PODCAST · music
Curated Chaos - An AI Music Podcast
by GER
Highlighting music by GER with AI assistance
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Track 21: Borrowed Time
As a trumpet player and a rock fan, Glen chases the sweet spot where horn arrangements and rock energy make each other better — resulting in his longest intro yet, a track that earns every second of it, and one of his personal catalog favorites.
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Track 19: Signal Jammed
A bittersweet Beastie Boys homage built on the irony of railing against being replaced by technology while assembling the track with AI — featuring a “signal jammed” refrain Glen is quietly proud of, Star Trek references he had to fix himself, and a sincere dedication to MCA.
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Track 18: Rise Like Thunder
No elaborate concept this time — just a longtime love of female-fronted rock, from Heart to The Cranberries to Evanescence, translated into a hard-driving anthem built purely for energy and attitude.
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Track 17: It’s Seven O’Clock and Grandma’s on the Roof
Built around an old published poem of Glen’s, this prog rock ballad wraps genuine emotional weight in absurdist wordplay — a track that sounds ridiculous on the surface while quietly reflecting the internal push-and-pull of OCD beneath it.
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Track 16: She Leaves in Colors
A deep dive into the Paisley Underground — the L.A. jangle-pop scene Glen always loved but never knew had a name — this 80s-flavored track balances the ethereal and the peppy, landing somewhere melodic, mysterious, and quietly alive.
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Track 15: Echoes in the Glen
Gina’s second Suno request comes with built-in wordplay — when your name is Glen and you’re making a Celtic song, the title was basically inevitable. Features the lyric “the glen of my heart,” a moment Gina has claimed personally, and one line Glen is still arguing with.
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Track 14: Dinosaurs in the Moonlight
Sparked by Jeff Goldblum goofing around with Jurassic Park lyrics on a jazz record, this one asks: what if a dinosaur blockbuster were treated as a classic lounge standard? The result is equal parts elegant and absurd — which, as it turns out, is the sweet spot.
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Track 13: Last Call Lust
A mood-first, genre-second blues rock dive into late-night bad decisions — where the lights are low, the judgment is lower, and the whole track leans into swagger, temptation, and the kind of chemistry that only makes sense after midnight.
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Herdin’ Cats
For the second break week, Easton Reed returns with one of the most chaotic tracks in the Northern Echoes catalog: Herdin’ Cats, straight from the album Another Round. It’s rowdy, it’s ridiculous, and it’s a perfect mid-season detour. Take the ride — Curated Chaos comes roaring back to its normal… well, chaos next week.
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Highlighting music by GER with AI assistance
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GER
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