Bivouac Recording SC

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This was the final composition during the performance. After several weeks of making 'prepared' reels to perform, I finally showcased the instrument for the first time. The entire 'performance' improvised even the preparing of the reels. I recorded some of the recordings on reels then improvised re-recording them on other reels. I also spliced and re-spliced the reels many times during this process. This led to many interesting reverse sounds and short cuts.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track is part of a collection of recordings that documented all the ferry boat crossings in Shanghai in 2021. The recordings were used in the Vital performance showcase in Shanghai at the Rockbund Museum in November 2021. Documenting the ferry lines in Shanghai was on my wish list for a long time and I was happy that I finally had a reason to do it. Over the span of one month, I went to the 16 ferry ports and made a round trip. I documented the areas around the ports and other interesting sounds that I heard. I used the recordings and recorded it onto reels of tape with my Generations instrument consisting of 4 Revox A77 tape recorders. Before the performance, I spliced and re-recorded the audio over several days to create interesting, pre-recorded reels to play during the concert. During the performance, I manipulated the reels with my fingers while controlling the recorders via MIDI to make a sound collage of the Shanghai ferry. The final track in this collection is the live recording of my improvised performance at the Vital concert.

This track was the final live event of the Emergence exhibition. The recorded audio livestream aired on May 7, 2024 featuring Yumi Taga at the Murmuring Moon studio in Sheung Wan, Hong Kong. To skip the guided introduction, please fast forward to 17:05. For more information about the Emergence exhibition please visit: www.sbsemergence.com Special thanks to: Yumi Taga Michelle Chow Released by: Bivouac Recording Release date: 7 May 2024

This track was the recorded audio livestream aired on May 6, 2024 featuring Michelle Chow at the Murmuring Moon studio in Sheung Wan, Hong Kong. For more information about the Emergence exhibition please visit: www.sbsemergence.com Special thanks to: Michelle Chow

This track was the recorded audio livestream aired on May 5, 2024 featuring Saravi Tsz at the Murmuring Moon studio in Sheung Wan, Hong Kong. For more information about the Emergence exhibition please visit: http://www.sbsemergence.com Special thanks to: Saravi Tsz Michelle Chow

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Recorded April 9, 2024. Track 08: 下午茶餐厅 作曲：阿笛 乐团 Guitars: 31 / Zhu Songjie Sax: Jun-Y Ciao / Zheng Haozhong Trumpet and Percussion: Tao Yi Cello: TIAN Violin: Adi Bass and electronics : Fish Electronics: MAI mai Recording playing: Xu Cheng 时间:2024年3月9日(周六) Venue: Trigger Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Recorded April 9, 2024. Track 07: SOLO 作曲：徐程 徐程 Guitar: Xu Cheng Venue: Trigger Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Recorded April 9, 2024. Track 06: 公平演奏 作曲：照骏园 乐团 Guitars: 31 / Zhu Songjie Sax: Jun-Y Ciao / Zheng Haozhong Trumpet : Tao Yi Cello: TIAN Violin: Adi Bass and electronics : Fish Voice: Xu Cheng Electronics: MAI mai Venue: Trigger Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Recorded April 9, 2024. Track 05: 暴风雨是温柔的 作曲：没腿的马和卷毛骑士 没腿的马和卷毛骑士 Sax: Jun-Y Ciao Trumpet and Percussion : Tao Yi Bass and electronics : Fish Venue: Trigger Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Track 04: 作曲：徐程 乐团 Turntable and electronics: MAI mai / Xu Cheng / 31 / Zhu Songjie / Jun-Y Ciao / Zheng Haozhong / Tao Yi / TIAN / Adi / Fish Description: Ensemble gather around a turntable and electronics, taking turns to manipulate program. Recorded April 9, 2024. Venue: Trigger FMCS Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Track 03: 卖卖演唱《my way》 作曲：卖卖 卖卖 Voice and electronics: MAI mai Recorded April 9, 2024. Venue: Trigger FCMS Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Track 02: Composition #7 （1960） 作曲：La Monte Young 吉他四重奏 Guitars: MAI mai / Xu Cheng / 31 / Zhu Songjie Recorded April 9, 2024. Venue: Trigger FMCS Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is a document of the Spring Concert of the Free Music Collective of Shanghai. Track 01: Solo for Violin, Viola, Cello, or Contrabass (1962) 作曲：George Brecht 乐团版本改编（2024） Guitars: MAI mai / Xu Cheng / 31 / Zhu Songjie Sax: Jun-Y Ciao / Zheng Haozhong Trumpet : Tao Yi Cello: TIAN Violin: Adi Bass and electronics : Fish Description: Performers cleaned instruments throughout piece. Recorded April 9, 2024. Venue: Trigger FCMS Artists: Mai Mai, Xu Cheng, 31, Zhu Songjie, Jun-Y Ciao, Zheng Haozhong, Tao Yi, Tian, Adi, Fish Recorded by: Terence LLoren @bivouacrecording

This is the recorded livestream of Kaman Yip's session for the Emergence exhibition at the Crystal Bowl Of Light's studio and gallery in PMQ in HK.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

2023.10.07 Haptic Collision Feaston HQ Feaston / Karen Yu / 龢wo4: objects, junk, tennis ball, cymbals, guitar, amplifier Several people played with the ball bouncing it back and forth to each other hitting objects like a drum or cymbal. Other people staged a workout sessions lifting guitars as if exercising letting the movements make sounds from the guitar. nnscya also played a background soundtrack.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

2023.10.07 Haptic Collision Feaston HQ klaux- electronics nnscya- electronics

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

2023.10.07 Haptic Collision Feaston HQ Liu Fang Yi- Objects and electronics Nelson Hiu- Synthesizer Liu Fang Yi used objects such as a portable fan and toys and played with a microphone and contact mics. Nelson played a Korg Monologue synth.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.

This Generations release is a selection of 76 recordings from 500 randomly generated compositions made with recordings of the Feaston group on a rooftop in Hong Kong in October 2022. Generations compositions are made with a hybrid analog/digital instrument comprised of 4 reel to reel tape recorders, a digital mixer, and a customizable Pure Data program. Each Generation is unique as the content gets re-recorded over each other at random times. FX were gradually added by the Pure Data program during composition. Each unique track will be available for purchase at OpenSea.io as an NFT. Owners will get the original Field Recording as well as the original WAV file of their Generation.