PODCAST · music
Mama Red & the Dark Blues
by Mama Red
Soaked in sin, fueled by gin and on their way to high tea with the devil, Mama Red & the Dark Blues are bringing dark country pop (with just a hint of Gospel) into the 21st Century.
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12
01 Come By Sunday
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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11
02 Adjusting My Attitude
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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10
03 Too Little Too Late
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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9
04 You Were Mine
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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8
05 Do It That Way
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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7
06 Two Inches Too Close
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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6
07 You Brought Your Knife to a Gunfight
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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5
08 Wages Of Sin
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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4
09 A Game That Two Can Play
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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3
10 Tried To Sell My Soul
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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2
11 Keep Her Sleeping
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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1
12 Lighthouse
Soaked in sin, fueled by gin, and on their way to high tea with the devil. Described as ‘Alt-Country-Pop with a hint of gospel’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. They hark back to the earliest bawdy blues, sink into soulful R&B via the hallowed halls of country, grab a little gospel and then give a slightly ironic nod to modern pop – all within one hour and across one cleverly coherent album. The Wages of Sin sings straight to the hearts of those who have wrestled with the wrong relationships, waded through self-doubt and addictions and who have come out the other end with grace, power and a universal story to share.
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ABOUT THIS SHOW
Soaked in sin, fueled by gin and on their way to high tea with the devil, Mama Red & the Dark Blues are bringing dark country pop (with just a hint of Gospel) into the 21st Century.
HOSTED BY
Mama Red
CATEGORIES
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