PODCAST · comedy
Barber of Seville
by Pierre Beaumarchais
In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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4
004 - Act IV
In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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3
003 - Act III
In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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2
002 - Act II
In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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1
001 - Act I
In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
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ABOUT THIS SHOW
In this delightful comedy, Count Almaviva finds his heart captivated by the enchanting Rosine. Yet, he fears that her affections may be tied to his wealth. Can the clever Figaro come to his aid? This play, the first in Beaumarchais renowned Figaro trilogy, was penned in 1773 but faced political and legal hurdles that delayed its debut until 1775. The Barber of Seville has inspired over five operatic adaptations, with Rossinis version being the most celebrated. The trilogy continues with The Follies of a Day or the Marriage of Figaro and The Guilty Mother. - Summary by Lynette Caulkins
HOSTED BY
Pierre Beaumarchais
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