ARTIST TO ARTIST: LET'S TALK

PODCAST · arts

ARTIST TO ARTIST: LET'S TALK

A bi-monthly series about art and the discussions about those of us in the artistic profession. A conversation with other artist about their everyday experiences and what art means to to everyday people

  1. 42

    ARTIST TO ARTIST: POULARITY WHY

    Why do some artistic rendering become popular the minute one sees or hears it, and others do not get the same reaction.

  2. 41

    ARTIST OPPORTUNITY DISPARITY FOR BLACKS IN THE ARTISTIC PROFESSION

    In my last episode I dealt with the pay disparitie with Black actors, here I am dealing with the lack of oportunties that black actors and other black artists tend to have.

  3. 40

    ARTIST TO ARTIST BLACK TALENT, PAY DISPARITY

    In this episode I will deal with how we as Black actors have to endure the pain, the infliction of being talented yet not having the money to sho for it

  4. 39

    WHEN AN ARTIST THROUGH THEIR PRESENCE AND POWER TOUCHES YOU

    In this episode I will explore the phenomenon of certain artist's and their presence and power to move you, even when they remake someone elses work.

  5. 38

    MONEY VS ART: THE LESS THAN NOBLE ART OF ACTING

    In this episode I try to explore what happens when money overides art, or when art is being less then authentic for convience sake.

  6. 37

    FUNK ERASER WHITEWASHING THE 70S SOUNDS

    Many uploads on youtube when dealing with the 60s and particularly the 70s, though will include R & B music and the Disco sounds, it often comes late in the presentation or they are sprinkeled to give the appearance of being somewhat inclusive. 

  7. 36

    ARTIST TO ARTIST ARTISTS AND THEIR MUSE

    Exploring the artist concept of the muse, and how they operate with that idea

  8. 35

    REDEOS THAT REINTRODUCE THE ORIGINAL

    Sometime an artist will covere or do a remake of creative piece, and by doing so reintrduces us to the one who originally did it.

  9. 34

    THE EMRGENCE OF SOFT ROCK….

    The emergence of soft rock, was I believ a whites alternative to the funk sound of the seventies.

  10. 33

    WORLD MUSIC INFLUENCE ON THE DISCO SOUND

    How world music, music from around the world hekped influence the sounds of the seventies, espacially the disco scene.

  11. 32

    GROOVING WITH THE MESSAGE SEVENTIES DISCO SOUND

    This episode focuses on the seventies disco sound that dealt with messages speaking to social issues.

  12. 31

    SEVENTIES SOUND HEARING THE MESSAGE

    This episode deals with the seventies, particularly the disco era and the various musica genres that this period created.

  13. 30

    ARTIST TO ARTIST DIFFERENT BUT ABLE I'M NOT INVISIBLE

    Dealing with performers with disibilties, and how we struggle to get notice by the theatrical and film industries.

  14. 29

    ARTIST TO ARTIST LAMENTING WHITE HOLLYWOOD DISGUISED AS ART

    A response to actor Richard Dreyfus opining on the definition of "art"

  15. 28

    DIRESPECTFUL A NECCESSATY FOR CAPITALISM: Why Our Unions are on Strike

    Why SAG-AFTRA and WGA are on strike, is because of Corporate greed plain and simple.

  16. 27

    ARTIST TO ARTIST SOCAIL MEDIA A GIFT FOR US ARTISTS

    How socail media is changing the landscape with reagrds to film & Television for those who are underepresented.

  17. 26

    EXPOSING OURSELVES LETTING OUR CREATIVITY SHINE

    Art can be theraputic for both the artist and those of the audeince. It can help through the creative process an artist in regaining their footing.

  18. 25

    REMAKES AND SEQUELS ARE THEY NECESSARY.....

    The quest I have are remakes and sequels really necessary? Why do we artists feel the need to redo someone else's piece of artistic renderings?

  19. 24

    WE DON'T READ POETRY BECAUSE IT'S CUTE

    Why as an artist do we continue to do what we do, is to inform and entertein at the same time?

  20. 23

    WHAT MAKES A GOOD FILM OR PLAY, A COMPELLING STORY

    The question always is what makes good film, play or novel, a compelling story. 

  21. 22

    WHEN ARTISTS ARE NO LONGER VISIBLE

    What happens to artists that somehow drop of the radar, we no longer see them working or even hear of them?

  22. 21

    RESSURRECTING A CREATIVE EXPRESSION

    How does one artist takes some other artist piece of work, redi it and that work becomes popular or niticed?

  23. 20

    ARTIST TO ARTIST THE ARTIST IN THE ARTISTIC EXPRESSION

    What does the artist do when their society places many constraints on their creativity?

  24. 19

    THE POWER OF ART

    Art what is it, what does it do, and why we who are artists feel the need to expresse our thoughts, our feelings throught the creative expression?

  25. 18

    ARTIST TO ARTIST LET'S TALK FROM ACTOR TO WRITER: ANOTHER PATH TO PROFESSIONAL SUCCESS

    This episode is a continuation of my 'A Backdoor To Stardom' episode I did, dealing with the closing of one door to the opening of another. Exposing a hidden talent that one might not even know they have.

  26. 17

    ARTIST TO ARTIST LET'S TALK RELISHING YOUR ACHEIVMENTS

    In this episode I deal with how we sometime don't bask in our own sun. There are two episode of this same theme 'Looking for the applaud' and 'Finding your sun,' I am in these episode dealing with our some times fragil ego and how we must nourish that ego, with relishing in our own creative and finaincial acheivement, no mater how small or large.

  27. 16

    LOOKING AND FINDING YOUR SUN

    This epsode is just a friendly reminder to us artits, yes it's ok to groove in your own sun, just like it's ok to give yourself an applause. Just as long as you don't become a megamaniac about it, but glowing in your sun is often times what gets you through to the next sun.

  28. 15

    BRIGHT LIGHT IN THE TWILIGHT HOUR

    Though this is not a praise poem for President Biden and Vice-President Harris, it is however sort of a gratitude piece. Because everyone needs a thank you for what they have and still are doing every now and then. Although in the two years of President Biden tenure, he has not quite accomplish his vison, not for the lack of trying, but because of two traitors in the senate. Yet both he and Madam Vice-President have been successfull in the things they have been able to do. So this is my small creative contribution to saying thank you. 

  29. 14

    A BACKDOOR TO STARDOM

    In this episode of Artist to Artist, I discuss the various ways that sometimes as artist we must find entry to the realms of success. Many times the path we have journeyed on with our artist sojurn may not always be what propels us to "stardom." Indeed we may have to take a backdoor to "stardom," for example we may have started out as a prolefic musician, but may wind up being a dinomite songwriters, and it is that talent we didn't realize we had that catipults us to our creative/monetary success.

  30. 13

    LOOKING FOR THE APPLAUSE

    In this episode of Artist to Artist I deal with the need for you as the artist to applaud yourself every now and then. To not always be so ready to sek the applause from others, particularly your colleague. Thought your colleagues are for sure those whom you deem worthy to critque/or to conedoen your artistry, however sometimes it is best to listen to the aideince in yourself, to hear the inner applause just so that you continue to feel artistcally relavent and professionaly viable.

  31. 12

    WHY ME? OR I WASN'T GOING TO DO IT

    Yes we actors can be fickle sometimes, we struggel with the rejections after every audition, then when out of the blue we get a major role. Yet we often don't know why and we ask the question why me, better still we play mind games of should I or should I not take this role. Even if the part fits like a glove, but much of this is I believ our getting use to rejection, that when that opportunty comes we are in disbelief.

  32. 11

    A FUNNY THING HAPPENED IN AMERICA

    A an old classmate of mine still couldn't believe that I am still pursuing a career in acting. Yet just because one has aged does not neccessarily means that their dreams should age or stop as well. As long as what they are striving for is what they love doing, Clint Eastwood is near 90 and he shows no sing of slowing down, no he can no longer do the roles he use to, however he can still create characters that are suited for his age. Also here in America one always has the chance, as long as they are alie and well, to reinvent themselves while doing what they love to do.

  33. 10

    TO SAVOUR THE CREATIVE EXPRESSION

    In this episode I once again explore the value of what we as artist do for and with our societies. How we should value our voice, since we become a condueit for the expression of the people, that our service as artists is not in vain, it is essential and we should savour those expressions.

  34. 9

    WHEN TO THROW IN THE TOWEL

    Oh yes there comes a time after a long journey into the artistic profession, just about every artists as themselves when to throw in the towel. To leave the profession all together and do something that one feels is more lucrative, the problem with that is the question does what you choose feed your soul. Throwing in the towel at those times may seem paractical, but always the question remains will you be happy. Creativity is the essence of the artist that how we see ourselves anything less is tantamount to almost spiritual death. We may indeed go a different route, but it more than likely will be in the creative arena.

  35. 8

    POWER OF FAITH

    Often times many artist give up because the clouds of success is ever fleeting. It is hard when nothing seems to be jelling for you, no auditions, no calls, no reconition for you toil, and even uour colleagues pat on the back is less and less. however it is the power of faith that often times sees us through, our unrelenting belief that our skills, our talent and our shear persaverance will pay off. That ultimite drive that makes us artist wake up each day and put one foot before the other, not knowing but forever believing.

  36. 7

    SUCCESS

    That big break comes as Bill McKay asked in the film 'The Candidate' what know? Success is a two edge sword one never knows what will happen, when suddenly that artist is catipulted to the top, or as Rick James would say  "When you're on the top, there's no place you can really go but down down down. Yet what is success that's always the question and how will it effect us as an artist, because no one, and I mean no one is prepared for success, not even presidents.

  37. 6

    FICKLE

    The artistic profession is for a lack of a better word fickle, because the nature of the profession itself is at times a matter of "luck." It is fickle because one never knows weher or if that break will ever come, yet artists still put themselves through much agony, only so when they achieve they can feel the pleasure of victory. Yet that to can be fickle.

  38. 5

    DON'T CHEAPEN THE ART

    As artist we often are unable to put a price on our work. Since America doesn't value art, we artist have a hard time putting a money value to what we do. A friend once wanted the caterer he was working for to lessen the price of the food, the caterer respsonded he couldn't do that, because it would cheapen the food. This is how we as artist must react to when dealing with those who don't see are value, that this is not only a profression but it is a buisness, note the word showbiz. We artist must constanly see ourselves as just as professional as a plummer or a doctor, that what we do also is just as valuble.

  39. 4

    THE TOOTSIE SYNDROME

    Reality verses fantasy, this is our dilemma many times, We love the creative expression and how it makes others and us feel, when we are within the throws of it. However reality kicks in just like in the film 'Tootsie', where George is explaining to Michael the reality that we live in the everyday world, you know the one where rent, food etc. and othe essentials are needed to live.

  40. 3

    CREATIVE VOICE

    How we as artist discovers our own unique voice and what we do wit it. Yet at the sametime how we can debilitate ourselves with jargons and methods, that we can stifle the ability for our creativity to flow. We have to again rediscover our creative voice.

  41. 2

    TALENT

    What is talent, that is the question who has it and who doesn't. How do we measure talent, versus technique, are we born with it or can we gain it through craftmenship. Talent is charisma or is it just "talent" that you might naturally posses or that you have trained for it that it now because second nature to you. How does one discover talent.

  42. 1

    GOT ART?

    Discussing what and how art effects on in our mundane existence. How we benifit from the creative expression, and what we as artist do to make life a little bit more enjoyable, whether it be through music, film, books or paintings. We as artist brings life into the hearts and minds of people.

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ABOUT THIS SHOW

A bi-monthly series about art and the discussions about those of us in the artistic profession. A conversation with other artist about their everyday experiences and what art means to to everyday people

HOSTED BY

Adisa Olubayo Bankole

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