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PODCAST

4 Tha Bytches

"4 Tha Bytches" is best described as an “open letter” from M-Eaze to the people - made into music. Produced by Hajj Music, "4 Tha Bytches" is sonically simplistic yet still possesses melody courtesy of the droning synths. M-Eaze provides an amazing contrast to the aggressive tone used throughout the project, acting in a reflective manner. However from a lyrical standpoint it’s without a doubt one of M-Eaze's greatest albums. He labeled it as the “best album of all time” and with topics that range from night life to the fashion industry, and even swag, it’s hard to disagree.The Sea-town native doesn’t just stop at the music. With a guerrilla marketing scheme fit for a military coup, Eaze projected the album onto social networks all over the country. Since the album’s presentation and the significance of all of the songs is only just surfacing. Between the time of the album’s presentation and present day, the attitude of multiple industries has started to shift dramatically - would loc

  1. 20

    1. Orange Cream

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  2. 19

    2. Cherry Garcia

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  3. 18

    3. Strawberry Cheesecake

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  4. 17

    4. French Vanilla

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  5. 16

    5. Fudge

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  6. 15

    6. Butter Pecan

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  7. 14

    7. Raspberry Sherbert

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  8. 13

    8. Rocky Road

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  9. 12

    9. Mint Chocolate Chip

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  10. 11

    10. Neapolitan

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  11. 10

    11. Cookies 'N Cream

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  12. 9

    12. Cookie Dough

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  13. 8

    13. Chocolate Fudge Ripple

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  14. 7

    14. Coffee

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  15. 6

    15. Key Lime Pie

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  16. 5

    16. Peanut Butter Cup

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  17. 4

    17. Salted Carmel

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  18. 3

    18. Banana Split

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  19. 2

    19. Red Velvet

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

  20. 1

    20. Rootbeer Float

    M-Eaze is a tease. He says he's keeping demand up by making us wait. One of the common critical complaints against Eaze is that he can rap but that he doesn't know how to make songs. His weeded-out free-associative signature doesn't need to conform to old ideas about song structure to do its work, he mostly just followed his muse over every half-decent recent beat he could find, letting the overblown boasts and batshit similes flow freely. He'd sacrifice none of his demonic magnetism if he just kept rapping at that level forever. So it's oddly reassuring to hear Eaze deign to finish a few actual songs, complete with verses and choruses and intros and everything. And even if every song on "Flavors" finds Eaze sticking to his usual talking points, finding even more clever and circuitous ways to let us know how fly he is, his voice has more urgency and determination than he's shown in recent months. And even at his laziest, he's still riveting. M-Eaze manages to keep himself sharp even after all the material he's already churned out in recent months. Now it's time for him to make good on its promise.

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ABOUT THIS SHOW

"4 Tha Bytches" is best described as an “open letter” from M-Eaze to the people - made into music. Produced by Hajj Music, "4 Tha Bytches" is sonically simplistic yet still possesses melody courtesy of the droning synths. M-Eaze provides an amazing contrast to the aggressive tone used throughout the project, acting in a reflective manner. However from a lyrical standpoint it’s without a doubt one of M-Eaze's greatest albums. He labeled it as the “best album of all time” and with topics that range from night life to the fashion industry, and even swag, it’s hard to disagree.The Sea-town native doesn’t just stop at the music. With a guerrilla marketing scheme fit for a military coup, Eaze projected the album onto social networks all over the country. Since the album’s presentation and the significance of all of the songs is only just surfacing. Between the time of the album’s presentation and present day, the attitude of multiple industries has started to shift dramatically - would loc

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4 Tha Bytches

Frequently Asked Questions

How many episodes does 4 Tha Bytches have?

4 Tha Bytches currently has 20 episodes available on PodParley. New episodes are automatically indexed when they're published to the podcast feed.

What is 4 Tha Bytches about?

"4 Tha Bytches" is best described as an “open letter” from M-Eaze to the people - made into music. Produced by Hajj Music, "4 Tha Bytches" is sonically simplistic yet still possesses melody courtesy of the droning synths. M-Eaze provides an amazing contrast to the aggressive tone used throughout...

How often does 4 Tha Bytches release new episodes?

4 Tha Bytches has 20 episodes. Check the episode list to see recent publication dates and frequency.

Where can I listen to 4 Tha Bytches?

You can listen to 4 Tha Bytches on PodParley by clicking any episode. We provide an embedded audio player for direct listening, and you can also subscribe via your preferred podcast app using the RSS feed.

Who hosts 4 Tha Bytches?

4 Tha Bytches is created and hosted by 4 Tha Bytches.
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