Behind the Carnival Barkers Podcast

Filmmaker, editor, and curator Kathryn Hood-Moore calls into Amy Peters on Behind the Carnival Barkers to discuss her extensive career in unscripted television. From her early days in the military and her accidental entry into editing, Kathryn shares insights into the formative years of reality TV, how the industry adapted during strikes, and the evolution of production workflows, including the shift to remote work and the impact of streaming. She offers advice for creatives navigating the changing landscape, emphasizing the need for adaptability and embracing new technologies like AI.Support Our Sponsor:This show is supported by Kizzle Kit. Please shop for your own fancy lifestyle accessories at www.kizzlekit.com. Use coupon code BTCB25 for 10% off.Find Us:Please follow us on social media @behindthecarnivalbarkers for upcoming guests, and other programming notes and updates. Sign up for our newsletter at carnivalbarkers.substack.com. Follow the host www.dinomonster.com or @dinomonstr. Follow Audio Photo Synthesis @apscontent.Music:Title music is provided by D.J. Williams, whose work you can find on YouTube @djwmusic. This episode also includes a track from The Soundlings @thesoundlings on YouTube.Post-Production:Post-production services are provided by Audio Photo Synthesis.Guest Links:Kathryn Moore on IMDb https://www.imdb.com/name/nm0601447/ Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe

In this episode of Behind the Carnival Barkers, host Amy Peters sits down with veteran editor Scott Rosann, offering listeners a fascinating glimpse into the ever-evolving world of unscripted television. Their conversation spans Scott's decades-long career, from his early days learning Final Cut Pro and Avid in a scrappy New York City production company to his current role at CBS News' 60 Minutes. This candid discussion highlights the significant technological shifts in broadcast editing and the dynamic challenges and triumphs faced by professionals in the industry.Scott shares compelling anecdotes from his time on shows like House Hunters International, revealing the demanding pace and the unique camaraderie forged amidst tight deadlines. He also delves into the pervasive rise of true crime content, offering a thought-provoking perspective on society's increasing fascination with the darker aspects of human experience and how this trend has reshaped the job market for editors. The episode provides valuable insights into the adaptability required to thrive in a media landscape where content creation is constantly being redefined.Beyond the technical and industry-specific discussions, Scott and Amy explore the human element of their profession, including the impact of remote work on their craft and personal lives. Scott reflects on the delicate balance between professional demands and work-life boundaries, and the importance of a collaborative spirit in post-production. This episode is a must-listen for anyone interested in the inner workings of television, the journey of a creative professional, and the resilience needed to navigate an "insane industry in an insane world.” Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe

In this sixth episode of Behind the Carnival Barkers, host Amy Peters chats with Ilya the editor about how he evolved from handling physical film reels in a commercial post-production house to becoming a successful freelance editor. He’s cut award-winning documentaries for the Organized Crime and Corruption Reporting Project and worked on reality TV hits like Basketball Wives and The Circus. We will delve into the complexities of balancing client expectations with creative integrity in the demanding, budget-driven world of television production and then pivot to the dramatic shift to remote editing, the interpersonal challenges of working from afar, and the intricate creative process of building narratives from raw footage. Support Our Sponsor:This show is supported by Kizzle Kit. Please shop for your own fancy lifestyle accessories at www.kizzlekit.com and use coupon code BTCB25 for 10% off!Find Us:Please follow us on social media @behindthecarnivalbarkers for upcoming guests, and other programming notes and updates. Sign up for our newsletter at carnivalbarkers.substack.com. Follow the host www.dinomonster.com or @dinomonstr. Follow Audio Photo Synthesis @apscontent.Music:Title music is provided by D.J. Williams, whose work you can find on YouTube @djwmusic. This episode also includes a track from @NathanMooreSongs.Post-Production:Post-production services are provided by Audio Photo Synthesis.Guest Links:Portfolio: https://www.ilyatheeditor.com/ LinkedIn: https://www.linkedin.com/in/ilyatheeditor/ the Organized Crime and Corruption Reporting Project: https://www.occrp.org/en/announcement/occrp-slidstvoinfo-win-the-2017-ire-medal  Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe

Supervising producer Jen Heck joins Amy Peters to discuss her career journey, including her work on House Hunters International and her tremendous portfolio of personal projects. Jen shares insights into the evolving entertainment industry, the impact of AI on creative fields, and the challenges of balancing a demanding career with parenting. The conversation also delves into Jen's recent personal experiences, highlighting her philosophical perspective on humanity, politics, and the importance of empathy in a rapidly changing world.Support Our Sponsor:This show is supported by Kizzle Kit. Please shop for your own fancy lifestyle accessories at www.kizzlekit.com. Use the coupon code BTCB25 for 10% off.Find Us:Please follow us on social media @behindthecarnivalbarkers for upcoming guests, and other programming notes and updates. Sign up for our newsletter at carnivalbarkers.substack.com. Follow the host www.dinomonster.com or @dinomonstr. Follow Audio Photo Synthesis @apscontent.Music:Title music is provided by D.J. Williams, whose work you can find on YouTube @djwmusic.Post-Production:Post-production services are provided by Audio Photo Synthesis.Guest Links:You’ll find Jen’s work at https://steamboatpictures.com/Jen mentioned the book Blink by Malcolm Gladwell Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe

In this episode of Behind the Carnival Barkers, host Amy Peters hangs out in Central Park with Bloomberg TV editor Oren Sarch. He shares his extensive journey with video editing, from working on iconic films like Darren Aronofsky's Pi  and Requiem for a Dream to navigating the fast-paced demands of reality TV and commercials.Oren candidly discusses the challenges of freelance work, the grueling hours inherent in TV production, and difficulty in planning for retirement or any future in editing. He opens up about balancing a demanding career in New York City with family life, and playing music throughout his experiences.This episode offers a fascinating deep dive into the craft of editing, the realities of the entertainment business, and the personal fortitude needed to succeed.Support Our Sponsor:This show is supported by Kizzle Kit. Please shop for your own fancy lifestyle accessories at www.kizzlekit.com. COUPON CODE: BTCB25 for 10% off.Find Us:Please follow us on social media @behindthecarnivalbarkers for upcoming guests, and other programming notes and updates. Sign up for our newsletter at carnivalbarkers.substack.com. Follow the host www.dinomonster.com or @dinomonstr. Follow Audio Photo Synthesis @apscontent.Music:Title music is provided by D.J. Williams, whose work you can find on YouTube @djwmusic. Post-Production:Post-production services are provided by Audio Photo Synthesis.Guest Links:Oren can be found on http://linkedin.com/in/orensinfo/The movie Pi that Oren edited https://share.google/tW8fydtWNYozQTVFI Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe

Host Amy Peters sits down with colleague Jeremy Trott for this episode. He is a veteran in unscripted television, to discuss his journey from assistant to online editor and the unique challenges of reality TV. They explore the evolution of "talent" in reality shows, the mental toll of post-production, and the unexpected benefits and drawbacks of remote work. Jeremy shares strategies for navigating difficult personalities and sheds light on the unseen labor of editing, dealing with unreasonable producers and untenable network demands. The conversation also touches on the impact of strikes and industry changes, the prejudice Jeremy has experienced in hiring, the rise of brand-sponsored content, and the need for media professionals to retool for the future.Support Our Sponsor:This show is supported by Kizzle Kit. Please shop for your own fancy lifestyle accessories at www.kizzlekit.com.Find Us:Please follow us on social media @behindthecarnivalbarkers for upcoming guests, and other programming notes and updates. Sign up for our newsletter at carnivalbarkers.substack.com. Follow the host www.dinomonster.com or @dinomonstr. Follow Audio Photo Synthesis @apscontent.Music:Title music is provided by D.J. Williams, whose work you can find on YouTube @djwmusic. Post-Production:Post-production services are provided by Audio Photo Synthesis.Guest Links:You can find Jeremy on youtube or on instagram @Jerbear_84 Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe

In this episode, host Amy Peters chats with fellow editor Tara Brochon about the ever-evolving world of non-fiction editing.Tara Brochon's discussion covers various facets of the editing world, highlighting the editor's role as a storyteller in unscripted content. She delves into the evolution of production, contrasting the pre-COVID in-person environment with the current remote landscape, and its effects on collaboration and work-life balance. Brochon also addresses the volatile nature of the industry, marked by "boom and bust" cycles and declining rates, alongside the challenges of securing steady employment. A key point of discussion is the "knowledge gap" among younger editors, who, accustomed to app-based editing, often lack foundational computer literacy, raising concerns for mentorship and the future of the craft. Furthermore, she explores the impact of AI and emerging technologies on traditional editing workflows and the significant shift towards short-form content, influenced by platforms like TikTok, on audience attention spans and storytelling pacing.Join Amy and Tara for an honest and insightful conversation about the realities of working in unscripted television today.Support Our Sponsor:This show is supported by Kizzle Kit. Please shop for your own fancy lifestyle accessories at www.kizzlekit.com.Find Us:Please follow us on social media @behindthecarnivalbarkers for upcoming guests, and other programming notes and updates. Sign up for our newsletter at carnivalbarkers.substack.com. Follow the host www.dinomonster.com or @dinomonstr. Follow Audio Photo Synthesis @apscontent.Music:Title music is provided by D.J. Williams, whose work you can find on YouTube @djwmusic. This episode also includes a track from The Soundlings @thesoundlings on YouTube.Post-Production:Post-production services are provided by Audio Photo Synthesis.Guest Links:Book Tara for editing or photography services at https://lightplayvisuals.com/ and follow here at Instagram @lightplayvisuals Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe

In this inaugural episode of Behind the Carnival Barkers, host Amy Peters, an Emmy Award-winning editor and producer of non-fiction content, sits down with fellow editor Timothy Hedden. They delve into the demanding world of unscripted television, discussing the intricacies of their craft, from shaping narratives and managing network demands to the sometimes abusive work environment and the art of crafting unscripted stories. Timothy shares his experience working on iconic shows like The Real Housewives of Atlanta, including the "Gone With the Wind fabulous" episode, and they both reflect on the industry's shift to remote work post-COVID and the current, challenging landscape of reality television, where job opportunities are scarce and the future remains uncertain for many creatives in the field.Support Our Sponsor:This show is supported by Kizzle Kit. Please shop for your own fancy lifestyle accessories at www.kizzlekit.com.Find Us:Please follow us on social media @behindthecarnivalbarkers for upcoming guests, and other programming notes and updates. Sign up for our newsletter at carnivalbarkers.substack.com. Follow the host www.dinomonster.com or @dinomonstr. Follow Audio Photo Synthesis @apscontent.Music:Title music is provided by D.J. Williams, whose work you can find on YouTube @djwmusic. This episode also includes tracks from @dougmaxwell9118 and @dougmaxwell9118 and Patrick Patrikios Post-Production:Post-production services are provided by Audio Photo Synthesis.Guest Links:Timothy Hedden's musings are at heddenwrites.com. The Huffington Post article mentioned is at https://www.huffpost.com/entry/reality-tv-show-problem_n_66d75086e4b09a3ee66ca635  Get full access to Behind the Carnival Barkers at carnivalbarkers.substack.com/subscribe