Live And Exclusive Shorts With Baz and Deveski

In this Live and Exclusive Short, Baz and Deveski speak with Will Cliff and Ian Mathers about the fallout from the cancellation of Bluesfest — and the artists who were left behind.For many emerging musicians, the Busking Stage represents a rare opportunity to perform in front of new audiences and be part of one of Australia’s most iconic festivals. With the event cancelled, that opportunity disappeared overnight.Will and Ian share their perspectives on the disappointment of missing out, what the festival meant for their careers, and the emotional and practical impact of losing a moment that had been built toward for months.The conversation also explores the wider flow-on effects across the industry — from lost exposure and income to the growing uncertainty facing festivals, artists, and audiences alike.What does this mean for emerging artists moving forward?And how does the industry rebuild trust and opportunity after moments like this?To hear the full show, visit the OzInDi Radio Australia website and stream Live and Exclusive with Baz & Deveski in its entirety.Real stories. Real impact. Australian music — live and unfiltered.

In this snippet from Live and Exclusive with Baz & Deveski, Baz and Deveski sit down with Will Cliff to explore one of the most exciting grassroots movements in Australian music right now — backyard touring.Across the country, artists are stepping away from traditional venues and taking their shows directly to the fans, performing in backyards, creating intimate experiences, and building real connections — all while selling merch and growing their audience organically.The conversation dives into how these free, community-driven shows are opening new doors for independent musicians, breaking down barriers, and offering an alternative pathway to touring in an increasingly difficult live music landscape.Is backyard touring just a trend…or could it reshape how artists connect with audiences in Australia?To hear the full show, visit the OzInDi Radio Australia website and stream Live and Exclusive with Baz & Deveski in its entirety.Grassroots. Independent. A new way to tour.

In this Live and Exclusive Short, Baz and Deveski break down the aftermath surrounding Bluesfest and the growing concerns across the Australian live music industry.The discussion dives into the complexities of festival ticketing, including Bluesfest operating as its own ticket merchant — and what that could mean for punters if events collapse or companies enter liquidation. With questions around refunds and financial protection now front of mind, the conversation turns to a bigger issue: trust.If fans can’t guarantee they’ll get their money back, will they stop buying tickets altogether?Baz and Deveski unpack how situations like this could impact audience confidence, future ticket sales, and the sustainability of festivals across Australia — particularly at a time when the industry is already under pressure.Is this an isolated issue… or a warning sign for the future of live music events?To hear the full show, visit the OzInDi Radio Australia website and stream Live and Exclusive with Baz & Deveski in its entirety.Real industry conversations. Real consequences. Australian music — live and unfiltered.

In this Live and Exclusive Short, Baz and Deveski take a left turn from music into one of the most debated moments in film history — inspired by Melbourne artist Shannon Jade’s track “Jack & Rose.”Shannon Jade’s song draws on the iconic love story from Titanic, capturing the emotion and timeless connection between the two characters.But naturally… the conversation doesn’t stay serious for long.What starts as a chat about the song quickly turns into the ultimate question:Could Jack have fit on the door? And did he really have to freeze?It’s a mix of music, pop culture, and completely unfiltered debate — exactly what Live and Exclusive does best.To hear the full show, visit the OzInDi Radio Australia website and stream Live and Exclusive with Baz & Deveski in its entirety.Music, moments, and the conversations you didn’t expect — live and unfiltered.

In this snippet from Live and Exclusive with Baz & Deveski, the conversation turns to the rise of AI in music — and why it might actually push artists to become better at what they do.With AI tools now capable of generating songs, lyrics, and even full productions, many musicians fear the technology will replace human creativity. But Baz and Deveski explore a different perspective: what if AI is actually raising the standard?As algorithm-generated music becomes more common, artists may no longer be able to rely on formulaic songwriting or safe, predictable sounds. Instead, the presence of AI could force musicians to dig deeper creatively, refine their craft, and produce music that genuinely stands out.The discussion looks at whether AI will flood the industry with generic content — and why that might make authentic artistry, originality, and strong songwriting more valuable than ever.Is AI a threat to musicians… or the thing that finally pushes the industry to raise the bar?To hear the full show, visit the OzInDi Radio Australia website and stream Live and Exclusive with Baz & Deveski in its entirety.Real conversations about the future of music — live and unfiltered.

In this snippet from Live and Exclusive with Baz & Deveski, the conversation turns to Brisbane artist Hilz and her experience performing on the Busking Stage at Bluesfest.The Busking Stage has long been a launching pad for emerging talent at the festival, giving independent artists the chance to perform in front of new audiences and become part of one of Australia’s most respected music events.Baz and Deveski chat about Hilz’s journey as a Brisbane-based artist, what it means to be part of the Bluesfest busking community, and why grassroots stages like this remain such an important pathway for developing musicians.From festival exposure to the collaborative spirit that defines Bluesfest, the discussion highlights how opportunities like the Busking Stage help keep the independent music ecosystem alive.To hear the full show, visit the OzInDi Radio Australia website and stream Live and Exclusive with Baz & Deveski in its entirety.Supporting emerging artists. Real festival stories. Australian independent music.#australianmusic

In this discussion on OzInDi Live & Exclusive, JD, Baz, and N Campbell explore a fascinating example of how music can function as a sustainable industry — the thriving gospel music touring scene in the United States.Across America, gospel artists regularly tour churches, theatres, and community venues, creating a professional circuit where talented musicians can travel the country performing and earning a living from their craft. It’s not just about the performers either — the ecosystem supports sound engineers, managers, graphic designers, promoters, and production crews, creating a full creative economy around the genre.The conversation raises a bigger question for Australia: why doesn’t a similar touring infrastructure exist here?JD points out that Australia often struggles to sustain even mainstream touring circuits, let alone specialised music communities like gospel. With fewer venues, longer travel distances, and a smaller population, the challenge of building sustainable touring pathways for musicians remains a major hurdle.But the American gospel scene offers an interesting model — one where community, culture, and organised touring networks allow creatives to treat music as a real profession rather than just a passion project.So could Australia learn something from this approach?JD, Baz, and Anais Campbell unpack whether the gospel touring model demonstrates how strong communities and structured touring networks can create sustainable careers in music — not just for artists, but for everyone working behind the scenes in the creative industry.

In this Live And Exclusive Short, JD and Baz dive into one of the biggest stories in Australian broadcasting — the future of commercial radio and the impact of Kyle and Jackie O.For years, Kyle Sandilands and Jackie O Henderson have dominated breakfast radio with a shock-jock style format built on controversy, celebrity interviews, and big personalities. Their massive reported deal — worth around $200 million over ten years, roughly $10 million each per year — cemented them as the most valuable radio hosts in the country.But with the turbulence surrounding their relationship with KIIS FM and the struggles of their expansion into markets like Melbourne, it raises a bigger question: has the shock-jock era of Australian radio finally reached its limit?JD and Baz explore whether audiences have moved on from the traditional commercial radio formula, as listeners increasingly turn to podcasts, streaming platforms, YouTube creators, and niche digital stations for their audio entertainment.Is this simply a rough patch for one of radio’s biggest shows… or are we witnessing the end of the old guard of commercial broadcasting in Australia?And more importantly — if traditional radio wants to survive, does it need to completely reinvent itself for a new generation of listeners?Join the conversation as OzInDi breaks down the changing landscape of radio and what it might mean for the future of the industry.

March is shaping up to be a huge month on Live and Exclusive with Baz and Deveski, and we’re calling it March Madness. Over the next few weeks we’ll be sitting down with some of the incredible artists performing on the Busking Stage at the Byron Bay Bluesfest, shining a spotlight on the rising talent that helps make the festival so special.Kicking things off is Sanny Vello (pronounced Sammy Vello), the first artist in our March Madness series. In this episode we chat with Sanny about his journey as a musician, what it means to be performing on the Bluesfest Busking Stage, and how opportunities like this can open doors for emerging artists. Also we chatted about how he bought his Gibson Explorer guitar drunk on eBay and how he met Slash in L.AWe also dive into the unique atmosphere of the busking stage at Bluesfest — where discovery happens, crowds gather, and the next wave of Australian talent gets their moment.If you’re heading to Byron Bay Bluesfest or just love discovering new artists before they break, this is an episode you won’t want to miss.🎧 Live and Exclusive with Baz and Deveski – supporting Australian music and the artists shaping the future of the scene.

After announcing that 2025 would be its final year, Bluesfest is back for 2026 — and the industry has plenty to say. The team dive into the mixed reactions surrounding the “last festival” narrative, whether the comeback strengthens or complicates the brand, and what it signals about the state of major festivals in Australia.They also spotlight the importance of the Busking Stage — often the true grassroots heartbeat of the event — and what meaningful support for emerging artists looks like within a large-scale legacy festival.With artists such as Split Enz, Buddy Guy, The Black Crowes, and Counting Crows featured across the lineup, Bluesfest continues to position itself as one of Australia’s most enduring and collaborative festival experiences.Is it still the country’s defining legacy festival?Can nostalgia and heritage carry major events into the future?And where do independent artists fit into that picture in 2026?To hear the full show, visit the OzInDi Radio Australia website and stream Live and Exclusive in its entirety.

Do listeners have a responsibility to prioritise Australian artists to help sustain the local industry? Or should music always come down to personal taste — free from expectation or obligation?Baz and Deveski revisit the ongoing argument surrounding Triple J and whether its publicly funded platform — including the iconic Triple J Hottest 100 — should feature Australian music exclusively.The discussion also explores recent shifts in the ARIA Charts, which have moved toward prioritising newly released music to prevent decades-old albums and singles from dominating the rankings. The aim? To create space for emerging and current artists to break through in an era where streaming has blurred generational lines.Is it cultural protection?Is it industry survival?Or does imposing listening habits undermine the very creativity the industry is trying to protect?This is an honest, no-holds-barred conversation about public funding, chart relevance, audience freedom, and what real support for Australian independent musicians actually looks like in 2026.To hear the full show, head to the OzInDi Radio Australia website and stream Live and Exclusive in its entirety.

In this conversation, Anais Campbell shares her experience auditioning for Australian Idol — what the process was really like, what artists actually gain from appearing on national television, and whether shows like The Voice still provide meaningful career pathways.Are these platforms still launching sustainable careers?Or are independent artists better off building their audience through live performance, digital platforms, and direct fan engagement?Baz and Devski take a no-holds-barred look at the relevance of mainstream talent shows in today’s industry — and whether the landscape has fundamentally shifted.To hear the full show in its entirety, visit the OzInDi Radio Australia website and listen to Live and Exclusive!#australianmusic #australianidol

On Baz and Dev Live, indie artist Andy Martin shares his perspective on thriving in the Australian music industry and the challenge of standing out in a crowded scene. Andy discusses strategies for becoming discoverable as an artist, insights into the highs and lows of his musical journey, and what it's like sharing this path with his partner as a music couple. From creative collaboration to personal growth, Andy gives a candid look at the reality of building a career in music. Tune in for practical advice, industry insights, and a glimpse into life and love in the music world.

Baz and Dev Live welcomes Felix from Comfort Royale, the dynamic duo making waves in the music scene! In this episode, Felix opens up about the balancing act of songwriting, performing in theater productions, and the unique inspiration behind their love for The Muppets Take Manhattan. Dive into Comfort Royale’s journey as a duo, the dedication it takes to make time for music, and the exciting story behind their upcoming singles. Join Bas and Dev for a behind-the-scenes look at Comfort Royale’s creative process, and get inspired by Felix's insights into life as a musician and performer.

Live and Exclusive with Anais Campbell offers a front-row seat to the story of singer-songwriter Anais Campbell, who recorded her first single in Nashville at just 15. In this fun, lighthearted episode, Anais reflects on the patience required for her music’s journey, laughing over how long it took for her single to finally come out. Now in 2024, Anais shares insights from her new role as a mentor, guiding young artists through the same industry challenges she once faced. Tune in to hear Anais’s advice, stories, and her passion for paying it forward in the music world.

Live and Exclusive with Abi Muir dives into the journey of indie artist Abi Muir as she records in Japan, overcomes setbacks from 2023, and finds her way back to the music scene. In this candid car-recorded episode, Abi shares behind-the-scenes stories from studio sessions to the wild outback – including a close call with a kangaroo! Join us for an up-close look at Abi’s inspiring resilience, creative adventures abroad, and what’s next for this emerging talent.

In this OzInDi Big Sound 2024 episode, we chat with Juno, the dynamic Brisbane-based duo made up of Kahlia and Sam. Known for their captivating blend of indie pop, Kahlia and Sam open up about their creative partnership, the inspiration behind their music, and their experience performing at Big Sound 2024. Join us as they share the story of Juno's rise in Brisbane's indie scene and what’s next for the talented duo. Don’t miss this insightful conversation with two of Australia’s most exciting emerging artists!

In this OzInDi Big Sound 2024 episode, we catch up with Dizzy Days, Brisbane’s powerhouse all-girl band making waves with their punchy indie disco pop rock sound and unapologetic attitude. Known for their raw energy and bold lyrics, Dizzy Days share their experience rocking the stage at Big Sound 2024, the creative inspiration behind their latest tracks, and what it’s like being part of Brisbane’s thriving music scene. Join us for a lively and empowering conversation with Dizzy Days as they discuss their journey, and what’s next for this unstoppable group!

In this OzInDi Big Sound 2024 episode, we sit down with Holly Hebe, the Melbourne-based singer-songwriter known for her dreamy alt-pop sound and introspective lyrics. Holly shares her experience performing at Big Sound 2024, the creative process behind her ethereal melodies, and the stories that shape her music. We dive deep into her artistic journey, influences, and what it’s like to be a part of Melbourne’s thriving music scene. Tune in for an intimate and inspiring conversation with one of Australia’s most exciting emerging artists!

In this OzInDi Big Sound 2024 special, we sit down with Serendipiti, the soulful Brisbane artist captivating audiences with her powerful vocals and heartfelt lyrics. Join us as Serendipiti shares her unique musical journey, from her beginnings in the local scene to performing at one of Australia’s biggest music showcases. We dive into the stories behind her latest releases, her creative process, and what it means to be in Brisbane at Big Sound 2024. Don’t miss this inspiring interview with “The Nicest Person On The Internet”

In this exclusive OzInDi Big Sound 2024 episode, we catch up with Melbourne rising star Squid The Kid! Known for his genre-blending sound that fuses hip hop, R&B, and smooth indie vibes, Squid The Kid talks about his musical journey, creative influences, and the making of his latest tracks. We dive into his experience performing at Big Sound 2024, what it’s like shaping the future of Melbourne’s music scene, and his vision for the next chapter of his career. Get ready for an in-depth chat with one of Australia’s most innovative new artists!

In this out-of-this-world OzInDi Big Sound 2024 episode, we sit down with Golden Sunbird, the innovative space music band from Townsville! Known for their cosmic soundscapes and genre-defying fusion of psychedelic rock, electronic beats, and dreamy atmospheres, Golden Sunbird takes us on a journey through their creative universe. We explore their performance at Big Sound 2024, the inspiration behind their “space music” vibe, and how they’re putting Townsville on the map in the Australian music scene. Don’t miss this cosmic conversation with one of the most unique acts at Big Sound!

In this special OzInDi Big Sound 2024 episode, we sit down with Adelaide’s high-energy alt-rock duo, Towns, live from Brisbane! Known for their explosive performances and nostalgic sound blending 90s rock with modern indie, Towns open up about their journey in the Aussie music scene, the stories behind their latest releases, and what it means to be part of Big Sound 2024. Tune in for exclusive insights, band banter, and a deep dive into their creative process as they continue making waves in the Australian music industry! Don’t miss this electrifying interview with one of Adelaide’s most exciting bands!

In this high-energy OzInDi Big Sound 2024 episode, we sit down with Beddy Rays, the Brisbane rockers known for their infectious tunes and feel-good vibes. Fresh off the Big Sound stage, Beddy Rays talk about their rise from local legends to national favorites, the stories behind their latest hits, and their experience at one of Australia’s biggest music showcases. Tune in as we dive into their creative process, the strong bond between bandmates, and what’s next for this unstoppable Brisbane band. Don’t miss this fun and candid chat with the legends of Beddy Rays!