Let's Talk Trumpet

High notes are exciting, impressive, and sometimes the thing young trumpet players chase more than anything else. But are they really the point? In this episode, James Newcomb welcomes Dave Norman back to talk about the trumpet’s upper register, not as a circus trick, but as one part of a larger musical vocabulary. Dave discusses the physical demands of playing high, the danger of brute force, the importance of recovery, and why sound, time, pitch, rhythm, and musical taste matter far more than range alone. High notes have their place, but they are not the whole story.Episode Highlights:Why young trumpet players often become obsessed with the upper register The physical cost of forcing high notes through pressure and tension How compression, coordination, air, and embouchure work together Why high notes should grow out of solid fundamentals, not replace them Dave Norman’s reminder that most real trumpet work happens between low C and high CLet's Talk Trumpet is a production of Arete Brass. Learn more about Arete Brass at aretebrass.com.

In this episode, we explore what happens when musicians stop accepting the limitations of their tools and begin asking better questions. Segment one tells the story of a cabinetmaker who creates a specialized tool because the work itself demands it. Then David Hickman explains the development of a remarkable five-valve trumpet capable of functioning in multiple keys, allowing a player to solve practical orchestral problems with one highly specialized instrument. Hickman traces the idea through C/D trumpets, D-flat trumpet experiments, and his collaboration with Cliff Blackburn. We close with William Vacchiano, an orchestral master who understood that the right horn is never a gimmick when it serves the music.Episode Highlights:Why specialized tools are often born from real musical problems, not noveltyHow trumpet players use different keyed instruments to solve orchestral challengesDavid Hickman’s path from C/D trumpet to D-flat trumpet to a five-valve multi-key designThe role of Cliff Blackburn in turning Hickman’s concept into a playable instrumentWilliam Vacchiano’s legacy as a practical orchestral craftsman and problem-solverToday's trumpeter you should know more about: William VacchianoLet's Talk Trumpet is a production of Arete Brass. Learn more about Arete Brass at aretebrass.com.

Most musicians are taught to keep their options open. Be versatile, be adaptable, be ready for anything. But what if that approach keeps you from ever becoming truly indispensable? This episode explores the power of specialization through a story of a cartographer who chooses to map what others ignore. In doing so, he doesn’t just refine his craft, he creates demand where none existed before. We then hear from David Hickman, who reflects on how players like Rafael Méndez found opportunities not by doing everything, but by going deeper than anyone else into one path.Episode Highlights:Why being “well-rounded” can quietly limit your career ceilingThe hidden cost of keeping every door openHow depth creates opportunities that didn’t previously existThe difference between being useful and being indispensableWhat specialization actually looks like in practiceToday's trumpeter you should know more about:Sergei Nakariakov__________Let's Talk Trumpet is a production of Arete Brass. Learn more about Arete Brass at aretebrass.com.

A single moment of recognition can change the direction of a life. In this episode, we explore how identity is often shaped not by ability alone, but by whether someone takes the time to truly see us. Through a story of a young grocery store worker who rises beyond low expectations, we examine how attention—given rightly—can transform behavior, confidence, and purpose. We then hear David Hickman reflect on his own formative experience, followed by a look at Rafael Méndez, whose playing continues to define what’s possible on the trumpet.Episode Highlights:Why recognition—not just instruction—shapes identityThe difference between being noticed and being seenHow small moments of affirmation can redirect behaviorThe long-term impact of early mentorship in musicToday's trumpeter you should know more about:Rafael MendezLet's Talk Trumpet is a production of Arete Brass. Learn more about Arete Brass at aretebrass.com.

A single teacher can change the direction of a life. This episode centers on a powerful story of mentorship, where a small-town band director saw more than just a student—he saw potential. What began as a kid joining band for the wrong reasons became something much deeper: discipline, identity, and purpose. In this episode, we explore how music education goes beyond technique. It's about shaping character through structure, accountability, and care. Because at its core, learning an instrument isn’t about performance; it’s about formation. Episode HighlightsWhy the right teacher matters more than the right methodHow competition can elevate rather than discourageThe hidden value of private lessons in early developmentMusic education as a pathway to discipline and identityTrumpeter you should know more about: Vincent Cichowiczaretebrass.com#Trumpet #MusicEducation #BandLife #BrassPlayers #AreteBrass

Dave Norman didn’t follow the typical path. After years of frustration with inconsistency, rigid pedagogy, and the realities of freelance life, he stepped away from the trumpet entirely. What brought him back wasn’t a gig or a paycheck, but a decision to invest in himself—on his own terms. In this episode, Dave shares how experimentation reshaped his playing, why success has nothing to do with appearances, and what it really means to commit to your craft. Sometimes the turning point comes when you stop waiting for opportunity and start creating it yourself. Highlights:The breaking point that led Dave to walk away from the music industryHow unconventional experimentation solved long-standing playing issuesThe difference between external success and internal fulfillmentWhy investing your own time and money can accelerate growthBuilding a lasting musical legacy through recordingCTA: aretebrass.com#TrumpetPlayers #BrassLife #MusicJourney #PracticeMindset #CreativeMusician

Why do top trumpet players talk less about routines and more about people? This episode explores how being in the right rooms, hearing great playing up close, and sitting next to the right musicians can reset your internal standard in ways no system or warmup can. It's about sharpening what you listen for and changing how you approach the horn. Guest Manny Laureano reflects on feeling incredibly fortunate for the mentors, colleagues, and encounters that shaped his life, from growing up in East Harlem and finding music through public school to scholarships, Music & Art High School, Juilliard, and experiences with major artists. Manny also shares how he passed those lessons on through decades with the Minnesota Youth Symphonies, and the episode highlights his long tenure as principal trumpet of the Minnesota Orchestra, his influence, and continued work after retiring in summer 2025, including leading the Bloomington Symphony Orchestra. 00:00 Why Real Pros Talk With and About People (in a good way)00:59 Exposure Resets Standards 03:06 Passing It Along 04:06 Manny Laureano on Gratitude and Connections 07:22 About Manny Laureano10:48 Sponsor And Sign Offaretebrass.com

Trumpet pedagogy and audition culture have increasingly standardized measurable fundamentals (intonation, rhythm, articulation, even tone) to the point of producing interchangeable-sounding players, rewarding safety and predictability over risk and individuality. Manny Laureano laments that expressive traits like vibrato would be penalized today and cites William Vacchiano’s legacy of training players who did not sound like him. The episode spotlights Roger Voisin: longtime Boston Symphony principal trumpet known for vocal, vibrato-rich, flexible playing and teaching that fostered individual voices, highlighting the tension between modern uniform excellence and recognizable artistry. 00:53 How Standardization Took Over 01:38 Auditions Reward Safety 02:17 What Great Players Share 03:04 Teaching Without Cloning 03:30 Making Space For Risk 04:41 Manny Laureano On Identity 07:06 Who Was Roger Voisin 08:24 Voisin Sound And Vibrato 09:51 Legacy For Players Today aretebrass.com

Today we explore one of the most important and often overlooked aspects of trumpet playing: musical identity. What makes one player's sound instantly recognizable while another, equally accurate player blends into the background? We examine how the homogenization of orchestral playing in the modern era has made it harder to distinguish individuals, sections, and even entire orchestras. We'll also hear from Manny Laureano, who shares a memorable story about not being able to identify a French orchestra playing French music — and what that says about where classical music is headed. The episode closes with a profile of Roger Delmotte, one of the clearest examples of the French trumpet tradition in the 20th century.In This Episode:Why "checking all the boxes" isn't the same as making an impactHow global access to information and teachers has raised the standard — but narrowed the spread of individual identityManny Laureano on how orchestral sound has changed over the past 50–60 years and why orchestras no longer sound as distinct as they once didThe era when you could immediately identify the Philadelphia, Boston, or Chicago sound — and why that's harder todayManny's story of driving and failing to recognize a French orchestra playing French repertoireTrumpeter You Should Know: Roger Delmotte — a defining voice of the French trumpet tradition, his training at the Paris Conservatoire, his career with the Orchestre de la Société des Concerts du Conservatoire, and his legacy as a teacher and recording artistCall to ActionEnjoyed the episode? Subscribe, leave a review, and share it with a fellow brass player. Support the show and check out our sponsor — Arete Brass at aretebrass.com.LetsTalkTrumpet #Trumpet #BrassPlaying #TrumpetLife #ClassicalMusic #OrchestraLife #FrenchTrumpet #RogerDelmotte #MannyLaureano #TrumpetPlayer #MusicEducation #BrassMusician #TrumpetCommunity #AreteBreass #MusicIdentity #OrchestralMusic #TrumpetTeacher #WindInstruments #ClassicalTrumpet #PracticeRoom

You can rarely do both.What happens the moment you become aware of what’s possible? In this episode, we explore the thin line between playing it safe and truly going for it. What begins as a reflection on risk in trumpet playing expands into a deeper look at leadership, mindset, and the role of awareness in shaping performance. You’ll hear Manny Laureano describe a powerful moment from a final concert for a colleague, and why choosing not to hold back matters. We close by highlighting the late, great Timofei Dokshizer, a true trumpet master who's playing embodied expression at the edge of control.Highlights:The split-second decision: go for it or play it safeWhy “don’t miss” thinking limits musical impactHow leadership from the podium shapes risk-takingPerforming at the edge of your comfort zoneTrumpeter You Should Know More About:Timofei DokshizerCTA:aretebrass.com#Trumpet#BrassLife#Musicianship#PracticeSmart#AreteBrass

Confidence on the trumpet isn’t something you hope for—it’s something you build. In this episode, we explore how repetition and memorization create true, reliable confidence in performance. Rather than relying on how you feel in the moment, disciplined practice removes uncertainty and frees you to communicate through the instrument.Featuring insights from Paul Cassarly, including his experience in the U.S. Marine Drum and Bugle Corps and his work as the “Lo Fi Trumpet Guy,” this episode connects military-level repetition with musical freedom.We also highlight Chris Botti as a master of control, tone, and intentional expression.HighlightsConfidence is built through repetition, not emotionMemorization frees your mind for musical expression“Rote” practice eliminates hesitation under pressureCommunication—not perfection—is the goal of playingControl and restraint define great players like Chris BottiPaul Cassarly YouTube: https://www.youtube.com/@lofitrumpetguyCTAaretebrass.com

Why do we miss notes—even when we know we can play them? In this episode, we explore the deeper cause behind inconsistency on the trumpet. It’s not always technique or endurance, but something more subtle: commitment in the moment. Through a personal story and insights from Manny Laureano, we examine how attention, belief, and mindset shape performance. We also highlight the legacy of Georges Mager, whose refined approach reminds us that great playing begins with intention, not just execution.HighlightsMost missed notes are caused by hesitation, not lack of abilityThe difference between first and second attempts is often attentionWhy commitment matters more than “playing it safe”Manny Laureano on mindset and musical beliefThe overlooked legacy of Georges Mageraretebrass.com**Although this podcast uses certain AI tools to assist in the production process, the content contained therein is entirely original and is the exclusive intellectual property of James D. Newcomb and Arete Brass.

What actually builds a career in trumpet playing? In this episode, we move beyond practice routines and into the realities of professional longevity. Segment one introduces the concept of a “career hierarchy,” where competence is only the beginning, and trust is the true currency. Segment two features insights from Manny Laureano on the musical attributes that get players noticed, hired, and sustained. Finally, we highlight the life and legacy of Adolph Herseth, whose consistency and reliability set the gold standard for orchestral trumpet playing.Highlights:The difference between improvement and opportunityWhy competence alone doesn’t sustain a careerThe hidden hierarchy: competence, reliability, adaptability, trustInsights from Manny Laureano on what gets you hiredAdolph Herseth as a model of long-term professional trustaretebrass.com

Trumpet is often more than an instrument—it’s where many players first encounter something meaningful, something personal. In this episode, we explore the idea of the trumpet as a “first love,” and what happens when that relationship evolves over time. What begins as curiosity and discovery can gradually take on weight—expectation, responsibility, even fatigue. Without offering easy answers or technical solutions, this episode reflects on that shift and invites listeners to consider their own relationship with the instrument. Not how they play—but why they play, and what, if anything, has changed along the way.HighlightsThe trumpet as a formative, first meaningful pursuitHow relationships with the instrument evolve over timeThe subtle shift from freedom to expectationRecognizing internal tension without trying to resolve it immediatelyReflecting on what the instrument represents nowaretebrass.com#FirstLove #TrumpetLife #MusicianMindset #BrassPlayers #AreteBrass*This episode incorporates the use of AI tools to aid in the production process.

This episode begins with a simple but profound idea drawn from Breathe, You Are Alive! by Thich Nhat Hanh: awareness of the breath. From there, we explore how this same awareness forms the true foundation of trumpet playing—something often ignored in pursuit of technique and range. A featured segment from Nathaniel Mayfield reinforces the importance of musical intention and sound. Finally, we highlight the life and legacy of Conrad Gozzo, one of the most recorded trumpet players in history.5 Highlights:Breath awareness as the starting point of all trumpet playingWhy most players overlook air despite its central roleThe connection between breathing and musical intentionInsights from Nathaniel Mayfield on sound and approachConrad Gozzo’s legacy as a dominant studio trumpeterPrecision. Power. Purpose.Visit aretebrass.com#Trumpet #BrassPlaying #MusicEducation #PracticeSmart #AreteBrass

Most trumpet players are waiting for a breakthrough—but real progress doesn’t happen in leaps. It happens in small, incremental changes that compound over time. In this episode, we explore what it actually means to improve, how competition can distort your relationship with the instrument, and why the players who last are the ones who stay connected to it.HighlightsWhy “practice makes perfect” is misleadingThe difference between immediate improvements and long-term developmentHow small adjustments compound into real progressNathaniel Mayfield on competition, burnout, and stepping awayRebuilding a healthy relationship with the trumpetClark Terry’s approach to communication and longevityTrumpeter You've Probably Never Heard of, But Should HaveClark Terry – A master of effortless communication on the trumpet, known for his warmth of sound, rhythmic clarity, and decades-long career spanning Duke Ellington, Count Basie, and the NBC Tonight Show Band. His philosophy—imitate, assimilate, innovate—remains a cornerstone of musical development.Precision. Power. Purpose. Unmistakable Energy.Visit https://aretebrass.com to learn more.#Trumpet #TrumpetPlayer #Brass #MusicEducation #Practice #Musicianship #Jazz #ClarkTerry #AreteBrass #LetsTalkTrumpet

What happens when you stop chasing gear, range, and perfection—and start focusing on music? This episode connects three powerful ideas: Arnold Jacobs on musical intention over mechanics, Nathaniel Mayfield on rediscovering joy through detachment, and Bunny Berigan as the embodiment of pure musical sound.HighlightsMusical thought must dominate physical mechanicsHigh range is not a different technique, just faster vibrationLetting go of outcomes can unlock your best playingThe Baroque trumpet as a pathway to deeper musical understandingBunny Berigan’s sound as a model of lyrical, complete musicianshipWhy the trumpet you’re playing right now is enoughHashtags#Trumpet #TrumpetPodcast #ArnoldJacobs #NathanielMayfield #BunnyBerigan #BrassPlaying #MusicMindset #AreteBrass #PrecisionPowerPurpose

A simple question about beginner gear reveals a deeper issue: too many players look to equipment for answers that only consistency and sound development can provide. In this episode, we reframe the role of gear, hear from Nathaniel Mayfield, and spotlight the lyrical genius of Bix Beiderbecke.HighlightsWhy beginner gear questions often miss the pointThe danger of “mouthpiece roulette”Consistency vs. constant optimizationA featured clip from Nathaniel MayfieldThe legacy and sound of Bix BeiderbeckePrecision. Power. Purpose.Visit aretebrass.com to learn more.#Trumpet #Brass #TrumpetPlayer #MusicPodcast #Jazz #BixBeiderbecke #Practice #Musicianship #AreteBrass #LetsTalkTrumpet

Mastering the art of auditions is a complex endeavor that transcends mere talent; it necessitates the cultivation of proficiency and consistency within one's craft.In this discussion, we engage with Micah Wilkinson, the principal trumpet of the Pittsburgh Symphony, who elucidates the intricacies of navigating auditions, emphasizing that the key to success lies not in rising to the occasion but in relying upon the foundation one has meticulously built over time.We examine the multifaceted nature of performance anxiety, the importance of articulation, and the subtle nuances that differentiate those who advance from those who do not. Furthermore, Wilkinson shares his personal journey, shedding light on the rigorous preparation that fosters both confidence and reliability in high-pressure situations.This conversation serves as a vital resource for musicians aiming to refine their audition techniques, ensuring that they not only perform adequately but excel in their endeavors.Takeaways:When preparing for auditions, reliance on one's foundational skills is paramount for success.Managing performance anxiety is essential, as nerves can severely impact audition outcomes.Achieving consistency in practice is critical, as it enables reliable execution during important performances.A captivating sound is crucial in auditions, as it compels the committee to listen further.Articulation clarity significantly influences the perception of a performance during auditions.The initial impression made in an audition can determine whether one continues to be heard by the committee.Links referenced in this episode:Build My Online Personajamesdnewcomb.com

Watch on YouTubeIn this episode, James Newcomb is joined by Brian Neal, longtime trumpeter with the Dallas Brass and Professor of Trumpet at the University of Denver’s Lamont School of Music.Together, they explore what lies beyond technical mastery in music—why virtuosity alone is not enough, and how true musical communication depends on vulnerability, context, and shared human experience.Drawing from performance, pedagogy, and decades on stage, the conversation examines how music conveys meaning words cannot, and why the highest form of musicianship is connection, not display.Resources mentioned:Brian Neal's Website: https://briannealtrumpet.comDallas Brass: https://www.dallasbrass.comBrian Neal’s Concertante - https://www.youtube.com/watch?v=ZLTQjr4_u7Mjamesdnewcomb.com

In this episode, Chris Gekker emphasizes the importance of mastering the ability to play softly on the trumpet, which is often overlooked. We also discuss how the perception that jazz negatively impacts classical musicianship has changed over time, reflecting evolving attitudes in music education.The act of improvisation, once dismissed, is now recognized as a crucial skill for all musicians, including classical players. Chris' contributions to trumpet pedagogy stem from his personal challenges and experiences, leading him to publish method books.Links referenced in this episode:jamesdnewcomb.comCompanies mentioned in this episode:Philadelphia OrchestraEugene OrmandyNew York Brass QuintetLibrary of CongressWatergateMaynard FergusonDoc SeverinsenRafael MendezWynton MarsalisJuilliard SchoolEastman School of MusicCharles Colin PublicationsBobby HackettDuke Ellington

In this archived interview, recorded in 2016, James Newcomb speaks with Bernard Adelstein, former principal trumpet of the Cleveland Orchestra, for a wide-ranging conversation on musicianship, discipline, and life inside one of the world’s most exacting orchestras.Mr. Adelstein reflects on his early start as a teenage professional during World War II, the harsh realities of auditions and daily life in American orchestras during the 1950’s and 60’s, and what it was like to perform under legendary conductors such as Fritz Reiner and George Szell.Along the way, he offers candid insights on leadership, precision, humility, and why music critics so often miss the point of that which they’re critiquing entirely.Topics Discussed* Entering the Pittsburgh Symphony at age sixteen* Learning musicianship during World War II* Performing under Fritz Reiner and George Szell* Life inside the Cleveland Orchestra during its golden era* Touring, recording, and winning major awards* The realities and absurdities of orchestral auditions* Why critics matter less than musicians think* Playing The Rite of Spring then and nowKeywords: Bernard Adelstein, Cleveland Orchestra, principal trumpet, orchestral trumpet, George Szell, Fritz Reiner, classical music history, professional musicianship, orchestral lifeHashtags:#ThatsWhatIMeantToSay#BernardAdelstein#ClevelandOrchestra#PrincipalTrumpet#ClassicalMusic#OrchestralLife#MusicHistory#Trumpethttps://jamesdnewcomb.com

In this episode, host James interviews Nikolay Ilyev, a trumpet player and entrepreneur from Vidin, Bulgaria, who operates Iliev Brass Music.Nikolay shares his musical journey beginning in the sixth grade, his advanced studies in Switzerland with Jean Francois Michel, and his time in the UK. He discusses the unique aspects of Bulgarian music culture, including the importance of folk music and the tradition of wind bands.Nikolay is launching a new line of trumpets and flugelhorns and has created 'Music Youth Prospects for Vidin' to support young, financially disadvantaged musicians in Bulgaria.The episode provides insights into Bulgarian musical traditions and Nikolay’s innovative contributions to brass instrument production.Episode Highlights:01:42 Nikolay's Musical Journey02:53 The Music Scene in Bulgaria06:38 Innovative Trumpet and Flugelhorn Designs12:03 Supporting Young Musicians in Bulgaria13:48 Conclusion and Final ThoughtsResources Mentioned:Music Youth Prospects for VidinConnect With the Guest:Bulgarian trumpet player and brass educator (born July 18, 1975), Nikolay Iliev was born in Vidin, Bulgaria (in the North West of the country). He started playing trumpet at the age of 14 and studied for few years under local professional orchestral and band trumpeters.In 1999 he enrolled in the trumpet class of Jean-François Michel (a former principal trumpet with the Munich philharmonic)at the Fribourg Conservatoire (Switzerland) and continued his education at the Royal Northern College of Music in Manchester (UK) under the guidance of Murray Greig and John Miller.After returning to his home town of Vidin he took on a principal trumpet role with Vidin Philharmonic for 2 years then spent 5 years in Antalya, Turkey playing in show bands for local touristic resorts .He spent two more years as an orchestral trumpeter (mostly pit work) with Razgrad Philharmonic in Bulgaria before going back to Vidin, this time as a a music directo and music theory teacher for a local school profiled in music and playing for the Vidin Municipality wind band.In the beginning of 2025 he reopened his company Brass Universe Ltd (which was closed for more than 10 years) and build his first brass instrument (a flugelhorn). He has also started a fund to help local youth musicians with finances for participation in competitions, masterclasses and summer camps.You've been listening to Trumpet Dynamics, telling the story of the trumpet, in the words of those who play it. To learn more about the show, and to join the Trumpet Dynamics tribe, visit us on the web at trumpetdynamics.com.And be sure to tap the subscribe button on your phone so you're always up to date with new episodes as they release.Thank you for listening!