Band BFFs

Zydeco Cajun Crawdad Dance by Roland Barrett is a lively, style-driven, Grade 2 piece in cut time that leans heavily into Louisiana/Creole groove and character.It’s more rhythmically demanding than typical middle school literature, with syncopation, articulation clarity, and strong style awareness being key to success.Overall: a high-energy, crowd-pleasing piece that’s all about feel—great once students lock into the groove and style.

Fanfare for the Fearless by Brian Balmages is a short, energetic Grade 1 concert opener in concert E♭ that’s perfect for middle school bands or early-season programming.It emphasizes strong articulation, clear phrasing, and basic balance concepts, with accessible ranges and engaging parts across the ensemble.Overall: a clean, effective fanfare that teaches style while sounding bold and exciting right away.

This episode covers Dragon Dance by Michael Story — a short, beginner-friendly Grade 0.5 piece in concert B♭ that uses only the first six notes, making it very accessible and confidence-building.It features simple rhythms, no split parts, and light percussion (with tom instead of snare for balance), plus clear opportunities to teach articulation, phrasing, and tuning (especially trumpet Ds).Overall: an easy, effective early-band piece that’s great for fundamentals, layering, and getting young players sounding musical quickly.

In this episode of Band BFFs, the hosts dive into Upbeat by Randall Standridge, a fast, high-energy Grade 1.5 rock-style piece in concert E♭ built around repeated syncopated rhythms and lots of percussion color. They highlight its strong teaching value for syncopation, layering, and style, plus its catchy grooves and repeated unison patterns that make it feel harder than it is.

This episode covers Fandango by Carol Brittin Chambers — a fast, high-energy Grade 3.5 piece with frequent switches between 3/4 and 4/4. It’s rhythmically challenging, highly stylized, and requires a strong ensemble with solid counting and articulation.The piece features layered melodies, exposed transitions, and a lyrical trumpet/trombone solo section, along with lots of percussion color. Range (especially brass and clarinet) and balance are key challenges.

This is a re-release of an earlier episode as it is timely for band directors! Looking for fresh, engaging music for your beginner or non-varsity band? In this episode of Band BFFs, we review two standout concert pieces—Mama Paquita and The Dragon Lord—that bring energy, variety, and valuable teaching moments to your next performance. Tune in for practical insights on rhythm challenges, instrumentation tips, and how to make each piece a student favorite.

This is a re-release of an earlier episode as it is timely for band directors! Looking for the perfect spring concert piece for your beginner band? In this episode of Band BFFs, we review two crowd-pleasers—Tambora by William Owens and Alpha Squadron by Greg Hillis—that are fun, accessible, and sound impressive on stage. Tune in to hear why your students will love them and how to make the most of each piece.

In this episode of Band BFFs, the hosts dive into March of the Hobgoblins by Randall Standridge, a fun, march-like Grade 1.5 in 6/8 that they love as an introductory compound-meter piece. They highlight its strong teaching value for 6/8 feel, accents, chromaticism, and form, plus its energetic writing, important timpani part, and mischievous character that makes kids want to play it.

In this episode of Band BFFs, the hosts dive into Skedaddle by Timothy Loest, a fast, high-energy Grade 2 piece in concert E♭ that’s full of ostinatos, sharp dynamic contrasts, and layered textures kids will love. They highlight its fun percussion writing, strong teaching value for rhythm and balance, and how quickly it comes together once students lock in the main ostinato pattern.

In this episode of Band BFFs, the hosts dive into Cumbia by Jorge Vargas, a colorful Grade 1.5 Latin chart in concert B♭ where style and groove matter more than difficulty. They stress percussion depth, clean articulation, and rhythmic independence.

In this episode of Band BFFs, the hosts dive into Above and Beyond by James Swearingen, a short concert E♭ fanfare that sounds impressive without extreme demands. They focus on phrasing, quick dynamic contrasts, and its accessibility for younger or non-varsity bands.

In this episode of Band BFFs, the hosts dive into Squirrel Chase by Carol Brittin Chambers, a playful concert B♭ gallop packed with sound effects, driving percussion, and crisp dotted-eighth/sixteenth style. They highlight storytelling, style, and why it’s a guaranteed crowd-pleaser.

In this episode of Band BFFs, the hosts dive into Triumphs by Joshua Hinkel, a fast concert B♭ fanfare with bold brass, a lyrical middle section, and strong opener/closer potential. They emphasize articulation, balance, and shaping long phrases.

In this episode of Band BFFs, the hosts dive into Whispers in the Wind by Robert Sheldon, a gorgeous Grade 1 lyrical piece in concert B♭ (about 2 minutes) that’s perfect for teaching phrasing, balance, and mature tone. They highlight its simple scoring (no split parts, limited percussion) and share rehearsal tips like shaping “4 leads to 1,” training staggered breathing, and listening for the moving line to keep sustained parts musical.

In this episode of Band BFFs, the hosts dive into Union March by Mekel Rogers, a bite-size (about 1:15) concert E♭ march in 2/4 that’s perfect for teaching classic march roles—melody, countermelody, and motor—without split parts or heavy percussion. They share quick rehearsal wins like keeping notes resonant (not too short), using “tau” for clean accents, and watching tuning/articulation in the brief “dogfight” and a few accidental moments, making it an easy, catchy programming pick for young bands.

This week's episode is a first for the "Band BFFs"! We were honored to record a crossover podcast episode with Kyle Smith of "The Growing Band Director"! We had great conversation about how and why we choose pieces and even literature for our own bands. We spoke about some of our favorite pieces and Kyle gave great insight to us as well! Check out this informative and fun Crossover episode with "The Growing Band Director"!

In this episode of Band BFFs, the hosts dive into Destiny Fanfare by Mekel Rogers, exploring its energetic march-like character, approachable range, and percussion-driven fanfare style. They share practical insights for balancing parts, shaping phrasing, and programming it as a concert fanfare or a march, or even for an All Region band!

In this Band BFFs episode, the hosts break down Randall Standridge’s Choose Joy, which is a brisk, high-energy showpiece with lots of percussion, a calm middle section, and an “Ode to Joy” moment—ideal year-round (especially winter concerts). They highlight practical rehearsal tips (clean articulation, balance), range demands for first trumpet, and all the cool percussion moments!

In this Band BFFs episode, the hosts break down JaRod Hall’s You Better Sleigh!—a funk-style, cut-time crowd-pleaser in concert B♭, which is packed with call-and-response lines, sax and low-brass features, and fun claps that make it a standout for winter concerts and elementary demo visits! They stress clean, independent counting for the syncopation, ample percussion coverage, and smart layering to keep the groove tight and the showmanship high!

In this episode of Band BFFs, we explore Excitation March by Rob Grice — a perfect introduction to march style for beginning and sub–non-varsity bands. This short, 90-second piece uses only the first six notes of the B♭ scale and stays in 2/4 throughout, making it a great teaching tool for articulation, dynamics, march form, and phrasing. With limited percussion, unison rhythms, and clear part functions (melody, harmony, bass line), it offers a successful and accessible first march experience for young players.

In this episode of Band BFFs, we highlight Christmas Around the Band Room by Lisa Galvin — a festive, beginner-friendly medley that includes Up on the Housetop, Jolly Old St. Nicholas, and Jingle Bells. With accessible ranges, full ensemble scoring, and balanced moments for every section, this joyful arrangement gives all players a chance to shine while reinforcing key ensemble skills like balance, phrasing, and articulation. A crowd-pleasing, flexible winter concert option that’s as fun to teach as it is to perform!

In this episode of Band BFFs, we break down Sleigh Ride by Leroy Anderson, arranged by Michael Story — a festive, recognizable favorite adapted for beginner and sub–non-varsity bands. With optional simplifications, flexible percussion scoring, and a strong teaching focus on phrasing, articulation, and form (including multiple first and second endings), this charming winter piece provides both challenge and joy. Your students will love the classic sleigh bells, slapstick, and optional trumpet horse whinny — all while learning ensemble skills they'll use for years.

In this episode of Band BFFs, we explore 6-Note Santa arranged by Joseph Compello, a short, cheerful grade 0.5 holiday piece perfect for first-year beginners. With unison writing, limited range, and familiar melodies like “Jolly Old St. Nicholas,” this tune is easy to teach and fun to play. We highlight how it introduces phrasing, balance, and ensemble skills while letting every section shine.

In this episode of Band BFFs, we break down Two British Folk Songs by Elliot Del Borgo — a staple grade 2 piece known for its beautiful contrast between lyrical and energetic styles. We share what makes this piece rewarding and challenging: exposed woodwind features, complex ensemble balance, and detailed phrasing across both movements. It’s a rich learning experience for bands with developing musicianship and a love for expressive storytelling through music.

In this episode of Band BFFs, we dive into Danza Zanzare by JaRod Hall — a witty and engaging grade 2 piece that captures the energy of a mosquito swarm through vibrant percussion, playful woodwind lines, and clever effects like mouthpiece buzzing and clapping. With rich opportunities for articulation, style, and creative interpretation, this short, programmatic work is a guaranteed student and audience favorite.

In this episode of Band BFFs, we explore Mighty Mite March by Ted Mesang, arranged by Sean O’Loughlin — a bold, traditional-style march full of challenge and character. With high brass ranges, technical woodwind lines, and complex scoring, this piece is perfect for bands ready to feature a strong trumpet section, confident low brass, and crisp march style.

In this episode of Band BFFs, we dive into Hsien by Earl J. Fox Jr. — a lyrical and energetic grade 2 piece featuring a slow-fast-slow form. With beautiful solo moments, demanding high-range passages, and intricate articulation, this piece offers rich musical challenges and ensemble development for mature middle school bands.

In this episode of Band BFFs, Katie and Laura explore Dark Star by Christina Huss—a Texas PML Grade 1 piece perfect for fall concerts, featuring bold low brass lines, rich percussion textures, and accessible writing that lets younger woodwinds shine without being overexposed. They highlight its versatility, teachable phrasing moments, and why it’s a great pick for developing ensembles.

In this episode of Band BFFs, Katie and Laura dive into Basilisk by Tyler Arcari, a 2025 Grade 1.5 piece full of engaging effects, rich textures, and performance opportunities perfect for middle school or region bands. They break down its instrumentation, percussion needs, unique water bottle effects, and why it’s both fun and pedagogically useful.

In this episode of Band BFFs, we explore Storming the Castle by new composer Connor Dunford — a high-energy, programmatic grade 1.5 piece inspired by medieval battles. With accessible ranges, strong dynamic shaping, and great teaching opportunities in style and articulation, this exciting work is a standout for young bands.

In this episode of Band BFFs, we dive into Contempo by Michael Story — an energetic grade 2 piece full of style shifts, tuning considerations, and teaching potential. From exposed trumpet lines to lyrical woodwind moments and snare drum nuance, we break down why this “oldie but goodie” deserves thoughtful preparation and confident players.

On this episode of Band BFFs, we explore Groovee by Richard Saucedo—an energetic, percussion-driven Grade 2 piece recently added to the Texas PML. We break down articulation traps, rehearsal strategies, and standout teaching moments that make it a perfect fit for everything from fall concerts to UIL. With catchy melodies and a rock-out finish, this piece is sure to be a student favorite.

On this episode of Band BFFs, we dive into Serengeti Dreams by Robert W. Smith, a beloved staple for young and developing bands celebrating its 25th anniversary. We break down everything from percussion setup and melodic features to tricky transitions and tuning challenges, all while sharing practical teaching tips and performance insights. If you've got strong flutes, solid horns, and a great percussion section, this one's for you!

In this episode of Band BFFs, the hosts dive into The Oncoming Storm by Mekel Rogers, a high-energy grade 1 piece on the Texas PML. They break down the pedagogical benefits of teaching 3/4 time, ensemble balance, and articulation, all while highlighting the piece’s storm-inspired character and powerful percussion writing. With its steady tempo, accessible key, and dynamic musical storytelling, it’s a versatile choice for concert or contest settings.

We open Season 3 with a great Texas PML grade 2! In this episode of Band BFFs, the hosts explore Byzantine Dances by Carol Brittin Chambers—a vibrant, high-energy piece full of stylistic variety, engaging percussion, and even some snaps and claps! They break down its structure, discuss rehearsal strategies for articulation, breathing, and highlight its versatility for concerts, UIL, or region band.

In this episode of Band BFFs, the hosts spotlight Sunchaser by Carol Brittin Chambers, a vibrant and fast-paced piece that radiates optimism and sunshine. With driving rhythms,key changes, style changes, and exciting parts for every section, it’s a perfect opener or closer to energize your concert program.

In this episode of Band BFFs, the hosts explore Darklands March by Randall Standridge, a brisk, dramatic piece that blends traditional march structure with a darker tone. They highlight its strong teaching potential, varied instrumentation, and engaging parts for all sections—especially percussion and low voices. With its versatility for both concert and contest settings, this march offers both musical depth and student appeal.

In this episode of Band BFFs, the hosts dive into Hypnotic Fireflies by Brian Balmages, describing it as cinematic and rhythmically mesmerizing. They break down the piece’s layered textures, percussion demands—including a creative amplified slinky effect—and highlight the importance of piano and mallet instruments throughout. Special guest Nathan Lewis shares how to build a DIY slinky amplifier, adding practical insight to performing this unique and colorful composition.

Looking for a beautiful Grade 1 piece that introduces your students to expressive playing, color chords, and dynamic nuance? In this episode of Band BFFs, we explore Atlantis by Anne McGinty—a Texas PML staple full of rich harmonies, independent lines, and sneaky challenges that demand mature tone and balance. Learn how to elevate your ensemble’s sound with this rite-of-passage piece.

Looking for a high-energy, toe-tapping piece that challenges your top-notch performers? In this episode of Band BFFs, we dive into Brian Balmages’ Blue Ridge Reel—a fast-paced Texas Grade 2 full of style, syncopation, and percussion-driven groove. Learn how to prep your students for success and bring this barn-dance-inspired showstopper to life.

Need a dynamic, flexible march for your next concert or contest? In this episode of Band BFFs, we explore The Jester’s Gallop by Jack Wilds—a fast-paced, percussion-rich piece that’s easy to teach but sounds impressively complex. Tune in for teaching tips, performance ideas, and creative ways to bring this clever gallop to life.

Looking for fresh, engaging music for your beginner or non-varsity band? In this episode of Band BFFs, we review two standout concert pieces—Mama Paquita and The Dragon Lord—that bring energy, variety, and valuable teaching moments to your next performance. Tune in for practical insights on rhythm challenges, instrumentation tips, and how to make each piece a student favorite.

Looking for the perfect spring concert piece for your beginner band? In this episode of Band BFFs, we review two crowd-pleasers—Tambora by William Owens and Alpha Squadron by Greg Hillis—that are fun, accessible, and sound impressive on stage. Tune in to hear why your students will love them and how to make the most of each piece.

In this episode of Band BFFs, we dive into Tunbridge Meadows by Mark Williams, a beautifully lyrical grade 1 piece with both expressive and technical challenges. With its contrasting 3/4 and 2/4 sections, shifting articulations, and moments of exposed phrasing, this piece pushes young musicians to develop strong pulse control and mature musicality. We break down key teaching strategies for articulation, balance, and phrasing to help bring this elegant composition to life.

In this episode of Band BFFs, we explore Blue Sky Horizon by Randall Standridge, a high-energy grade 2 piece that’s a student favorite. With driving percussion, layered rhythms, and a blend of accented and smooth phrasing, this piece challenges ensembles to focus on articulation, balance, and style. We break down key moments, offering teaching tips to bring out the best in your band while keeping the energy soaring.

In this episode of Band BFFs, we dive into Fortis by Gary Gazly, a high-energy grade 1 piece with rich articulation and dynamic challenges, ideal for young ensembles. From navigating its lively tempo and key changes to mastering precise articulation and ensemble balance, we explore practical teaching strategies to bring this exciting piece to life.

Join us as we discuss Heroes Triumphant by William Owens, a thrilling concert opener ideal for young bands with some advanced techniques. This piece features energetic fanfares, intricate woodwind passages, and rich opportunities for dynamic shaping and articulation. Perfect for building musicianship and making a bold statement at any concert or event!

In this episode, we explore Ghost Ship, a traditional sea shanty arranged by Michael Story and a Texas PML Grade 1 favorite. This piece features key modulations, exposed flute and clarinet parts, and minimal percussion, making it an ideal choice for ensembles with strong woodwinds. Join us as we dive into its rhythmic challenges, expressive articulations, and the charming maritime atmosphere it creates!

In this episode of Band BFFs, we break down Arch of Triumph by Johnny Vinson, a stately French-style march that challenges ensembles with its intricate articulations, key changes, and layered instrumentation. We discuss effective rehearsal techniques, from vocalizing articulation patterns to refining rhythmic accuracy, ensuring your band delivers a crisp and confident performance. Whether you're considering this piece for your program or looking for tips to refine your band's precision, this deep dive has you covered!

Join us as we explore Cascadia Celebration, a joyful, lighthearted piece by Steve Hodges. This classic Texas PML Grade 1 selection is perfect for introducing young musicians to mixed time signatures, key modulations, and stylistic variety—all while celebrating the beauty of music!