Call To Stage with Amber Davies

We're joined by a true legend of the British stage on this episode of Call To Stage - the endlessly charming, irrepressible, genre-defining Michael Ball.With over four decades in the industry, two Olivier Awards for Best Actor in a Musical, two BRIT Awards and GRAMMY nomination - Michael is undoubtedly one of the biggest stars in the industry. Having made his West End debut originating the role of Marius in Les Mise´rables (a show he has returned to multiple times in his career), he has gone on to define such iconic roles as Edna Turnblad in the West End production of Hairspray, Sweeney Todd in the revival of Sweeney Todd and Alex in Aspects of Love (which led to him charting in the Top 5 UK Singles Charts).Michael has also had renowned starring roles in The Phantom of the Opera and Chitty Chitty Bang Bang, released numerous albums and has sold out every venue from the Royal Albert Hall to Radio City in New York.Michael Ball's new album Glow is out on May 22nd. You can order it here: https://michaelball.tmstor.es/On this episode of Call To Stage, Amber and Michael talk about the advice that has underpinned his four decade career, his experiences performing in front of royalty, why he keeps returning to Les Mise´rables and how he asked Imelda Staunton to star in Sweeney Todd alongside him...There are also stories from Hairspray and Aspects of Love as well as a masterclass in nerves, superstition and what it means to savour the rare perfect moments.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GET YOUR TICKETS FOR OUR CALL TO STAGE RESIDENCY WITH GEORGINA CASTLE: https://underbellyboulevard.com/tickets/georgina-castle-call-to-stage-live-residency/We're joined by a true icon of British musical theatre on this episode of Call To Stage... the extraordinary Kerry Ellis is on the show!Kerry Ellis is undoubtedly one of the most storied and gifted performers in British theatre. Having made her professional debut in the West End production of My Fair Lady, she has gone on to play among the most iconic roles in the West End - including Nancy in Oliver!, Grizabella in Cats, Fantine in Les Miserables, Meat in We Will Rock You... and, of course, Elphaba in Wicked, where she was the first British Elphaba in the West End (taking over the role from Idina Menzel), a role she then reprised on Broadway.Kerry is currently on the road with the Gravity Tour alongside Louise Dearman and Rachel Tucker, a celebration of their decades-long friendship and shared history with Wicked — with a solo UK tour, Rock Anthems, also on the horizon.On this episode of Call To Stage, Amber and Kerry share stories from many of Kerry's most iconic roles - including Wicked, the Miss Saigon tour, We Will Rock You... and how Kerry's recent experience in 101 Dalmatians ended up with a very large surprise!They also talk about the sheer audacity of going on as Eliza Doolittle at the National Theatre with no rehearsals, how Brian May changed the course of her career, as well as a deeply honest conversation about vocal fatigue, guilt, the Elphaba community looking out for one another.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GET YOUR TICKETS FOR OUR CALL TO STAGE RESIDENCY WITH GEORGINA CASTLE: https://underbellyboulevard.com/tickets/georgina-castle-call-to-stage-live-residency/We're joined by the effortlessly cool and funny Jamie Chatterton on this episode of Call To Stage! This episode was recorded in between shows in Liverpool in Amber's dressing room!Having trained at ArtsEd, Jamie has since gone on to star in The Sound of Music (Curve), as well as originating the roles of Tom Fraser in the critically acclaimed West End production of The Little Big Things and Alan Osmond in the world premiere National Tour of The Osmonds.On this episode of Call To Stage, Amber and Jamie talk about the journey of going from training to West End stages, the emotional weight and life-changing impact of originating a role in Little Big Things and why touring keeps a show fresh in ways that a long West End run simply can't replicate.There are also stories from The Osmonds, Sound of Music and Legally Blonde - including Jamie's audition process, being a six-foot-two nun floating across the stage, and the unexpected way love has a habit of finding you when you least expect it.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GET YOUR TICKETS FOR OUR CALL TO STAGE RESIDENCY WITH GEORGINA CASTLE: https://underbellyboulevard.com/tickets/georgina-castle-call-to-stage-live-residency/It's Legally Blonde tour bestie time on this episode of Call To Stage, as Amber is joined by the hugely talented and gloriously fun Rosanna Harris.This episode was recorded in between shows in Glasgow in Amber's dressing room!Rosanna is currently playing Serena and serving as second cover Elle on the UK Tour of Legally Blonde, having carved out an impressive career that includes the UK and International Tours of Grease and Jeff Wayne’s The War of the Worlds arena tour.On this episode of Call To Stage, Amber and Rosanna talk about Rosanna's winding audition process for Legally Blonde — including a last-minute self-tape, a dramatic email to her agent, and asking to restart mid-audition — as well as what it really feels like to be living out your dream role every night.There are also behind-the-scenes moments from life on the Legally Blonde tour, the realities of managing your voice and energy across a big leading role, and the unexpected joy of finding your person on the road.Rosanna also shares her dream roles, the musical that first made her fall in love with theatre and why Miss Congeniality absolutely needs to be a musical — trademarked, right here, right now.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GET YOUR TICKETS FOR OUR CALL TO STAGE RESIDENCY WITH GEORGINA CASTLE: https://underbellyboulevard.com/tickets/georgina-castle-call-to-stage-live-residency/On this episode of Call To Stage, we're joined by the wonderfully warm, funny and refreshingly grounded Ben Irish.Ben has become one of the West End's most reliable and versatile leading men. A self-confessed late starter — discovered through a work experience placement at an amateur theatre group in Portsmouth at the age of 15 — he trained at ArtsEd and has since built an impressive career across some of musical theatre's most beloved shows.His credits include Bob Gaudio in Jersey Boys, Joe in 9 to 5 The Musical, Sky in Mamma Mia!, Sam in Ghost (which he also toured across Asia) and Hans in Frozen The Musical, which was filmed for Disney+.On this episode of Call To Stage, Amber and Ben talk about coming to musical theatre late and why there is truly no right time or right way into this industry, the family feeling that comes with long runs and touring companies, and the very real emotional and practical challenges of life between jobs.There are also stories from Jersey Boys, Mamma Mia! and Ghost, as well as conversations about setting boundaries, protecting your personal life and knowing when to say no — even when the jobs are good.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank You To Our SponsorsSign up today for your £1 a month trial with Shopify and start selling today at shopify.co.ukFollow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GET YOUR TICKETS FOR OUR CALL TO STAGE RESIDENCY WITH GEORGINA CASTLE: https://underbellyboulevard.com/tickets/georgina-castle-call-to-stage-live-residency/We have a special solo episode of Call To Stage this week - as Amber opens up about her life recently.Fresh off a difficult few weeks that have taken a real toll physically and emotionally, Amber sits down to share her side of the story in full: the illness, the press, the online trolling, and everything in between.Amber also opens up about winning a WhatsOnStage Award for her performance as in The Great Gatsby — a role she describes as the most important contract of her career.She also gets candid about the physical cost of going from Strictly Come Dancing straight into rehearsals for Legally Blonde with only a ten-day turnaround, and the chest and sinus infection that forced her off stage mid-run.Amber also speaks openly about the wave of negative press and online trolling she has faced since being cast as Elle Woods - and she sets the record straight. She talks about finding her coping mechanisms, the importance of using her platform to speak out, and why she refuses to let it overshadow her dream role and the best year of her life.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by the exceptionally talented and charismatic Billy Nevers on this episode of Call To Stage!Billy trained at the Italia Conti Junior School before leaving early — at just 17 — to make his West End debut in Jesus Christ Superstar at the Barbican (and, later, the Regents Park Open Air Theatre). He also starred in the original West End cast of & Juliet, and played Lafayette and Jefferson on the Hamilton UK & Ireland Tour, before going on to cover and then take over the role of Aaron Burr.Billy earned a Black British Theatre Award nomination for his work in Legally Blonde at Regent's Park Open Air Theatre.On this episode of Call To Stage, Amber and Billy talk about their separate experiences in productions of Legally Blonde, Billy's journey through Hamilton (from Lafayette and Jefferson to covering and eventually taking over as Aaron Burr) and the impact of Billy's Black British Theatre Award nomination.Plus, Billy shares his experience from leaving stage school early to launch straight into the West, and the emotional tug-of-war between not wanting to be on tour anymore and having the biggest opportunity of his life.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by the candid, witty and magnetic John McCrea on this episode of Call To Stage!John is one of the most distinctive actors working in British theatre today. Having stared his stage career in The Sound of Music at The Palladium, he went on to originate the role of Jamie New in Everybody's Talking About Jamie - earning an Olivier nomination and WhatsOnStage Award.Most recently, John starred as the Emcee in Cabaret in the West End, and he currently stars in Slippery at the Omnibus Theatre.On this episode of Call To Stage, Amber and John talk about originating the role of Jamie New in Everybody's Talking About Jamie (from workshops to an Olivier nomination), life as a child performing at the Palladium and his reflections on not being a triple threat (and why it really doesn't matter).John also shares stories from Cabaret, his on-screen roles in Disney's Cruella as well as Dracula as well as his Off Broadway adventures.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get tickets to se John in Slippery at the Omnibus Theatre here: https://www.omnibus-clapham.org/Thank You To Our SponsorsSign up today for your £1 a month trial with Shopify and start selling today at shopify.co.ukFollow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by the outstanding talent that is Katie Hall on this episode of Call To Stage!Katie has become one of the West End's most beloved leading ladies. From landing her first break - covering Christine in The Phantom of the Opera, straight out of school - she has played some of the most coveted roles in theatre, including Cosette and Fantine in Les Misérables (in the West End, UK Tour, European Tour, Arena World Tour and the iconic 25th Anniversary Concert), Maria in West Side Story (UK Tour) and Johanna in Sweeney Todd (London Coliseum).Katie currently stars as Sally Bowles in the acclaimed West End production of Cabaret.On this episode of Call To Stage, Amber and Katie talk about the whirlwind of leaving school and starting in the West End as a teenager, stepping into Sally Bowles in Cabaret as her dream role (and the emotional rollercoaster that comes with it) and the reality of balancing life as a leading lady whilst raising two young children.There are also plenty of stories from Les Misérables, Oklahoma and Sweeney Todd, as well as heartfelt conversations about when your dream role arrives at the perfect moment...For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank You To Our SponsorsSign up today for your £1 a month trial with Shopify and start selling today at shopify.co.ukFollow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Call To Stage, we're joined by the endlessly thoughtful, funny and refreshingly honest Marc Antolin.Marc has become one of the UK's most reliable leading men - and he's a triple threat! His career highlights include performing in the acclaimed Regents Park Open Air Theatre productions of Little Shop of Horrors (as Seymour) Hello, Dolly! and Into The Woods, as well as the West End production of Matilda The Musical.Marc currently stars as Leo Bloom in the acclaimed West End revival of The Producers!On this episode of Call To Stage, Amber and Marc talk about the pressure tied to auditions, keeping performances fresh during long runs, shifting from ensemble to leading roles and how kindness and preparation are your greatest friends in a rehearsal room.Marc also shares stories from his time in Little Shop of Horrors, the 20th Anniversary UK Tour of Rent and his current performance in The Producers.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Call To Stage we're joined by powerhouse performing and leading man Joel Harper-Jackson!Joel's story starts with him leaving college early to join the 20th Anniversary tour of Rent. From there, he has played Charlie Price in the UK tour of Kinky Boots, as well as roles in Standing At The Sky's Edge (National Theatre & in the West End), the UK tour of The Curious Incident of the Dog in the Night-Time, Jesus Christ Superstar at Regent’s Park Open Air Theatre, Beautiful – The Carole King Musical at The Aldwych Theatre, and Che in Evita in Europe.Joel has just been announced to be taking on the role of Frank Sinatra in the major new West End show, Sinatra The Musical.On this episode of Call To Stage, Amber and Joel talk about finding calm in the chaos, the emotional comedown after career "peaks", understudying Jonathan Bailey and Taron Egerton in the West End production of Cock and how one self-tape ultimately transformed his career trajectory...Plus there are stories from Rent, the West End production of Standing At The Sky's Edge and how he is inhabiting Frank Sinatra for his next role, proving that sometimes the parts people don’t expect you to play are the ones you were born for.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We have a very special episode of Call To Stage for you... as we're taking you behind the scenes and into Amber's dressing for for a Call To Stage Vlog! This episode is only available on YouTube: https://www.youtube.com/watch?v=CilF3BUZzSEAmber's taking you with her as she documents the lead-up to opening night - including tech rehearsals, the mysterious bug going around the Legally Blonde company and she's even joined by George Crawford (our Emmett!) for a catch-up.Plus Amber shares her side to some of the discourse happening on TikTok around the show...For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back with a brand new episode of Call To Stage, and this time Amber is joined with the lovely Emily Lane!Emily first ever hit the stage at the young age of 7 when she made her West End debut as Brigitta Von Trapp in The Sound of Music, before proceeding to play Cosette in Les Misérables. Emily trained at ArtsEd where she graduated into the global pandemic. You may have also seen Emily star as Anna in the Disney production of Frozen where she learnt all sorts of tips and tricks from the one and only, Samantha Barks.Emily is about to hit the road as she stars as Cady Heron in the new Mean Girls UK & Ireland Tour - how fetch!On this episode of Call To Stage, Amber and Emily talk about taking part in the iconic London Palladium pantomime, playing historical roles in historical sights (and all of the coincidental events that happened in a certain show!) and her journey leading up to Mean Girls.Amber also discovers who the 'mystery bump up' is, the reality of being a performer during the pandemic and everyone's different rules when it comes to learning scripts.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our guest on this episode of Call To Stage is, in many ways, just like us: Loves musical theatre, obsessed with High School Musical... but she gets to spend her life playing some of the fiercest women on stage. Vivian Panka is on the podcast!Vivian Panka has starred as Heather Duke in Heathers: The Musical (at The Other Palace and in the pro-shot), Judy Bernly in the UK Tour of 9 To 5: The Musical (taking over the role from our very own Amber) as well as Alana in the tour of Dear Evan Hansen.She joins Amber in the studio on the eve of starting rehearsals for her newest role: Regina George in the UK Tour of Mean Girls.On this episode of Call To Stage, Amber and Vivian talk about falling in love with musical theatre through High School Musical, taking the leap and moving to the UK during lockdown with nothing but a dream and the pressure (and thrill) of stepping into an iconic leading role.Vivian also shares her whirlwind audition journey for Mean Girls, her experiences in Dear Evan Hansen, the hilarious opening night chaos of 9 To 5 and making her screen debut in Heathers before she'd ever run the show from start to finish!Plus she opens up about training abroad, building a career without the traditional UK drama school route and why short courses, community and timing can be just as powerful as formal training.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We’re back with another episode of Call To Stage, and on this episode, Amber Davies is joined by West End leading man and all-round storyteller Jac Yarrow.Before Jac had even finished his professional training at Arts Ed, he had landed the leading role of Jack Kelly in the UK premiere of Newsies. Off the back of this iconic role, he made his West End debut as Joseph in the London Palladium production of Joseph and the Amazing Technicolor Dreamcoat, where he landed his first Olivier nomination.Alongside Olivier noms and The Stage awards, Jac has played Marius in Les Misérables (in the West End and the Arena tour), the titular role in Pippin (West End concert) and alongside Broadway legends in Stephen Sondheim's Old Friends.On this episode of Call To Stage, Amber and Jac talk about the challenge of carrying a show as a leading man, finding confidence during setbacks, debuting in the West End whilst finishing training and learning when to push... and when to let things come to you.He also shares stories from Joseph And The Amazing Technicolor Dreamcoat, Newsies and The Time Traveller's Wife.Plus, Jac shares the backstage advice he received from legends including Bernadette Peters and Lea Salonga during Old Friends...For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We’re joined by a true star of the stage and screen on this episode of Call To Stage!Ava Brennan spent the first portion of her career performing in Germany – most notably in The Lion King, a role which brought her to the West End, where she performed as Nala. She has played some of the West End’s most powerful female roles – including Angelica in Hamilton, Fantine in Les Misérables and Ikette in Tina – The Tina Turner Musical.On screen, Ava played series regular Vee in Top Boy on Netflix, alongside roles in the live action remake of Beauty and the Beast and Rocketman.Ava is currently playing Nancy in the acclaimed West End revival of Oliver!.On this episode of Call To Stage, Amber and Ava talk about the first musicals they ever saw, balancing life as a working mother, Ava’s experiences in TV and Film, and the intense audition she had in front of Cameron Mackintosh...Plus, Ava shares stories from performing in Hamilton whilst 7 months pregnant, making her professional debut in Aida in Germany and going from being an alternative in Oliver! to taking over the role of Nancy full-time.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are joined by a true legend of the West End on this episode of Call To Stage, as Amber is joined by the one and only Louise Dearman!Louise made history as the only actress to have played both Glinda and Elphaba as principal in Wicked (in the West End)! This stacks up against credits including playing Eva Perón in two UK Tours of Evita, the Narrator in the UK Tour of Joseph, Miss Adelaide in the UK Tour of Guys and Dolls (as well as understudying the role in the West End), among others.Louise has also performed as part of The Proms at the Royal Albert Hall multiple times and is currently touring across the UK and America with Gravity, a concert which she stars in alongside Kerry Ellis and Rachel Tucker.On this episode of Call To Stage, Amber and Louise talk about breaking through nerves before performing, the importance of vocal health and the choices Louise is making to be more present for her family.Louise also shares stories from Wicked (including whether she is more of an Elphaba or a Glinda!), Evita, Jekyll & Hyde, Guys & Dolls and her new concert tour Gravity, with Kerry Ellis and Rachel Tucker.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

He's on his way to being one of the biggest names in UK theatre - and he's your Emmett in the new UK Tour of Legally Blonde The Musical - George Crawford is on this episode of Call To Stage!Having initially started performing arts training late, George has already had an illustrious career on the stage. Straight out of COVID, he went into the first international tour of Book of Mormon (covering both Elder Price and Elder Cunningham), before starring as Ogie in the Waitress UK Tour, the alternate Jack Kelly in Newsies in London and, most recently, Mr McKee and cover for Nick Carraway & Jay Gatsby in the Original London Cast of The Great Gatsby.On this episode of Call To Stage, Amber and George talk about starring in the UK Tour of Legally Blonde together, backstage antics at The Great Gatsby and meeting his wife Amy in Waitress.They also talk about the importance of boosting morale backstage, his experience in the Olivier Award-winning production of Newsies and the challenges of being in a show on the road...For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We've officially hit 100 Episodes of Call To Stage! What better way to celebrate than with a very special episode with the one and only, Ben Joyce!Fresh off starring in the acclaimed Regents Park Open Air Theatre production of Shucked this Summer, as well as his renowned performance in the concert production of The Hunchback of Notre Dame and his one-night-only return to Back To The Future, Ben Joyce is truly one of theatre's most exciting names.Whilst Amber is on the road through-out 2026 starring as Elle Woods in Legally Blonde, Ben is opening the World Premiere of The Greatest Showman as Phillip Carlyle (as played by Zac Efron in the film).On this special episode of Call To Stage, Amber and Ben talk about everything from their new house they bought together to navigating being in the same industry as your partner. They also share insight on managing their careers and their relationship side-by-side and how they'll be staying connected during a busy 2026!Ben also shares stories from Shucked and Hunchback and his journey to The Greatest Showman, and Amber gives an inside look to how Ben has been supporting her during her Strictly journey.Up next? Episode 101 and beyond...!For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After the matinee is the evening, and on this episode of Call To Stage, we're taking you to the Fortune Theatre in London's West End for Call To Stage LIVE 2025!In the evening performance, we were joined by the one-of-a-kind Matt Henry, Grace Hodgett-Young and Jess Folley (plus special appearances from Natalie Paris, Taila Halford and Ben Joyce).Highlights include Matt's sneaky audition whilst he was at Urdang (and his return to the stage, after nearly quitting, in Kinky Boots), Grace's stories from performing in Sunset Blvd on both Broadway and in the West End, and Jess' unique experience shaping Burlesque.We're back next week with the very special 100th episode of Call To Stage!For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We assembled an iconic list of very special guests at the Fortune Theatre in London's West End for Call To Stage LIVE 2025... and now we're bringing it to your ears!In the matinee performance, we were treated to interviews with the incredible Samantha Barks, Zoe Birkett and Holly-Anne Hull (plus special appearances from Natalie Paris, Taila Halford and Ben Joyce).Highlights include Zoe sharing her intense 4 hour audition to play Tina Turner in TINA, Samantha's experiences playing Elsa in Frozen and playing Eponine in Les Mise´rables on stage in in the film and Holly's experience competing at Eurovision as part of Remember Monday!We'll be back next week with the not-to-be-missed evening performance of Call To Stage LIVE 2025!For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back with another episode of Call To Stage, and Amber is joined by an undisputed icon of stage and storytelling... Melanie La Barrie!From Hadestown to & Juliet, from Wicked to Les Mis, Melanie has created some of the most memorable characters in modern musical theatre. Making her West End debut in the ensemble of Ragtime, she has gone on to be apart of the original cast of Mary Poppins, the workshop production of Matilda and both the workshop and original Manchester and West End cast of & Juliet.Alongside these outstanding original roles, Melanie has also starred in the West End productions of Les Misérables (Madame Thenardier), Wicked (Madame Morrible) and Hadestown (Hermes), for which she won the WhatsOnStage Award for Best Supporting Performer in a Musical.On this episode of Call To Stage, Amber and Melanie talk about character building when playing an original role, the truth about auditioning and making her Broadway debut in & Juliet at 48 years old.Melanie also shares her journey from singing professionally in Trinidad to becoming one of the West End's most beloved performers, as well as stories from her time in Wicked and her auditioning truths!Thanks to our sponsors...Searching for the perfect gift? Surprise someone (or yourself!) with air up and turn plain water into pure flavour. Use code CALLTOSTAGE for 10% off at https://airup.link/AMBERFor more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We have one of the most highly anticipated guests of the year on this episode of Call To Stage... it's Amber's Strictly Come Dancing partner Nikita Kuzmin!Hailing from Ukraine, Nikita is joined BBC's Strictly Come Dancing in 2021 and - two years later - during season 21 in 2023, he placed as runner-up with his partner for the series (and Call To Stage alum), Layton Williams! Nikita has scored a '40' (the highest score on the show) six times and has been scored a '10' (the highest score from an individual judge) a whopping forty-three times!Outside of Strictly, Nikita is the holder of six Italian Championship titles and was the runner up on the 2024 series of Celebrity Big Brother.On this episode of Call To Stage, Amber and Nikita share behind-the-scenes stories from their time on Strictly, their first impressions of each other and the growth they have experienced whilst on the show.They also take us inside the rehearsal room to share their most challenging rehearsals - learning a wide variety of dance styles - and Nikita shares his favourite musicals!Thanks to our sponsors...Searching for the perfect gift? Surprise someone (or yourself!) with air up and turn plain water into pure flavour. Use code CALLTOSTAGE for 10% off at https://airup.link/AMBERFor more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by the dynamic and highly talented Ben Forster on this episode of Call To Stage!You might recognise Ben winning ITV's Superstar competition back in 2012 which resulted in him playing the lead role of Jesus in Andrew Lloyd Webber's revival of Jesus Christ Superstar in its 2012 Arena Tour.Since then, he has Buddy The Elf in Elf The Musical in the West End, and has played The Phantom in The Phantom of the Opera in the West End, Greece, Japan and on the World Tour.On this episode of Call To Stage, Amber and Ben talk about his experiences on TV, training at Italia Conti and Ben's experiences in productions including Thriller Live and Phantom.They also discuss Ben's venture into pop music, Amber's secret love for Elf The Musical and the incredible travelling opportunities that musical theatre can provide you.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We have showbiz royalty on this episode of Call To Stage - Amber is joined by the legendary Brian Conley!Alongside his numerous television appearances (hosting the Royal Variety Performance eight times and winning numerous National Television Awards), Brian is amongst the UK's most accomplished theatre performers.Brian has played the lead in some of the most notable musicals in the world - including the West End productions of Me and My Girl, Chitty Chitty Bang Bang, Hairspray and A Christmas Carol, as well as the UK Tours of Oliver! (as Fagin) and Barnum. He was nominated for an Olivier for his performance in the West End production of Jolson.Most recently, Brian performed as Doc Brown in the West End production of Back To The Future: The Musical.On this episode of Call To Stage, Amber and Brian talk about sharing the stage in 9 To 5 - including onstage mishaps, backstage chaos... and Brian being suspended on the air for half the show!They also talk about their separate experiences at Back To The Future and Strictly Come Dancing as well as stories from Hairspray and Brian's 40 years doing pantomimes! Plus - the ultimate trick if you ever forget your lines on stage.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We have the radiant and ridiculously talented Roxanne Couch on this episode of Call To Stage!Born and raised in California and now one of the most exciting new performers in the West End, Roxanne has already made waves as part of Six and Hamilton. Roxanne's story is one of passion, commitment and saying yes to the life she dreamed of.On this episode of Call To Stage, Amber and Roxanne talk about the cultural changes between Silicon Valley and London, the strict (and slightly chaotic) reality of drama school and how to navigate nerves.They also dive into Roxanne’s journey from covering Seymour and playing Parr in Six, to becoming the Hamilton standby covering all three Schuyler Sisters — including the whirlwind mental gymnastics of switching between Eliza, Angelica and Peggy at a moment’s notice!For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We’re back with another episode of Call To Stage — and this week Amber is joined by her fellow Welsh star and West End leading man, Adam Bailey! From performing in Starlight Express in Germany to the National Tour of Priscilla Queen of the Desert, the South Korean Tour of Cats and now The Book of Mormon UK Tour - theatre has taken Adam all around the world. But it didn't start with After three years of drama school rejections, he finally earned a full scholarship to Lane Theatre Arts — proving that resilience really does pay off. On this episode of Call To Stage, Amber and Adam dive into everything from finding your stage name (and how his came from a bottle of Baileys!) to surviving eight-show weeks as Elder Price. They talk about the realities of touring life, learning to protect your mental health and why it’s okay to admit when “the show must go on” doesn’t always serve the performer. Adam opens up about his early career skating through Starlight Express, touring South Korea with Cats, landing his big break in Priscilla and the brotherhood he found in Jersey Boys — including his long-time friendship with Amber’s partner, Ben Joyce. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week's episode is one you do not want to miss! It's one of our most highly requested guests who has taken over the musical theatre world... it's Victoria Hamilton-Barritt. You may have recently seen Victoria’s unbelievable performance as Persephone in Hadestown or you're getting ready to see her take over the Westend stage as she is originating the role of Millicent Clyde in the upcoming Paddington: The Musical.  Victoria has been nominated for some incredible awards (multiple times) including a Grammy, Olivier and WhatsOnStage Award - she just doesn't stop! She also has worked with big names like Yusuf Islam (formerly known as Cat Stevens) where she accompanied him on tour where she performed songs from his musical Moonshadow. On this episode, Victoria and Amber discuss how humbling the musical theatre industry can be, both training at Urdang and Victoria recalls the crazy story of how she got the role of Persephone in Hadestown. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We’re back with another episode of Call To Stage — and this week Amber is joined by the powerhouse vocalist, storyteller and all-round goddess Sharlene Hector! From Basement Jaxx to Hairspray, Dreamgirls, A Strange Loop, Standing at the Sky’s Edge and now Hercules at the Theatre Royal Drury Lane, Sharlene’s journey is one of fearless leaps and undeniable talent. Having started out singing in church and touring the world as a session singer before ever stepping foot on a musical theatre stage, her story proves that trusting your gut can take you exactly where you’re meant to be. In this episode of Call To Stage, Amber and Sharlene talk about breaking into theatre without formal training, her life-changing leap from temp work to global tours with Basement Jaxx, and how lockdown unexpectedly opened the door to her first West End role. They dive into the sisterhood of Hercules’ Muses, dealing with burnout on Dreamgirls, standing strong through racism during A Strange Loop and the emotional power of representation. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you're looking for the most exciting names in musical theatre... we've got you sorted on Call To Stage! And that's especially true for this week's guest. Idriss Karbo has emerged as one of the most exciting actors gracing the West End at the moment. Most recently starring in Burlesque in the West End, as well as the West End transfers of Austenland and I Wish You Well - The Gwyneth Paltrow Ski-Trial Musical, Idriss is known for his infectious smile and ability to inhabit larger-than-life characters, from Boq in the West End transfer of Wicked to Donkey in the UK Tour of Shrek The Musical at just 18 years old. Idriss also featured in the 2025 remake of Disney’s Snow White as Bingley. On this episode of Call To Stage, Amber and Idriss talk about performing as a child (in productions of The Lion King, Oliver! and more), transferring a show from the Fringe, “the best year of his life” in Wicked and his current experience in Burlesque. Idriss also shares his experience of overcoming his parents skepticism around acting, touring the UK with Shrek and his experiences across film and TV. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back with an exciting episode of Call To Stage - as Amber is joined by your next Emily in The Devil Wears Prada... Taila Halford! Taila makes both her Principle and West End debut with the role from this Autumn - having already performed in School of Rock on a tour of Asia, Cats on Royal Caribbean cruises and Shucked at Regents Park Open Air Theatre. On this episode of Call To Stage, Amber and Taila talk about life between contracts, keeping the faith through rejection and behind the scenes stories from performing on cruise ships! Taila also takes us inside performing in Shucked alongside Ben Joyce and they chat about building resilience and why “being a little bit delusional” might actually be a performer’s superpower. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We’re back with a very special episode of Call To Stage — this time it’s just Amber and her mic, reflecting on a life changing few months! Fresh from wrapping The Great Gatsby at the London Coliseum, Amber reflects on why the show was her favourite contract to date, how playing Jordan pushed her as a performer and the lessons she learned from sharing the stage with West End icons like Rachel Tucker, Jamie Muscato and Corbin Bleu. Amber also shares exclusive insight into her experience landing her dream role of Elle Woods in the new UK Tour of Legally Blonde and the process from audition to the announcement. Plus, she takes us inside the whirlwind 24 hours from the announcement of Elle Woods to taking a surprise meeting about joining Strictly Come Dancing... and we all know what happened next! For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by one of Wales' finest on this episode of Call To Stage as Amber sits with the Olivier Award-winning David Thaxton! David’s career spans two decades of West End highlights - from his breakthrough in Les Misérables (playing Enjolras and Javert), to originating Giorgio in Passion at the Donmar Warehouse (winning him the Olivier for Best Actor in a Musical) and starring as the Phantom in The Phantom of the Opera. He’s also been seen in Love Never Dies, Candide, Come From Away, Jesus Christ Superstar at Regent’s Park, and most recently as Max von Mayerling in Jamie Lloyd’s record-breaking Sunset Boulevard alongside Nicole Scherzinger and Tom Francis — both in the West End and on Broadway. On this episode of Call To Stage, Amber and David talk about his path from Wales to the West End, the unexpected audition that led him to Les Mis and and the challenges of balancing family life with an international career. David also shares a masterclass in Jamie Lloyd’s unique “grid” directing style and shares what it’s really like transferring a production to Broadway. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by a Broadway-turned-West End star named as Broadway World's Vocalist of the Decade (and one of the tallest men we've ever met) on this episode of Call To Stage! Zachary James has forged a hugely impressive and dynamic career in theatre - most recently as Hades in the West End production of Hadestown, as well as Dom Claude Frollo in the sold out West End concert of The Hunchback of Notre Dame. All amongst that, he starred as Caiaphas in the star-studded Hollywood Bowl production of Jesus Christ Superstar. On Broadway, Zachary originated the role of Lurch in The Addams Family, starred in the 2008 revival of South Pacific and has performed in the Encores! productions of The Most Happy Fella and The Pirates of Penzance. On this episode of Call To Stage, Amber and Zachary talk about discovering your voice later in life, Zachary's performance with Stephen Schwartz and sharing the stage with Cynthia Erivo. Zachary also reflects on being part of original productions, the challenges of sustaining long runs, the realities of living between the UK and the US and why saying yes to unexpected opportunities has defined his career. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Long time friend of the Davies? Tick. West End favourite? Double tick. Rob Houchen is on Call To Stage this week!Rob Houchen shot to fame as Marius in Les Misérables, a role he played on the West End and in the iconic 30th anniversary concert broadcast to cinemas worldwide.Since then, he’s built a career that blends classic leading man roles with contemporary new writing — from the West End production of City of Angels to Stephen Sondheim's Old Friends, the UK Tour of South Pacific and, most recently, the hit Titanique in the Original West End Cast.On this episode of Call To Stage, Amber and Rob reminisce about their nights out and Rob shares stories from breaking out in Les Mis, working with icons like Vanessa Williams and Kristin Chenoweth and working in LA.Rob also shares why he chose to leave Titanique while he still loved it, what it was like being painted grey in a jockstrap every night for City of Angels and the night he sang ABBA on the carpet at Sir Ian’s New Year’s party...For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Imagine being so naturally talented that your career started as a joke... and now you're in London starring as the King of Pop in front of sold out audiences every night! Jamaal Fields-Green is the West End's MJ in MJ The Musical - currently starring, after initially coming in as an emergency cover. His career started when he landed the role of Seaweed in Hairspray at high school (after his friends signed him up as a joke!) and has since thrived in productions including The Choir Boy and the Chicago production of Hamilton - his first major role straight out of college. Jamaal's story teaches us that anyone can make their dream of performing come true, no matter what time in your life you find theatre (as long as you're insanely talented!). On this episode of Call To Stage, Amber and Jamaal talk about performing in the UK vs the US, his experience playing MJ, landing his role in Hamilton straight out of college and his uncommon route into the industry... For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're have come to the end of Call To Stage: Gatsby Edition... but we're not finishing before we invite one very special guest on the podcast! Corbin Bleu's theatre credits span from In The Heights on Broadway to Hairspray and Mamma Mia! at the Hollywood Bowl. He's also led companies in the Broadway productions of Godspell and Kiss Me, Kate, as well as the acclaimed Off-Broadway production of Little Shop of Horrors. For the millennials and Gen Z, Corbin is best known as Chad in Disney's High School Musical - a role which catapulted him to household name status and resulted in him being nominated for a Teen Choice Award and NAACP Image Award. On this episode of Call To Stage, Amber and Corbin talk about being constantly on-stage as Nick in Gatsby in the West End (as well as his interpretation of the role), navigating backlash in his first Broadway role and his roles in shows including Singin' In The Rain. They also talk about the ongoing legacy of High School Musical, the important role the franchise played in the arts and his experiences with fans... For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are nearing the end of Call To Stage: Gatsby Edition… but we are not slowing down! Our guest on this episode is the effortlessly talented (and chilled) Jay Gatsby… sorry, we mean Jamie Muscato, old sport. Jamie Muscato is one of the most bankable leading men in the West End. From his breakout performance as JD in the West End production of Heathers: The Musical to his starring roles in Moulin Rogue!, Les Misérables (on Tour and in the West End), Rock of Ages and, most recently, his Olivier-nominated turn in Natasha, Pierre & The Great Comet of 1812... his CV is just as impressive as his on-stage abilities. Beyond the shows he has been in – Jamie is a star in his own right, and to prove it he is headlining two solo concerts at Theatre Royal Drury Lane in March 2026! On this episode of Call To Stage, Amber and Jamie talk about building your craft without formal drama school training, the turning point of Heathers propelling Jamie into the spot… and the viral pressure around Jamie’s on-stage death in Gatsby. They also talk about Jamie’s professional debut in Spring Awakening, his Olivier Award nomination for The Great Comet, working with legends like Rachel Tucker, and why saying no can sometimes be the most powerful choice an actor can make. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We’re back with another episode of Call To Stage: Gatsby Edition and this week, we’re joined by a West End powerhouse! Jon Robyns has played many of the West End’s most formidable roles. Having been cast in the UK Tour of Miss Saigon before he even graduated, Jon has gone on to originate the roles of Princeton & Rod in Avenue Q in the West End, as well as playing Marius and Jean Valjean in Les Miserables in the West End (and Enjolras in the 25th Anniversary Tour production). He has also played King George III in Hamilton, The Phantom in The Phantom of the Opera and his next West End role will see him take on Miss Trunchball in Matilda The Musical. All of this alongside roles in Memphis: The Musical, Sister Act, Spamalot and Legally Blonde. Jon Robyns currently stars as Tom Buchanan in The Great Gatsby. On this episode of Call To Stage, Amber and Jon talk about the art of playing Tom Buchanan and the challenges of the role, the differences between The Phantom and Jean Valjean and the shows that have defined Jon. They also swap stories from the Gatsby rehearsal room, share the story of the sneeze that nearly brought the Plaza to a standstill… and why role would Jon secretly love to play?! For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're going under the hood (yes, the hood of THAT car) once again for an episode of Call To Stage: Gatsby Edition! Aimée Fisher boasts an illustrious list of West End credits - including Lés Miserables (cover Cosette and Fantine), Wicked (first cover Elphaba), Elf and the UK Tour of Waitress (cover Jenna and Dawn)... where she met her husband, George! From covers to ensemble, and now playing the role of Gilda Gray in The Great Gatsby - Aimée has truly played all the parts to get to where she is today. She's even worked as a dresser whilst going through a period of rejections! On this episode of Call To Stage, Amber and Aimée discuss the pressures and challenges of being a cover in theatre, meeting her husband whilst in Waitress and playing childhood dream roles. They also talk about Gilda's big Act II solo in Gatsby and her unexpected path to covering Elphaba in Wicked. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back with another episode of Call To Stage: Gatsby Edition, old sports! This week we're joined by Joel Montague aka George Wilson in The Great Gatsby on the West End. You may know Joel Montague for his two and a half year run as King George III in Hamilton - which he actually doubled up on to rehearse for Gatsby! Along with this, Joel is a veteran of the UK touring scene, having performed as part of the touring casts of The Producers, Sister Act, Chicago and The Rocky Horror Picture Show. Joel has played opposite the likes of Tom Holland and Cynthia Erivo... all whilst founding his own award winning production company, Curtain Call Productions. On this episode of Call To Stage, Amber and Joel discuss training at Guildford, the challenges of playing George Wilson, his relationship with Carrie Hope Fletcher and working opposite Rachel Tucker. Oh... and prepare yourself. There's a LOT of name dropping in this one! For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back, old sports! We’re back with another episode of Call To Stage: Gatsby Edition and this episode was recorded before the cast announcement of The Great Gatsby on the West End – with a very funny moment… John Owen-Jones is one of the West End’s most accomplished actors, having played both The Phantom in The Phantom of the Opera and Jean Valjean in Les Misérables. In fact, John hasn’t just played those roles once – he was in the Les Mis 10th Anniversary Concert at the Royal Albert Hall and has played Jean Valjean in the West End, on Broadway, on tour and in Dubai. As The Phantom, John has performed in the West End, in Tokyo and as part of the 25th Anniversary UK Tour. Outside of those iconic roles, he has tackled everything from La Cage aux Folles at Regent’s Park Open Air Theatre, The Sound of Music at the National Theatre  and Sweeny Todd at Royal Festival Hall. John Owen Jones currently stars as Meyer Wolfsheim in the West End production of The Great Gatsby. On this episode of Call To Stage, Amber and John talk about entering the industry before social media, the important of self-reliance, being the youngest actor to play Jean Valjean and performing globally. They also share anecdotes from Phantom, Les Mis and Amber reveals to John that they will be in Gatsby together! (We all know this now… but this was recorded before the announcement!) For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's the day, old sports! We have officially entered Call To Stage: Gatsby Edition and for the next two months, Amber is going to be joined by her fellow cast mates from The Great Gatsby on the West End. And we're starting big... Rachel Tucker is a bonafide legend of the West End. With numerous Olivier Award and WhatsOnStage Award nominations, her work includes playing Elphaba inWicked on the West End, Broadway and as part of the London 10th Anniversary Cast, her multi-award nominated run in Come From Away, Norma Desmond in the Jamie Lloyd production of Sunset Boulevard at the Savoy Theatre and We Will Rock You at the Dominion. Most recently, Rachel was Persephone in a sell-out run in Hadestown and she currently plays Myrtle Wilson in The Great Gatsby. On this episode of Call To Stage, Amber and Rachel talk about record-breaking runs in Wicked, performing on Broadway, receiving recognition for Come From Away and performing whilst pregnant. They also share behind-the-scenes secrets from working together on Gatsby and Rachel shares her first impressions from when she received the offer to play Myrtle! For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You may have seen this week's guest flying around on a broomstick recently. Please welcome, the wickedly talented, Emma Kingston! Having broken out originating the role of Vanessa in the London cast of In The Heights, and blowing people away with her performance as Eva Perón on the international tour of Evita, Emma is currently playing Elphaba opposite Zizi Strallen's Glinda in Wicked on the West End. You may have also seen Emma as Heather Chandler in Heathers, Eponine (understudy) in Les Misérables and even in the star-studded cast of Schwartz At 75 alongside the likes of Jamie Muscato, Kerry Ellis, Louise Dearman and Rachel Tucker. On this episode of Call To Stage, Amber and Emma discuss all things Wicked, performing at Mighty Hoopla and Amber spills the truth about her experience watching Emma's first show. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you were lucky enough to catch the recent London premiere of Shucked… then our guest on this episode of Call To Stage is for you! Stevie Webb made his West End debut in the lead role in Oliver! at the London Palladium. Since then, he’s done everything from performing with Michael Jackson at the BRIT Awards to starring in The History Boys in the West End. Most recently, Stevie starred in the West End production of The Book of Mormon, the UK Tour of Here You Come Again, Chatroom (a role Stevie took over from Andrew Garfield) and, of course, the recent Regents Park Open Air Theatre production of Shucked. On this episode of Call To Stage, Amber and Stevie talk about the creative process behind bringing Shucked to London, Stevie’s West End debut in Oliver, pantomimes… and his wild BRIT Awards story! There’s also stories from The History Boys, Midsummer Nights Dream at the Crucible, Book of Mormon and Stevie’s reflection on his training. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It was only right to have the iconic Maddie Grace Jepson on Call To Stage to announce her West End debut as Lorraine Baines in Back To The Future! We can't wait to watch her thrive on that stage. Maddie is an actor and TikTok viral sensation who has over 2.1 million digital followers worldwide. Just four years after Maddie first appeared on TikTok, she quickly established herself as the go-to creator for everything related to womanhood, lifestyle, and beauty by producing hilariously original and relatable content. On this episode of Call To Stage, Amber and Maddie discuss the audition process for Back To The Future, training at drama school, West End dreams, going viral on TikTok and just how wonderful Nicola Coughlan really is.  For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are joined by an absolute legend on this episode of Call To Stage! Ruthie Henshall is a five-time Olivier Award nominee who has played some of the West End’s biggest roles. She’s been Fantine in Les Misérables, Nancy in Oliver!, Roxie Hart (and Mama Morton) in Chicago in the West End and was in the Original West End casts of Miss Saigon, Children of Eden, Crazy For You and Peggy Sue Got Married. On Broadway, Ruthie was Roxie Hart in the Chicago revival and Ellen in Miss Saigon alongside numerous other credits spanning her nearly 40 year professional career. Ruthie won Best Actress In A Musical at the Olivier Awards in 1995 for her performance in She Loves Me. On this episode of Call To Stage, Amber and Ruthie talk about the emotional toll of auditioning, the importance of nurturing young talent in theatre and Ruthie’s experiences on Broadway! Ruthie also shares stories from Miss Saigon, Chicago and making her professional debut in the UK Tour of A Chorus Line. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Best known for originating the role of Catherine of Aragon in the multi award-winning Six The Musical, Reneé Lamb is one of the UK theatre scene’s most exciting stars. From Six to CAKE (where she originated the leading role of Jeanne), Reneé has also starred in the Original Casts of Be More Chill, Malory Towers and Little Shop of Horrors at the Regent Park Open Air Theatre. She’s most recently starred in the new play Radiant Boy at the Southwark Playhouse. Outside of the theatre, Reneé starred in the BBC drama This Town and will be seen in Edgar Wright’s upcoming film The Running Man. On this episode of Call To Stage, Amber and Reneé talk about the impact of Six, performing at Regents Park for Little Shop, transitioning from musicals to plays and the importance of dialect coaching. They also talk about their touring experiences, the rise of theatrical concerts and their predictions for the future of theatre. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Desmonda Cathabel might now be recognised as one of the country’s most talented performers – but her career started thousands of miles away in Jakarta. A graduate of the Royal Academy of Music, she was awarded the Stephen Sondheim Society Student Performer of the Year 2022. In 2023, she was a finalist on ITV’s Mamma Mia! I Have A Dream where she shot to national attention. On stage, Desmonda played Princess Jasmine on the UK & Ireland Tour of Disney’s Aladdin, Stephen Sondheim’s Old Friends and she currently stars as Eurydice in the West End production of Hadestown. On this episode of Call To Stage, Amber and Desmonda talk about sustaining a healthy voice, the challenges of being an alternate and their touring experiences. Desmonda shares her journey from Indonesia to the West End, and shares the stories behind from behind the scenes of I Have A Dream and landing her role in Hadestown. For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Simon Lipkin is one of the West End’s most accomplished actors. Having originated roles in many of London’s biggest shows (including Avenue Q, Rock of Ages and Elf The Musical). He can’t just sing, act and dance, he’s also an accomplished puppeteer (he was the dog in I Can’t Sing! The X Factor Musical, and the Lorax in The Lorax at the Old Vic) and a magician, having performed in Derren Brown’s Unbelievable in the West End in 2024. He’s currently starring as Fagin in Cameron Mackintosh’s 4x Olivier Award nominated revival of Oliver!, for which Simon was nominated as Best Actor in a Musical. On this episode of Call To Stage, Amber and Simon talk about life-changing training experiences, being nominated for an Olivier Award for Oliver!, being mentored by Cameron Mackintosh and the key to having a versatile career in both theatre and television. They also share experiences from Avenue Q… and spill the tea on Simon’s relationship with Georgina Castle! For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠ Follow Call To Stage Instagram: ⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.