies (1982, 1993, 1995, 1997). Her performance earned her three Primetime Emmy Awards for Outstanding Lead Actress in a Drama Series (1973, 1974, 1976) and multiple Golden Globe nominations. Other TV Work: She won a fourth Emmy for the lead role in the medical drama Nurse (1981–1982). Additional notable credits include guest spots and roles in Scrubs, General Hospital, The Young and the Restless, and the 2022 Netflix series Dahmer – Monster: The Jeffrey Dahmer Story (as Catherine Dahmer). She has appeared in numerous TV movies and films such as Touched by Love (1980), Power (1986), and Dragon: The Bruce Lee Story (1993). Theater: A stage-trained performer with roots in Shakespeare festivals and the American Conservatory Theater (ACT) in San Francisco, she has appeared in Broadway/off-Broadway productions and toured in plays like On Golden Pond and Driving Miss Daisy. She has been praised for her versatility and depth, moving beyond the wholesome Olivia Walton image into diverse dramatic and character roles. As of 2026, she is 87 years old and remains active in acting. Personal Life Learned has been married four times: to actor Peter Donat (1956–1972, with whom she had three sons, including Lucas Donat); Glen Chadwick (1974–1977); William Parker IV (1979–1988); and lawyer John Doherty (1991 until his death in 2025). She has been sober since 1977 after overcoming alcoholism.

QUESTIONABLE DEATHS OF THESE FAMOUS MUSICIANS Sam Cooke: Soul legend Sam Cooke was shot and killed on December 11, 1964, at age 33 by Bertha Franklin, the manager of the Hacienda Motel in Los Angeles. Franklin claimed self-defense after Cooke, who was reportedly disoriented and aggressive following an alleged attempted rape of a young woman named Elisa Boyer at the motel, broke into her office and threatened her. The death was officially ruled justifiable homicide, but Cooke's family and supporters have long questioned the account, citing inconsistencies, missing cash and personal items, Boyer's questionable background, and the possibility of a setup or robbery gone wrong involving the motel staff. Jim Morrison: The Doors frontman Jim Morrison was found dead in a bathtub in his Paris apartment on July 3, 1971, at age 27. The official cause was listed as heart failure with no autopsy performed, as it was not required under French law at the time. His girlfriend Pamela Courson reported finding him unconscious after a night involving possible heroin use (which Morrison reportedly disliked needles for), though accounts vary and some friends denied heavy hard-drug involvement. The lack of toxicology, sealed coffin, and conflicting stories have fueled theories ranging from overdose to conspiracy or even faked death. Tupac Shakur: Tupac Shakur was fatally wounded in a drive-by shooting in Las Vegas on September 7, 1996, after attending a Mike Tyson fight, and died six days later at age 25. The attack has been widely linked to the East Coast-West Coast rap rivalry and gang affiliations, with Orlando Anderson (a Crip) long suspected; a suspect was arrested decades later. Persistent conspiracy theories claim involvement by Suge Knight, Sean "Diddy" Combs, or others for financial or rival motives, or that Tupac faked his death (inspired by his Makaveli alias) and is still alive, fueled by posthumous releases and alleged sightings. Jeff Buckley: Jeff Buckley died at age 30 on May 29, 1997, in an accidental drowning in the Wolf River Harbor (a Mississippi River tributary) near Memphis. While fully clothed and singing along to music, he waded into the water and was pulled under by the wake of a passing boat; his body was found days later. An autopsy found only a small amount of alcohol and no drugs in his system, ruling out foul play or suicide. His death came just as he was preparing to record his second album after the success of Grace. Kurt Cobain: Nirvana frontman Kurt Cobain was found dead of a self-inflicted shotgun wound to the head on April 8, 1994, at his Seattle home at age 27, with a suicide note and high levels of heroin in his system. Official investigations, including re-examinations by Seattle police, have consistently ruled it a suicide amid his struggles with addiction, fame, and depression. However, conspiracy theories—promoted by private investigator Tom Grant and others—persist, alleging murder staged as suicide due to inconsistencies like the lack of fingerprints, blood evidence, or the high heroin dose possibly preventing him from pulling the trigger. Prince: Prince was found unresponsive at his Paisley Park estate in Chanhassen, Minnesota, on April 21, 2016, at age 57 and died from an accidental overdose of fentanyl. Toxicology revealed exceedingly high levels of the opioid, which he had unknowingly ingested via counterfeit Vicodin pills laced with the drug while managing chronic pain; no evidence suggested intentional suicide. Investigations found no criminal charges filed against suppliers, though questions remain about how the counterfeit pills reached him. Janis Joplin: Janis Joplin died of an accidental heroin overdose on October 4, 1970, at age 27 in her room at the Landmark Motor Hotel in Los Angeles. She was found on the floor after missing a recording session, with alcohol also in her system. The coroner ruled it accidental, possibly from a particularly potent batch of heroin that caused other overdoses that weekend. Some accounts note she had bought cigarettes after injecting and returned to her room; while her heavy drug and alcohol use was well-known, theories of foul play have not gained significant traction.

Film Producer-Director Susie Singer Carter June 29, 2026 Susie Singer Carter is an American filmmaker, writer, and producer best known for directing the acclaimed short film No Country for Old People. Her work often focuses on emotional, human-centered storytelling, especially involving aging, memory, and the dignity of elderly people. She gained major recognition for No Country for Old People, a short documentary-style film highlighting the struggles of seniors—particularly those dealing with dementia and Alzheimer’s—and the challenges faced by caregivers and assisted living systems. The film received strong attention for its compassionate tone and realistic portrayal of elder care. In addition to her filmmaking career, Carter has been involved in projects that blend social impact themes with cinematic storytelling, and she is regarded as a creator who brings awareness to issues that are often overlooked in mainstream media. She continues to work in film and television, building a reputation for thoughtful, advocacy-driven storytelling. She is here tonight to Promote Her latest Passion Project is “ROAR4LTC” Respect-Oversight-Advocacy-Reform for Long Term Care

THE NEW ROLE OF HOLLYWOOD CELEBRITIES   Celebrities leverage massive social media reach and cultural cachet to amplify causes, endorse candidates, and drive awareness (e.g., voter registration spikes). Their influence works best on engagement and turnout among fans, particularly younger or specific demographics, rather than directly flipping broad opinions.   Many question their authority because fame in acting or music rarely equates to policy expertise, and selective activism can seem performative or disconnected from everyday realities. Polls often show most people claim limited sway from stars, yet visibility in fragmented media gives them outsized narrative power—listeners engage with the persona and emotion as much as substance.  

LESSONS FROM THE WORLD OF WRESTLING   Fake News: Lessons From Pro Wrestling**   Pro wrestling mastered “kayfabe”—maintaining the illusion that scripted storylines, rivalries, and outcomes are real—long before the internet. Insiders and fans knowingly participated in the performance, blending fiction with real athleticism and emotion, teaching that audiences can enjoy spectacle while understanding the mechanics behind it.   Modern media and politics have adopted similar tactics: heightened drama, larger-than-life personas, worked feuds, and blurred lines between entertainment and reality. The lesson is skepticism toward presented narratives, awareness of incentives (ratings, clicks, votes), and recognizing that “fake” elements don’t negate underlying real impacts or truths. Wrestling thrived by embracing its nature rather than denying it.

Disinformation specialists: what they're really up to?   Disinformation researchers, fact-checkers, and academics study the spread of false or misleading information, often focusing on foreign influence operations, social media amplification, and impacts on elections or public health. Many work in nonprofits, universities, or government-adjacent roles to detect patterns, build resilience, and advise on countermeasures like content moderation or media literacy.   Critics argue some specialists overreach by labeling legitimate dissent or inconvenient facts as “disinformation,” sometimes in coordination with platforms or officials, raising free speech concerns. Debates center on transparency, potential biases, and effectiveness—experts themselves note the field is challenging, with no consensus silver bullet against evolving tactics like AI-generated content.  

THE NARRATIVE "Hotel California" by the Eagles is a metaphorical song about the dark underbelly of the American dream, excess, and the music industry in 1970s Los Angeles. It is not about a real hotel, but rather a "journey from innocence to experience", inspired by the band's own introduction to high-life fame. Key Realities Behind the Song:The Meaning: Don Henley described it as an interpretation of the "high life" in L.A. and the "uneasy balance between art and commerce".The "Hotel": It is a symbolic concept, not a literal place, representing the allure and entrapment of the California hedonistic lifestyle.The Songwriter's Context: Don Henley and Glenn Frey wrote the lyrics, focusing on the "excesses of American culture".Musical Origins: The music was written by Don Felder, who developed the chord progression on an acoustic guitar in a rented Malibu beach house.The "Colitas" Reference: The "warm smell of colitas" refers to the scent of the marijuana plant ("little tails" in Spanish). Common Misconceptions & Facts: Not a Real Place:  The Eagles have denied it is based on any specific hotel.Mexico's "Hotel California": A hotel in Todos Santos, Mexico, often claims to be the inspiration. The Eagles sued this hotel to stop them from implying a connection.Myths: The song has been falsely linked to Satanism, a sanitarium, and cannibalism.Visual Inspiration: While the song is not about it, the Beverly Hills Hotel is featured on the album cover. https://www.youtube.com/shorts/UizRLRSfSx0

The Death Investigation of Pro Wrestler Hulk Hogan   Hulk Hogan (Terry Bollea) died on July 24, 2025, at age 71 in his Clearwater, Florida home from a heart attack (myocardial infarction) linked to atrial fibrillation and leukemia, according to the medical examiner. His death prompted an ongoing police investigation by the Clearwater PD, which has described the case as unique and continues to interview witnesses and review medical records months later. No foul play has been indicated, but questions persist.   His widow, Sky Daily, and daughter Brooke have raised concerns about possible medical malpractice, including claims from an occupational therapist present that a neck procedure may have damaged Hogan’s phrenic nerve affecting breathing. Body cam and 911 footage remain sought for clarity, keeping public interest and speculation alive despite the official cardiac cause.

 The Reality of The Matrix   The simulation hypothesis proposes that reality as we experience it could be an artificial construct generated by an advanced intelligence. Popularized by philosopher Nick Bostrom, the argument suggests that if technologically mature civilizations can run vast numbers of detailed simulations of conscious beings, then simulated minds would likely outnumber biological ones. Under that assumption, it becomes statistically more probable that we are in a simulation rather than in a “base” reality. This line of reasoning doesn’t claim proof, but it reframes the question as a matter of likelihood given certain technological and sociological assumptions. Despite its appeal, the hypothesis remains speculative because it lacks empirical support. Modern physics—through quantum mechanics and relativity—successfully explains observed phenomena without requiring an underlying computational substrate. Attempts to identify “signatures” of a simulation, such as discrete spacetime or computational limits, have not produced conclusive evidence. Moreover, the idea depends on unresolved questions about consciousness and whether subjective experience can be faithfully reproduced by computation, an issue still debated in philosophy of mind and cognitive science. Ultimately, the simulation hypothesis sits at the intersection of philosophy, physics, and computer science rather than within established scientific theory. It is difficult to test or falsify, since a sufficiently advanced simulator could conceal any trace of artificiality. For that reason, many researchers treat it as a conceptual framework for exploring questions about reality and knowledge rather than a claim about the actual structure of the universe. Whether or not we are in a simulation, the observable laws of nature remain the only reliable basis for understanding and interacting with the world.    

Many movies have accurately predicted future technologies and social trends, sometimes decades before they became real. Here are some of the most notable examples: Movies don’t so much predict the future as extrapolate existing trends and, in some cases, actively shape what gets built; they tend to get interfaces (like tablets, voice assistants, and gesture controls) and especially human behaviors (such as social media culture or emotional attachment to AI) right, because those evolve more predictably than underlying infrastructure, which is constrained by cost, regulation, and technical limits. Their accuracy comes from extending visible technological trajectories, focusing on stable aspects of human psychology, and creating a feedback loop where fiction inspires real-world innovation, while their misses usually stem from underestimating adoption friction, uneven distribution, and complex second-order effects.

----more---- About Our Open Forum Concept An open forum podcast is a format where one or more hosts, often with a moderator, engage in a structured discussion on a specific topic. It's characterized by a natural, often improvised, conversation between the hosts. This format encourages diverse perspectives and allows for a more collaborative and dynamic flow than a scripted interview.  Here's a More Detailed Look at What We Do: Moderation: Our moderator guides the discussion, keeps it focused, and ensures all voices are heard.  Co-hosting: Affectionately called, "The Pitbull", Amelia Balerio Chapman is the podcasts long time co-host and often provides varying & interesting viewpoints and commentary leading to very thoughtful and inciteful conversational flow.  Natural Flow: The conversation is always improvised, creating a sense of spontaneity and engagement for listeners. Even WE don't know what's coming next. Topic Focus: Open forums often center around a specific theme or trending topic, allowing for in-depth exploration. While we never have a "set topic" we often have a general idea where we are headed. This keeps us from going completely "off the rails", so to speak. Community Building: The relaxed and conversational style can foster a sense of community among listeners, making them feel like part of the conversation. We have an active in-shoe "LIVE" chatroom that is always active and never shy about expressing their collective viewpoint. Join them.

ACTRESS CHRISTINE NORDSTROM Returning guest Entertainment Actress Christine Nordstrom joins us for her second appearance. Christine is a Voice Actor, Commercial Spokesperson, TV/Film Actress and Performance Artist. Christine Nordstrom and I will take a deep dive look into what it takes to make it the world of television and film in the modern era. We go over some of her film roles and talk about what she took away from each of them. Also a Special Phone Call RUN IN from my dear friend, Entertainment Manager Stephen M. Plym calls Christine to say hello.

TONIGHT on Wrestling With The Future®™ Podcast We continue our conversation with Karen McDaniel (Mrs. Wahoo McDaniel) as she shares insights into The Man, The Myth, The Legend known as Wahoo McDaniel ... Karen's Stories are Priceless! She May Have To Come Back EVERY Week! I will also introduce my New Permanent Co Host Dan "THE MAN" Sebastiano (Dan Sebastiano) I think you'll like "The Kid"!