ONE Podcast by True Underground: Electronic Music Mix Series

© 2025 True Underground. All rights reserved. Born in Medellín, Colombia, and refined by over a decade of operating across the US East Coast, Pharrö is an artist built on the grit of the regional circuit and the foresight of a seasoned promoter. Now based out of Charlotte, NC, the DJ and producer is transitioning from a local powerhouse to a global contender, coming into 2026 with major releases on labels like Witty Tunes, mn2s, ALXMY, and Used Goods Recs. For Pharrö, the foundation of his sound was forged in the high-intensity atmosphere of his birthplace. The shift to the US required a recalibration of his musical identity, blending South American energy with the nuances of the North American underground. “Moving from Medellín to the US East Coast was a sonic pivot,” he explains. “In Medellín, electronic music is often high-energy and communal – the ‘Medellín Style’ tech-house and techno has a specific, driving intensity designed for massive crowds.” This adaptability has seen him share stages with a diverse roster of heavyweights, from the legendary Tony Touch to Afro-house pioneer Nitefreak. Whether playing direct support or headlining, Pharrö views his role through the lens of a curator rather than a commander. This perspective is rooted in his years spent throwing shows in Charlotte and Miami, an experience that informs every decision he makes in the studio. “Certain rooms call for a certain rhythm and sound, so I like to keep that in mind when making a track,” he says. “Throwing shows and playing different rooms helped me understand what type of audience I want to connect with.” His recent output reflects this tactical approach. The track ‘Teleport’ on ALXMY and the upcoming ‘Don’t Feel The Same’ on mn2s are linked by a specific sonic thread: melodic momentum designed for the peak hour. Meanwhile, his What’s The Move EP on Witty Tunes explores a more stripped-back, minimal tech-house aesthetic. The track ‘Me and My’, a collaboration with Moreno & Prieto, showcases his penchant for heavy percussion and a hypnotic atmosphere. When it comes to his live performances, Pharrö rejects the idea of the DJ as an “iron-fist” authority figure. Instead, he prioritises a fluid relationship with the audience, reading body language and energy levels to dictate the journey. “I see it as a collaborative exchange. I have to build a relationship with the crowd to create a meaningful connection; if I’m playing for myself rather than for them, that connection is lost. If you try to ‘command’ a room with ego, you risk losing the soul of the party.” As he looks toward a 2026 calendar filled with international signings, Pharrö remains grounded in the principle that got him here: persistence. His Colombian heritage remains the heartbeat of his identity, acting as a universal language that allows him to connect with demographics across borders. “Ultimately, I want the Pharrö name to stand for consistency, passion, and euphoria on all dance floors,” he concludes. “I want to cultivate an environment that people know they are free to express themselves, let go & and enjoy the journey.” Check out all ONE editions here { "@context": "https://schema.org", "@graph": [ { "@type": "BreadcrumbList", "itemListElement": [ { "@type": "ListItem", "position": 1, "name": "Home", "item": "https://www.trueunderground.one/" }, { "@type": "ListItem", "position": 2, "name": "ONE Podcast", "item": "https://www.trueunderground.one/podcast/one-podcast/" }, { "@type": "ListItem", "position": 3, "name": "Pharrö - ONE-106", "item": "https://www.trueunderground.one/pharro-underground-afro-house-mix-one-podcast-106/" } ] }, { "@type": "NewsArticle", "mainEntityOfPage": { "@type": "WebPage", "@id": "https://www.trueunderground.one/pharro-underground-afro-house-mix-one-podcast-106/" }, "headline": "Pharrö - Underground Afro House Mix | ONE Podcast (#106)", "description": "Medellín-born DJ and producer Pharrö discusses his transition from regional promoter to global contender and his upcoming 2026 releases on Witty Tunes and mn2s.", "image": { "@type": "ImageObject", "url": "https://www.trueunderground.one/wp-content/uploads/2026/04/Copy-of-soundcloud-covers-47.jpg", "width": 1241, "height": 550 }, "datePublished": "2026-04-22T18:00:00Z", "dateModified": "2026-04-22T18:00:00Z", "author": { "@type": "Organization", "name": "True Underground Editorial Team", "url": "https://www.trueunderground.one/about-dance-music-media-platform/" }, "publisher": { "@type": "NewsMediaOrganization", "name": "True Underground", "logo": { "@type": "ImageObject", "url": "https://www.trueunderground.one/wp-content/uploads/2022/04/cropped-tu-logo.png" }, "contactPoint": { "@type": "ContactPoint", "email": "[email protected]", "url": "https://www.trueunderground.one/contact/", "contactType": "editorial" } } }, { "@type": "PodcastEpisode", "name": "ONE-106: Pharrö", "episodeNumber": "106", "description": "A podcast edition featuring Pharrö exploring the intersection of Colombian energy and North American tech-house.", "partOfSeries": { "@type": "PodcastSeries", "name": "ONE Podcast", "url": "https://www.trueunderground.one/podcast/one-podcast/", "publisher": { "@type": "Organization", "name": "True Underground", "logo": "https://www.trueunderground.one/wp-content/uploads/2022/04/cropped-tu-logo.png" } } } ] } The post Pharrö – Underground Afro House Mix | ONE Podcast (#106) appeared first on True Underground.

© 2025 True Underground. All rights reserved. Angara – Forgiveness, Contrast and the Architecture of Narrative House French duo Angara unpack forgiveness, contrast and cinematic house music on ONE Podcast 105, tracing the path from Rwanda to their forthcoming debut album on Embassy One. Angara exist in the space between propulsion and reflection. The French duo, Quentin and Loris, have steadily shaped a form of narrative house that privileges emotional continuity as much as club function. Their music is built for movement, but it lingers long after the dancefloor clears. “We’re not trying to fit into a box,” they explain. “What drives us is creating electronic music that tells a story. Something that works on a dancefloor, but also in moments of introspection.” Growing up in the south of France, surrounded by a strong minimal techno culture, repetition became foundational to their emotional language. A single returning note, a restrained melodic phrase, a groove that unfolds patiently. They learned early that complexity is not a requirement for depth. Sometimes emotion lives inside what repeats. The project itself emerged through distance. Having met as teenagers and later gone their separate ways, Angara only formed once experience and perspective had accumulated. Their reunion was not nostalgic. It was necessary. “We didn’t reconnect to relive the past. We reconnected because we needed to create together, now.” Contrast defines their output. Fragile melodies sit against driving rhythms. Release follows restraint. That tension mirrors both their personalities and their lived experiences. Tracks often begin with memory rather than mechanics. A production only survives if it carries emotional recognition. Technical precision alone is insufficient. Their breakthrough Rwanda EP marked a decisive evolution. More club-focused while retaining their melodic DNA, it connected globally and expanded their audience significantly. Yet success introduced pressure. Listener messages, personal stories attached to their tracks, reinforced why they create in the first place: connection over metrics. Touring across Europe added a physical dimension. In the studio, emotion is internal. On stage, it becomes visible. Drops translate into bodies moving. Tension registers across a crowd. Live performance did not alter their studio philosophy, but it clarified purpose. Forgive You: Translating Acceptance into Rhythm Their latest release, Forgive You, signals refinement rather than reinvention. More rhythm-driven and structurally direct, the track centres on self-forgiveness. Accepting past decisions made from fear, convention or obligation. Recognising them as part of becoming. “Forgive You is about forgiving yourself. Taken paths out of fear, convention, obligation. It takes time to accept. To tell yourself it was what it was, that it’s okay.” The production mirrors that discipline. A square, almost rigid pulse anchors the track, representing the daily work of reconciliation. Offbeat elements interrupt the pattern, echoing moments of doubt. The emotional centre arrives through a sampled vocal from Ingrid Lukas’ We Are Touching Heaven, adding fragility and clarity to the narrative. Forgive You follows Out At Sea, a meditation on memory and first love. Together they form connected emotional states: attachment and acceptance. Both lead toward a larger body of work, with Angara confirming a broader narrative underway ahead of their 2026 debut album on Embassy One. As the project expands, their priority remains singular: honesty. Opportunities increase. External expectations intensify. The red line is identity. If Angara could be reduced to one human experience, it would be becoming who you are through what you live. Their music is not trend-driven architecture. It is memory, discipline and contrast translated into sound. Angara | ONE Podcast (ONE-105) | True Underground Tracklist  Angara – Forgive You Eli & Fur – Make Believe Maxi Meraki & Helsloot – Our Future Angara & Bound to Divide – Odyssey Jan Blomqvist & Rodriguez Jr. – Destination Lost (Arodes Remix) WhoMadeWho – Saturday (Maxi Meraki Remix) X Fever Ray – What Else Is There (Andhim Extended Remix) GHEIST – Searching Places (Extended Club Version) Uvita, Osfur, The Scripture – Permission To Move (Original Mix) 120&ME – Woods (Original Mix) Check out out the latest ONE Podcast editions here { "@context": "https://schema.org", "@graph": [ { "@type": "PodcastSeries", "@id": "https://www.trueunderground.one/one-podcast", "name": "ONE Podcast", "url": "https://www.trueunderground.one", "publisher": { "@type": "Organization", "name": "True Underground", "url": "https://www.trueunderground.one" }, "inLanguage": "en" }, { "@type": "PodcastEpisode", "@id": "https://www.trueunderground.one/one-podcast-105-angara-interview", "name": "ONE-105 | Angara", "episodeNumber": 105, "datePublished": "2026-02-18", "duration": "PT59M10S", "description": "French duo Angara discuss Forgive You, Out At Sea, Rwanda and their narrative house philosophy on ONE Podcast 105.", "url": "https://www.trueunderground.one/one-podcast-105-angara-interview", "partOfSeries": { "@id": "https://www.trueunderground.one/one-podcast" }, "image": "https://www.trueunderground.one/wp-content/uploads/2026/02/Angara-4.jpg", "associatedMedia": { "@type": "MediaObject", "contentUrl": "https://soundcloud.com/trueundergroundone/angara-one-105", "encodingFormat": "audio/mpeg" }, "publisher": { "@type": "Organization", "name": "True Underground", "url": "https://www.trueunderground.one" }, "host": { "@type": "Organization", "name": "True Underground", "url": "https://www.trueunderground.one" }, "inLanguage": "en" }, { "@type": "Article", "headline": "Angara: Forgiveness, Contrast and the Architecture of Narrative House", "description": "French duo Angara discuss Forgive You, Out At Sea and their debut album on Embassy One on ONE Podcast 105.", "datePublished": "2026-02-18", "dateModified": "2026-02-18", "author": { "@type": "Organization", "name": "True Underground" }, "publisher": { "@type": "Organization", "name": "True Underground", "logo": { "@type": "ImageObject", "url": "https://www.trueunderground.one/wp-content/uploads/2026/02/Angara-4.jpg" } }, "mainEntityOfPage": { "@type": "WebPage", "@id": "https://www.trueunderground.one/one-podcast-105-angara-interview" }, "image": "https://www.trueunderground.one/wp-content/uploads/2026/02/Angara-4.jpg", "inLanguage": "en" } ] } The post Angara – Melodic Techno Mix | ONE Podcast (#105) appeared first on True Underground.

© 2025 True Underground. All rights reserved. 4000 Hz: The Parisian Producer Redefining Nu-Trance 4000 Hz (Sacha) is a Paris-born electronic music artist at the forefront of the nu-trance and techno movement. Known for a hardware-first workflow and a background in rave culture, his sound bridges the gap between modern French techno and UK club energy. Key Takeaways: The Rise of 4000 Hz Artistic Identity: A hybrid of Parisian rave culture and hardware-driven spontaneity. Signature Sound: “Nu-trance”—a blend of modern techno weight and old-school trance euphoria. Major Milestone: Making his high-profile UK debut at Parklife Festival Manchester 2026. Label Pedigree: Key releases on Teletech, KTK, INNERGATE, and MOTZ. Global Footprint: Expanding from Paris (Rex Club) to South America and Germany. What are the Parisian origins of 4000 Hz? Parisian electronic music is defined by friction. For Sacha, the city’s mix of intimate clubs and industrial warehouses provided a diverse training ground. “The Parisian scene stands out for its eclecticism. Moving from straight techno nights to hybrid formats taught me early on not to lock myself into a single aesthetic.” The 4000 Hz Hardware-First Production Philosophy Unlike many digital-native producers, 4000 Hz utilizes hardware to maintain a physical connection to sound design. Spontaneity: Limitations of machines encourage “happy accidents.” Tactile Design: Creating an instinctive relationship with rhythm. Authenticity: Staying raw and focused on the collective experience over digital perfection. What is the “Nu-Trance” Movement? The nu-trance movement is a reaction against clinical techno. It embraces emotion, speed, and melody without irony. Element 4000 Hz Approach Foundation The heavy, industrial weight of modern techno. Atmosphere The bounce and uplifting euphoria of 90s trance. Vibe Faster, playful, and high-energy. “Nu-trance stands out by embracing emotion and melody. It reconnects techno with euphoria while still moving forward.” Breakthrough Releases: From Teletech to INNERGATE The trajectory of 4000 Hz is marked by strategic releases that helped define his brand in different territories: ‘Hot Sensation’ (Teletech): His international calling card. The track’s melodic edge provided an entry point for harder, global audiences. ‘GUN FINGERS’: An early signal of his stylistic direction. Label Partnerships: KTK (consistency), INNERGATE (mood), and MOTZ (reach) have solidified his underground credibility. Expanding the Global Map: UK, Germany, and South America The UK Market & Parklife Manchester The UK crowd is known for immediate energy. For 4000 Hz, Parklife Manchester represents a pivotal moment for his brand. Teletech Connection: Leveraging UK-based label roots to build instant credibility. Strategic Adaptation: Balancing high-intensity peaks with sophisticated tension. The German Benchmark Playing at venues like Gotec and in Berlin served as a litmus test for his technical precision, ensuring his sound holds up in the historical heart of techno culture. 2026 Vision: Sustainable Growth and Creative Discipline Despite the rapid momentum, 4000 Hz prioritizes creative discipline. His 2026 strategy focuses on: Quality over Quantity: Avoiding the “overextension” trap of the modern touring circuit. Authenticity: Ensuring every set reflects his eclectic influences. Controlled Evolution: A deliberate approach to production and performance. “Keeping quality and authenticity at the core is the only sustainable path. I want people to feel genuine passion for the craft.” Check out all ONE editions here The post 4000 Hz – Nu-Trance Mix | Teletech | ONE Podcast (#104) appeared first on True Underground.

© 2025 True Underground. All rights reserved. Born in Christchurch and raised near Mannheim, DJ Cringey’s relationship with music was never passive. It was curated, designed, sequenced. While other kids handed out sweets at birthday parties, she burned mixtapes, complete with intros, sketches, and hand-painted covers. Even then, the instinct was clear. Control the journey. Shape the mood. Tell a story. “I learned very early on that I love curating music and building tension,” she says. “Most of my mixtapes had an intro, then they really moved through genres. Ending with something completely wild.” Growing up near Mannheim placed DJ Cringey close to one of Europe’s most influential club ecosystems. Time Warp culture, serious dancefloors, and access to global selectors formed her education. She wasn’t there to be seen. She was there to listen. Three nights a week, sober, absorbing everything from house and gabber to drum and bass and techno. The city also offered something else. An experimental fringe where sound, design, and humor collided. “That openness and sense of playful experimentation is also where the idea for my artist name DJ Cringey comes from,” she explains. Berlin didn’t change her instincts. It sharpened them. Deep immersion in experimental parties around 2017 and 2018 expanded her sense of what electronic music could be. Spaces where seriousness and absurdity coexisted. Where sound functioned as ritual rather than performance. Where the floor mattered more than the persona. Her early DJ sets reflected that freedom. House parties where genres collapsed into each other. Donk into techno. Hip-hop into rock. A mixing style that felt deliberately wrong, but worked. The nickname DJ Cringey stuck long before she ever touched professional equipment. “That chaos can be beautiful if it’s done right,” she says. “But context matters.” As her career professionalised, so did her approach. Today, the rule-breaking is more deliberate. Less shock, more control. “My style is actually less cringe and more straightforward now,” she says. “Fewer drops, and if there are drops, they’re more epic and intentional.” The philosophy remains intact. Respect the room. Read the floor. Randomness only works when it makes sense. “You can’t be arrogant and just play crazy things for yourself,” she says. “At the end of the day, part of the job is making people feel good and connected.” Parallel to music, DJ Cringey built a serious career in graphic design, working with electronic artists like Alignment and major German rap names including BHZ, Yung Hurn, and Ski Aggu. When she moved to Berlin in 2019, those two worlds finally collided. A challenge at a party to “prove it” behind the decks became her first booking. Borrowed gear. No safety net. Immediate clarity. From there, momentum came fast. Festivals. A signing with Hyperdreams. In 2025, a move onto Teletech’s roster. Her sets, whether in clubs or on massive stages, maintain a clear through-line. Narrative first. Energy second. Ego last. “Storytelling is extremely important to me,” she says. “I usually start slow, build towards a peak, and at the end there’s often something cute, funny, or unexpected.” Her debut mixtape Cringey Core, released last year, captured another side entirely. Produced during an emotionally intense period, the nine tracks functioned as self-interrogation as much as club material. Collaborations with Fanny, DJ Kirby, Sky Leon, and Polizei anchored a sound that was raw rather than polished, honest rather than performative. Her latest release under Hard Candy with Odymel, featuring her own vocals on ‘Fitness’, hinted at where things are heading next. In 2026, that direction becomes explicit. Don’t Date Rappers is a long-gestating project designed to bridge electronic music and rap, using real collaboration rather than surface-level crossover. “Instead of using Splice vocals, I want to work with people who can really write, sing, and rap,” she says. “Electronic producers and rappers who are masters of their craft.” It is less about genre fusion and more about infrastructure. Connecting worlds that exist side by side but rarely speak. Curated with the same instinct that once shaped childhood mixtapes. On massive stages, that underground spine remains intact. Adaptation is practical, not ideological. The goal is still to lead people somewhere unfamiliar without forcing it. “I love it when I can sneak in tracks people don’t expect and guide them there emotionally,” she says. “When people say it felt like a journey, then I know it worked.” Once shy, hiding behind pitched vocals, DJ Cringey now stands firmly inside her own voice. Fearless, genre-fluid, and deliberately unconcerned with rules for their own sake. The same kid who painted mixtape covers is still present. Only now the canvas is global, the system louder, and the story sharper.   View this post on Instagram   A post shared by True Underground | Techno | ONE Podcast | Electronic Music News (@trueundergroundtu) Check out all ONE editions here The post DJ Cringey – Techno Mix | Teletech | ONE Podcast (#103) appeared first on True Underground.

© 2025 True Underground. All rights reserved. Sirus Hood’s relationship with house music began before he knew what to call it. Long before genres, platforms, or scenes, there were cassette tapes. Chicago house recordings passed hand to hand, some captured live in clubs in Algiers, complete with DJs speaking over the mix. No internet. No mentors. Just repetition and imagination. “I was listening to Chicago house without knowing what it was,” he recalls. “No internet, no mentors. Just tapes.” Those voices and rhythms planted a vision early. “I used to imagine myself in his place.” Raised between Algiers and Paris, contrast became instinctive rather than disruptive. Different cultures, different energies, coexisting without hierarchy. That duality never demanded resolution. “It taught me contrast very early,” he says. “Different cultures, different energies. I never felt the need to choose one side, I learned to move between them.” The ability to navigate between worlds would later define both Sirus Hood’s sound and his career. Paris provided the historical map. Through Daft Punk, Sirus traced the lineage backward, uncovering the Chicago foundations that shaped everything he was hearing. That curiosity eventually led him to the architects themselves. “If you’re from Paris, you grow up knowing everything about Daft Punk and how Chicago house shaped their sound,” he explains. “Through them, I discovered the house legends I would meet years later, like Paul Johnson, DJ Deeon, and DJ Sneak.” What began as distant influence became direct dialogue. At 18, he bought his first vinyl turntables and taught himself how to DJ by ignoring the rulebook entirely. “I never learned the ‘right’ way,” he says. “I trusted my ears first, and I still do.” That decision preserved something essential. Freedom over formality. Instinct over instruction. It is a thread that runs through everything he has done since. While peers chased visibility, Sirus moved deliberately against the current. Social media held little interest. “I was more interested in records than profiles,” he says. “Social media came later, the music was already there.” The focus stayed on digging, producing, and playing, allowing recognition to arrive as a consequence rather than a goal. His sound reflects that refusal to sanitise. Raw, analog, sometimes deliberately rough around the edges. Perfection rarely survives his filter. “If it feels too clean, I usually skip it,” he admits. Sets are built in real time, guided by emotion rather than structure. “I like to stop overthinking and get into a flow state. I follow the emotion I want to feel in the next few minutes.” Risk matters. So does tension. “Something that feels alive, not perfected.” That philosophy crystallised with Mood Child, the label he co-founded with Manda Moor. The intention was never to define a genre or chase a trend. “We wanted to build a space where emotion comes first,” Sirus explains. “Not a genre, not a formula.” Mood Child became a framework for identity rather than sound, allowing artists to express a state of mind without compression. The label’s album projects, from Groovy Moods to Trippy Moods, are constructed as journeys rather than collections. Once the emotional direction is set, the process unfolds organically. “Once the direction is clear, the universe seems to deliver what’s needed,” he says. “Tracks appear, connections form, and the story builds almost by itself.” Sequencing becomes intuitive, each track finding its moment within the wider arc. During the pandemic, that same instinct produced Mood Edits. Temporary, urgent, and intentionally fleeting. “Mood Edits were about urgency,” Sirus says. “No strategy, no permanence.” The concept echoed his childhood experiences of chasing rare tapes, reinstating value through disappearance. The response was larger than expected. “Not at all,” he says when asked if he anticipated the impact. “I think people felt the honesty behind it. In a digital-heavy scene, rarity still has weight.” International moments arrived early and decisively. Brazil and Ibiza, around a decade ago, delivered clarity. “That’s when I realized the music could connect instantly,” he reflects. “Far beyond language or context.” Since then, Sirus has carried his sound across continents, adapting without diluting. “I don’t change who I am, I change how I tell the story.” Environment becomes collaborator. “If I play in nature, I play with nature.” Looking ahead, a Chicago-inspired album sits on the horizon, shaped by reflection rather than nostalgia. Work on a documentary around Chicago house reframed his perspective. “It reminded me that this culture is alive, evolving, and meant to exist in the present,” he says. That understanding feeds directly into the project, grounding it in continuity rather than revival. In the booth and the studio, the pursuit remains unchanged. “Losing track of time,” he says. “When thinking stops and instinct takes over.” Outside of music, clarity comes from absence. “Silence. Travel. Being disconnected long enough to hear things clearly again.” For the next generation, Sirus Hood’s advice is direct and unsentimental. “Focus on your homework, not the reaction,” he says. Learn the culture. Understand the origins. Study sound design and the physical reality of music. Integrity is not performed. It is built, slowly, through depth and attention. Tracklist Subrosa – Sometimes You Just Feel It GruuvElement’s, Ollinobrothers – Off The Op Geeeman – Wanna Go Bang (Catz N’ Dogz Interpretation) Subrosa – Baba Ali – Cog In The Wheel Subterrain Records – C’est Le Rhythm Kevin Yost – Dancer Dancer (Original Mix) Marian, Sterium – 2010 ID – ID Eden Burns – House Non Stop Ramoss, Taylor Crane – You Givin’ Me Afain – Forest Sunset Figio’s, Çesc – Movie Cycle AJ Christou – Bang Bang Ruso Eyh – Mamaeyh Jon Cutler – Flut-ie Pebbles Check out the ONE podcast archive here. The post Sirus Hood: Tech House & Soulful Groove Studio Mix | ONE Podcast (#102) appeared first on True Underground.

© 2025 True Underground. All rights reserved. VICTORIA WHYNOT emerged from Villa Carlos Paz in Córdoba, Argentina, carrying more than just a name. “Why not?” is not just a stage moniker; it is a lens through which she approaches the world, a challenge to fear, hesitation, and convention. From her first forays into music at thirteen, influenced by house legends Frankie Knuckles, Larry Levan, Kevin Saunderson, and Derrick May, VICTORIA WHYNOT has forged a signature sound that fuses House, Detroit, and Indie Dance, moving crowds with groove, emotion, and energy that feels both intimate and epic. Whynot’s career is marked by milestones that resonate far beyond personal achievement. Performing at Creamfields, ADE, Pacha Ibiza, Paradise, and Lollapalooza, she has shared stages with Carl Cox, The Chemical Brothers, Fatboy Slim, Jamie Jones, and The Martinez Brothers. Yet, as she explains, her journey has always been about more than prestige or recognition. It is about connection, freedom, and the raw, human energy that flows through a dancefloor. Her mantra, confronting fear with curiosity, has guided critical decisions. “Every turning point in my career came from asking that question honestly,” she says. “It’s both a philosophy and a rebellion against hesitation.” This approach informs her artistry, where being unapologetic is less about ego and more about authenticity. “Being unapologetic means accepting the full weight of my contradictions and translating them into sound, rhythm, and movement,” she reflects. The influence of Detroit techno pioneers shapes her music profoundly. “Perfection in electronic music doesn’t come from control but from tension, from emotions that almost collapse,” Whynot observes. Her live sets, described as narratives rather than performances, breathe with tension and release, shadow and light, guiding audiences through an arc that transcends genres. Getting stuck in Los Angeles while traveling at the outset of her professional career during the pandemic offered lessons that could not have been learned at home. Immersed in anonymity, she discovered the discipline of protecting her creative space and confronting the solitude that sharpens both perspective and sound. This discipline remains central to her approach, particularly as she balances touring, producing, and the demands of international circuits. “I retreat into silence. I have a rule: no sound after playing when I am touring. I let the world’s rhythm fade so I can hear my own again,” she explains. Milestones continue to define her path. In 2025, she became the first Argentine DJ to speak at IMS Ibiza, an achievement that she describes as both surreal and symbolic. Her collaboration with Dantiez Saunderson on KMS Records emerged organically, a testament to the power of chance encounters and shared musical heritage. Victoria is candid about the challenges of navigating the electronic music industry as a Latin American woman. “There’s an invisible labour in being seen,” she states. Geography, accent, and assumptions compound the work required, but resilience becomes a rhythm, a dance with resistance that defines both her journey and her sound. Her perspective on the global scene is optimistic. She observes a return to freedom and vulnerability, a generation of artists prioritising intuition over trend, and music that feels distinctly human. This, she says, is what inspires her most. Looking ahead, she is focused on giving back, opening doors for fellow Argentine artists, and reinforcing the message that sound has no borders. Her advice to emerging DJs and producers encapsulates her ethos: “Don’t wait for permission to start. Curiosity will take you further than confidence ever could. Ask questions, take risks, and let your mistakes be your teachers. Every great story begins with a simple why not.” Website | Instagram | Spotify Tracklist: 1. Dantiez, VICTORIA WHYNOT – Get On Up 2. VICTORIA WHYNOT – Ravetool 3. Dantiez, TMPR, VICTORIA WHYNOT – [ID-ID] 4. Dantiez, SYREETA – [ID-ID] 5. Dantiez, SYREETA – [ID-ID] (VICTORIA WHYNOT Remix) 6. VICTORIA WHYNOT – [ID-ID] 7. Nacho Padilla, VICTORIA WHYNOT – Left Right 8. Nacho Padilla, VICTORIA WHYNOT – Groovy 9. VICTORIA WHYNOT, Michele Conte – [ID-ID] 10. VICTORIA WHYNOT, Michele Conte – [ID-ID] 11. Closed I, VICTORIA WHYNOT – Trama (PAMPA Remix) 12. Pampa, VICTORIA WHYNOT – Interior Harmony 13. Pampa, VICTORIA WHYNOT – Emotional Regulation 14. Pampa, VICTORIA WHYNOT – Blown 15. VICTORIA WHYNOT – [ID-ID] 16. Pampa, VICTORIA WHYNOT – Affair The post VICTORIA WHYNOT | ONE-101 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Yousef’s trajectory pivots on one early catalyst. Winning Muzik Magazine’s Bedroom Bedlam competition put him in front of the right booths at the right moment. Yousef’s mix was raw but razor-sharp: three decks, two copies of tunes, mixing, chopping, loaded with Magic Sessions, Moodymann, DJ Rasoul, Basement Jaxx, and Daft Punk. Ministry of Sound booked him as the prize. Pacha Ibiza followed. Agents offered deals on the spot. A full-time career began immediately. Liverpool shaped him. Early acid house. Late-rave grit. Weekly pilgrimages to Cream. “I can’t overstate how special Cream was… sweat dripping off the ceiling… it was the best clubbing experience I’ve ever had.” He studied the room long before he played it. Cream’s Annexe gave him the residency he had already imagined: six-hour underground house sessions in a room that defined a generation. Circus emerged at a crossroads. Cream’s main room drifted into commercial hard house, hurting his bookings. He proposed a new night. Cream agreed. Then Cream closed. The residency ended before the first Circus night existed. He had a concept, a following, but no venue. Richard McGinnis stepped in. Two friends invested £500 each. They moved the concept to The Masque. That decision created one of the UK’s longest-running club institutions. Every major name has played the Circus floor. It became a cultural anchor, not just a night. Early challenges were structural. Liverpool’s booking power sat with Bugged Out. Circus needed authority from scratch. Yousef had name recognition and a Radio 1 platform, but nothing came easy. “The trick was just be persistent, have a goal, and a deciding story about your values.” He learned booking from McGinnis, stayed persistent, and grounded the brand in values: inclusion, fresh music, safety, a place to be silly. For more than 15 years he sacrificed a weekend a month to maintain the residency, even while touring. “I took off a weekend a month to build Circus… just to be there with Rich and commit.” Circus Recordings launched in 2008 out of necessity. Big labels took a year or more to release his music. He wanted speed and control. “I was just frustrated at the time it took to get my music out there.” The label defined its lane: house at its most functional, emotional, and club-focused. Milestones followed. Ten-year and fifteen-year Circus compilations brought Carl Cox, Kerri Chandler, Sasha, Laurent Garnier, Paco Osuna, and more. Green Velvet’s “Bigger Than Prince” became the breakthrough. Hot Since 82 and Martinez Brothers remixes carried it globally, elevating the label. “It went on to be a global phenomenon.” During the Covid shutdown, Yousef and his Circus team were selected by UK central government to lead the reopening of events. They accepted the economic risk despite having been closed for over a year. Circus then delivered The First Dance, the first music event anywhere in the country to restart the UK’s events sector. It became one of the most consequential moments in modern British electronic music, setting the precedent that allowed nightlife, culture, and even national sport to reopen. Yousef’s five albums chart a producer who understands dance floors but refuses to be limited to them. “I’m a storyteller… that needed to come out via my music.” Scars and Situations, A Product of Your Environment and In The Process of Eight were his first three. 9 Moor Drive delivered catharsis. I Operate in Purple, released September 26th, 2025 hit number 1 and shows refined intent and confidence. “I’m now much more aligned with accurately digging into what I want to say as an artist.” “I Feel Good” with Alexx from the new album, reimagines an ’80s soul classic. Sampling limited the direction, so he rebuilt it from scratch. “I wanted to sample the original at first, but sampling restricted what could be accomplished.” Alexx resang and rewrote the lyrics. Mark “Blakkat” Bell added live bass. The result nods to classic New York house without nostalgia. Circus thrives because it refuses to stagnate. “Persistence and partial insanity to just keep going has served us.” The brand now runs events across Blackstone Warehouse and Invisible Wind Factory, shifting between disco, techno, and everything adjacent depending on the audience. Yousef’s longevity rests on discipline, not mythology. “I insist upon self-sufficiency… I don’t have a manager… I’m happy doing a range of activities.” He believes he is at his peak. “I’m a better DJ than I’ve ever been… I only play music I truly and deeply believe in.” He rejects nostalgia edits and crowd cheats. Cliques and superficial scenes? “Cliques in dance music are the opposite of the spirit of house music.” Kindness and inclusion remain core. That is his operating system. Yousef’s A&R is instinctive: the same rush as finally finding the record, the trainers, the book you’ve hunted for. If a track triggers that spike, he signs it. No diagrams. No rules. Just pulse. Arguments over underground or overground don’t interest him. “Nobody has the right to decide what other people are or should be.” Modern technology is embraced. “I love it all.” Three decades in, Yousef is a Liverpool constant with global reach. A DJ who outworked the noise. A promoter who built a brand from £500 and belief. A label owner with 200 releases and a catalogue that shaped careers. A producer whose albums reflect an expanding interior world. The story is simple: persistence, self-direction, total commitment to the craft, and a refusal to be anything other than himself. ONE-100 Tracklisting Phil Prince – Moving To Another City Phil Prince – Question (unsigned) Antonio Rec – Mind The Gap (Circus Recordings) Junior Sanchez & Chez Damier – Chez B Fioretti – Rio 400 Fioretti – Suzanne Antonio Rec – Stargazing (Circus Recordings) Lissy Lübeck feat Ellie Allen – Run it Back (Circus Recordings) Paolo Martini – Set You Free (Fioretti Remix) Julian Collazos – Mambo Latino (Circus Recordings) Hassio & Diego – Mana (Circus Recordings) Yousef feat Alexx – I Feel Good (Circus Recordings) Check other one editions here The post Yousef | ONE-100 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Damien Roussel’s path as The Mekanism traces a rare blend of discipline, restlessness, and human perspective. The Mekanism got his first taste of Paris’s flourishing house scene in the early 2000s, but it was his unexpected detour to Asia that left the real mark. “Back when I was living in China, on this island called Hainan, I actually opened a nightclub there,” he recalls. “It was a crazy experience – but what really hit me was seeing how tough life was for a lot of the people I worked with. Some of them were living in real poverty, and that made me realise how lucky I was. It pushed me to live my passion to the fullest, to enjoy every moment, and to never take this life for granted.” That awareness has stayed with him. It’s part of what gives The Mekanism’s sound its emotional edge – grounded but never static. When his 2015 release Acid Love landed on Play It Say It, it marked a turning point: a new rawness, a shift toward acid and groove. “I’ve always loved sampling – it’s something I use a lot in my productions,” he says. “For Acid Love and Lost Girl, I didn’t want to follow any rules, I just wanted to have fun in the studio and see where it would take me.” The result was a liberated, rule-free energy that set him apart from his earlier deep house work. “To be honest, my productions never really sound the same – I love so many different styles, and I’ve made the choice to produce whatever comes to my mind. It might be a bit confusing for promoters sometimes, but it’s an artistic choice I fully embrace.” His label choices follow the same ethos. “I always choose labels I genuinely follow and support,” he explains. “Phil Weeks has been a huge influence on house music, and he’s also an incredible person, so working with him feels really special. For me, it’s about being part of a scene and a sound that I truly respect. Seth is a great example – I had the honour to sign with him and even play B2B a few times, which was an amazing experience.” For Roussel, credibility outweighs convenience: “It’s not just about the beat.” The synergy between his DJ sets and production is deliberate. “I love making tracks for the clubs because I get to play them myself,” he says. “But I also enjoy producing more chill stuff – the kind of music you can listen to on the beach or anywhere really. I’m happy that different generations connect with what I do, not just clubbers.” Collaboration fuels that versatility. His recent EP with Salomé Le Chat on Bambossa Records emerged naturally from friendship. “Producing with Salome is a real pleasure because we’re close friends and share a similar vibe, so it happens really naturally and effortlessly,” he says. “Collaborating with someone can only enrich you through the exchange of knowledge, and it also pushes you out of your comfort zone and gives you a new perspective on your own work.” Right now, he’s returning to brightness and warmth. “At the moment, I’m coming back to more sunshine-y sounds,” he explains. “Music happens in cycles, and right now it’s the cycle of happy house for me. I think people want to hear that right now – at least it puts a smile on my face, and that’s exactly what I want to share.” Inspiration strikes The Mekansim everywhere. “I draw a lot from everyday life – what I hear everywhere, in the streets, people listening to their music, old tracks on the radio,” he says. “I try to feel the energy around me and see what could match the moment.” In the studio, Roussel relies on a mix of analog and digital. “I’ve always been fascinated by analog gear – I feel like you can get a real, authentic sound more easily than with VSTs,” he says. “That’s why I’ve always loved buying synths and building my modular setup, trying to find unique sounds – you can hear a lot of that in tracks like Lost Girl. The most fun part is plugging all the synths and drum machines together, launching everything at once, and just jamming. That’s when the magic really happens.” After three years living in Mexico, The Mekanism is preparing to return to Europe, bringing a global sensibility to every set. “I play what I love, while obviously reading the crowd, so it can range from disco house to acid house or electronica depending on the night and the venue,” he says. “But you won’t see me producing or playing music with flutes!” Even as his music continues to evolve, The Mekanism’s gaze is shifting beyond the dancefloor. “Actually, I wanted to get into filmmaking, and right now I’m finishing my first movie – a comedy that will hit cinemas in May,” he says. “It’s really exciting as a first project to get my foot in the door. Comedies are also easier to make than action or sci-fi films, so this feels like a good first step.” The post ONE-99 | The Mekanism appeared first on True Underground.

© 2025 True Underground. All rights reserved. UK DJ and producer CASH ONLY has made 2025 a breakout year, combining festival stages, club floors, and a string of standout releases into a defining period of growth. Known for a signature sound blending House, Afro, UK Garage, and Tech House, he has delivered a series of high-profile collaborations on Famous When Dead Records, the label he co-founded with Midlands-based abstract street artist Famous When Dead. The imprint has become a hub for music, visual art, and culture, garnering global radio play, charting tracks, and over a million streams collectively. CASH ONLY’s presence this year extended across major festivals and venues, including Glastonbury, Hi Ibiza, Cafe Mambo, Defected Croatia, Reading, Parklife, and the iconic Pikes Ibiza, while simultaneously managing Sam Divine’s Dvine Sounds and preparing the launch of her new label concept, 555. His creative projects also merge nightlife with fashion and culinary culture, through partnerships with MEYBA, Sly Dog Rum, and Ginger Wings, producing limited-edition apparel, “Wing Raves,” and immersive experiences. Contrary to popular assumption, CASH ONLY has nothing to do with money. The alias originated in 2012 when he bought a piece of abstract art titled Cash Only by Famous When Dead. Originally conceived for a duo, the name stuck as he pursued House music events. A decade later, with solo studio work, the name returned, gaining fresh relevance in a post-COVID world and becoming a quirky global touchpoint, with fans spotting CASH ONLY signs worldwide. Reflecting on the year, CASH ONLY cites his performance for Back to Mine at Pikes Ibiza as pivotal. Playing in the intimate, high-energy Bathroom Club, packed into a space no bigger than a domestic bathroom, the set captured the raw connection he strives for in every performance. This moment, he says, set the tone for the year’s momentum. CASH ONLY launched Famous When Dead Records to gain control over his music while blending sound and visual art. The label seeks to stand out through creative expression and social commentary, aiming to build a community invested in both music and meaningful messaging. Through this, he hopes to provide positivity amid the world’s challenges, using art and music as channels for connection. With music releases and DJ dates firing on all cylinders, CASH ONLY is focused on creating a community that engages directly with his projects — from events and merchandise to small-capacity experiences designed to offer more than just another club night. “I’m excited to get this activated next year,” he says, hinting at a more immersive and participatory vision for 2026. Tracklist Kerri Chandler, Dennis Quin Ft Troy Denari – You Are In My System (Philip George Remix) Devstar – I NEED YA (Jeremy Sylvester Re-Lick)  Jenn Getz & Alfie – All I Really Want  Cash Only x gawp Holly Ellison – Remedy  Jewel kid – Free Kim English – Nite Life (M-High Remix) Kruel Intentions, Carly Carmen – Wind My Body Down  Low Steppa x Rue Jay x Reza – I Am The Creator  Rue Jay x TANYA TANYA – Our Love  NESI – Thats it   Precious Love (Sam Divine Remix) George Morel – Let’s Groove (James Poole Edit) Discoplex – In The House Music  JACKARD, THIJS KONING  – I Feel It CINTHIE – Hands Up Capri ft Evelyn King – One More Time The post ONE-98 | CASH ONLY appeared first on True Underground.

© 2025 True Underground. All rights reserved. Dublin-born electronic artist Matador (Gavin Lynch) continues to redefine the boundaries of techno in 2025. Renowned for his dynamic live performances and innovative productions, Matador’s recent work underscores his commitment to evolving the genre. In October 2025, Matador released the Easy Up EP on his RUKUS label, collaborating with London-based artist Kyozo. The four-track EP includes both extended and radio mixes of the title track, along with Matador’s solo production “Another Level” in similar formats. Earlier in the year, Matador unveiled “SIRENS,” a collaboration with EYNKA and Tailor. The track exemplifying his evolving sound, blending melodic elements with his signature techno style. Matador’s 2025 recent tour has included performances at notable venues such as Hyde Park Book Club in Leeds, Casino da Madeira in Funchal, and 8 Marvila in Lisbon and those of you going to ADE can catch him perform at NEST x ADE CRANE. Tracklist Whoriskey – Let me Feel Matador – LHR -PIT Matador – The Enemy ft.Felix da Housecat – Julian Jewil Remix Matador – Maddox Matador Ft.Kyozo – Easy Up Matador – My Living Paradox Matador – Badarse Matador – Radiohead Thing Matador – Another Level Matador – Satisfy my Soul Matador – Eternity Bryan Zentz – D-Clash – Matador Remix Whoriskey – Lexicon The post ONE-97 | Matador appeared first on True Underground.

© 2025 True Underground. All rights reserved. Avision (Anthony Cardinale), born in Staten Island, NY in 1993 and now based in New Jersey, is a DJ and producer renowned for his dynamic contributions to the techno and house music scenes. Raised in the vibrant club culture of New York City, Avision was drawn to music from an early age. At just 12 years old, he began experimenting with music production using his father’s laptop and Logic Pro. With a father actively involved in music, Avision’s passion was nurtured from the start.   View this post on Instagram   A post shared by Avision (@avision) His professional journey gained momentum with the release of the Excess EP on Beardman Records in 2018, earning widespread acclaim and elevating his profile within the industry. He has since released tracks on respected labels including Maceo Plex’s Ellum Audio, Crosstown Rebels, Altra Moda, Blackbook Records, Cod3 QR, and Cocoon. Avision’s debut album In My Mind received recognition from DJ Mag UK, further solidifying his reputation in the global electronic music community. Recently, Avision launched the label MATTER+ with his cousin and legendary DJ Victor Calderone. In addition to his music career, Avision is an entrepreneur. He owns an event production company, a mobile pizza business, and a restaurant and bar in New Jersey—ventures unified under his Ground Rule Collective, which blends events, clothing, art, and food. Avision’s sets are known for their uplifting, groovy, and deep sound, inspired by pioneers like Victor Calderone, David Morales, Junior Vasquez, and Danny Tenaglia. Notable appearances include Brooklyn Storehouse, The Brooklyn Mirage, Time Warp NYC, Space Miami, Stereo Montreal, Thuishaven, and the iconic Printworks in London. His ability to perform marathon open-to-close sets highlights both his technical skill and his connection with crowds. Looking ahead, Avision continues to innovate and inspire—balancing his passion for music with entrepreneurial vision, securing his place as a lasting and influential figure in the electronic music scene. The post ONE-96 | Avision appeared first on True Underground.

© 2025 True Underground. All rights reserved.   t e s t p r e s s (all spaces, no caps) are a DJ & production duo originating from Aberdeen but now residing in Glasgow. Forward thinkers in the trance and techno realm, they’re known best for their high energy fast paced dunts.   View this post on Instagram   A post shared by t e s t p r e s s (@testpressabz) Since joining Polyamor agency at the latter stages of 2024 the boys have been honing their sound with hard bounce and trance being their weapons of choice. This has led to a plethora of sold out shows all over Europe and also a return to Australia. Looking to the rest of 2025 they look to expand to new territories such as the Americas as well as continuing to be a mainstay across the European continent. With some of their best work yet to be released this year looks to be special. The post ONE-95 | t e s t p r e s s appeared first on True Underground.

© 2025 True Underground. All rights reserved. Manda Moor is not just riding the wave of the underground — she’s shaping it! The Danish-Filipino DJ, producer, and co-founder of Mood Child has become a force in contemporary house music. Known for her signature spicy grooves and contagious energy on the dancefloor, Manda Moor’s passion and indisputable music taste have never gone unnoticed. With roots in France and a deep connection to the golden era of Chicago House, Manda’s sound is an intoxicating blend of groove-driven house and techno, infused with raw emotion, bounce, and bold character. Her sets are as flavorful as they are explosive, earning her B2B slots with powerhouses like Jamie Jones, Loco Dice, Nick Curly, Cuartero, Prunk, Reboot, Yaya, and wAFF — artists who not only respect her artistry but actively champion it. Having topped charts on labels like Hot Creations, Kaluki, Cecille, SB Recs, Paradise, and Tamango, Manda’s breakout EPs What U Want and Picante both claimed #1 on Beatport, cementing her as a production talent to be reckoned with. Her sound has received unwavering support from legends like Carl Cox, Luciano, Joseph Capriati, Marco Carola, Louie Vega, DJ Sneak, Paul Johnson, and Seth Troxler. Moreover, she’s earned the trust of Chicago royalty, remixing icons like DJ Deeon, K-Alexi, DJ Pierre, and Roy Davis Jr. Beyond her personal success, Manda Moor is building a movement through Mood Child — the acclaimed label, event series, and lifestyle brand she co-founded with Sirus Hood. Voted Beatport’s Hype Label of the Year, Mood Child is known for its authentic community spirit, analog-rich sound, and unforgettable parties. The imprint stands out for its bold, genre-blurring identity and storytelling spirit, with the particularity of releasing only VAs that showcase distinct moods — Wild Moods, Dreamy Moods, Trippy Moods, and more. As a party series, Mood Child is a space for risk-taking and self-expression, where DJs are encouraged to play outside the box — shifting from disco to dark minimal, from tropical rhythms to hypnotic grooves — while always staying true to their story. It’s more than a party; it’s a celebration of mood, unity, freedom, and artistry. The post ONE-94 | Manda Moor appeared first on True Underground.

© 2025 True Underground. All rights reserved. Detroit native Dantiez Saunderson stands at the intersection of legacy and innovation in electronic music. The son of techno pioneer Kevin Saunderson and acclaimed vocalist Ann Saunderson, Dantiez grew up immersed in the city’s iconic sound. But rather than follow in anyone’s footsteps, he’s carved out a path uniquely his own. As both a DJ and producer, Dantiez blends the raw energy of Detroit techno with the groove of modern tech-house, building a discography that moves dancefloors while pushing the genre forward. His work has earned acclaim from across the scene, with Mixmag calling him “a bridge between Detroit’s techno heritage and the future of electronic music,” and Resident Advisor recognizing him as “a driving force in techno’s new era.” Dantiez has released on powerhouse labels including Defected, Toolroom, Armada, Realm, and KMS Records, with support from artists such as Gorgon City, Green Velvet, Seth Troxler, and Idris Elba. As part of the legendary Inner City, he played a pivotal role in their 2020 comeback album We All Move Together, and continues to collaborate with Kevin Saunderson under the iconic e-Dancer alias. A fixture on international lineups—Movement Festival Detroit, Boiler Room Montreal, and venues across Europe and North America—Dantiez brings his distinctive sound to a global audience. Behind the scenes, he also leads A&R at KMS Records, helping guide the label’s new wave. Focused on evolution, independence, and building something lasting, Dantiez Saunderson isn’t just carrying the torch—he’s setting his own direction and lighting new paths for the next generation of Detroit artists. The post ONE-93 | Dantiez appeared first on True Underground.

© 2025 True Underground. All rights reserved. As one Half of the Audiofly Duo and with a DJ Career spanning over 20 Years, Luca Saporito has traveled all four Corners of the Globe more times than he can count. His musical Journey has led him to produce a very recognizable Style that is often described as “The Audiofly Sound”. Luca has played some, if not all, of the most sought-after Stages on this Earth with his infamous Beats and joyful Vibes. With past Releases on Labels like Get Physical, Crosstown Rebels, Mobilee and his own Imprints Flying Circus, Supernature and his latest Venture SUPERSAPIENS, to name but a few, he’s had a more than an impactful Ride under the Audiofly Moniker and as a Solo Artist alike. ́ 2023 sees Luca Saporito successfully embarking on a Solo Career that shows all the Signs of being as dynamic as the man himself. Luca’s current whereabouts are in Ibiza, where he is refining a new signature Sound that defines not just his current Sets but also his upcoming Productions, all layered with distinguishable Melodies, a deep musical Refinement, and as always, mixed with utmost Precision. Keep an eye out for this (mad)man! The post ONE-92 | Luca Saporito (Audiofly) appeared first on True Underground.

© 2025 True Underground. All rights reserved. Toronto-born Carlo Lio has long been a force throughout the underground, earning a reputation for his versality but most of all, his hypnotic, techy beats. As a DJ, producer, and co-label boss of Rawthentic Music alongside Nathan Barato, he has released on influential imprints like Tronic, Suara, and KD Raw, with his music championed by the likes of Dubfire, Marco Carola, Carl Cox, and Loco Dice. His ability to translate raw emotion into sound has made him a big fixture on dancefloor’s everywhere. His new collab with M.I.T.A perfectly sets the tone the relaunch of Carl Cox’s label, Intec – which has always been a champion of high-energy, tribal, and groove-driven techno, as well as its more melodic side. Now after almost 5 years, the label returns with a renewed focus: uncovering standout records from fresh talent while bringing back some familiar names from its storied past. The duo’s lead track ‘Chasing Ghosts’ is a relentless peak-time weapon, while ‘AFREAKA’ and ‘The Artist’s Struggle’ push deeper into funky, hard-groove territory – setting a high bar for the return of one of the most legendary labels in techno. The post Carlo Lio | ONE-91 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Sensing the irresistible pull of deep, tech, and techno sounds sweeping Europe in the late ’90s, Bosnian DJ Sinisa Tamamovic began honing his craft in the underground scene of Banja Luka. From local gigs to commanding global stages, Sinisa quickly captivated audiences with his distinct sound, setting the foundation for a remarkable career. In 1999, Sinisa partnered with fellow DJ Mladen Tomic to launch Urban Beat, a pioneering organization that transformed Bosnia’s nightlife by hosting international talent and redefining the country’s electronic music scene. Their work carved out a vibrant cultural niche, filling a gap in a recovering nation. Sinisa’s career truly went global with the release of his first vinyl in 2005, opening doors to an international audience. Known for his heavy basslines, organic drum patterns, and energetic performances, he landed Top 4 spots on Beatport’s tech house charts with tracks like “Who We Are” and “Waking Up” in 2011. Relocating to London that same year, Sinisa continued pushing boundaries, collaborating with legends like Paco Osuna and releasing on iconic labels such as Dubfire’s Sci+Tec, Tronic, Mindshake, Plus 8, and Kraftek. His own imprint, Night Light Records, has become a hub for fresh talent and renowned artists alike. Sinisa’s music, supported by heavyweights like Richie Hawtin, Adam Beyer, and Carl Cox, resonates across global dance floors and airwaves, including BBC Radio. Whether through festival anthems or club-shaking sets, Sinisa Tamamovic remains a driving force in techno, tech-house, and minimal, inspiring legions of fans worldwide. The post Sinisa Tamamovic | ONE-90 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Anthony Middleton is a highly acclaimed DJ, producer, and multimedia artist who has made a significant impact on the music industry. Garnering initial recognition as one half of the legendary duo, Audiofly, Anthony has continued to push boundaries and explore new sonic territories throughout his career. As the founder of Flying Circus, Maison D’Etre, Sacbe & Supernature, Anthony has created platforms that showcase his unique blend of authentic, immersive house music. His sound is characterized by subtle vocals, rhythmic surprises, and experimental nuances. Anthony’s musical journey continues to take him to renowned events and Destinations around the globe. From Black Coffee’s Clubroom to Day Zero in Mexico. From Womb in Tokyo to the beaches of Bali,Tulum and the desert of Burning Man. With his solo career in full swing, Anthony continues to captivate audiences with his prolific DJ performances worldwide. This year, he released the “The Love You Give” EP on the prestigious underground label Get Physical. He recently relaunched the vinyl and digital label Maison D’etre, starting with his own “Bad Timing” EP. Beyond his dancefloor pursuits, Anthony has embarked on an immersive audio/visual endeavor with his new side project, “The Darker the Night.” This project explores the more subtle states of consciousness, serving as a non-commercial tool for investigating the future of the scene. Collaborating with other mainstream electronic artists interested in this genre, he has founded a label called Objekts in the Mirror that focuses on both providing a home for composition and conceptual electronica as well as a path to wellbeing through meditative and ambient music. With his diverse range of talents and unwavering commitment to pushing boundaries, Anthony Middleton continues to shape the music industry and create immersive experiences that leave a lasting impact on audiences worldwide. The post Anthony Middleton | ONE-89 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Yulia Niko has dedicated her life to music, moving to New York in her early twenties to study production after spending her adolescence DJing and collecting records. Fast forward to now and, after gathering her formal education in the art, Yulia has developed an enigmatic flair for DJing and production. Having established herself in the underground scene and gracing decks across the US and Europe, Niko has cultivated a synergistic brand wherein inspirations from classic Detroit and Chicago producers are soldered together. The result, an uncanny meld of deep house, techno and progressive genres which, together, define her distinct, minimalist style. As Yulia stands poised to enter the next stage of her artistry, she unveils an intimately crafted and deeply personal collection of ten tracks, each imbued with hypnotic, mesmerising grooves and lush soundscapes. The post Yulia Niko | ONE-88 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Shall Ocin is a distinguished artist renowned for his innovative approach to electronic music. With a distinct sonic signature, he’s always taking his music to new and unexplored levels, with heavy use of modular synths, analog rhythm boxes and custom made effects. His performances are a mesmerizing blend of cutting-edge soundscapes and infectious beats, creating an unforgettable experience for every listener. Shall Ocin’s impressive discography includes releases on esteemed labels such as Ellum, Clash Lion, Upperground, Hotflush, Truesoul, Bpitch Control, Last Night on Earth, Hot Creations and Systematic, and remixes for Maceo Plex and Stephan Bodzin, among others . His tracks have consistently garnered support from industry heavyweights and have become staples in the sets of top DJs. This is a taste of what you can expect from him at Upperground, Drumsheds. UPPERGROUND has changed the melodic dance music landscape immeasurably since launching in 2021. With ARTBAT’s careful leadership, it has explored the most emotional, immersive and forward thinking sounds from a list of legend and new school talents across the melodic house and techno spectrum. As well as the superb releases, the label has also hosted several sold out events all over the world including the first ever electronic music show at Real Madrid’s legendary stadium, Estadio Santiago Bernabeu, which was an unreal experience. After other standout shows at the likes of Printworks, UPPERGROUND now returns to Drumsheds where the levels will be raised once more. Of course, ARTBAT aka Artur and Batish’s own output has been at the centre of the operation. The powerhouse duo have delivered plenty of heavy-hitting collaborations recently with Another Life, David Guetta, Idris Elba, Armin van Buuren and John Martin while remixing the likes of Monolink, Meduza, The Chemical Brothers and Kölsch. They are one of the most in-demand duos in the scene with plenty of chart topping hits, millions of global streams and fans in every continent. This year alone they have headlined everywhere from Coachella, EDC and Ultra Music Festival to Hi Ibiza. All three spaces of the vast and raw industrial warehouse that is Drumshed – X Room, Y Room and Z Room – will be open for this event. They will be transformed with bold production, lights and visuals of the sort that cannot be experienced anywhere else, making this a truly historic and unmissable UPPERGROUND showcase. The post Shall Ocin | ONE-87 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Anna Tur and Pablo Say record a special b2b session to celebrate their new collaboration release on Adam Beyer’s Truesoul The post Anna Tur x Pablo Say | ONE-85 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Dennis Horvat drops a cheeky live recorded set recorded live from Berlin’s @ravetheplanet 2024 – ahead of eagerly anticipated B2B set with Franky Wah @shenpresents closing party @clubchinoisibiza on September 29th. The post Denis Horvat | ONE-84 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Low Steppa drops a special live recording from the iconic Ushuaia Ibiza in May. As a standout artist in the house music world, Low Steppa brings his unique blend of beats and grooves. Whether you were on the dance floor in Ibiza or you’re tuning in now, this set will transport you straight to the heart of the action. Catch Low Steppa playing in his homeland on August 25th at Crooked House Festival. The post Low Steppa | ONE-83 appeared first on True Underground.

© 2025 True Underground. All rights reserved. La Fleur is nothing short of a visionary, with every move impossible to ignore. Nearly 20 years since her first steps into the music space, the producer, DJ, and label head meticulously fuses house and techno with infectious melodies to evoke deep emotions. Her sonic palette carefully curates a story—lauded by names including Kerri Chandler, Sasha, Pete Tong, and Kenny Larkin—its narrative is one of genius. From her early days balancing a job as a pharmacist by day with playing records by night, before launching her revered label Power Plant merely three years later upon a move to Berlin, La Fleur’s discography has blossomed from strength to strength. Her Power Plant debut release ‘Flowerhead’ received an electric reception from the underground sphere and remains respected in 2023, with further releases on revered labels including Kompakt and Cocoon. With a residency and valued relationship with Watergate Berlin, her remixing Kerri Chandler and Sasha (including a hit 2018 collaboration with the latter on ‘Förbindelse’), remixes by Carl Craig and Kenny Larkin, plus numerous high-profile party and festival appearances, La Fleur now turns to an evolution in her craft. By pouring energy into simply embracing the creative process—discovering new outlets, taking singing lessons, and freely enjoying herself without pressure, inspired by a move back to her homeland of Sweden from Berlin—the musician looks to the future with the upcoming album ‘Väsen’, out Autumn 2024. Firmly rooted in her intention to bring listeners on a journey with her intrinsic self, the Swedish word models not only an entity, but also an essence. With associated meanings embodying the natural world, strength, and noise, the forthcoming body of work is truly reflective of the self, down to the most minute details. Looking back, La Fleur’s success feels somewhat inevitable. Valuing creativity and connecting with oneself has fueled Sanna Engdahl since childhood, spending her weekends exploring her rural surroundings and taking lessons in ballet, flute, and piano. Perhaps her future as a DJ was cemented at a similar age, having taken a penchant for recording tapes for her friends and always pushing them to listen to music which, in Sanna’s own words, she defined as “amazing”—all while simultaneously studying for a Master’s degree in pharmaceutical science. Today, she is an esteemed name across DJ circles, honouring her younger self by sharing music which she loves the most with others. This time though, La Fleur does so on an international scale. She most recently played the iconic Sonar By Night festival and has numerous accolades including Awakenings Festival, Tomorrowland, Life Festival, Creamfields, and Warung. She has also played iconic institutions including Ibiza’s superclubs, Printworks London, Motion Bristol, and of course, Watergate Berlin. Truly a trailblazer of the underground in the present day, La Fleur’s electronic artistry is something to behold. Her ascent shows no signs of deceleration, with the producer, DJ, and label head’s beautiful sonic concoction creating the perfect storm for dance floors young and old. The post ONE-82 | La Fleur appeared first on True Underground.

© 2025 True Underground. All rights reserved. YokoO’s last 20 years have seen him master house music in all its deepest forms. With a prolific and impressive discography, YokoO has made his mark on noteworthy labels to date with original releases and a back-catalogue of strong remixes. He’s turned the heads of many a label boss from Kollektiv Turmstrasse, Matthew Dekay, Lee Burridge, and MANDY, as well as racked up plays from a broad spectrum of industry reference artists. YokoO’s music has proven time and time again it can reach the record bags of the DJing elite on every continent. His most notable projects Pachamama and Euneirophrenia anticipated the evolution behind the January ’21 release of his EP Jivanmuktih on Crosstown Rebels’ offshoot Rebellion. 2021 marked for YokoO the rebirth into a significant new chapter of his career as a producer, with a matured musical intuition charged with seductive blends of eclectic, deep, minimal, and hypnotic house grooves. Like a mantra vibrating beat by beat, his music abides only to his deepest meditative intuition and revolves around the creation of unbound free-flowing states of creativity, echoing in stillness a deep connection to nature where every subtle detail counts for rich artistic expression and depth. “I am committed to the Truth.” With these words, YokoO explains how he draws inspiration from his Yoga practice and the Yamas as he channels his creative energy into his label SATYA, a project that signifies the maturing into a state of unbridled surrender to the craft. With SATYA, he intends to support and represent artists who embrace creativity as a non-compromising act devoid of any expectation. His constant evolution as a human being plays hand in hand with the authenticity of his creative process, committed to releasing unpredictable sounds that never fail to communicate, connect, and move. Between gigs, you’ll find YokoO producing in his home-built studio in Lisbon or saluting the sun somewhere in Mexico. The post YokoO | ONE-81 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Marshall Jefferson is an artist that has successfully navigated major cross-over success while retaining utmost respect from the inner circle of electronic music’s underground, Marshall has been behind countless seminal records over his five-decade career. Now this retrospective compilation showcases the impressive and vast output of this house pioneer, ranging from his most well-known solo records, to major production credits, key remixes and the underground gems still favoured by selectors today. Cutting his teeth as a producer for Chicago’s Universal Recording Studios, Marshall was one of the most active DJ and producers on the Windy City’s music scene during the 1980’s house music boom. Working under a plethora of aliases such as Virgo, Jungle Wonz, Truth and On The House, as well as producing for names such as CeCe Rogers, Curtis McClain and Evelyn “Champagne” King, the compilation opens with what is arguably Marshall’s most famous record, ‘Move Your Body’. The first recorded house track to use piano, it has remained a staple of dancefloors across the globe, with Solardo and Marshall’s rework (as heard on the compilation) only further cementing its legacy. The post ONE-79 | Marshall Jefferson appeared first on True Underground.

© 2025 True Underground. All rights reserved. International DJ, producer, remixer, and label owner Sharam Jey has been shaking up the world of dance music since the early 90s with his infectious and accessible dance-floor ready grooves. Over the years, the Cologne-based artist has racked up numerous accolades and achievements, including releasing three acclaimed albums (4 Da Loverz in 2005, In My Blood in 2009, Invisible in 2018), having over 100 releases on some of dance music’s most established labels (Toolroom, Cajual, Sola Records, Kittball, King Kong Records), and amassing a remarkable remix resume of high-profile artists including Zayn, Moby, Gossip, Faith No More, Faithless, Diplo & Don Diablo, and Mason & Roisin Murphy amongst others. Sharam Jey’s success and longevity in the often fickle and fast-paced music industry is a credit to his undeniable talent for pushing things forward, relating to the masses, and standing out from the crowd with his own unique brand of house music. A fine example of this is the gifted German’s late 2018 third LP Invisible, which was released (via Bunny Tiger) to much acclaim and features guest vocal contributions from established and up-and-coming artists such as Little Boots, Dirty Vegas, KLP, Kat, Dacia Bridges, and Ashibah. Jey explains: “My inspiration for Invisible was not to follow trends but to put my own musical vision together which mainly derives from 80s electronic influences. I wanted the LP to have a melodic-synth approach and be suitable to listen to at home, work, in the car, or when preparing yourself for a club night. It’s a very personal album.” Outside the studio, Sharam Jey continues to share his love for music by uniting clubbers at leading nightclubs, festivals, and events with his dynamic DJ sets and relentless energy behind the decks. Throughout his esteemed career, the talented German’s music and DJing skills have taken him to every corner of the globe, and he is still very much in demand with prominent recent tours in Brazil, Argentina, Mexico, Russia, Germany, and Asia. Another huge passion of Jey’s is owning and running the successful record label Bunny Tiger. His philosophy for the imprint has always been to supply 100% DJ tools from DJs to DJs, and since its 2012 conception, it has come a long way, becoming one of Beatport’s top-performing labels (Label of the Year Top 10 (2013), five overall No.1s, 20+ top 10 tracks in the NuDisco chart). Bunny Tiger is currently celebrating its 5th anniversary with an expanded ‘Best of’ compilation album. With continued support from key industry players, a busy tour diary, and a packed release schedule, Sharam Jey is on a roll, and there’s no sign of one of the industry’s hardest workers stopping anytime soon. The post ONE-78 | Sharam Jey appeared first on True Underground.

© 2025 True Underground. All rights reserved. NYC’s DJ Joeski remains at the top of his game, now in the midst of his fourth decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing. Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium, and NASA, helped turn “Save The Robots” into a NYC afterhours institution, and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega, and Roger Sanchez. Already a fixture on the U.S. and Canadian club circuit, in the late 90’s Joeski added production to his repertoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez, and Camouflage, emerging as one of the most sought-after DJs, remixers, and producers in the scene. In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label to the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. Demand for his studio skills has grown exponentially over the past two decades, with Joeski producing and remixing on many of the industry’s most influential labels, including Ministry of Sound, Defected, Bedrock, Nervous, Cajual, Relief, KMS, Compost, Hot Creations, Poker Flat, Crosstown Rebels, Dirtybird, Suara, and Desert Hearts. Such a strong and consistent studio output has helped catapult him further into the ranks of the house music elite. Now in its 20th year, his Maya label continues to release a steady output of quality material that remains fixtures on the Beatport and Traxsource tech and deep house charts. 2021 also saw his creation of Aztec Tribalism Recordings, as an outlet for deep, tribal, and afro-leaning house music. Fueled by his genuine love of the music and his hard work through the years, there’s no doubt that Joeski will continue to play a major role both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents. The post Joeski | ONE-77 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Matt Sassari continues to solidify his presence on the international electronic music scene, showcasing his prowess both in the studio and behind the decks. Having garnered recognition across the globe, Matt Sassari boasts an impressive discography with releases on esteemed labels such as Truesoul, Terminal M, Intec, and Relief. His distinctive fusion of techno and tech house has earned him acclaim, notably achieving his first Beatport chart-topper with “Put a Record On” in 2019. Following this success, Matt Sassari further demonstrated his versatility and innovation with “Give It to Me,” an official adaptation of Timbaland’s 2007 hip-hop classic. This remix soared to the top of the US Billboard charts and secured the number one spot on the UK Singles Chart, featuring vocals from Nelly Furtado and Justin Timberlake. Additionally, “Give It to Me” amassed more than 400 million streams across various digital platforms, cementing its status as a global hit. The post Matt Sassari @ EDC Las Vegas 2024 | ONE-76 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Oliver Huntemann, a master craftsman of techno, brings his signature style to the mix—with Marc Romboy Oliver Huntemann’s style honed in the vibrant city of Hamburg, is a testament to German engineering, with a sound that’s as precise as it is compelling. Known for his linear and direct approach, Huntemann’s tracks are stripped back to their metallic core, embodying a ‘less is more’ philosophy that resonates through the speakers. Marc Romboy stands as a paragon of eclectic and boundary-pushing electronic music. With a career spanning decades, Romboy has left an indelible mark on the scene, from his early days in the acid house parties of Western Germany to his influential label, Systematic Recordings. His style melds the old school with the new, creating a sound that’s both melodic and energetic, with a penchant for the classicist touch. Together, Huntemann and Romboy weave a tapestry of sound that’s both dark and driving, yet melodic and introspective. Their new track, “Teufelsfisch,” is a prime example of their synergy—a seven-minute journey of tension and release, where their combined skills forge an absolute weapon of a track. As you dive into this mix, expect a journey through the depths of techno, where the duo’s storied accomplishments and distinct styles converge to create something truly special. This is not just a set; it’s a sonic exploration of what happens when two titans of techno join forces. The post Oliver Huntemann x Marc Romboy | ONE-75 appeared first on True Underground.

© 2025 True Underground. All rights reserved. German born and Jamaican raised Melanie Ribbe is not new to the electronic music scene. Melanie’s raw passion for music has been with her since childhood, starting recording blank cassette mixtapes in her bedroom at 8 years old, continuing through teenage years making mixes then digitally upon receiving her first computer. Her love and passion for music led her to pursue a career with great determination from an early age and enroll in the London Academy of Music Production to master the art of music and hone her skills. After Melanie got signed by her first agent in 2014, she started her career with her official debut at the Miami Music Week in 2015 alongside strong lineups. Shortly after, Melanie secured to perform at the opening of Amnesia Ibiza which resulted in a two year residency at Amnesia and at Cova Santa Ibiza with her own party called “Melanie Ribbe & Friends”. During those two seasons on the island, she made a name for herself and played amongst the heavy weights of the industry. Melanie’s first EP was released on the industry’s acclaimed label Moon Harbour, the track “Get It Right” managed to climb Beatport’s top 100 chart. After that her stimulating, groovy and precise sound rhetoric led her to release on successful labels such as Saved, Viva Limited, Mindshake, Roush & re-publishing on Toolroom compilations with support from the most respected names of the industry, in addition to collaborations with Paco Osuna and Reboot. On stage Melanie is creative and eloquent, she is distinguished by her unique tech-house style that get the crowds moving, skills that have taken her to tour worldwide and play at some of the biggest clubs and festivals in the world such as Fabrik Madrid, We are Festival, D-Edge and Lollapalooza. In 2018 Ribbe secured a residency in Brazil’s hottest new venue ‘Ame Club’. In 2020 Melanie founded her own music label, Agápe Muzik, and the Agápe Showcases alongside a video streaming series at unusual locations called “Melanie Ribbe x Drop” on YouTube. In June 2021 she released her first artist album, DANCE AGAIN, on her label Agápe Muzik. Melanie currently also hosts her own Radio Show ‘Groove Nation’ on Ibiza Global Radio every Saturday at 8pmCET and a monthly residency on french originated international radio “Uncoded Radio”, while having frequent appearances on radio stations like Ibiza Global Radio, Ibiza Sonica, Pure Ibiza, and has curated previous guest mixes for British Airways, Kaluki, Moon Harbour and Toolroom. Melanie Ribbe lives and breaths music, any spare moment she has, she prefers to produce music rather than anything else as she is moved by a single purpose: to communicate through music, conceiving it as the object and the means to generate deep emotions. The post Melanie Ribbe @ Elrow Snowrow 2024 | ONE-74 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Malóne, the Cuban-born DJ and producer hailing from Miami, is riding some serious momentum off of his biggest year yet. As a resident DJ of Space Miami, he’s left a lasting mark on the scene, boasting a discography released under esteemed labels like Saved, Insomniac, Abracadabra, Watergate and many others. Notably, his tracks “Muy Bien” and “Besame” soared to the #1 spot worldwide in Beatport’s AfroHouse segment this year, and his collaborations with Blond:ish garnered admiration from industry titans such as Martinez Brothers, Black Coffee, Marco Carola, and a host of other legendary artists. As one of the original founders of the Hurry Up Slowly imprint, Malóne has ventured off to solely focus on his project in 2023 and has signed a deal with Empire to launch his new label & event series in 2024 called WHYNOTUS. Malóne’s rise in the underground music realm has been underscored by praises such as being recognized as one of the “Future of Dance Artists” by 1001 tracklists in b2b years. Also earning a feature in “DJ Mag Spain” as one of the artists to watch in 2024. These acknowledgments stand as a testament to Malóne’s extraordinary talent for igniting dancefloors with his captivating sound & live dj sets. Following a busy summer spent orchestrating sunrises on the terrace of Space Miami, headlining at Pacha Barcelona, and making waves at Hi Ibiza alongside the Martinez Brothers, he’s ready to finish 2023 properly with some significant shows during Art Basel and NYE for Insomniac’s Forever Midnight festival in Vegas & LA alongside Solomun, Jamie Jones, Martinez Brothers, Eric Prydz, John Summit and many others. Malóne has 5 major festivals confirmed for 2024 already, including Buena Vida Beach & La Solar in Colombia, EDC Mexico & EDC Las Vegas. 2024 is shaping up to be a breakout year for the Cuban artist from Miami. Malóne x Ky William – “Rhythm Guide” – out 4/26 via WHYNOTUS https://music.empi.re/rhythmguide The post Malóne | ONE-73 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Detlef has garnered a reputation as one of the most exciting names in the underground scene. The Greek artist has rapidly established himself as one the leading names in the industry, releasing and remixing with well respected labels including Hot Creations, Solid Grooves and Moon Harbour. Earning support from the likes of Jamie Jones, Marco Carola and Pete Tong, Detlef has become a firm favourite with clubbers thanks to his vibrant mixes and dynamic live sets. An official resident at Jamie Jones’ iconic Paradise nights at DC-10, Detlef has enjoyed a relentless touring schedule with dates at the Paradise Ibiza’s parties, The Warehouse Project, Printworks, Insomniac’s Escape Festival, and CRRSD Festival. Representing a career highlight so far, Detlef ‘Swagon’, released on Repopulate Mars was met with critical acclaim, amassing over 12 million plays on Spotify, and securing the #1 spot on Beatport in the process. No stranger to a collaboration, Detlef has successfully worked with Jamie Jones on Kevin Knapp’s “Blah Blah” and Green Velvet on the Bassick and Groove Nation EPs, and has live streamed sets at the likes of fabric, BPM, and EGG amongst others. Detlef is moving towards the next chapter of his exciting career after the launch of his label ISSUES, continuing his meteoric ascendency in the industry. The post Detlef | ONE-72 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Grum is opening the start of a new chapter in his ever evolving sound, his new music takes a back to basics approach to electronic music. Created 100% from hardware drum machines, synthesizers and samplers, its striking melody pulls listeners along on a euphoric trip. As well as new music, Grum has created a fully live show which he will be taking on the road in 2024. Based on the hardware he used to write the new music, this laptop-free performance will allow him to play and control all aspects of his tracks, and re-arrange and remix them live for a highly immersive sonic experience. The post Grum | ONE-71 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Dirty Doering’s beats are as iconic as the Berlin’s Spree river. He’s not just a DJ; he’s a visionary, an entrepreneur, and the founder of the legendary label Katermukke. With tracks like ‘Casino Aquatique’ and ‘Cape of Good Hope’, he’s not just playing music; he’s crafting experiences that transport ravers beyond space and time. His sound? A cocktail of deep grooves, driving beats, and a touch of ’80s synth magic, all served up with a side of his signature white energy socks. Dirty’s not content with just setting the rhythm; he’s all about collaboration, innovation, and bringing creatives together to push the boundaries of electronic dance music. His label showcases have become a global phenomenon, and with his latest album ‘Last Exit Space’, he continues to prove that the journey is all about getting lost in the music—where the beat is your compass, and the morning after is just an afterthought. So, raise a glass to Dirty Doering, the sommelier of sound whose music is a celebration from the first bar to the last beat. Here’s to getting dirty, because when it comes to Doering’s world, we all love it dirty. The post Dirty Doering | ONE-70 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Pig&Dan’s story began in 1999 on a flight to Mallorca. Dan, then a resident DJ at Ministry of Sound, and Igor, involved in underground raves and producing music as Tropic 39, crossed paths. Both had already spent years immersed in music. Dan’s early exposure to influential musicians was significant. His father, a saxophonist and founder of the 70s group The Average White Band, worked with legends like Marvin Gaye and Chaka Khan. Dan’s own career started in his late teens, working with artists such as The Cure and Vangelis. In 1990, Dan founded the group ‘Intense,’ which gained success with their album launch at Brixton Academy, leading to a global tour under Sony Japan. Igor’s journey began at 16 after experiencing Mallorca’s nightlife. While studying in London, he devoted his money to growing his record collection and spent countless hours mixing. Igor frequented clubs like The Cross and Ministry of Sound, which influenced his move into electronic music and organizing raves in Mallorca. The duo reconnected in 2001 through a mutual friend in Palma and discovered a strong synergy in the studio. Their demo ‘Oh Yeah’ was released by Cocoon, marking the start of Pig&Dan. Since then, Pig&Dan have built a substantial discography with releases on labels like Soma, Plus8, Terminal M, Diynamic, Bedrock, and Drumcode. Their notable tracks include ‘Growler’ and ‘Modular Baptism’ on their label ELEVATE, and ‘Mexico’ and ‘Chemistry’ on Drumcode, which topped the Beatport charts. Pig&Dan continue to release high-quality music, such as ‘Reset Your Bassline’ on Cocoon and ‘Infinity’ on Drumcode. The post Pig&Dan | ONE-80 appeared first on True Underground.

© 2025 True Underground. All rights reserved. George Smeddles has rapidly risen to prominence within the global music scene, forging a unique style of House music that draws from diverse influences Including Garage, Motown, Jazz, Soul, and Funk. Since bursting onto the scene in 2018 with his smash hit ‘Shake Your Body,’ Smeddles has consistently maintained an impressive trajectory, marked by chart-topping releases such as ‘Start The Party,’ which dominated Beatport in 2019. In 2022, the establishment of his ‘South’ record label and collaborations with industry heavyweights like Darius Syrossian cemented his status, highlighted by achievements like a five-week reign at #1 on Beatport with ‘Back In The Dance’ and an official remix of Indeep’s classic ‘Last Night A DJ Saved My Life.’ Beyond his studio endeavours, Smeddles’ commitment to live performance has seen him headline prestigious venues, including London’s fabric, Amnesia Ibiza, plis renowned festivals like CRSSD and Glastonbury. In 2023, he continued his prolific output with releases on esteemed labels like PIV and Meta while maintaining a packed schedule of international appearances. As he prepares for a two-part release on South Records in March 2024, Smeddles remains a captivating figure in the industry, boasting an ever-expanding repertoire and a calendar filled with upcoming gigs. The post George Smeddles | ONE-69 appeared first on True Underground.

© 2025 True Underground. All rights reserved. New York stalwart and beloved DJ, Boris, is a man wearing many hats; one as a touring DJ, another as a producer dynamo and lastly as a label boss of Transmit Recordings. A career forged over decades of long nights in the Big Apple’s most revered rooms. From the infamous Roxy to Crobar to the once dominating Pacha NY on 46th Street, Boris maintained a following so devout, so loyal they were truly ‘Believers’. Pioneering a music movement in a city filled with those who have so little time to pay attention, Boris has been a production powerhouse when not performing for the masses. He’s been tapped by industry leaders such as Carl Cox for his label Intec, Dubfire for his label Sci-Tec, Paco Osuna and his Mindshake records, amongst countless others. His ability behind the decks and in the studio has not only made him a New York favorite, but his music has taken him places all around the world ranging from the shores of Playa Del Carmen to the magical White Isle known as Ibiza. Known to many as the ‘DJ’s DJ’, Boris has had the career most DJs can only wish to have. The trends, they may change but the New York native has stayed true to his drum driven sounds and created his own niche in the wide and vast world of electronic music. Taking bits and pieces from every part of the globe he visits, Boris always maintains a piece of home in his music. Even though his career spans nearly three decades, the journeyman DJ has yet to falter. We currently find him playing leading to destinations across the globe and his music is in high demand with forthcoming releases many sought after labels, Boris will is constantly on the tips of the younger generation’s tongue. Why? Because talent like wine, gets better with age! The post Boris (NYC) | ONE-68 appeared first on True Underground.

© 2025 True Underground. All rights reserved. While the esteemed Berlin-based artist, DJ and Stil vor Talent label-owner Oliver Koletzki can look back onto an impressive career since his 2005 debut release ‘Der Mückenschwarm’ on Sven Väth’s Cocoon, he challenges the status quo with every single new production and set, drawing from an ever-evolving plethora of styles and moods. Inspired by his extensive travels around the globe, which have taken him from the deserts of Burning Man, Rainbow Serpent and Coachella to the beaches of Tulum, Tel Aviv, Ibiza and beyond, Oliver’s output shines with the maturity of an artist at the top of his game and the playfulness of a youthfully curious mind. Testament to the fact were his last albums ‘The Arc of Tension’ (2017), ‘Fire in the Jungle’ (2019) and ‘Made of Wood’ (2021) – a trilogy exploring the musical space between organic psychedelia and synthetic floor-focus. Meanwhile, Oliver has continuously enabled, fostered and furthered the artistic paths of countless musicians. Looking back over the past 18 years, Township Rebellion, Reinier Zonneveld, KlangKuenstler or HVOB are just a few of many names that link to his label Stil vor Talent. In 2023, he released his 10th longplayer “Trip to Sanity” and embarked on a live concert tour, marking yet another milestone of his tenure at the forefront of contemporary electronic music. Tracklist 1. ID – Elias Dore – Llorona Montse (A Tribe Called Kotori) 2. Fabian Krooss – Your Soul (A Tribe Called Kotori) [Buylink: https://lnk.to/Fabian-Krooss-Your-Soul-Atribecalledkotori] 3. ID – John Cala – Sayam (A Tribe Called Kotori) 4. Enoo Napa & Dj Merlon – BroCode 5. ID – Share – Fire Walk (A Tribe Called Kotori) 6. ID – Kotoe – ID (Stil vor Talent) 7. ID – ID 8. ID – Highlite – Jump In (Stil vor Talent) 9. Temple Tears & Urem – Rise 10. ID – Pavel Petrov – The March (Stil vor Talent) 11. ID – Gespona – Bucht der Träumer (Stil vor Talent) 12. ID – Jan Rene Lai – Cracked – Oliver Koletzki Remix (Stil vor Talent) [Pre order: https://lnk.to/Jan-Rene-Lai_Cracked_Stil-vor-Talent] 13. ID – Oliver Koletzki – Satya (A Tribe Called Kotori) 14. ID – Fabian Krooss & Frida Darko – Phoenix – Oliver Koletzki Remix (A Tribe Called Kotori) [Pre order: https://lnk.to/Fabian-Krooss_Frida-Darko_Phoenix_ATribeCalledKotori] The post Oliver Koletzki | ONE-67 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Paco Osuna is one of the most renowned electronic music artists in the industry and moulded his own musical signature, coating the purest techno and tech-house sounds combined with his latin rhythms. In 2006 he launched Mindshake, conceived as a platform for the creation and distribution of electronic music. Over the past few years, Mindshake has become one of the most important techno labels in the US and Europe. The brand also presents events around the world and hosts full stages at festivals such as BPM Portugal, ADE Dockyard, among many others. From 2015, Paco Osuna has been part of Marco Carola’s Music On. In 2016 he was selected to be ambassador of PLAYdifferently MODEL1. In 2019, elrow chose Paco as a flagship artist for their new project Kaos Garden, alongside the contemporary artist Okuda San Miguel. In the summer of 2022 Paco Osuna presented his residency at Hï Ibiza, the best club in the world, launching at the same time NOW HERE, the name and also the motto of his night at Hï’s Club Room. The concept behind NOW HERE shares the same feeling that has accompanied Paco his entire career, one that arises from his passion for electronic music and his determination to enjoy the present ATOPE. Every Tuesday at Hï Ibiza, in Paco Osuna’s Club Room, music acted as a catalyst for positive energy and the entire room was a vibrant dance floor where DJs and audience celebrated life together. After the Ibiza Season, NOW HERE hosted events in 2022 Barcelona and at Space Miami. Throughout his career Paco has performed at clubs, parties and festivals of great prestige. The list of events in which he has played is endless, and is one where quality is more important than quantity. From Fabric and Electric Brixton London to WOMB Tokyo, passing through Space NYC, Space Miami and Verboten NY In the US, Watergate Berlin and renowned clubs such as Amnesia, Pacha, Hï, Ushuaïa, DC10, Privilege and Destino in his beloved Ibiza. Among the festivals he has played constantly are Monegros, Sónar, Awakenings, Kappa Futur, Loveland, Ultra Miami, Electric Zoo, Movement Detroit, Time Warp and Tomorrowland. As Paco celebrates his 25 years in the business – through hard work, determination and love – he will continue to sketch the journey that has led him be the artist he is today. The post Paco Osuna @ NOW HERE, NYC | ONE-66 appeared first on True Underground.

© 2025 True Underground. All rights reserved. Andhim are a German DJ and producer duo founded by Simon Haehnel & Tobias Müller. Since their start in 2010, they have published numerous songs and remixes and worked with artists such as Diplo, Rüfüs du Sol and Theophilus London on an internationally successful level. With residencies in New York, Los Angeles, London and Berlin, they are among the most successful DJ duos in the scene. Over the last decade, andhim have manifested their signature sound without  any boundaries in expressing themselves on a creative level. They have cultivated an exceptionally loyal fan base of musical lovers all over the world. In 2020 their documentary film “Miles To Go“ was released. A road trip along the west coast of the US, which dives deep into the lives of the two on tour and how they work with each other. The film has been shown at several international film festivals so far and has won two coveted prizes: “Best Score” (Swindon Independent Film Fest, UK) and “Best Documentary Feature” (San Diego IKFF, USA). The music in the film was written exclusively by andhim and released as a soundtrack album on their own label Superfriends Records. Superfriends Records is andhim‘s own label, founded in 2016. A label that captures a refined and contagiously unique electronic sound. It is an outlet for the duo’s most ambitious ideas. Among others, Artists like Roman Flügel or Acid Pauli released on the label. The post ONE-65 | Andhim appeared first on True Underground.

© 2025 True Underground. All rights reserved. Selects is an invite only all-genre mix series. Exclusive mixes from the industry’s best talent www.linktr.ee/trueundergroundtu The post ONE-46 | Pablo Bolivar appeared first on True Underground.