r a w b e l l y  >>> https://audius.co/rawbelly

PODCAST · music

r a w b e l l y >>> https://audius.co/rawbelly

IM OUT! SEE YOU ON AUDIUS!!!https://audius.co/rawbellyWhy Audius?https://techcrunch.com/2019/09/24/audius-music/My name is rob.I like synthy things & bass guitars.Genre? Probably, I dunno.Creating what I feel in the moment.Thanks for listening and for supporting my art!Accepting BTC Donations:3FMe98Hih2JpqTKguibDhzzq5t9RKraCscAll bots are reported/banned.

  1. 5

    Twilight [MS20]

    All sounds are recorded from the same little MS-20 Mini. Wanted to see what it would be like to make a little tune using only this synth. She's my first synth and probably my favorite.

  2. 4

    Stylite

    Stylite by Robert Andrews

  3. 3

    Waiting for Grandma

    Fun little track that "just happened" today when I was playing around and dreaming about Grandmother. Sitting here, staring at the empty space on my desk that I have prepared for her. So excited for her to come home with me in a couple of weeks. SO what are you hearing? Drumbrute Impact 1984 Minifreak Microfreak > MS-70CDR Ms20mini > NTS1 Stylophone Theremin > dBlue Glitch All the best R

  4. 2

    Trajectory

    Gathered up some of my early hardware experiments. What you mostly hear is the Korg MS20 Mini, a Volca Beats, maybe a TE PO Factory and perhaps a little Microfreak. But mostly an MS20 Mini. Named the "songs" after how they made me feel. Except for Seven12. I think I made it on an Aug 12 like 2018 or so. These are mostly here for reference and for seeing how much things can change over the years.

  5. 1

    Shadows

    Gathered up some of my early hardware experiments. What you mostly hear is the Korg MS20 Mini, a Volca Beats, maybe a TE PO Factory and perhaps a little Microfreak. But mostly an MS20 Mini. Named the "songs" after how they made me feel. Except for Seven12. I think I made it on an Aug 12 like 2018 or so. These are mostly here for reference and for seeing how much things can change over the years.

  6. 0

    Seven12

    Gathered up some of my early hardware experiments. What you mostly hear is the Korg MS20 Mini, a Volca Beats, maybe a TE PO Factory and perhaps a little Microfreak. But mostly an MS20 Mini. Named the "songs" after how they made me feel. Except for Seven12. I think I made it on an Aug 12 like 2018 or so. These are mostly here for reference and for seeing how much things can change over the years.

  7. -1

    Crunchballs

    Gathered up some of my early hardware experiments. What you mostly hear is the Korg MS20 Mini, a Volca Beats, maybe a TE PO Factory and perhaps a little Microfreak. But mostly an MS20 Mini. Named the "songs" after how they made me feel. Except for Seven12. I think I made it on an Aug 12 like 2018 or so. These are mostly here for reference and for seeing how much things can change over the years.

  8. -2

    Obscured

    Gathered up some of my early hardware experiments. What you mostly hear is the Korg MS20 Mini, a Volca Beats, maybe a TE PO Factory and perhaps a little Microfreak. But mostly an MS20 Mini. Named the "songs" after how they made me feel. Except for Seven12. I think I made it on an Aug 12 like 2018 or so. These are mostly here for reference and for seeing how much things can change over the years.

  9. -3

    Rubbery

    Gathered up some of my early hardware experiments. What you mostly hear is the Korg MS20 Mini, a Volca Beats, maybe a TE PO Factory and perhaps a little Microfreak. But mostly an MS20 Mini. Named the "songs" after how they made me feel. Except for Seven12. I think I made it on an Aug 12 like 2018 or so. These are mostly here for reference and for seeing how much things can change over the years.

  10. -4

    Phosphene

    Gathered up some of my early hardware experiments. What you mostly hear is the Korg MS20 Mini, a Volca Beats, maybe a TE PO Factory and perhaps a little Microfreak. But mostly an MS20 Mini. Named the "songs" after how they made me feel. Except for Seven12. I think I made it on an Aug 12 like 2018 or so. These are mostly here for reference and for seeing how much things can change over the years.

  11. -5

    Ref 010108

    Latency: 2019-2022 A selection of tracks from my early years of home production, made through trial, error, and persistence.

  12. -6

    The Digger

    Latency: 2019-2022 A selection of tracks from my early years of home production, made through trial, error, and persistence.

  13. -7

    Five4

    Latency: 2019-2022 A selection of tracks from my early years of home production, made through trial, error, and persistence.

  14. -8

    Fume

    Latency: 2019-2022 A selection of tracks from my early years of home production, made through trial, error, and persistence.

  15. -9

    Genesis

    Latency: 2019-2022 A selection of tracks from my early years of home production, made through trial, error, and persistence.

  16. -10

    del_ins

    Latency: 2019-2022 A selection of tracks from my early years of home production, made through trial, error, and persistence.

  17. -11

    Convergence

    Signalflow started as a concept album and slowly became something else. What was meant to be a random story about battling artificial intelligence turned inward. The more I thought about AI the more restless I became. This ended up becoming a record about staying grounded in a world saturated with signal. Constant metadata, constant noise, constant abstraction. About choosing normalcy, presence and restraint instead of being swept along. It's about finding peace. I have a thing for arpeggios and fun melodies that kinda stick in your head. It's a bit raw and a bit noisy. Hardware synths are like that. Production, mixing, mastering, art, done by me in my happy place. Few quick notes: Turbo is proof the Drumbrute Impact is absolutely relevant. I was determined to use it for the snare and hats. Pulled through like a champ. A lot of the pads were done using an MS20mini. Other goodies used are Mini and Microfreak, Uno Synth, Maschine for the 707's and Arturia's V Collection. The art...Took a random photo out of a car window (with what felt like the worlds first Kodak digital camera) in downtown Rochester one day in like 2001. I've always wanted to use the image. - Raw

  18. -12

    Shadowlift

    Signalflow started as a concept album and slowly became something else. What was meant to be a random story about battling artificial intelligence turned inward. The more I thought about AI the more restless I became. This ended up becoming a record about staying grounded in a world saturated with signal. Constant metadata, constant noise, constant abstraction. About choosing normalcy, presence and restraint instead of being swept along. It's about finding peace. I have a thing for arpeggios and fun melodies that kinda stick in your head. It's a bit raw and a bit noisy. Hardware synths are like that. Production, mixing, mastering, art, done by me in my happy place. Few quick notes: Turbo is proof the Drumbrute Impact is absolutely relevant. I was determined to use it for the snare and hats. Pulled through like a champ. A lot of the pads were done using an MS20mini. Other goodies used are Mini and Microfreak, Uno Synth, Maschine for the 707's and Arturia's V Collection. The art...Took a random photo out of a car window (with what felt like the worlds first Kodak digital camera) in downtown Rochester one day in like 2001. I've always wanted to use the image. - Raw

  19. -13

    Glade

    Signalflow started as a concept album and slowly became something else. What was meant to be a random story about battling artificial intelligence turned inward. The more I thought about AI the more restless I became. This ended up becoming a record about staying grounded in a world saturated with signal. Constant metadata, constant noise, constant abstraction. About choosing normalcy, presence and restraint instead of being swept along. It's about finding peace. I have a thing for arpeggios and fun melodies that kinda stick in your head. It's a bit raw and a bit noisy. Hardware synths are like that. Production, mixing, mastering, art, done by me in my happy place. Few quick notes: Turbo is proof the Drumbrute Impact is absolutely relevant. I was determined to use it for the snare and hats. Pulled through like a champ. A lot of the pads were done using an MS20mini. Other goodies used are Mini and Microfreak, Uno Synth, Maschine for the 707's and Arturia's V Collection. The art...Took a random photo out of a car window (with what felt like the worlds first Kodak digital camera) in downtown Rochester one day in like 2001. I've always wanted to use the image. - Raw

  20. -14

    Osciflow

    Signalflow started as a concept album and slowly became something else. What was meant to be a random story about battling artificial intelligence turned inward. The more I thought about AI the more restless I became. This ended up becoming a record about staying grounded in a world saturated with signal. Constant metadata, constant noise, constant abstraction. About choosing normalcy, presence and restraint instead of being swept along. It's about finding peace. I have a thing for arpeggios and fun melodies that kinda stick in your head. It's a bit raw and a bit noisy. Hardware synths are like that. Production, mixing, mastering, art, done by me in my happy place. Few quick notes: Turbo is proof the Drumbrute Impact is absolutely relevant. I was determined to use it for the snare and hats. Pulled through like a champ. A lot of the pads were done using an MS20mini. Other goodies used are Mini and Microfreak, Uno Synth, Maschine for the 707's and Arturia's V Collection. The art...Took a random photo out of a car window (with what felt like the worlds first Kodak digital camera) in downtown Rochester one day in like 2001. I've always wanted to use the image. - Raw

  21. -15

    Parallel

    Signalflow started as a concept album and slowly became something else. What was meant to be a random story about battling artificial intelligence turned inward. The more I thought about AI the more restless I became. This ended up becoming a record about staying grounded in a world saturated with signal. Constant metadata, constant noise, constant abstraction. About choosing normalcy, presence and restraint instead of being swept along. It's about finding peace. I have a thing for arpeggios and fun melodies that kinda stick in your head. It's a bit raw and a bit noisy. Hardware synths are like that. Production, mixing, mastering, art, done by me in my happy place. Few quick notes: Turbo is proof the Drumbrute Impact is absolutely relevant. I was determined to use it for the snare and hats. Pulled through like a champ. A lot of the pads were done using an MS20mini. Other goodies used are Mini and Microfreak, Uno Synth, Maschine for the 707's and Arturia's V Collection. The art...Took a random photo out of a car window (with what felt like the worlds first Kodak digital camera) in downtown Rochester one day in like 2001. I've always wanted to use the image. - Raw

  22. -16

    Envisage

    Signalflow started as a concept album and slowly became something else. What was meant to be a random story about battling artificial intelligence turned inward. The more I thought about AI the more restless I became. This ended up becoming a record about staying grounded in a world saturated with signal. Constant metadata, constant noise, constant abstraction. About choosing normalcy, presence and restraint instead of being swept along. It's about finding peace. I have a thing for arpeggios and fun melodies that kinda stick in your head. It's a bit raw and a bit noisy. Hardware synths are like that. Production, mixing, mastering, art, done by me in my happy place. Few quick notes: Turbo is proof the Drumbrute Impact is absolutely relevant. I was determined to use it for the snare and hats. Pulled through like a champ. A lot of the pads were done using an MS20mini. Other goodies used are Mini and Microfreak, Uno Synth, Maschine for the 707's and Arturia's V Collection. The art...Took a random photo out of a car window (with what felt like the worlds first Kodak digital camera) in downtown Rochester one day in like 2001. I've always wanted to use the image. - Raw

  23. -17

    Turbo

    Signalflow started as a concept album and slowly became something else. What was meant to be a random story about battling artificial intelligence turned inward. The more I thought about AI the more restless I became. This ended up becoming a record about staying grounded in a world saturated with signal. Constant metadata, constant noise, constant abstraction. About choosing normalcy, presence and restraint instead of being swept along. It's about finding peace. I have a thing for arpeggios and fun melodies that kinda stick in your head. It's a bit raw and a bit noisy. Hardware synths are like that. Production, mixing, mastering, art, done by me in my happy place. Few quick notes: Turbo is proof the Drumbrute Impact is absolutely relevant. I was determined to use it for the snare and hats. Pulled through like a champ. A lot of the pads were done using an MS20mini. Other goodies used are Mini and Microfreak, Uno Synth, Maschine for the 707's and Arturia's V Collection. The art...Took a random photo out of a car window (with what felt like the worlds first Kodak digital camera) in downtown Rochester one day in like 2001. I've always wanted to use the image. - Raw

  24. -18

    Daribo Lounge

    Daribo Lounge is a gritty, neon-drenched bar carved into the asteroid sprawl of Æion71, where outlaws, drifters, and star-chasers slam drinks under flickering holo-lights. The air buzzes with clinking mugs, alien tongues, and the pulsing hum of a lone synth weaving space rock melodies that ripple like cosmic waves. Smugglers cut deals in shadowy corners, and every note vibrating through the durasteel walls drags you deeper into the galaxy’s underbelly. This EP’s three tracks, Æion71 and Daribo Lounge among them, capture that raw, electric pulse—a soundtrack for rebels and wanderers roaming the stars.

  25. -19

    Æion71

    Daribo Lounge is a gritty, neon-drenched bar carved into the asteroid sprawl of Æion71, where outlaws, drifters, and star-chasers slam drinks under flickering holo-lights. The air buzzes with clinking mugs, alien tongues, and the pulsing hum of a lone synth weaving space rock melodies that ripple like cosmic waves. Smugglers cut deals in shadowy corners, and every note vibrating through the durasteel walls drags you deeper into the galaxy’s underbelly. This EP’s three tracks, Æion71 and Daribo Lounge among them, capture that raw, electric pulse—a soundtrack for rebels and wanderers roaming the stars.

  26. -20

    E.F.G.M.

    Daribo Lounge is a gritty, neon-drenched bar carved into the asteroid sprawl of Æion71, where outlaws, drifters, and star-chasers slam drinks under flickering holo-lights. The air buzzes with clinking mugs, alien tongues, and the pulsing hum of a lone synth weaving space rock melodies that ripple like cosmic waves. Smugglers cut deals in shadowy corners, and every note vibrating through the durasteel walls drags you deeper into the galaxy’s underbelly. This EP’s three tracks, Æion71 and Daribo Lounge among them, capture that raw, electric pulse—a soundtrack for rebels and wanderers roaming the stars.

  27. -21

    STS51

    https://www.nasa.gov/mission_pages/shuttle/shuttlemissions/archives/sts-51.html

  28. -22

    alkaline

    alkaline by Robert Andrews

  29. -23

    Mini and the 'Brute

    Testing, 1...2...3... First day with the Minifreak and first time recording my new Drumbrute Impact '84. I'm really diggin' this thing!

  30. -24

    Juniper

    Juniper by Robert Andrews

  31. -25

    subside

    old Android tablet and Caustic3

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ABOUT THIS SHOW

IM OUT! SEE YOU ON AUDIUS!!!https://audius.co/rawbellyWhy Audius?https://techcrunch.com/2019/09/24/audius-music/My name is rob.I like synthy things & bass guitars.Genre? Probably, I dunno.Creating what I feel in the moment.Thanks for listening and for supporting my art!Accepting BTC Donations:3FMe98Hih2JpqTKguibDhzzq5t9RKraCscAll bots are reported/banned.

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