ABOP PODCAST

Raynor Carroll, retired Principal Percussionist with the Los Angeles Philharmonic, engages in a discussion with ABOP protégés Jakalin Bryant and Torrance Buntyn Jr. The discussion includes their experiences before and during their protégé status in ABOP’s Mentorship Program. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Raynor Carroll, retired Principal Percussionist with the Los Angeles Philharmonic, leads a discussion along with ABOP mentors Terry McKinney, Principal Percussion, Baton Rouge Symphony, and Torrell Moss, Principal Percussion, Ashland and Mansfield Symphonies, on the expectations and responsibilities of a section percussionist in a symphony orchestra. The discussion includes musicality, logistical considerations, personality, questions by ABOP protégés, and more. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Raynor Carroll, retired Principal Percussionist with the Los Angeles Philharmonic, facilitates a discussion with a panel of Black, female percussionists. The panel includes Alexa Clawson, a Master’s student at the University of California, Los Angeles; Ashlee Dudley, Principal Percussionist of the Durham Symphony Orchestra; Marcia McCants, Adjunct Professor of Percussion at Virginia State University; and Donielle Woodard, a Sophomore at Southern Methodist University. The discussion explores the challenges faced by Black women in a field traditionally dominated by White men. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Raynor Carroll, retired Principal Percussionist with the Los Angeles Philharmonic, leads a Q&A session with a panel of professional percussionists. Topics include: percussion as your passion, number of sticks and mallets owned, misconceptions, ensemble preference, superstitions, conductors, composers, favorites, instrument collections, and more. Raynor also does a “quick fire” session with each panelist on personal preferences. The panelists include Ricky Burkhead, percussion instructor at Ole Miss University; Teddy Hall Jr., Atlanta freelance percussionist; Terry McKinney, Principal Percussion, Baton Rouge Symphony; and Wesley Sumpter, Assistant Principal Percussion, LA Phil. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Raynor Carroll, a retired Principal Percussionist with the Los Angeles Philharmonic, and Damion Frigillana, a Los Angeles freelance percussionist and percussion technician, discuss the maintenance of orchestral percussion instruments. They share their expertise on how to maintain instruments and equipment to optimize the quality of sound. Equipment includes: Snare Drum, Tom-toms, Bass Drum, Timpani, Marimba, Xylophone, Vibraphone, Glockenspiel, Chimes, Triangle, Cymbals, Tambourine, Tam-tam, Bongos, Congas, and Hardware. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Raynor Carroll, retired Principal Percussionist with the Los Angeles Philharmonic, engages in a conversation with Andrés Pichardo-Rosenthal, the newly appointed Section Percussionist with the Los Angeles Philharmonic. During this interview, Andrés discusses his twelve years as Assistant Principal Percussionist with the Detroit Symphony, auditions he has taken, his preparation, the LA Phil audition, his family, and more. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

In an exclusive interview, Raynor Carroll, retired Principal Percussionist with the Los Angeles Philharmonic, engages in a conversation with Wesley Sumpter, the newly appointed Assistant Principal Percussionist with the Los Angeles Philharmonic. During this interview, Wesley provides valuable insights into his audition process, preparation, personal background, and his approach to performing with a symphony orchestra. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Raynor Carroll, retired Principal Percussionist of the Los Angeles Philharmonic, offers insights into his duties and responsibilities as principal percussionist for 33 years under four different music Directors: Carlo Maria Giulini, Andre Previn, Esa-Pekka Salonen, and Gustavo Dudamel. Topics include: Creating a Legacy, Being a Liaison, Duties and Responsibilities, and more. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Host Raynor Carroll delves into the remarkable journey of Don Parker, who has ascended to the esteemed position of Chair of the Department of Music at Georgia College State University. Throughout the conversation, Parker shares his experiences, emphasizing the importance of organization and his involvement in various musical endeavors. He discusses his time performing with the Fayetteville Symphony, teaching at Fayetteville University, and collaborating with his wife in the musical duo Double Take. Parker also touches upon his teaching of jazz and his performances in the jazz duo Hayden/Parker. Additionally, he reflects on the challenges and responsibilities of being a Black department chair in music. This insightful conversation offers a glimpse into the life and career of Don Parker. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode features Raynor Carroll, the retired Principal Percussionist of the Los Angeles Philharmonic, presenting excerpts from rarely performed classical works that deserve greater exposure. Composers represented include Bach, Walton, Bartók, Varèse, Berlioz, Stravinsky, Bernstein, Sibelius, Boulez, Revueltas, Britten, Chavez, Prokofiev, Copland, Mozart, Elgar, McPhee, Hindemith, and Khachaturian.

Hosted by Raynor Carroll, this episode features Ricky Burkhead, Professor of Music and Director of Percussion Studies at the University of Mississippi. Together, they explore Burkhead’s journey in percussion and discuss the essential skills required for a successful career in this field. Topics include fundamentals, developing different styles, listening and imitating, drumbeats every drummer should know, GET PAID, reading and interpreting, recording and gear, hand percussion, teaching, and more. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Hosted by Raynor Carroll, this episode features a discussion on preparing a college percussion audition. Guests include Ricky Burkhead, Professor of Music and Director of Percussion Studies, University of Mississippi; Terry McKinney, Principal Percussion, Baton Rogue Symphony; Don Parker, Chair and Professor of Music, Georgia College and State University; and Wesley Sumpter, former LA Phil Percussion Fellow, and currently a freelance artist. Topics include: when to begin preparations, criteria in selecting schools, getting to know your future teacher, audition requirements, seeking guidance, practicing, physical and mental wellbeing, and more. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode centers on audition preparation. Hosted by Raynor Carroll, the former Principal Percussionist of the LA Phil, the episode features specific recommendations and suggestions directed at orchestral percussionists auditioning for symphony orchestras. The program notes, available on ABOP’s website, lists standard repertoire required on orchestra auditions for timpani and percussion, an outline of Mr. Carroll’s recommendations, and additional information. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode centers on the LA Phil Resident Fellows Program. Hosted by Raynor Carroll, the former Principal Percussionist of the LA Phil, the episode features John Lofton, the current bass trombonist with the orchestra and the Musician Representative for the Resident Fellows Program. Together, they delve into the Program, covering its origins, eligibility criteria, audition process, benefits, achievements, and its evolution over the years. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode, hosted by ABOP Founder Raynor Carroll, along with ABOP Mentor Terry McKinney, focuses on acquiring concert percussion instruments: where to start; how to prioritize; purchase, rent, or borrow; keeping an inventory; etc. Topics include: Top 6-7 most important instruments, timpani, drums, cymbals and tam-tams, keyboards, accessories, Latin, and miscellaneous. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode, hosted by Raynor Carroll, Founder and CEO of ABOP, focuses on key elements in transitioning from a student to professional life. Guests in this episode include Ricky Burkhead, Terry McKinney, Joseph Mitchell, and Don Parker. Topics include: Self assessment, reality and responsibility, collaboration, teamwork, problem solving, discipline, participation award, practice log or journal, balancing work and life, short- and long-term goals, priorities, procrastination, humility, and mental health. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode, hosted by Raynor Carroll, Founder and CEO of ABOP, showcases narratives set in the everyday life of a symphony orchestra, as seen through the eyes of the percussionists. The guests feature ABOP Founders: Douglas Cardwell, who previously served as the timpanist for the New Mexico Philharmonic, and Michael Crusoe, a former timpanist with the Seattle Symphony. Tales include: MTT vs The Helicopters, Maestro lost his toupee, Timpani that rolls on its own, Having dinner during an opera performance, Anyone need a 5 octave marimba?, Put the percussion anywhere!, Unintentional chromatic passage on the 31” timpano, Wood blocks in Symphonie Fantastique, Are we the dog or the fire hydrant? Percussion, do you have shinier cymbals? This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode, hosted by ABOP Founder & CEO, Raynor Carroll, features interviews from the floor of the exhibit hall of the Percussive Arts Society International Convention (PASIC). PASIC is held annually and presented by the Percussive Arts Society (PAS). PAS is a nonprofit music-service organization whose mission is to inspire, educate, and support percussionists and drummers throughout the world. Interviews include: ABOP Protégés, Founder (Joshua Jones), Advisors (Ricky Burkhead, Chris Hart, Chris Thompson), and friends and supporters of ABOP’s mission (Dean Gronemeier, Justin Johnson, Jessica Williams). Visit ABOP’s Podcast Page on our website (www.abop.us) and click on Program Notes for this podcast for a listing of the interviews with photos, and additional information. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

This episode, presented by former Principal Percussionist with the Los Angeles Philharmonic, Raynor Carroll, offers insight and suggestions on being creative when performing a wide variety of standard orchestral literature. Repertoire includes: Rhapsody in Blue, Shostakovich Symphony No. 10, Trepak from the Nutcracker, Petrouchka, Abduction from the Seraglio, Scheherazade, Mahler Symphony No. 1, Ein Heldenleben, Dvorak Symphony No. 9, Dance of the Seven Veils from Salome, The Firebird, Enigma Variations, Prokofiev Piano Concerto No. 3, Three Cornered Hat, Prokofiev’s Romeo & Juliet, Tchaikovsky’s Romeo & Juliet, and Prelude to the Afternoon of a Faun. Visit ABOP’s Podcast Page on the website (www.abop.us) and click on Program Notes for this podcast for a listing of the audio examples, music, photos, additional information, and selected resources. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Episode 13. Timpani in the Baroque. This episode, hosted by Raynor Carroll, introduces the kettledrums (timpani) into the symphony orchestra. Guests include: Douglas Cardwell, Former Principal Timpanist, New Mexico Philharmonic; Michael Crusoe, Former Principal Timpanist, Seattle Symphony. The discussion centers on representative audio examples from composers such as Jean-Baptiste Lully, Henry Purcell, Johann Sebastian Bach, and George Frideric Handel. Insights into Baroque era drums, mallets, interpretation of the music, and much more are presented. Visit ABOP’s Podcast Page on the website (www.abop.us) and click on Program Notes for this podcast for a listing of the audio examples, music, photos, additional information, and selected resources. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Hosted by Raynor Carroll, this episode offers experience-based advice on teaching percussion. Guests include: Ricky Burkhead, Professor of Music and Director of Percussion Studies, University of Mississippi; Quintin Mallette, Assistant Professor of Percussion, East Carolina University; and Don Parker, Chair and Professor of Music, Georgia College and State University. Part 2 continues the discussion from the pervious episode and includes topics such as: curriculum, working with an institution, and the percussion ensemble. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Episode 11. The Black Percussion Educator, Part 1. This episode, hosted by Raynor Carroll, offers experience-based advice on teaching percussion. Guests include: Ricky Burkhead, Professor of Music and Director of Percussion Studies, University of Mississippi; Quintin Mallette, Assistant Professor of Percussion, East Carolina University; and Don Parker, Chair and Professor of Music, Georgia College and State University. Topics include: levels of instruction, areas of instruction, qualifications and degrees, experience and building a brand, and personal equipment. Part 2 topics include: curriculum, working with an institution, and the percussion ensemble. This podcast is produced by the Alliance of Black Orchestral Percussionists (ABOP). ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Episode 10 of the Alliance of Black Orchestral Percussionists (ABOP) Podcast series features a discussion with six ABOP Protégés: Jakalin Bryant, Torrance Buntyn, Jr., Alexa Clawson, Gabriel Harvey, London Johnson, and Shain McDougald, Jr. Hosted by Torrance, the discussion includes: ABOP-in-LA 2024, National Alliance for Audition Support, National Museum of African American History & Culture, What do you enjoy about music? Why are we in music?, Black classical composers in America, music for video games, interests and hobbies, favorite instrument and pieces to play or listen to, and more! ABOP is a nonprofit organization that focuses on mentoring future generations of Black orchestral percussionists. www.abop.us

Episode 9 of the Alliance of Black Orchestral Percussionists (ABOP) Podcast series features an interview with Christopher Hart, ABOP Advisor, and Manager of Communications and Relationships, Remo Inc. Co-hosted by ABOP Founder Raynor Carroll and ABOP Advisor Don Parker, the discussion focuses on Chris: early years, education, Remo, Paul McCartney, and more! ABOP is a nonprofit organization that focuses on mentoring future generations of Black percussionists. www.abop.us

Episode 8 of the Alliance of Black Orchestral Percussionists (ABOP) Podcast series features an interview with ABOP Founder and Grant Park Symphony Principal Percussionist, Josh Jones. Hosted by ABOP Founder Raynor Carroll, Josh talks about his first drumset, developing a practice routine, favorite composers, social media presence, embarrassing and memorable moments on stage, ideal gig, and much more. ABOP is a nonprofit organization that focuses on mentoring future generations of Black percussionists. www.abop.us

Episode 7 of the Alliance of Black Orchestral Percussionists (ABOP) Podcast series, features a roundtable discussion with ABOP Founders, Tim Adams, Douglas Cardwell, Michael Crusoe, Josh Jones, Johnny Lee Lane, and the host, Raynor Carroll. This roundtable discussion continues the theme from the first Founders Podcast (Episode 3): Our Respective Journeys; how they differed and how they were the same. This discussion helped to form the foundation for ABOP’s Mentorship Program. ABOP is a nonprofit organization that focuses on mentoring future generations of Black percussionists. www.abop.us

Episode 6 of the Alliance of Black Orchestral Percussionists (ABOP) Podcast series, features a conversation with ABOP Protégés, Torrance Buntyn Jr., Jakalin Bryant, London Johnson, and special guest, Andrea Stain. Torrance leads a conversation about their experiences as young Black percussionists, including, how they got started, inspirations, racism, transitions, support, and mental health. ABOP is a nonprofit organization that focuses on mentoring future generations of Black percussionists. www.abop.us

ABOP Founder, Michael Crusoe, shares his experiences on and off stage as Principal Timpanist with the Seattle Symphony. Topics include: Symphony, Opera, and Studio work; growing up in St. Louis; interest in classical music; Mr. Crusoe’s teachers; teaching at the University of Washington; memorable and forgettable moments on stage; recording the William Schuman catalog; timpani and mallets used; music as a progressive art; and small drums and wood sticks.

Episode 4 of the Alliance of Black Orchestral Percussionists (ABOP) Podcast series features a discussion with ABOP Founder and Mentor, Douglas Cardwell. Along with the host, Raynor Carroll, Mr. Cardwell talks about: Lotus Sound Bath, growing up in Virginia, choosing the drums, classical music, being a Black musician, mentorship, favorite/ideal gigs. ABOP is a nonprofit organization that focuses on mentoring future generations of Black percussionists. www.abop.us

The Founders, all Black classical musicians, share their stories on the factors and elements that aided and guided them in reaching their goals.

Part 2 of a two-part conversation with Professor Johnny Lee Lane. Prof Lane, known to many as one of the nation's foremost college percussion educators, talks about the US Percussion Camp, how he connects with and prepares his students, and his thoughts on being inducted into the Percussive Arts Society’s Hall of Fame. Co-hosted by Raynor Carroll and Dr. Don Parker. ABOP is the Alliance of Black Orchestral Percussionists, a nonprofit organization that focuses on mentoring future generations of Black percussionists.

Part 1 of a two-part conversation with Professor Johnny Lee Lane. Prof Lane, known to many as one of the nation's foremost college percussion educators, talks about his early influences, education, and positions with Tennessee State University, and Eastern Illinois University. Co-hosted by Raynor Carroll and Dr. Don Parker. Please subscribe and send comments to [email protected] is the Alliance of Black Orchestral Percussionists, a nonprofit organization that focuses on mentoring future generations of Black percussionists. Visit our website: www.abop.us