Ballet & Dance Podcast

In this podcast, Iain Webb, Director of The Sarasota Ballet shares his inspiring journey from taking his first dance steps in Yorkshire, England to leading one of America’s most dynamic ballet companies. Speaking from his office – surrounded by his collection of ballet books and signed photographs from ballet luminaries (watch the video) – Iain reflects on his lifelong passion for the art form and his incredible experience working with so many ballet greats. Listen as Iain shares special moments with ballet icons Sir Frederick Ashton, Dame Ninette de Valois, Dame Alicia Markova and Sir Anthony Dowell. From his time performing with The Sadler’s Wells Royal Ballet and The Royal Ballet to meeting his wife, former principal dancer Margaret Barbieri, Iain’s journey is filled with captivating stories. Iain discusses rising through the ranks, to leaving the stage and working with Matthew Bourne as Rehearsal Director for Swan Lake and Ballet Master with K-Ballet Company in Japan, before becoming Director of The Sarasota Ballet in 2007, a role in which he has masterfully blended respect for ballet’s history with a forward-looking vision for the company’s future. Under Iain’s leadership, The Sarasota Ballet has flourished with his dedication to preserving Sir Frederick Ashton’s legacy while expanding the company’s repertoire with contemporary works. One of the achievements of his tenure has been The Sir Frederick Ashton Festival in 2014, held to mark the 25th anniversary of Ashton’s passing. The festival drew national and international praise. Earlier this year, the company embarked on their first international tour to London’s Royal Opera House presenting Ashton Celebrated. This tour brought Iain full circle, returning to his home country and presenting a programme of works from The Royal Ballet’s founding choreographer and one of the most influential dance figures of the 20th century. Iain’s commitment to honouring ballet’s rich heritage with Sir Richard Aston’s works while nurturing new talent ensures Sarasota Ballet’s continued prominence in the dance world. PRESS PLAY https://djwpodcasts.s3.eu-west-1.amazonaws.com/1wwwod/2024/Iain+Webb+PODCAST.mp3   Production photo of Paradise Gardens, The Sarasota Ballet. Part of Ashton Worldwide 2024-2028. Main Stage, ROH, London. © 2024 Foteini Christofilopoulou. Production photo of Diverts – Balcony Scene from Romeo and Juliet, The Sarasota Ballet. Part of Ashton Worldwide 2024-2028. Linbury Theatre, ROH, London. © 2024 Foteini Christofilopoulou Production photo of Diverts – Façade, The Sarasota Ballet. Part of Ashton Worldwide 2024-2028. Linbury Theatre, ROH, London. © 2024 Foteini Christofilopoulou.

In this inspiring podcast, we share the remarkable story of strength and resilience of Ukrainian principal dancer Anna Muromtseva, who faced the most devastating and unimaginable experience of fleeing her home following the Russian invasion and restarting her life and dance career with the Hungarian National Ballet. Listen to Anna’s heartfelt interview as she looks back to growing up in Ukraine and rising through the ranks from corps de ballet to soloist and principal dancer. She gives an insight into the demanding yet fulfilling dance life with the National Ballet of Ukraine, their repertoire and the rigorous performance and rehearsal schedules. Anna’s deeply personal story takes a dramatic turn with the Russian invasion of Ukraine, which forced her to flee her homeland along with her family. Leaving behind all her dancewear and pointe shoes, Anna faced the daunting task of finding a new company which led to auditioning for the Hungarian National Ballet alongside other displaced Ukrainian dancers. And although Anna successfully secured a contract, the only available position available was in the corps de ballet. Anna talks intimately about the physical and emotional challenges of transitioning from a principal dancer in Kyiv to the corps in Budapest. Fortunately, the company’s artistic director, Tamas Solymosi, provides opportunities for dancers of all ranks to perform a variety of roles. This has seen Anna return to dancing principal roles, such as Odette/Odile in Swan Lake and helped her rediscover the love of dance in the midst of so much devastation. PRESS PLAY! Follow Anna Muromtseva on Instagram: @g.anna.muromtseva Listen to the podcast interview on all major streaming platforms including Apple, Spotify and more. You can watch our interview on our YouTube. Anna Muromtseva

Christopher Marney, award-winning dancer, teacher, choreographer and Artistic Director of London City Ballet talks about reforming the company after 30 years and their upcoming UK and international tour. He looks back at memorable moments dancing with top companies, his inspiration for creating his own work and his journey to artistic director.

In this podcast, Principal Dancer Isaac Hernández shares his unique story of growing up in Mexico as one of 11 kids, being taught to dance by his father and dancing with ABT II, San Francisco Ballet, Dutch National Ballet, his move to English National Ballet, and the decision to return to San Francisco Ballet.  Isaac also shares his passion for inspiring the next generation of dancers in Mexico, where he has established projects that provide opportunities for future dance stars. Listen to Isaac talk about his experience of guesting around the world, and working with renowned choreographers, including Christopher Wheeldon as he reprises the role of Prince Guillaume in Wheeldon’s dazzling Cinderella. Don’t miss the chance to see Isaac perform in Christopher Wheeldon’s Cinderella running until 8 April 2023. Get your tickets for Romeo & Juliet, from 21-30 April. For more information visit: San Francisco Ballet PRESS PLAY Isaac Hernández in Forsythe’s Blake Works I © Lindsay Thomas

Cathy Marston, internationally renowned, award winning British Choreographer and Artistic Director has created critically acclaimed works for The Royal Ballet, San Francisco Ballet, American Ballet Theatre, Northern Ballet, English National Ballet, Cuban National Ballet, Ballet Black and more. In this insightful podcast, Cathy shares her journey from dancer to choreographer, her inspiration for creating narrative ballets, her choreographic process and how she works with the dancers in the studio. We also discuss the importance of women choreographers and diverse voices in the dance industry. Houston Ballet Principals Jessica Collado as Alma, Chase O’Connell as John and Soloist Mackenzie Richter as the Angel in Cathy Marston’s Summer and Smoke. Photo by Lawrence Elizabeth Knox (2023), Courtesy of Houston Ballet. This month sees the world premiere of Cathy’s interpretation of Tennessee Williams’ Summer and Smoke with Houston Ballet, America’s fourth largest ballet company. Listen to Cathy describe this tragic tale of love and betrayal, how she developed the characters’ movement motifs and the inventive staging that it set to impress audiences. Houston Ballet Principal Jessica Collado as Alma and Soloist Mackenzie Richter as the Angel with Artists of Houston Ballet in Cathy Marston’s Summer and Smoke. Photo by Amitava Sarkar (2023), Courtesy of Houston Ballet. ​​The world premiere of Tennessee Williams’ Summer and Smoke runs to 19 March 2023. For more information and tickets visit: Houston Ballet PRESS PLAY

The Wonderful World of Dance has arrived in the vibrant city of Sydney, Australia to explore the dynamic dance scene of this beautiful country. And, of course, we couldn’t miss the chance to visit Sydney Dance Company, the leading contemporary dance company in Australia. In this podcast, we had the privilege to sit down with the company’s Artistic Director and Choreographer Rafael Bonachela at the stunning studio overlooking the magnificent Sydney Harbour. On the eve of Sydney Dance Company’s much-anticipated Sydney premiere of their latest triple bill Ascent, Bonachela shares his journey from Barcelona to London and then to Sydney, and how his vision has shaped the company over the past 14 years. Bonachela discusses the acclaimed choreographers that he has brought to work with the company and gives an insight into his process for creating his own works. He also shares the inspiration behind Ascent, which includes two world premieres – Bonachela’s I Am-ness and Marina Mascarell’s The Shell, A Ghost, The Host & The Lyrebird, plus the reprisal of Antony Hamilton’s award-winning Forever & Ever. Rafael Bonachela in rehearsal of I Am-ness with Sydney Dance Company. Photo by Pedro Greig Ascent runs from 15 March – 26 March 2023 at the Sydney Opera House, followed by an Australian national tour from May – August 2023. For more information and tickets visit: Sydney Dance Company PRESS PLAY

In this podcast Russell Maliphant, the critically acclaimed, award winning choreographer, dancer and artistic director of Russell Maliphant Dance Company, discusses his career and work that firmly places this artist as one of Britain’s most important choreographers creating work today.  Next year, Russell Maliphant Dance Company is set to celebrate their 25th Anniversary. Listen to Russell share his journey from training with The Royal Ballet School, dancing with Sadler’s Wells Royal Ballet (now Birmingham Royal Ballet), before deciding to forge an independent dance career, that led to him establishing Russell Maliphant Dance Company. Russell is a deeply considered artist, eternally curious and highly academic. Listen to Russell as he discusses his interest and research into anatomy, physiology, biomechanics, Rolf Method of Structural Integration, somatic practice and more. He also talks about his exploration of flow and energy and the relationship between movement, light and music in his award winning work. Russell Maliphant (c) Panayiotis Sinnos At the time of this podcast recording, dance was just returning to the stage in London and unfortunately due to the second wave of the coronavirus pandemic hitting the UK and Europe, performances have again been cancelled or delayed. Russell Maliphant choreographed a piece for English National Ballet’s REUNION – which was to be their first live performance since the initial lockdown – unfortunately this is currently delayed. Russell Maliphant Dance Company is scheduled to perform in Europe in early 2021. The company has also made their Digital Archives available and they are also holding online classes, workshops and more. Stay up to date with Russell Maliphant Dance Company performance dates and discover more here. PRESS PLAY!  

English National Ballet and Dutch National Ballet former Artistic Director, former Royal Ballet Senior Principal Dancer and world renowned choreographer Wayne Eagling, talks to The Wonderful World of Dance about his dance career, training with Dame Ninette de Valois, working with Sir Kenneth MacMillan and Sir Frederick Ashton, life at the famous Royal Opera House and hanging out with his friend Rudolf Nureyev. In this podcast, Wayne gives an insight into his 22 years with The Royal Ballet, his time as Artistic Director for the Dutch National Ballet and returning home after 14 years to become the Artistic Director of the English National Ballet. This wonderful conversation also looks into his extensive body of choreographic work for top companies around the world from The Royal Ballet, La Scala, Rome Opera Ballet, Hong Kong Ballet, Kremlin Ballet and during his tenures at English National Ballet and the Dutch National Ballet. New English Ballet Theatre in ‘REMEMBRANCE’ by Wayne Eagling. Photo by Deborah Jaffe Wayne talks about his latest project, working with the New English Ballet Theatre who premiered on YouTube, his dynamic narrative ballet, ‘REMEMBRANCE’, (available on YouTube until 15 December 2020). REMEMBRANCE tells the universal story of love, loss and war based on the life of Dame Marie Rambert – founder of Britain’s first and oldest ballet company – and her husband, the playwright Ashley Dukes. Listen to Wayne talk about working with the New English Ballet Theatre, rehearsing with the dancers and seeing his work move online during the coronavirus pandemic. NEBT in ‘REMEMBRANCE’ by Wayne Eagling. Photo by Deborah Jaffe PRESS PLAY!  

Viviana Durante is an international ballet star and former principal dancer with The Royal Ballet, American Ballet Theatre, La Scala and K-Ballet.  Hailed as one of the most dramatic dancers of her time, Viviana has forged an esteemed career as an Artistic Director, Producer, Coach, Judge and Author. In this podcast, Viviana talks about training at the Royal Ballet School, dancing with The Royal Ballet, establishing her own company and the influence on her new role as the Artistic Director of English National Ballet School, following her appointment just a year ago as the School’s Dance Director.  Viviana also shares her experience as the Artistic Director of Viviana Durante Company and curating ground breaking programmes, featuring a roster of famous dancers from The Royal Ballet, Ballet Black and Scottish Ballet. Listen to Viviana’s vision for the English National Ballet School, the rigours of ballet training, the challenges faced by students during the covid pandemic, and how the School is supporting their young dancers as they return to class. PRESS PLAY!

Tiler Peck, New York City Ballet Principal is not only a famous ballerina in the US, she has become a global household name following her uber successful live ballet classes #turnoutwithtiler, launched during the covid pandemic. In this podcast, Tiler gives an insight into her inspiration for starting the online classes and the incredible feedback received from dancers around the world. Tiler shares one special story about a dancer in Iran, who was able to take class in the privacy of her own home, in a country where dancing in public is forbidden. This is the power of dance, and the power of digital dance during the pandemic. Listen to Tiler talk about her experience of lockdown and months away from the studio, following an extensive break from dancing as a result of a serious neck injury last year. In Tiler’s uplifting style, she shares how she has been dealing with dancing at home and how she’s ensuring she’s ready for when the New York City Ballet is able to perform live. She also gives some insightful advice for other dancers, who are in a similar situation waiting for dance to return to the stage. Tiler has used this time away from the studio and rehearsals to create A New Stage, which is having its world premiere online on 16 October (then available to stream). Hear Tiler talk about curating and staring in A New Stage, which includes three new pieces from ballet to hip-hop to tap; working with Lil Buck, Sierra Boggess, Brooklyn Mack and the Syncopated Ladies, who take the stage in works by Chloe Arnold and Jennifer Weber, and a world premiere from Christopher Wheeldon. PRESS PLAY!

Hofesh Shechter is an award winning, critically acclaimed choreographer, composer and artistic director of the ground-breaking and mind-blowing Hofesh Shechter Company. The renowned contemporary dance company presents work that is deeply visceral with performances that are spellbindingly raw, often raging, completely unexpected and a full assault on the senses. Hofesh talks in this podcast about growing up in Israel, travelling to Europe, and arriving in London to dance with the Jasmin Vardimon Company, before deciding take a year out to create his own work, which led to the formation of his own company. Listen to Hofesh describe his movement language, how he creates new work, his inspirations, and how he works with the dancers to deliver powerful performances of his distinct choreographic vocabulary. Hofesh also talks about the impact of lockdown and the shift to focus on digital, with the collaboration with Sadler’s Wells. Their Digital Stage In Focus series gives you the opportunity to take one of Hofesh Shechter Company workshops and learn exerts from his distinctive choreography. PRESS PLAY!

American Ballet Theatre Soloist, Gabe Stone Shayer talks in this podcast about his journey from Philadelphia to becoming the first African-American male graduate of the Bolshoi Ballet Academy, the first in the 250 year history of this prestigious school. Gabe shares his experience of dancing and living in Moscow, touring with the Bolshoi Ballet and returning to the US to join the American Ballet Theatre. Having performed many soloist and principal roles over the years, and creating roles with the acclaimed choreographer Alexei Ratmansky, Gabe was promoted to Soloist during the lockdown and awaits to return to perform on stage. During the lockdown, Gabe has drawn on his love of choreography and launched the Creative Genesis project and has raised more than $30,000 to go towards creating and presenting new choreographic work. This project importantly helps support other dancers during these covid times, giving them work and an opportunity to perform as they wait for the theatres to reopen.   You can DONATE HERE to the Creative Genesis project! PRESS PLAY!  

Akram Khan MBE is without doubt one of the most innovative and important choreographers of our time. He has created some of the most profound and moving works over the last 20 years of Akram Khan Company, a company he founded with Farooq Chaudry. In this podcast, Akram talks about his experience of lockdown that led to feelings of depression, caused by the impacts of the coronavirus pandemic. He gives us an insight into how he began creating again and collaborating on their 20th celebration programme The Silent Burn Project. Akram looks back over his dance career; from his dance training in Kathak South Asian classical dance and contemporary dance, to the influences and inspirations that led to him choreographing works that tell stories which critically address subjects ranging from power, oppression and racism. Listen to Akram talk about his approach to creating new works, his process of working with his visual, musical and design collaborators and dancers when he goes in the studio. In this intimate discussion, Akram reflects on his career highlights, on working with Sidi Larbi Cherkaoui, Antony Gormley, prima ballerina Sylvie Guillem CBE, creating Giselle with English National Ballet, and his hotly anticipated premiere of ENB’s Creature which has been delayed due to coronavirus. We also talk about his creations; Dust, Until the Lions, Xenos, DESH and more. As we delve into Akram Khan Company, Akram gives a glimpse of what to expect from The Silent Burn Project, which features world famous prima ballerina Misty Copeland, plus dance short films, debates and more exciting content to celebrate the last two decades of this astounding company. The Silent Burn Project premieres worldwide for FREE via livestream on the company’s website, YouTube channel and Facebook Live on 4 October 2020 at midday UK time. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Akram+khan.mp3   Also available to listen on Apple Podcasts, Spotify, Google Podcasts and other podcast providers!

Principal dancer Carlo di Lanno moved from San Francisco Ballet to Semperoper Ballett in Germany just as the coronavirus pandemic started to hit Europe. After arriving in the company’s home in the city of Dresden, Carlo immediately quarantined for two weeks before going into the studio to take company class and start rehearsals for the season that has already seen cancellations. Listen to Carlo talk about his lockdown dance experience and what it’s like joining a new ballet company when required to socially distance from your colleagues, while taking class metres apart from another, on rotating schedules. Semperoper Ballett is stepping back on stage with a series of gala events called »Semper Essenz: We Will Dance!«, being performed at the wonderful opera house accompanied by their world-famous orchestra.  With so many dance companies around the world cancelling their entire seasons, furloughing dancers and making staff redundant, it is uplifting to see ballet dancers set to perform to live audiences with a live orchestra – it’s almost semi-normal! Carlo also shares his journey from growing up in south Italy to dancing with La Scala in Milan, Staatsballett Berlin and moving to San Francisco Ballet and working with world renowned choreographers William Forsythe, David Dawson, Benjamin B. Millepied, Christopher Wheeldon and more. »Semper Essenz: We Will Dance!« is on 25 September and 1, 4, 16, 18 & 25 October 2020 – get your tickets. Photo: Sofiane Sylve and Carlo Di Lanno in On the Nature of Daylight by Ian Whalen PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Carlo.mp3 Podcast also available on Apple Podcasts, Spotify, Google Podcasts and other podcast providers!

In this podcast, English National Ballet‘s Isabelle Brouwers gives us an insight into her lockdown experience that coincided with recovering from an injury; she also talks about how she prepared to return to the studio and what it’s like dancing with a mask. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Isabelle+Brouwers.mp3 It is an understatement to say that Covid has presented enormous challenges for the dance industry. Dancers have been especially hit, as they have strived to maintain their physical and mental wellbeing within the confines of their homes, often isolated and separated from their families as well as their dance colleagues. And this is before the industry-wide redundancies, covid infections and shifting government policies restricting and delaying live performances around the world. Isabelle Brouwers, English National Ballet (c) Nath Martin However, throughout this period Isabelle has remained positive. She shares how she used the time at home with her sister to rehabilitate her injured foot, while taking courses to further her academic career, and writing about dance and reviewing online shows. These goals helped to keep her focused and ensure she was ready to return to ENB’s new multi-million pound home in East London. Listen to Isabelle describe the feeling of finally being back in the studio, and how the company has managed the dancers’ return to keep them safe, with staggered start times, one-way systems and dance social ‘bubbles’. Isabelle is absolutely relishing being back at the barre, even though this means taking company class in a mask – something dancers around the world are having to get used to. It’s intriguing to hear a dancer describe how a small piece of cloth has an impact on how a dancer experiences their space, their body and their artform. Isabelle Brouwers, English National Ballet (c) Alex Fine Isabelle also looks back at her journey from Germany to the Royal Ballet School and English National Ballet School; her experience of joining ENB where she’s risen through the ranks from the corps de ballet to First Artist. Isabelle talks about picking up awards including Youth America Grand Prix (2007), Genée International Ballet Competition (Silver Medal 2013), Young British Dancer of the Year in 2013 with nominations in 2015 & 2016, and ENB’s Emerging Dancer Finalist in 2017. As Isabelle looks to the future, she discusses how Covid is affecting the upcoming season that would normally see her touring the UK and the world. And after six years with the company, she’s drawing on her experiences of working with acclaimed choreographers like Akram Khan and the hope of performing his new work ‘Creature’ later this year, to keep her inspired as the dance world and devoted audiences wait for live performances to recommence and for the show to go on. PRESS PLAY or LISTEN ON ITUNES, GOOGLE PODCASTS, SPOTIFY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Isabelle+Brouwers.mp3 Isabelle Brouwers, English National Ballet (c) Nathan Carlson Isabelle Brouwers, English National Ballet (c) Alexander Yip

In this podcast, National Ballet of Canada acclaimed Principal dancer and award winning Associate Choreographer Guillaume Côté talks about his 22 year career with the company that has fostered his drive to create roles and new ballets and perform across the world with companies including La Scala Theatre Ballet, English National Ballet, The Royal Ballet, American Ballet Theatre, The Hamburg Ballet and Stuttgart Ballet. Guillaume is also the Artistic Director of Festival des Arts de Saint-Sauveur – one of the largest summer dance festivals in Canada. This year’s 29th festival is forging ahead and responding to the challenges of covid by launching a new project called ‘A Shared Solitude‘, with 20 artists, 20 creations, forming 1 voice. Each week from 5 July works will be released online from artists including: Daina Ashbee on a score by Alejandra Odgers performed by flautist Caroline Séguin Marie Chouinard on a score by Louis Dufort performed by percussionist Alexandre Lavoie Guillaume Côté with Yannick Nézet-Séguin at the piano on a score by Éric Champagne Anne Plamondon on a score by Cléo Palacio-Quintin performed by trombonist Patrick Richer Crazy Smooth on a score by Marc Hyland performed by clarinetist Simon Aldrich Listen to Guillaume talk about the how the 20 artists have created works during lockdown, life as a principal dancer, his love of music, his passion for ballet, being a dad and his partnership with his wife, fellow principal dancer Heather Ogden. PRESS PLAY!  https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Guillaume+Cote.mp3 Also available to listen on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers! Guillaume Côté. Photo by Aleksandar Antonijevic (courtesy of The National Ballet of Canada) Guillaume Côté. Photo by Karolina Kuras

In this podcast, Royal Ballet First Soloist Mayara Magri and Choreographer Ruth Mair Howard-Jones talk about creating the lockdown dance film ‘Sono Con Te’, which translates in English to ‘I Am With You’. Sono Con Te features 29 dancers from 18 countries and companies including Royal Ballet, Royal Swedish Ballet, Cape Town City Ballet, New Adventures and more. These artists have come together to share the message of love and unity during these challenges times. Listen to Ruth and Mayara talk about the inspiration behind the film, the creative process, filming with social distancing on the quiet streets of London. Sono Con Te is out now – watch on YouTube. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Mayara+Magri.mp3 Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers!

In this podcast, Royal Ballet Artist Leticia Dias joins us from Rio where she has been staying with her family during lockdown. Listen to Leticia talk about growing up and studying ballet in Rio, winning a Prix de Lausanne scholarship that took her to the Royal Ballet Upper School at the age of 16. She describes her experience of adjusting to life in the city, the amazing performance opportunities she received while at the school and joining the Birmingham Royal Ballet before finding her home with The Royal Ballet. Leticia shares her life as an artist of the company, how she’s dealing with life in lockdown, staying in shape and taking care of her health and wellbeing, plus dancing in lockdown dance film ‘SONO CON TE’, (which means I Am With You in English). Created by Ruth Mair Howard-Jones, and choreographed via Zoom to share the message of love and unity during these challenging times. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/leticia.mp3 Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers!

Good news feels a little hard to come by these days. So it’s exciting to see the critically acclaimed, award winning BalletBoyz 20th anniversary celebrations continuing with an online presentation of Deluxe by Sadler’s Wells Theatre in London. Sadler’s Wells will showcase Deluxe as part of new Digital Stage – a free online performance platform, created in response to the cancellation of shows across its theatres as part of efforts to curb the spread of Covid-19. Deluxe will form part of the launch on Friday 27 March 2020, World Theatre Day, which can be accessed via Sadler’s Wells Facebook page at 7.30 pm and will be available for seven days – so mark this in your diaries! Just as Covid-19 was starting to hit London, we interviewed BalletBoyz Artistic Directors, former Royal Ballet Dancers Michael Nunn and William Trevitt. Michael and William talk in this podcast about leaving The Royal Ballet after 12 years to create their own company and moving from classical to modern dance. They also look back at the pieces that are special to the company, talk about their studio process and share what makes a BalletBoyz dancer. With a long history of dance filmmaking, Michael and William talk about making the stunning Romeo and Juliet, winning the Palm d’Or, and their next dance film project (you’ll have to listen to find out which classical ballet they’re taking to the screen next!). Listen to the Artistic Directors talk about the choreographers of the two pieces in Deluxe – Shanghai-based dancer and choreographer Xie Xin and Punchdrunk choreographer Maxine Doyle. We’re so excited that Deluxe is coming to Sadler’s Wells Digital Stage on 27 March 2020 at 7.30pm. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/BalletBoyz2.mp3 Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers! BalletBoyz presents Deluxe. Photo by George Piper   Michael Nunn and William Trevitt. Photo by Rick Guest.

Christine Shevchenko, Principal, American Ballet Theatre shares her journey from Ukraine to the States, becoming the youngest recipient of the Princess Grace Award, rising through the ranks of ABT from corps de ballet to soloist and being promoted to principal. Listen to Christine talk about her love of ABT inspired by ballet greats Dame Alicia Markova and Mikhail Baryshnikov. She also gives an insight into life as a principal dancer, her approach to preparing for new roles, how to maintain her body and prevent injuries; plus how she relaxes outside of the studio (ps it includes cakes and cookies!). Christine talks about preparing for a busy season with Giselle, Swan Lake and Theme and Variations (check dates and programme) and shares her advice for aspiring dancers. Following Christine on IG. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Christine2.mp3 Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcasts providers! Christine Shevchenko. Photo by NYCDanceProject Ken Browar and Deborah Ory Christine Shevchenko. Photo by Rod Brayman

In this podcast, Sir Richard Alston looks back over his 50-year career that included training with Merce Cunningham, leading Rambert as artistic director and establishing his own company Richard Alston Dance Company more than 25 years ago, building it into one of the most renowned contemporary dance companies and forging a critically acclaimed and award-winning choreographic career comprising more than 100 works. Listen to Richard talk about his decision to fold his company due to a lack of funding from the UK’s Arts Council and how he has responded by looking to the next stage in his choreographic career that’s sees him take up the role of Resident Choreographer with the New York Theatre Ballet. Richard Alston Dance Company – Detour. Photo by Chris Nash This podcast shares a unique opportunity to hear from one of the most important living contemporary dance choreographers of our time, and listen to his own words as he describes how he creates new work, his inspirations and special moments from his esteemed career. Richard Alston Dance Company is saying farewell with a tour entitled ‘The Final Edition’, which is coming to London’s Sadler’s Wells on 7 & 8 March, giving his devoted audiences an opportunity to say goodbye to a company that they have loved and grown up with over the years. If you’re in Cambridge you can see The Final Edition on 2 & 3 March – for tickets: www.richardalstondance.com PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Sir+Richard+Alston.mp3 Also available on Apple Podcasts, Spotify and with other podcasts providers! Richard Alston. Photo by Hugo Glendinning

In this podcast, British-born choreographer, performer and educator, Freddie Opoku-Addaie shares his journey from East London to studying at London’s top contemporary dance school and going on to create a successful freelance career working with renowned companies such as Clod Ensemble, Candoco Dance Company, Arthur Pita, Wayne McGregor’s Random Dance and more. Freddie is also the Founder and Artistic Director of SystemsLAB, a platform that gives opportunities to a range of artists to showcase their work. Listen to Freddie talk about curating the SystemsLAB mixed bill, featuring the work of THĒO INART, Becky Namgauds, Ffion Campbell-Davies/ tyroneisaacstuart and hip hop legend Jonzi D; through which he raises interesting and important questions about contemporary dance history and the framework and voices within the industry. SystemsLAB Triple Bill is showing 6 March at University of Canterbury and 12 and 13 March at Trinity Laban. Follow Freddie and SystemLabs on Instagram! PRESS PLAY!

In this podcast, Eduardo Vilaro, Artistic Director and CEO of Ballet Hispanico, choreographer and former principal dancer talks about his dance career, training with Martha Graham Company and The Alvin Ailey School, launching his own company and leading America’s leading Latino dance organisation. This year Ballet Hispanico celebrates their 50th Anniversary. Listen to Eduardo talk about curating the celebratory programme that features renowned choreographers Annabelle Lopez Ochoa, William Forsythe, Nacho Duato, Andrea Miller, Ramón Oller, Vicente Nebrada, Pedro Ruiz, Graciela Daniele, as well as a piece of his own. Ballet Hispanico – Melissa Verdecia. Photo by Rachel Neville Eduardo also shares the history of the company and his vision for its future, plus the important education and community work to explore and engage more dancers and audiences in Latino culture and dance. He also gives his insights into the challenges facing dancers today and has some words of advice. Ballet Hispanico 50th Anniversary programme is heading on a USA and international tour – check dates and locations here. Follow Eduardo and Ballet Hispanico on Instagram: @ervilaro  @ballethispanico PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/Ballet+Hispanico.mp3 Ballet Hispanico – Antonio Cangiano and Shelby Colona. Photo by Rachel Neville Eduardo Vilaro Headshot with Flower. Photo by Rachel Neville

Jennifer Archibald, Choreographer and Artistic Director of Arch Dance Company, is set to premiere her new work for Nashville Ballet as part of their ‘Other Voices’ programme. Other Voices brings together four renowned choreographers to create new works that explore gender. Nashville Ballet Artistic Director Paul Vasterling set 4 questions for the choreographers: – what does it mean to be a man – what does it mean to be a woman – what does it mean to be both – what does it mean to be neither In this podcast, Jennifer talks about how she created work in response to: ‘what does it mean to be a woman’, plus she describes her process for working with dancers. Nashville Ballet – Other Voices She also shares her journey from training with The Alvin Ailey School to becoming a choreographer and creating work for top companies across the USA, including the Atlanta Ballet, Cincinnati Ballet, Memphis Ballet, Kansas City Ballet, Tulsa Ballet II, and Ailey II. Jennifer Archibald is also the Founder and Artistic Director of the Arch Dance Company and she gives an insight into running her own company and choreographing for her dancers. Check out Nashville Ballet’s ‘Other Voices’ programme dates here. Follow Jennifer Archibald and Arch Dance Company on Instagram! PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/Jennifer+Archibald.mp3 Also available on Apple Podcasts, Spotify and other podcast providers!

In this podcast with Lizzie Gough – dancer, choreographer, TV dance judge and mentor – we discuss life of a freelance artist and her upcoming role in Kate Prince’s ‘A Message In A Bottle’. Lizzie gives us an insight into how she created a successful freelance street dance career in the UK and abroad, that has included exciting projects in dance, theatre, film and TV. You may have seen Lizzie on So You Think You Can Dance, where she came third, and she’s been featured on the BBC, plus danced in music videos, commercials and on stage in shows like ZooNation’s smash-hit sensation Some Like It Hip Hop. Lizzie is not only dancing in Kate Prince’s ‘A Message In A Bottle’, she’s also the Assistant Choreographer. Listen to Lizzie share her experience working with Kate Prince and music from Sting in this show that deals with the important issue of refugees through dance. This podcast gives a great insight into the life of a freelancer, how it works, the challenges, what it’s like to audition, how to deal with injuries as Lizzie shares her advice for other dancers looking to build a freelance career. Check out Lizzie in ‘A Message In A Bottle’ at Sadler’s Wells from 6 February to 21 March 2020. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Lizzie+Gough.mp3 Lizzie Gough. Photo by Roos van der Hoeven Message in a Bottle. Photo by Johan Persson

In this podcast, Dwight Rhoden, Complexions Contemporary Ballet co-Founder, co-Artistic Director and Choreographer, talks about his dance career that kicked off at the late age of 17 and led him to become a principal dancer with Alvin Ailey American Dance Theater, before setting up his own company. Together with the legendary Desmond Richardson, they founded the groundbreaking and award-winning Complexions Contemporary Ballet in 1994. Listen to Dwight share his journey from dancer to choreographer and creating over 60 works for Complexions and other top companies around the world. Dwight also gives us an insight into his role as Artistic Director, and what type of dancer he looks for to join the company. Through his work with Complexions Contemporary Ballet Education Initiatives, Dwight aims to inspire nextgen dancers and he shares with us his words of advice to help dancers succeed. New York-based Complexions is heading on tour across Germany, and Dwight has a full roster of new and remounted work with the Atlanta Ballet – Heart/Beat that features live gospel music, Pittsburg Ballet with Simon Says to music by Paul Simon and new work with the West Australian Ballet. Check out dates and location here. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Complexions+Dwight+Rhoden.mp3   Also available on Apple Podcasts, Spotify and wherever you get your podcasts! Dwight Rhoden Complexions Ballet’s Jared Brunson & Daniela O’Neil – THEGINGERB3ARDMEN

In this podcast former principal dancer and Artistic Director of the Joffrey Ballet, Ashley Wheater talks about his experience of leading the company for the last 13 years. Born in Scotland, Ashley was recently appointed MBE by the Queen for his exceptional service to dance in the UK. Ashley began his esteemed career training at The Royal Ballet School before joining the London Festival Ballet (now English National Ballet) and moving across the world to dance with The Australian Ballet and then onto the Joffrey Ballet and finally the San Francisco Ballet until he retired following an injury. Joffrey Artists Greig Matthews and Amanda Assucena. Photo by Cheryl Mann. Listen to Ashley share his experience of working with ballet greats including Frederick Ashton, George Balanchine, William Forsythe, David Bintley and more, plus acclaimed choreographers Christopher Wheeldon, Cathy Marsden, Stephanie Martinez, Justin Peck, Yuri Possokhov…and the list continues! As Artistic Director, Ashley gives an insight into building on the legacy of founding director, choreographer and dancer Robert Joffrey, what he looks for in dancers, how a company without a hierarchy works, his advice for the next generation of dancers, plus his vision for the future. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Joffrey+Ballet+Ashley+Wheater.mp3

In this podcast, Precious Adams, English National Ballet, First Artist shares her journey from the US to training in Canada, Europe and Moscow, before moving to the UK to dance with the English National Ballet. Precious is a rising ballet star who is celebrated for her artistry, technique and her contributions to improving diversity in the dance industry. We featured Precious in The Wonderful World of Dance Magazine (Act 5) along with stunning photos captured by Dean Barucija, Pickled Thoughts Photography which showcase her elegance and stunning lines. Listen to Precious talk about how she uses her varied training in the studio as she switches from Russian to English technique, her transition into company and touring life at ENB as well as how she deals with the demands of dance life, studying and building a side business. Precious is an inspiration and a role model for aspiring dancers and she gives great advice and insights into life as a professional ballerina. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Precious+Adams.mp3 Precious Adams. Photo by Pickled Thoughts

Alina Cojocaru is the much loved principal with the English National Ballet and guest artist with the Hamburg Ballet who has garnered adoring fans and numerous accolades throughout her illustrious career. We’re in for a real treat as Alina is presenting her own curated programme of classical and contemporary pieces at Sadler’s Wells Theatre, simply called: ‘Alina at Sadler’s Wells’. In this podcast, Alina talks about how she selected each piece for her programme that includes Sir Frederick Ashton’s divine Marguerite and Armand. She also gives a heartfelt introduction to the special guests who’ll be joining her on stage, including her partner the Danish ballet star Johan Kobborg. The softly spoken ballerina shares her experience gained from dancing with The Royal Ballet, Kiev National Ballet, Hamburg Ballet and ENB. She takes us behind the scenes of her dance life and gives an insight into curating her own show. And lastly, Alina gives some pearls of wisdom for the next generation of dancers, some of which may be surprising. A wonderful conversation with an incredible dancer, a deeply considered artist and an inspiring woman. Alina at Sadler’s Wells runs from 20 to 23 February. PRESS PLAY or LISTEN ON ITUNES (or any of your favourite apps) https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/alina+final.mp3   Alina Cojocaru. Photo by Morgan Norman Alina Cojocaru and Johan Kobborg. Photo by Morgan Norman

The critically acclaimed award-winning Annabelle Lopez Ochoa is a choreographer that you need to know. A prolific artist, she has created dance works for over 60 top ballet and dance companies including: English National Ballet, Dutch National Ballet, Finnish National Ballet, The Washington Ballet, Ballet Black, Dance Theatre of Harlem and so many more. Annabelle has recently been bestowed another award, receiving the Jacob’s Pillow Choreography Award to add to her long list of accolades. In this podcast, Annabelle shares her inspiration for the many unique works that she’s choreographed, including the incredible biopic of Frida Kahlo ‘Broken Wings’ created for ENB, which she has turned into a full length ballet for the Dutch National Ballet (premiering in February), plus the award-winning A Street Car Named Desire. Listen to Annabelle talk about her career as a professional dancer, her move to create full-time, her creative process and how she works with dancers to devise stunning works for theatre, opera, musical theatre and dance. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Annabelle+final.mp3 Katja Khaniukova as Frida with ENB Artists in Annabelle Lopez Ochoa’s Broken Wings. Photo by Laurent Liotardo  

In this podcast we take a look at the life of one of the most visionary and influential choreographers in the world, Merce Cunnigham. The legendary dancer and choreographer’s journey from struggling artist to rejected and misunderstood creator and finally to becoming a celebrated icon, is told in a beautiful new 3D film simply titled ‘Cunningham’. Dance filmmaker Alla Kovgan shares her experience of bringing the artist and his work to the screen through archive footage of the man himself talking about his ideas, his creative process and his perseverance that saw him defy all detractors as he developed a new technique and a body of work that challenged the way people thought about dance. The 3D element adds to the film, making it an immersive experience as you become absorbed into the Cunningham’s world and go inside his dance company and hear from dancers who worked with him over the years. The film shows excerpts from a wide range of Cunningham’s works from 1944–1972, that are re-imagined and presented in unique locations such as rooftops, forests, gardens, modern buildings and more. Listen to Alla talk about the inspiration for the film, her insights into dance filmmaking and discovering the man behind the movement and exploring the collaborations with visual artist Robert Rauschenberg and composer John Cage. You can watch Cunningham in cinemas across UK, Europe and US, for locations and dates from December 2019 check out: cunninghamfilm.com PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Cunningham+Alla+Kovgan.mp3 Merce Cunningham in Antic Meet. Photo by Richard Rutledge Merce Cunningham’s Second Hand. Photo by Martin Miseré Merce Cunningham’s Suite For Two. Photo by Martin Miseré Merce Cunningham’s SUMMERSPACE. Photo by Mko Malkshasyan  

The decision for any dancer or creator to move from their hometown to the big city, whether across the country or to the other side of the world, is often a daunting and exciting prospect. It’s not just the actual relocation or the unknown, but there’s also the challenge of finding a place and success within a new, larger dance scene. In this podcast, Australian contemporary dancer and choreographer Alice Robinson shares her journey from Australia to London and premiering her first full-length immersive show ‘Does It Matter In the Dark‘ in the capital.  As a freelance artist, Alice has worked and toured, both as a dancer and creator, across Australia, New Zealand, and Asia. She then decided to head to the big smoke of London, where she has found a space for her creativity and has built a community over the last year to create Does It Matter In The Dark. Alice shares her insights into freelance life; the highs, the joy and the challenges. She also shares her creative process that led to the ‘choose your own adventure, immersive experience’ that audiences can expect in her new work. Does It Matter In The Dark premieres on 2 November (Sold Out Show!) and 3 November (just a few remaining tickets) at Onyx Dance Studio, London. For tickets email Alice directly:  [email protected].  Watch the trailer! Follow Alice on Instagram: @alicerobinson_ PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Alice+Robinson.mp3 Alice Robinson

In this podcast, we’re joined by Subhash Gorania, a cutting-edge, British choreographer and dancer and Artistic Director of Morph Dance Company. Subhash creates works that blends Indian classical dance, hip-hop and contemporary dance and has a very unexpected dance story. At the age of 23, Subhash was stacking tins in the supermarket (after having to drop out of uni after being injured), when he noticed a flyer for a hip-hop class, and without any previous dance experience decided to give it go. Instantly he fell in love with dance and one class a week became two, then three and this led to a professional dance career, creating his own work and establishing his own company. Listen to Subhash tell his inspiring story ahead of the world premiere of his first full length work ‘Classic Encounters‘ hitting the stage on 15 and 23 October. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Subhash.mp3

In this podcast, we talk to principal dancer Mi Deng, who is one of the most famous and successful ballerinas from China. We discuss her role as the Princess in the innovative high- tech show, Sleeping Beauty Dreams. Mi Deng gives an insight into the stunning visuals created by the dancers who are hooked up to the technology; and she shares the challenges as a dancer working with the tech (it doesn’t sound easy!). Listen to Mi also talks about growing up and dancing in China and her worldwide dance career, plus her inspiration for setting up her own dance school in her home country. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Mi+Deng.mp3 Mi Deng

In this podcast episode we discuss the important subject of dancer mental health and wellbeing, with former Royal Ballet dancer and dance counsellor Terry Hyde. Former Royal Ballet dancer and counsellor Terry Hyde We shine a light on the challenges faced by dancers, including depression, injury, rejection, confidence, and performance anxiety. Terry talks about his own dance career and how his unique perspective helps him help other dancers. It is essential that mental health and wellbeing is talked about within the dance industry; between dancers, and their companies or schools, and their friends and colleagues. Terry discusses some of the symptoms that dancers may experience, including feeling low, wanting to be alone, and not wanting to talk about their feelings with others. Listen to Terry talk about how counselling can help dancers through these difficult periods so they can go on to enjoy fulfilling careers. He also explores the challenges faced by dancers and their sense of identity when their dance careers come to an end. If you’re experiencing or are interested in dancer mental health issues, Terry recommends talking about your feelings, asking for support and reaching out. You can learn more at counsellingfordancers.com PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/terry+hyde.mp3 The podcast is available on Apple Podcasts, Spotify, Google Podcasts and other podcast providers! You can also read the interview here!

Dance creation is ever changing and evolving with the influence of new technologies on sound, lighting, staging, visualisations and performance. Critically acclaimed choreographer and dancer Tom Dale is an innovator in bringing these elements together to create new ways of experience and performing dance. Taking this tech approach to a new level, Tom Dale’s new work Step Sonic sees the dancers’ movements and breath create the live soundscape. The dancers movement affects and makes the sound, which is picked up by a series of microphones. In this podcast, Tom Dale reveals the inspiration behind Step Sonic and explains how the piece was made with the dancers and their experience of performing this tech and sound led piece. Step Sonic kicks off a 10 date UK tour from 27 October, check out the dates & location. Step Sonic also features two new commissions for Tom Dale Company: Resonance of Air by Eleesha Drennan and a new work by Jamal Burkmar; the premiere of Tom Dale’s solo Surge completes the programme. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Tom+Dale.mp3 In the podcast we talk about the below video of the early research work:   Tom Dale Dance Company – Step Sonic. Photo by Alicia Clarke

Every so often you come across a personal story that must be told and shared. Cutting edge dance theatre creator and performance artist, Stuart Waters, tells his story of depression, addiction and destruction in a new autobiographical work Rock Bottom. In this podcast, Stuart candidly shares his deeply personal journey and talks with honesty about the challenges he’s faced and how he hit his ‘rock bottom’. He also shares how he has drawn on these times and found the strength to rebuild his life and continue his 20-year career of creating powerful dance theatre to create Rock Bottom. “…it’s a painfully revealing, highly physical look at mental health and that sometimes elusive thing called happiness…” Rock Bottom has received rave reviews and after showing at The Place in London earlier this month, it is heading on a 3 date UK tour: October 2nd – Birmingham Midlands Arts CentreOctober 8th – Cornwall, Truro College Helford TheatreOctober 9th – University of Plymouth Find out more: www.stuartwaters.info https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/stuart+waters.mp3 https://youtu.be/mmvwR7jg5BY ‘Rockbottom’ by Stuart Waters live photos by Rosie Powell ‘Rockbottom’ by Stuart Waters live photos by Rosie Powell for Oxford Mail Stuart Waters in ‘ROCKBOTTOM’ photo by Joe Armitage for Oxford Mail

In this podcast, Australian born Rose Alice – ballet dancer, choreographer and Artistic Director of the International Arts Collective – shares her experience of forging her own path as a successful and inspiring freelance artist. Trained at prestigious ballet schools that includes the École de Danse Classique in France and Basel Theatre Ballet School, Rose Alice was a finalist at the distinguished Prix de Lausanne. Rose Alice. Photo by Nik Pate. After moving to the UK, Rose Alice has been defining her own dance career which has seen her voice as a choreographer lead her to working with world-famous artists and brands (Tiffany & Co for example) across the world. Each and every artist of International Arts Collective has an undeniable talent/ability that cannot be defined by a specific country, race or culture. To say that our artists are unapologetically original is an understatement. To celebrate individuality through unity and collaboration is our biggest asset, to generate a positive change within the performance industry and our society whilst doing so is a humbling gift. Listen to Rose Alice talk about the creating projects that bring together ballet, fashion, DJs and film. She also gives us an insight into her experience of founding the International Arts Collective, how choreographing work for film and stage differs, and how she is inspiring the next generation of dancers. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/alice+rose.mp3

In this podcast we talk with Sadler’s Wells Young Associate Ruby Portus who is a dancer and choreographer using her voice to tackle sociopolitical issues in a playful way. Listen to Ruby talk about how the Sadler’s Wells Young Associates programme has helped develop her work, reach a wider audience and build her emerging choreographic career. Ruby also talks about what it means to be a young female creator and how she is using her voice to inspire change and conversation. She shares her approach to creating new work and gives us an insight into what she’s bringing to Sadler’s. Sadler’s Wells Young Associates are showcasing their final work after a two year programme on 17 July. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/ruby.mp3  

In this podcast, we talk to Birmingham Royal Ballet First Artist and Choreographer Ruth Brill about her decision to hang up her pointe shoes to focus on a full-time choreographic career. Ruth talks about her distinguished ballet career that saw her dance with the English National Ballet for 5 years before heading to Birmingham Royal Ballet – a company that became her home for the last 7 years and who nurtured her choreographic talent. Ruth talks about her decision to retire from the stage as she was heading towards her last performance in the company’s final programme in London under the directorship of the esteemed David Bintley CBE. As part of Birmingham Royal Ballet’s [Un]leashed at Sadler’s Wells, Ruth presented her reimagined Peter and The Wolf, which the audience absolutely loved. Listen to Ruth talk about how she created this modern ballet, working to a complex brief. She also talks about the future as a freelance choreographer and her upcoming projects including her role as Interim Artistic Director/Choreographer for National Youth Ballet, plus creating works for London Childen’s  Ballet. PRESS PLAY. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Ruth+Brill.mp3 Ruth Brill. Photo by Alex Fine Ruth Brill in class ©Tim Cross Birmingham Royal Ballet – Peter and the Wolf: Laura Day as Peter. Photo by Andrew Ross

Natalia Osipova has often been described as an enigma, as a dancer who keeps her audiences on the edge of their seats with pure but unpredictable performances, that makes you hold your breathe, as you never know what you’re about to experience until this star steps on stage. I had the privilege of being invited into Natasha’s (yes she prefers to be called Natasha, although Natalia is the name on her passport!) home to meet her two gorgeous dogs and her new fiancé, fellow Royal Ballet dancer Jason Kittelberger. We discussed her journey from Russia and the Bolshoi to The Royal Ballet, the challenges and disappointments she’s faced throughout her career, how she prepares to perform and manages the anxiety and emotions that are the driving force of her powerful performances. We talk about her experience of being filmed for Force of Nature Natalia, how she prepared for the dark role in Arthur Pita’s The Mother and much more… This podcast is a recording of the video interview conducted with the wonderful translation by Alice Terekhof. We didn’t plan for this to be a podcast, but the conversation was so honest and revealing that we just had to share. Natalia Osipova is premiering Arthur Pita’s The Mother with Jonathan Goddard (read our interview here) at Southbank 20-22 June; she then heads off to Japan with the Royal Ballet and then returns for the next season in London and also presents her own programme Pure Dance at Sadler’s Wells 22-26 October. Her documentary Force of Nature Natalia is out at Curzon cinemas across the UK. LISTEN TO NATALIA OSIPOVA IN HER OWN WORDS – PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Natalia+Osipova.mp3 ‘The Mother’ featuring Natalia Osipova photo by Anastasia Tikhonova Natalia Osipova_Pure Dance Leaves are Fading -Dancer Natalia Osipova. Photo by Johan Persson

In this podcast, we explore the incredible photographic book released by dancer Marjorie Goodson titled ‘MG‘. The stunning hard cover coffee table style book features spectacular photos of Majorie Goodson photographed by Andreea Radutoiu. Majorie’s dance career spans three decades and this glossy book captures her in photos that are raw, gritty and sensual.  Listen to Marjorie talk about the inspiration for the photos and how each of these incredible photographic essays were created and captured. Majorie is an inspiration and her book showcases her creativity, physicality and at 54 she challenges perceptions that dancers have an expiration date. We love the book so much that we’ve featured it in our magazine! PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Marjorie+Goodson.mp3 Marjorie Goodson. Photo by Andreea Radutoiu Marjorie Goodson. Photo by Andreea Radutoiu Marjorie Goodson. Photo by Andreea Radutoiu

In this podcast with Norwegian choreographer Alan Lucien Øyen, we discuss the work and company of one of the most important choreographers of the twentieth century, Pina Bausch. Alan Lucien Øyen is one of two choreographers (along with Dimitris Papaioannou) who has been given the honour of creating a new piece with the company Tanztheater Wuppertal Pina Bausch, following the death of Pina Bausch a decade ago. Listen to Alan talk about his experience of working with the 36 dancers from 3 generations in the same studio where Pina’s unique and extraordinary creative process changed the dance world. Alan gives us a glimpse into this astounding company that continues to push the creative boundaries of dance and shares how he immersed himself with the artists to create Bon Voyage, Bob, being premiered in London at Sadler’s Wells.  PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Alan+Choreographer.mp3   Also available on Apple and Google Podcasts, Spotify and other podcast providers! Alan Lucien Øyen. Photo by Siren Høyland Sæter Tanztheater Wuppertal Pina Bausch — Bon Voyage, Bob – Alan Lucien Øyen. Photo by Mats Bäcker  

Principal dancer Yolanda Correa was born in Cuba where she studied ballet before joining the National Ballet of Cuba. After only 5 years she was quickly promoted to Prima Ballerina and enjoyed a wonderful career performing in her home country. After 10 years with the company, she made the surprising decision to head to Europe to learn and push herself as a dancer and an artist. Listen to Yolanda talk about dancing with Víctor Ullate Ballet before joining Norwegian National Ballet in Oslo where she danced for 8 years before making the decision to join the Berlin State Ballet. Yolanda is truly effervescent, she bubbles with energy, enthusiasm and positivity. She talks with joy about being a dancer, about her love of daily class and time working in the studio. In this podcast, she shares her favourite roles, the ups and downs of a ballet career, and why she loves to dance. We also learn some surprising things about Yolanda as she talks about future aspirations and other skills that you might not expect! PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Yolanda+Correa.mp3   Yolanda Correa in Manon. Photo by Erik Berg Yolanda Correa as Kitri in Don Quixote, the Norwegian National Ballet 2011.

Royal Ballet principal dancer Thiago Soares is celebrating his 20 years ballet career and 14 years with this prestigious ballet company. Thiago was born in Rio de Janeiro, where surprisingly he first started dancing hip-hop before he discovered ballet, which was to change his life forever. In this podcast, Thiago shares the highlights and challenges over the last two decades as he rose to become a celebrated principal dancer with The Royal Ballet. He also talks about dancing with Marianela Nuñez, producing his own ballet gala and life with The Royal Ballet. Thiago’s dance journey has been captured in a new film called ‘Principal Dancer‘, which follows Thiago from London back to Brazil as he presents a star-studded ballet show in his home country. Still from the documentary ‘Primeiro Bailarino’ about Royal Ballet principal Thiago Soares Listen to Thaigo talk about the making of Principal Dancer, which is an exceptionally raw behind the scenes emotional and honest account of a ballet dancer’s life on and off stage.  Thiago is an inspiration for male dancers across the world and his achievements as a dancer has seen him recently awarded the highest cultural award in Brazil. Feature image of Thiago Soares by Daryan Dornelles PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Thaigo.mp3   Still from Principal Dancer’: Royal Ballet principal Thiago Soares with Kevin O’Hare, Director of The Royal Ballet Thiago Soares. Photo by Clement Yves Jolin

Stephenie Herman is a former ballerina who has danced with Mikhail Baryshnikov and Rudolph Nureyev and was a protégé of legendary choreographer George Balanchine. In this podcast episode Stephanie shares her memories of these ballet legends and gives us an insight from a ballerina’s unique point of view. Stephanie became a principal dancer at just 19 and moved from the US to Zurich to train with Balanchine. Stephanie shares her dance journey and experience of suffering from injuries that affected her ballet career, and led her to creating her own Pilates Ballet programme. But Stephanie’s creativity has been unstoppable! She’s also recently created a Gold Award winning ballet play and film: ‘Ballerina: A One Woman Play with Stephanie Herman‘. Listen to her talk about creating this personal and inspired play. PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Stephanie+Herman.mp3   Stephanie Herman. Photo by Azita Gandjei Stephanie Herman. Photo by Azita Gandjei Stephanie Herman. Photo by Azita Gandjei Stephanie Herman in Agon

In this podcast, we talk to former (Royal) New Zealand Ballet dancer Matthew Lawrence about his journey from the southern tip of the world to the northern end of the Scottish Shetland isles, where he’s created an important community dance school. The Shetland Community Ballet School is a great example of a local dance school providing opportunities for young and mature dancers in remote locations, where the demand for dance classes and training may just surprise you. Matthew’s career has seen him starring on stage in in London and Europe, he’s worked backstage, behind the scenes and in front of the studio. Listen to Matthew’s journey and his tales of other great dancers past, of life in Covent Garden in the 1980s and moving to the Shetland isles. PRESS PLAY! https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Matthew+Lawrence.mp3   Matthew Lawrence and Adrienne Arabian Nutcracker 1980 Matthew Lawrence and The Shetland Community Ballet School Matthew Lawrence

Akram Khan is an extraordinary choreographer, whose work requires his dancers to adapt to his unique style of movement. In this podcast episode, we talk to two of Akram Khan Company dancers – Nicolas Ricchini and  Dennis Alamanos – about what it feels like to perform Akram’s work. Nicolas and Dennis talk about their own journeys into the contemporary dance world, their decision to become freelance dancers and their experience of dancing with Akram Khan Company for the last 3 years. The company is on a worldwide tour showcasing various works in different cities starting in Norway, to Singapore, Canada, China, USA and more. They are coming to London to perform Chotto Desh at Sadler’s Wells (18-20 Oct). Nicolas and Dennis also talk about their own creative collaboration and their advice for other freelance dancers. PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Akram+Dancer.mp3 Chotto Desh – Dancer Dennis Alamanos Chotto Desh – Dancer Dennis Alamanos Nicolas Ricchini. Photo by Alex Staffa Dennis Alamanos

Royal Ballet First Soloist Beatriz Stix-Brunell gives us a unique insight into this famous company ahead of World Ballet Day, as she describes her typical day at the Royal Opera House, the company’s repertoire and the supportive and warm dancers that have become her dance family as she’s risen through the ranks over the last 8 years. Beatriz reflects on her journey from New York to Paris to London, training with the American Ballet School, Paris Opera Ballet School and the acclaimed Fabrice Herrault, before being invited to join Christopher Wheeldon’s company Morphoses at just 14 years old. Listen to Beatriz talk about her very first company class with The Royal Ballet at just 15 years old, what she loves most about dancing, favourite roles, her career highlights both in the studio and on stage, and her advice for future ballerinas. Follow Beatriz on Instgram: @bstix_brunell (Photo: Yasmine Naghdi, Tristan Dyer and Beatriz Stix-Brunell as Florestan and His Sisters in The Sleeping Beauty, The Royal Ballet) PRESS PLAY. https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Beatriz+Stix-Brunel.mp3 World Ballet Day SAVE THE DATE: 2 October 2018 WATCH: The Royal Ballet’s live-stream broadcast via Facebook live USE HASHTAG: #WorldBalletDay – to share your love Beatriz Stix-Brunell as Alice and Rupert Pennefather as Jack in Alice’s Adventures in Wonderland, The Royal Ballet Beatriz Stix-Brunell as Perdita and Vadim Muntagirov as Florizel in Act II of The Winter’s Tale, The Royal Ballet Beatriz Stix-Brunell, Olivia Cowley, Romany Pajdak and Artists of The Royal Ballet in The Concert, The Royal Ballet Matthew Ball and Beatriz Stix-Brunell in Giselle, The Royal Ballet

American born Royal Ballet Soloist Tristan Dyer talks to us ahead of World Ballet Day (2 Oct), giving us an insight into life with the prestigious ballet company, his favourite roles, and how he prepares for the stage. Listen to Tristan talk about what he loves most about dancing, what inspired him to join The Royal Ballet and one of his favourite career moments of dancing with the gorgeous Sarah Lamb (pictured above – photo by Bill Cooper). Tristan also shares his experiences of studying with The Royal Ballet School, The Australian Ballet School, The National Ballet of Canada School and shares his advice for aspiring dancers. Follow Tristan on Instagram: @tristandyer You can read the interview here. PRESS PLAY! https://s3-eu-west-1.amazonaws.com/djwpodcasts/1wwwod/Tristan+Dyer+Royal+Ballet.mp3 World Ballet Day SAVE THE DATE: 2 October 2018 WATCH: The Royal Ballet’s live-stream broadcast via Facebook live USE HASHTAG: #WorldBalletDay – to share your love Tristan Dyer in rehearsal for The Age of Anxiety ©ROH. Bill Cooper 2014 Tristan Dyer and Yuhui Choe in rehearsal for Scènes de ballet, The Royal Ballet © ROH Tristram Kenton, 2014 Tristan Dyer and Akane Takada in rehearsal for Within the Golden Hour, The Royal Ballet © 2016 ROH. Photograph by Andrej Uspenski Sarah Lamb as Elizabeth and Tristan Dyer as Victor in rehearsal for Frankenstein, The Royal Ballet © 2016 ROH. Photograph by Bill Cooper Leticia Stock as Clara, Tristan Dyer as Hans Peter and Artists of The Royal Ballet in The Nutcracker, The Royal Ballet © 2017 ROH. Photographed by Karolina Kuras