Cinema 100

1937 Ep 1 (15) "A Star is Born Directed By: William WellmanRelease Date: April 27, 1937"Snow White and the Seven Dwarfs" Directed by: Walt Disney Release Date: December 21, 1937We’re stepping into 1937 for a double feature that feels like Hollywood discovering its own reflection in two very different mirrors.First up, we’ve got Snow White and the Seven Dwarfs—Disney’s first full-length animated feature, a film that didn’t just break new ground, it basically proved animation could carry real emotion, real stakes, and real box office weight. It’s fairy tale magic being turned into a cinematic revolution.And then we flip the reel to A Star Is Born—a story about fame, ambition, and the brutal rise-and-fall cycle of Hollywood itself. It’s glossy on the surface, but underneath it’s pure industry soul-searching.Two films. One year. One reshaping of what movies could be—dreams on one side, and the cost of those dreams on the other.

Rob and Will sit down deciphering through countless amounts of films from the year 1937. Discussing all genres and what is the proper and most effective way to find the best 8 films from each year. Stick around to find out what movies they select.

S3 E13 Will and Robert discuss the 8 movies they watched from the year and make their choices for Best Picture, Director, Actor, Actress, and Supporting roles. Will their picks match yours? Listen and find out!

1936 Ep 4 (12)" After the Thin Man" Directed By: W.S. Van DykeRelease Date: December 25th, 1936"My Man Godfrey"Directed By: Gregory La CavaRelease Date: September 6th, 1936What if I told you the smartest, sharpest commentary on the Great Depression came wrapped in cocktails, chaos… and some of the funniest dialogue ever put on screen?Tonight, we’re diving into two of 1936’s most irresistible comedies.First, After the Thin Man—where William Powell and Myrna Loy return as Nick and Nora Charles, a married couple so charming they make solving a murder look like a side hobby between drinks. It’s fast, it’s witty, and honestly… their relationship might be the real mystery.Then there’s My Man Godfrey, pairing Carole Lombard with Powell in a completely different role—as a so-called “forgotten man” who gets pulled into a wildly dysfunctional rich family. It’s hilarious on the surface, but underneath? A razor-sharp jab at class, privilege, and what it really means to have nothing… or everything.Two comedies. One legendary actor. And proof that laughter might just be the most dangerous weapon of all.

1936 Ep 3 - S3 (11)"Fury" Directed By: Fritz LangeRelease Date: June 5th, 1936"The Crime of Monsieur Lange" Directed By: Jean RenoirRelease Date: January 24th, 19361936 a year when filmmakers around the world began wrestling openly with justice, power, and the responsibility of ordinary people.In Fury, director Fritz Lang brings his dark European sensibilities to Hollywood. Starring Spencer Tracy, the film tells the story of a man nearly killed by a lynch mob after being falsely accused. What follows is a chilling look at mob mentality, vengeance, and the fragile line between justice and revenge.Across the Atlantic, The Crime of Monsieur Lange, from French master Jean Renoir, offers a very different tone—but wrestles with many of the same ideas. Set in a struggling publishing house, the film mixes romance, comedy, and politics as workers attempt to build something fairer together.Two countries. Two visions. And two unforgettable films asking the same question: what happens when ordinary people take justice into their own hands?

1936 Ep 2 - S3E(10) "Story of Louis Pasteur" Directed By: William DieterleRelease Date: February 22, 1936"Petrified Forest" Directed By: Archie MayoRelease Date: February 6th, 1936Tonight we step into 1936 — a year where cinema wrestled with both violence and virtue.First, in The Petrified Forest, a lonely desert diner becomes a pressure cooker of desperation and destiny. Humphrey Bogart electrifies the screen as Duke Mantee, a gangster on the run, while Leslie Howard plays a disillusioned intellectual who sees in him the poetry of a dying world. It’s fatalism wrapped in dust and gunpowder — a collision between dreamers and drifters at the edge of nowhere.Then, in The Story of Louis Pasteur, the battlefield shifts from bullets to biology. Paul Muni delivers an Oscar-winning performance as the scientist who challenged ignorance and changed medicine forever. Here, courage isn’t criminal — it’s intellectual.Two films. One year. One asks whether violence defines us. The other proves that knowledge can save us.

S3E(9) Robert and Will sat down and talked about over 35 films from the year 2025 and gave their lists for their respected Top Ten. Did your favorites make the cut, listen and see. They also spoke in great detail about this years upcoming Oscars and gave their predictions for each category and who they think will win. Always fun to talk about contemporary films for a change. Enjoy!

1936 Ep 1 - S3E(8) "Modern Times" Directed By: Charlie ChaplinRelease Date: February 25th, 1936"Mr. Deeds Goes To Town" Directed By: Frank CapraRelease Date: April 12th 1936In 1936, two films proved cinema could do more than entertain it could defend the dignity of the little guy and remind the world what hope looks like. A year when Hollywood balanced laughter with a sharp look at the world outside the theater. First, Charlie Chaplin’s Modern Times turns the chaos of the machine age into timeless comedy, as the Little Tramp struggles to keep his humanity in an increasingly industrial world. Then, Frank Capra’s Mr. Deeds Goes to Town delivers heart and humor, following a small-town dreamer who inherits a fortune and challenges the cynicism of big-city power. Together, these films remind us that kindness, dignity, and a good laugh can still push back against hard times. Enjoy the show

It’s 1936, and Hollywood is sitting at the absolute peak of its studio power. The Great Depression still hangs over the country, but the movies are booming—palaces filled every night with audiences looking for escape, glamour, and hope. The studio system runs with factory precision: MGM sells polish and prestige, Warner Bros. leans into grit and social realism, and directors are becoming stars in their own right. Sound is no longer a novelty—it’s refined, confident, and shaping performance itself. But looming over all of it is the Production Code, tightening its grip, quietly signaling the end of Hollywood’s wild adolescence. This is a year of confidence… right before the rules change. Robert and Will selection show for the 1936 draft.

Will and Robert choose their respected winners in the major Oscar categories out of the movies they watched from the year 1935. Who will win the big awards for Actor, Actress, Director and what was their best movie of the year. Be sure to play along for ultimate enjoyment.

1935 Episode 4 (6)"An Inn In Tokyo"Directed By: Yasujiro Ozu Release Date: November 21st, 1935Tonight’s film takes us far from Hollywood glamour and straight into the quiet corners of everyday survival. An Inn in Tokyo, released in 1935, comes from Yasujirō Ozu—often known for family dramas—but this film shows a harsher, more vulnerable side of his world. Set during the Great Depression in Japan, it follows a father and his two young sons drifting from job to job, inn to inn, clinging to dignity as poverty closes in. There’s no melodrama here, no grand speeches—just small gestures, fleeting kindness, and the weight of circumstances pressing down on ordinary people. It’s a modest film in scale, but emotionally devastating, capturing how resilience and love persist even when stability disappears.

1935 Episode 3 (4)"Mutiny on the Bounty" Directed By: Frank LloydRelease Date: November 8th, 1935"Captain Blood"Directed By: Michael CurtizDecember 19th, 1935Tonight’s double feature takes us to the high seas—where honor is tested, authority is challenged, and adventure is forged in salt and blood. First up is 1935’s Mutiny on the Bounty, a sweeping epic of tyranny versus conscience, anchored by Charles Laughton’s unforgettable Captain Bligh and a young Clark Gable standing up to absolute power. Famously, Laughton so terrified the cast during production that even between takes he refused to break character, creating an atmosphere as oppressive as the ship itself. Then we set sail with Errol Flynn in Captain Blood, the film that helped define the swashbuckler—romantic, rebellious, and propelled by pure cinematic momentum. In fact, Flynn was such an unknown at the time that the studio barely promoted him, only to watch a star be born almost overnight. Together, these films represent Hollywood at its most grand and idealistic, when the ocean became a stage for moral conflict, daring escapes, and the eternal question: when does obedience become injustice?

1935 Episode 2 (3) - "Top Hat" Directed By: Mark Sandrich Release Date: August 29th, 1935"A Night at the Opera"Directed By: Sam Wood Release Date: November 15th, 1935Welcome back to Cinema 100, where we dive into the films that defined their eras—and sometimes saved them. Tonight, we’re stepping into 1935 with a true double bill of movie magic: Top Hat and A Night at the Opera. On one side, you’ve got Fred Astaire and Ginger Rogers gliding across Art Deco dreamscapes, turning elegance into its own kind of special effect. On the other, the Marx Brothers are dismantling high society one gag at a time, proving that chaos—when properly orchestrated—is a legitimate art form. These films hit theaters during the Great Depression, yet they lifted spirits, set standards, and shaped Hollywood’s idea of what entertainment could be. So lace up your dancing shoes, grab your contract from Otis B. Driftwood, and settle in. This is 1935 at its most dazzling and delirious.

1935 Episode 1 (2) - "Bride of Frankenstein" Directed By: James WhaleRelease Date: April 22, 1935What if the Monster didn’t die? What if, after the smoke cleared and the villagers went home, the story of Frankenstein had one more terrifying heartbeat left?That’s exactly where James Whale takes us in 1935’s The Bride of Frankenstein — a sequel that doesn’t just reanimate the monster, it reanimates the entire genre. This isn’t your typical follow-up. It’s weirder, wilder, and smarter — equal parts horror and dark comedy, all wrapped in gothic style and electricity.Boris Karloff gives the Monster a soul, Elsa Lanchester gives the Bride a legend, and Whale gives us one of the most striking films of the decade.So light the candles, clear the lab table — because tonight, we bring The Bride of Frankenstein to life.This episode special guest is David Garrett of the "Journey with a Cinephile" podcast. Be sure to check him out on Spotify!

SEASON 3 is officially upon us and Will and Robert are excited to dive into the second half of the decade. Hollywood’s golden engine was running at full speed. The Great Depression still lingered, but on the silver screen, audiences found escape. The studio system ruled — MGM, Warner Bros, Paramount — each churning out dreams by the week. Technicolor was starting to pop, but shadows of the past still haunted the frame. Comedy thrived with A Night at the Opera, horror evolved with The Bride of Frankenstein, and adventure soared in Captain Blood. Film was no longer just novelty — it was industry, it was art, and in 1935, it proved it could be both. This is 1935 Draft!

When Will and I started Cinema 100, it was just two guys trying to understand film history — one year at a time. From 1927 on, movie by movie, frame by frame, watching how cinema evolved… and how weve evolved with it.Well 63 movies and 50 episodes later, if you haven't been along for the ride thus far and would like to pick up where we've left off ,now here's your chance as were calling this The Great Reset. Before we step into 1935 we will give you our top 10 list of the greatest films we've seen thus far from 1927 to 1934 and maybe even our bottom 3. In addition we will decide what year was the best in film thus far. Will Will and I agree and ultimately do you.For Robert and Will this… is Cinema 100. Thanks for joining us on this journey thus far!

1934 Episode 5 (33) "Imitation of Life" Directed By: John StahlRelease Date: November 24, 1934Let’s be real—few films from the 1930s dare to poke at the raw nerves of America like Imitation of Life does. On its face, it’s a story about pancakes and prosperity, a widowed white woman making good in business. But the truth of this film isn’t sweet—it’s bitter. It’s about race, about a Black mother’s love that gets buried under society’s shame, about a daughter who would rather erase herself than embrace who she is. This movie isn’t just melodrama—it’s a mirror. And nearly ninety years later, the reflection it shows us is still uncomfortable, still powerful, and still worth staring at.

1934 Episode 4 (32) "Cleopatra" Directed By: Cecil B. DemilleRelease Date: August 16th, 1934"The Scarlett Empress"Directed By: Josef Von SternbergRelease Date: September 15th, 1934Tonight, we step into a world of queens, power, and spectacle. Two films from 1934, both dripping with ambition, both redefining what the screen could dare to show. First—Cecil B. DeMille’s Cleopatra—a shimmering parade of seduction and empire where Claudette Colbert rules not just Egypt, but the entire theater. Then, Josef von Sternberg’s The Scarlet Empress—a feverish gothic vision, where Marlene Dietrich claws her way through shadows and madness to become Catherine the Great. These aren’t just costume dramas—they’re two of the boldest experiments Hollywood ever put on celluloid. Dazzling. Haunting. Excessive. Unforgettable. Tonight’s double feature proves that history, in the right hands, is pure cinema.

1934 - Episode 3 (31) "The Thin Man" Directed By: W.S. Van DykeRelease Date: May 25, 1934"L'atalante" Directed By: Jean Vigo Release Date: April 25, 1934Tonight, we journey from the misty waterways of France to the glittering cocktail lounges of New York. First up is L’Atalante, Jean Vigo’s poetic masterpiece — a dreamlike voyage of newlyweds drifting along the Seine, where love, longing, and life aboard a humble barge mingle in a haze of romance and reality. Then, the mood shifts with The Thin Man, W.S. Van Dyke’s sparkling blend of mystery and wit, where William Powell and Myrna Loy turn sleuthing into a champagne-fueled dance of charm and intrigue. Two films, worlds apart, yet bound by the universal currents of love, laughter, and life in all its unpredictable beauty

1934 - Episode 2 (30) "The Black Cat" Directed By: Edgar Ulmer Release Date: May 7, 1934"The Man Who Knew Too Much" Directed By: Alfred HitchcockRelease Date: December 17, 1934Tonight… the shadows come alive.First up—The Black Cat—where horror drips from every word and Bela Lugosi meets Boris Karloff in a battle of minds and madness. A tale of war, revenge, and sinister architecture… where the walls remember everything.Then—The Man Who Knew Too Much. Not the remake—the original Hitchcock thriller. Before Cary Grant, before Psycho… there was this. A kidnapped child, an international plot, and one mother’s desperate race to stop an assassination—if only someone would listen.Two films. One night. Suspicion. Secrets. And screams in the dark. Buckle up. The truth is out there… but it might cost you everything.

1934 - Episode 1 (29) - "It Happened One Night" Directed By: Frank Capra Release Date: February 23, 1934Before rom-coms had a name, there was It Happened One Night—a film that changed everything. Released in 1934 during the depths of the Great Depression, this Frank Capra classic gave audiences something they desperately needed: laughter, charm, and hope. Starring Claudette Colbert as a runaway heiress and Clark Gable as the wisecracking reporter hot on her trail, the film crackles with wit, chemistry, and a cross-country escapade that redefined the romantic comedy. Winner of all five major Academy Awards, It Happened One Night wasn’t just a hit—it was a cultural landmark. Sit back and enjoy the film that proved love really can happen… even on a bus to New York.

(27) Rob and Will discuss their Oscar choices from the films watched in the year 1933 and then...It’s 1934, and America is still clawing its way through the Great Depression. Bread lines stretch down city blocks, and families gather around radios, hungry not just for food, but for hope. In Washington, FDR’s New Deal programs are trying to stitch the country back together, one job at a time. Meanwhile, Hollywood—just six years removed from silent pictures—is booming. But the boom comes with boundaries. This is the year the Hays Code begins full enforcement, cracking down on what movies can show, say, and suggest. Sex, crime, and defiance? Now they come with consequences. And yet, the magic of cinema refuses to dim. Shirley Temple is becoming a national sweetheart, It Happened One Night is redefining romantic comedy, and the silver screen offers something real life struggles to: escape. In 1934, America is battered but imaginative, censored but wildly creative. It’s a paradox only Hollywood could sell—and only America could believe in. This is the 1934 Draft!

1933 - Episode 5 (27) - "Wild Boys of the Road"Release Date: October 7th, 1933Directed By: William HellmanReleased in 1933 during the depths of the Great Depression, Wild Boys of the Road is a raw, urgent cry from America’s forgotten youth. Directed by William A. Wellman, this pre-Code drama follows teenagers forced to leave home and ride the rails in search of work, dignity, and survival. It's a film that doesn’t flinch — showing the human cost of economic collapse with startling realism and compassion. With its gritty performances and on-location shooting, Wild Boys of the Road captures a generation in freefall, and reminds us just how fragile the American Dream can be.

1933 - Episode 4 (26) - "Private Life of Henry ViIII" Directed By: Alexander Korda Release Date: September 21, 1933"Duck Soup" Directed By: Leo McCareyRelease Date: November 17th, 19331933. The world was in turmoil, but the silver screen shimmered with defiance and wit. In England, Alexander Korda gave us “The Private Life of Henry VIII,” a lavish, biting peek behind the throne—where Charles Laughton’s gluttonous king devoured wives and scenery alike. Across the Atlantic, chaos wore a mustache and a monocle as the Marx Brothers declared war on sanity in “Duck Soup”—a satirical firecracker so sharp, so fearless, it still stings today. One film honored tradition; the other tore it down. Together, they remind us: cinema is both a crown and a custard pie.

1933 - Episode 3 (24) - "Morning Glory" Director: Lowell Sherman Release Date: August 18th, 1933Tonight, we step back into the golden age of Hollywood with a film that shines a spotlight on ambition, dreams, and the price of fame. Released in 1933, Morning Glory stars Katharine Hepburn in her breakout, Oscar-winning role as Eva Lovelace — a young, aspiring actress who arrives in New York City with nothing but talent, determination, and a hunger for the stage. Directed by Lowell Sherman, this pre-Code drama explores the sacrifices and emotional toll of chasing stardom. It's a film that doesn’t just tell a story — it captures a moment, both in cinema and in Hepburn’s legendary career. This is Morning Glory.

1933 Episode 2 (24) - "Story of Temple Drake" Directed By: Stephen Roberts Release Date: May 6th, 1933"Design for Living" Directed By: Ernst LubitschRelease Date: December 29th, 19331933 gave us two daring films that tested Hollywood’s boundaries before the Hays Code slammed them shut. The Story of Temple Drake, based on William Faulkner’s controversial novel, stars Miriam Hopkins as a Southern socialite whose life spirals into danger and scandal—challenging audiences with its raw look at trauma and morality. And then there’s Design for Living, Ernst Lubitsch’s sparkling pre-code comedy about a love triangle where no one plays by the rules. With witty dialogue, risqué charm, and a bold take on relationships, it’s Noël Coward meets 1930s sexual revolution. Two films, one year, both daring the era to grow up.

1933 - Episode 1 (23) - "King Kong" Directed By: Merian C. Cooper / Earnest ShoedsackRelease Date: April 7th, 1933Cinema 100 introduces you to the year 1933 with ONE BIG STORY! King Kong: The Giant Ape That Conquered Hollywood!Before Jurassic Park, King Kong swung into theaters in 1933, turning a giant ape into a pop culture icon. We explore the movie magic, adventure, and monster-sized love story of this classic. Check it out. Episode Out Now!

1933 Draft (22) It's that time again for Will and Robert to draft for the year of 1933. What movies will be drafted and which ones will be left on the editing room floor?! They also discuss their Oscar picks for the movies they watched from the year 1932. Sit back, pop some popcorn and follow along!

1932 - Episode 6 (21) - "I am a Fugitive from a Chain Gang" Director: Mervyn LeRoy Release Date: November 10th, 1932"A Farewell to Arms" Director: Frank Borage Release Date: December 8th, 1932I Am a Fugitive from a Chain Gang and A Farewell to Arms. At first glance, they might seem like completely different stories—one, a scathing indictment of the American justice system, the other, a tragic romance set against the backdrop of World War I. But look closer, and you’ll see both films explore the same core themes: the brutality of institutions, the struggle for freedom, and the way fate seems to crush even the strongest spirits. With Paul Muni delivering one of the most harrowing performances of the early ’30s and Gary Cooper and Helen Hayes bringing Hemingway’s doomed love story to life, these films remind us that whether it’s the horrors of war or the chains of injustice, some battles are impossible to escape. So let’s dig in—this is I Am a Fugitive from a Chain Gang and A Farewell to Arms.

1932 - Episode 5 (20) - "Trouble in Paradise" Director: Ernst LubitschRelease Date: October 20th, 1932In 1932, legendary director Ernst Lubitsch delivered Trouble in Paradise, a sparkling pre-Code romantic comedy that defined sophistication and wit. The film follows a pair of charming con artists—played by Herbert Marshall and Miriam Hopkins—who set their sights on a wealthy perfume heiress, portrayed by Kay Francis. But when love and deception intertwine, their perfect scheme faces unexpected complications. With Lubitsch’s signature touch—light, playful, yet razor-sharp—Trouble in Paradise is a masterclass in elegance, romance, and comic intrigue. Nearly a century later, it remains one of the most stylish and influential comedies in cinema history.

(19) Will and Robert predict who is going to win Oscar gold at this years Academy Awards. They also reveal their individual Top 10 movies of the year 2024. Listen to see if your favorites made the list.

1932 - Episode 4 (18) - "Grand Hotel" Director: Edmund Goulding Release Date: January 1st, 1932Step through the grand doors, and welcome to Berlin’s most luxurious destination—Grand Hotel. A place where the rich, the desperate, the powerful, and the doomed all collide under one lavish roof. This 1932 classic isn’t just a movie—it’s an event. With an all-star cast featuring Greta Garbo, John Barrymore, Joan Crawford, and more, Grand Hotel defined the ensemble drama before Hollywood even had a name for it. Love, betrayal, ambition, and scandal swirl through the hotel’s gilded halls, proving that while the guests may change, the drama never checks out. So, as the famous line goes, ‘People come, people go… but nothing ever happens.’ Or does it? Welcome to Grand Hotel.

1932 - Episode 3 (17) - "Scarface" Director: Howard Hawkes Release Date: April 9th, 1932 "Say hello to the original Bad Guy, Tony Camonte. 1932 Hollywood dared to tell the story of a man consumed by power, violence, and ambition. Inspired by real life crime lord, Scarface follows the ruthless rise of Tony Camonte, a trigger happy gangster that carves his name in blood across the city streets of Chicago. Directed by Howard Hawkes and produced by the legendary Howard Hughes, this pre-code classic shocked audiences with its raw brutality, sharp dialogue, and unflinching look at organized crime. Censored, banned and still ahead of its time, Scarface remains one of the most influential gangaster films ever made. Ladies and gentlemen, this is Paul Muni and his role as "Scarface."

1932 - Episode 2 (16) - "Freaks" Director: Tod Browning Release Date: February 20th, 1932 Will and Robert take a journey into the carnival world of sideshows and secrets with Tod Browning’s 1932 masterpiece, Freaks. This isn’t your typical Hollywood fare—Freaks is a daring and deeply human film that shattered conventions and left audiences stunned. Featuring real sideshow performers, it challenges the line between 'normal' and 'abnormal,' questioning who the real monsters are. Banned in some countries for decades, it’s a story of love, betrayal, and revenge unlike anything you’ve ever seen. Step right up, but beware—Freaks isn’t just a film; it’s an experience. One of us! One of us! Gooble gobble, gooble gobble!

1932 - Episode 1 - "Shanghai Express" - Director: Josef Von Sternberg release date February 12, 1932. Step aboard a locomotive bound for danger, desire, and deception—this is Shanghai Express. Directed by the master of shadows and intrigue, Josef von Sternberg, this 1932 masterpiece takes us on a journey through war-torn China. At its heart, the luminous Marlene Dietrich stars as the enigmatic and alluring Shanghai Lily, a woman with a past as mysterious as the night. Alongside her, Clive Brook, Anna May Wong, and Warner Oland deliver performances as layered as the film’s sumptuous cinematography. With every mile, alliances form, secrets unravel, and passions ignite. So sit back, let the whistle blow, and prepare yourself for a ride through the heart of glamour, betrayal, and romance on the Shanghai Express.

Will and Robert introduce the year 1932 by breaking down as usual the state of the United States, the economy and the overall snapshot of time that is the Hollywood and film industry. Join us as we also give Oscar awards out to our list of 1931 movies before we debate and draft our 1932 list of films.

1931 Episode 6 - "A Free Soul" & "Possessed" Directed By: Clarence Brown Join us as we explore the daring pre-code films "A Free Soul" and "Possessed," showcasing Clark Gable, Joan Crawford and Norma Shearer in two very different captivating tales of forbidden love and moral conflict that remains thrilling century later! Get ready for a cinematic journey!

1931 Episode 5 - Directed By: Fritz Lang / May 11, 1931 What drives a killer, and how far will society go to stop him? M (1931), directed by Fritz Lang, is a groundbreaking German thriller that explores these haunting questions as Berlin falls under the shadow of a serial child murderer. Released during a turbulent period in Germany, M reflects the fear and tension of the time, hinting at the dangers of mob rule and the pull toward authoritarianism. Both a suspenseful crime story and a social critique, M is a timeless classic that continues to captivate audiences with its exploration of guilt, justice, and the darker side of human nature.

1931 Episode 4 - Directed By: William A. Wellman / April 23rd, 1931. Tonight, we go back to where it all started. We're talking about one of the original gangster films that redefined the genre—The Public Enemy. Released in 1931, right in the heart of Prohibition, this movie didn't just show crime—it gave crime a face. And that face? James Cagney. He’s raw, he’s ruthless, and he’s unforgettable as Tom Powers, a small-time crook who rises to the top while spiraling straight down. This film doesn't sugarcoat anything. It’s gritty, it's dangerous, and it’s real. Buckle up—because The Public Enemy is about to take you on one wild, unforgiving ride. Are you ready? Let’s go."

1931 Episode 3 - Directed by: Lewis Milestone / April 4th, 1931. What happens when a top reporter tries to quit the newspaper business, but his editor won’t let him go? In The Front Page, chaos ensues. Released in 1931, this fast-talking, quick-witted comedy dives headfirst into the wild world of journalism. Based on the hit Broadway play by Ben Hecht and Charles MacArthur, the film follows Hildy Johnson, a star reporter on the verge of leaving, and Walter Burns, his ruthless editor who will stop at nothing to keep him. With sharp dialogue, biting satire, and a look at the media that still feels relevant today, The Front Page is a pioneering classic that paved the way for screwball comedies for years to come. Directed by Lewis Milestone, this is one for the ages.

1931 Episode 2 - DOUBLE FEATURE - "Dracula" Directed by: Tod Browning & "Frankenstein" Directed by: James Whale. In 1931, Universal Pictures revolutionized the horror genre with the release of two iconic films: *Dracula* and *Frankenstein*. Directed by Tod Browning and James Whale, respectively, these films became pillars of early cinematic horror. *Dracula*, starring Bela Lugosi as the charming and seductive Count Dracula, brought Bram Stoker's 1897 novel to life, immortalizing Lugosi’s portrayal as the definitive image of the vampire. On the other hand, *Frankenstein*, featuring Boris Karloff as the misunderstood monster, was based on Mary Shelley’s groundbreaking novel, *Frankenstein; or, The Modern Prometheus*. This adaptation explored themes of creation, humanity, and the ethical limits of science, solidifying Karloff’s performance as one of the most enduring in film history.

1931 Episode 1 - Directed By: Charlie Chaplin / January 30th, 1931 1931 truly gave us a masterpiece in Charlie Chaplins silent film “City Lights.” Many believe this is Chaplins Coute Grace, it’s a silent film that takes you on a journey of laughter, love, and heartbreak. As the Little Tramp falls for a blind flower girl, Chaplin embarks on a quest to help her regain her sight. With every antic and comedic beat hitting its mark, it’s the film’s unforgettable ending that will leave you breathless. As the story unfolds, the tension builds, leading to a final scene that’s both surprising and deeply emotional—a moment of pure cinematic magic that has become one of the most iconic in film history. Don’t miss the heartwarming conclusion that will stay with you long after the credits roll! Ladies and gentleman, this is City Lights! 

Will and Robert put their finishing thoughts on the 6 movies they drafter from the year 1930 by sharing their picks for Best Picture, Best Director, Best Actor/Actress & Best Supporting Actor/Actress. They also breakdown 1931 in America/Hollywood and draft an unprecedented SEVEN movies for this year. Stick around to find out WHICH ONES THEY WILL BE!!!!

1930 Episode 5 - "Morocco" Directed By: Josef Von Sternberg. Release Date November 14th, 1930. Our last movie of the year 1930 is "Morocco.” A pre-Code romantic drama directed by Josef von Sternberg and starring Marlene Dietrich, Gary Cooper, and Adolphe Menjou. The film is set against the exotic backdrop of North Africa and tells the story of Amy Jolly, a disillusioned nightclub singer who arrives in Morocco seeking a fresh start. Her path crosses with that of Tom Brown (Cooper), a disillusioned soldier in the French Foreign Legion, and the two embark on a rather heated romance. The film is notable for its lush cinematography, evocative of Sternberg's signature style, and for Dietrich's captivating performance, which includes a groundbreaking scene where she performs in a tuxedo and kisses another woman. "Morocco" is also remembered for its exploration of themes such as love, desire, and the complexities of human relationships. The film's atmospheric visuals and haunting score complement the narrative, creating a poignant and enduring piece of cinema. "Morocco" earned several Academy Award nominations and solidified Marlene Dietrich's status as a major Hollywood star, marking the beginning of a long and successful collaboration between her and von Sternberg. Ladies and Gentlemen, this is Morocco!

1930 Episode 4 - "Animal Crackers" Directed by: Victor Heerman. "Animal Crackers," released in 1930, is a seminal film in the annals of American comedy, marking the second cinematic outing for the legendary Marx Brothers. Adapted from their successful Broadway musical of the same name, the film captures the anarchic humor and rapid-fire wit that would become the Marx Brothers' trademark. Directed by Victor Heerman and produced by Paramount Pictures, "Animal Crackers" showcases the brothers' unique comedic talents, particularly Groucho's razor-sharp dialogue, Harpo's silent antics, Chico's linguistic playfulness, and Zeppo's straight-man charm. Set during a lavish party at the mansion of wealthy socialite Mrs. Rittenhouse the plot revolves around the chaotic events that ensue following the theft of a valuable painting. Groucho stars as the eccentric Captain Spaulding, a renowned African explorer whose arrival is celebrated with much fanfare. The film's blend of satirical commentary on high society, coupled with the Marx Brothers' trademark slapstick and clever wordplay, ensures "Animal Crackers" remains a timeless classic, reflecting the innovative spirit of early 20th-century American cinema. Ladies and Gentleman, join us as we meet the Marx Brothers for the first time in our journey, this, is Animal Crackers!

1930 Episode 3 - DOUBLE FEATURE! 1930 saw the release of two groundbreaking war films, "Hell's Angels" and "All Quiet on the Western Front", each offering a distinct perspective on the brutal realities of World War I. "Hell's Angels," directed by Howard Hughes, is an American epic known for its spectacular aerial combat scenes and technical innovation. Its production was marked by Hughes' relentless pursuit of realism, leading to costly and dangerous filming techniques that pushed the boundaries of early cinema. In contrast, "All Quiet on the Western Front," directed by Lewis Milestone, offers a harrowing depiction of trench warfare from the German perspective. The film tells the story of Paul Bäumer, a young German soldier whose initial enthusiasm for battle is shattered by the grim reality of the front lines. Renowned for its stark anti-war message, the film captures the futility and devastation of war, emphasizing the shared humanity of soldiers on all sides. Both films, through their innovative storytelling and powerful visual narratives, significantly influenced the war genre and left a lasting impact on audiences worldwide. Ladies and Gentleman! Welcome to our double feature of All Quiet on the Western front and Hells Angels!

1930 Episode 2 - "The Divorcee" by Robert Z. Leonard released on April 30th, 1930. Our second film of 1930 is none other than Robert Z. Leonard’s  "The Divorcee." This groundbreaking film, starring the mesmerizing Norma Shearer, delves into the complexities of marriage and infidelity with an unflinching boldness rarely seen in its time. "The Divorcee" challenges societal norms and showcases Shearer's unforgettable performance, which earned her an Academy Award. Initially considered to be too wholesome for the role of Jerry Martin, Norma Shearer set off to prove she could handle the film's daring themes. Competing with the likes of Greta Garbo and Jean Harlow, Norma had to impress the producer of the film by doing a racy and daring photoshoot that ultimately convinced the producer that she was perfect for the part. That producer that needed convincing was none other than her husband at the time. So step into this pre-Code Hollywood masterclass of a performance and one of one film, and prepare to be captivated by a story of passion, heartbreak, and resilience that continues to resonate even today. Ladies and Gentleman, This is, “The Divorcee.”

1930 Episode 1 - "City Girl" by: F.W. Murnau February 16th, 1930 WE KICK OFF THE THIRTIES WITH Genius behind Nosferatu and his swing at romance. We're talking F.W Murnau and his movie City Girl.  "City Girl" is a poignant and visually stunning film that explores the clash between rural simplicity and urban complexity. At the heart of the story is Lem Tustine, a young farmer who travels to Chicago to sell his family’s wheat crop. There, he meets and falls in love with Kate, a spirited waitress. Their whirlwind romance leads to marriage, but the couple faces unexpected challenges when they return to Lem’s family farm. As they navigate the disapproval of Lem’s stern father and the harsh realities of farm life, their love and resilience are put to the test. Join us as we discuss the film’s rich themes, Murnau’s masterful direction, and the enduring relevance of this tale of love, conflict, and perseverance. Stay tuned as we journey back to 1930 and uncover the brilliance of "City Girl.”

Will and Robert are back with season 2 of Cinema 100 as we turn the chapter to a new decade. It all starts with the year 1930. Will and Robert discuss the current state of film industry, as pre-code films become more and more of the past as well as the studio systems completely changing the game by owning everyone and everything. What films will we draft as a part of the 1930 draft class. Listen and find out!!!!

Will and Robert made their selections for the big 6 Academy Awards categories of the movies they drafted from 1929: Supporting Actor and Actress, Best Actor and Actress, Best Director and Best Picture of that year. Will and Robert also reveal their Top 5 movies from the movies drafted in the Decade as well as their bottom 2.