PODCAST · music
Sven Sebastian Horner
by Sven Sebastian Horner
I play a few instruments and sing. I also practice zen, love permaculture, live vegan, consider myself an anarchist and try to be a truly loving father for my daughter.禅 I make music to explore myself. Each track is an intense creative journey for me. It's meditation and medicine.禅 I publish on soundclound first. My work will always be free and available on most platforms for your convenience.禅 I love to collaborate. Don't hesitate to send a DM. I can take care of the production.禅 I usually publish under a CC-license, which allows you to use it for non-commercial purposes for free. If you need the files or single tracks from it, just contact me.❯ The Sage is occupied with the unspokenand acts without effort.Teaching without verbosity,producing without possessing,creating without regard to result,claiming nothing,the Sage has nothing to lose. ❮Tao Tê Ching, Second Chapter
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17
Lovesick (Composition Nr. 22)
Is there any truth to what I saw in you? or was meeting you only good for making me blue? shall I just move deeper in to my heart while you and me we drift apart again? you made me lovesick but it's not even your fault Yea, I'm lovesick after just one call from ya you made me lovesick but it's not even your fault Now I'm sitting here caught between joy and fear Flying high and crashing at the same time it rips my heart open
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16
Aliens Took Him By Day (Collaboration No. 3)
Piano and orchestral elements blend with Industrial sounds shamelessly to create a seriously strange atmosphere, that you could even dance to. Until they take you, too. Second collaboration with D. (@itsmedi) Beat, Synth Lead, Arrangement by D. (@itsmedi) Piano, Distorted Acoustic & Synth Bass by Sven Sebastian Horner
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15
Weight (Composition No. 14)
Official music video: https://youtu.be/ap0uQZz_KG4 Why is this weight in my chest still pulling me down most of the times that I come one with my heart It feels like a curse cannot escape this burden it hurts I've been looking for remedy for so many times
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14
Trapped In The Flight (Improvisation No. 46)
Watch me play it: https://youtu.be/yEeLBJy4HEM
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13
Soothing Green (Improvisation No. 45)
Wanna see me play it? Here: https://pixelfed.social/i/web/post/550408846783921254
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12
Meditation with Flute (Improvisation No. 42)
Meditation in G flat minor on the Dizi flute. The Dizi is a chinese traverse bamboo flute. The counter bass, drums and synth pad were recorded with the SL88 midi keyboard I recently got. It's a great device, as it plays like a real grand piano. Now I'm able to make use of a much broader variety of sounds. Synth pad was generated using Odin 2. This was more of an experiment, but I really liked the outcome. Hope you enjoy it.
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11
Bach: Prelude No. 1 in C Major – BWV 846 (Interpretation No. 1a)
It's been a while since I first recorded this piece composed by Johann Sebastian Bach. I have played it many, many times since then and it is still developing. I like to change between playing it fast and slow, as it gives a different quality.
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10
Loneliness (Composition No. 11)
Oh, again loneliness is killing me I don't know how to escape from here my heart, please don't get cold stay with me while love's on hold tell me what to do I'm lonely give me anything to ease my suffering Oh, again I wish I had a friend but emptiness drags me down again There's so much I could give but nobody needs it nobody cares tell me what to do I'm lonely give me anything to ease my suffering -- Acoustic guitar Acoustic bass Electric guitar Vocals & Lyrics by Sven Sebastian Horner Picture by pexels.com/@cottonbro/
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9
Unser eigenes Herz (Composition No. 10)
Translated to English: How do you want to be always there for me? You stumble yourself when the weight pulls on you. First we have to learn to love ourselves. We do know that. But how to do it, that knowledge we miss. Much rather would I prefer could we see each other if it fits. We'll learn this soon. The door to another is our own heart. Lyrics in German: Wie willst Du immer für mich da sein? Du schwankst doch selbst, wenn die Schwere an Dir zieht. Wir müssen uns erst selber lieben lernen, das wissen wir, aber wie das geht, das Wissen fehlt. Viel lieber wär' es mir, wir könnten uns sehen, wenn es stimmig ist. Wir lernen das schon. Die Tür zum ander'n ist unser eigenes Herz. -- Vocals, lyrics Electric guitar Acoustic bass Drums (computed with Hydrogen) by Sven Sebastian Horner Cover artwork by pexels.com/de-de/@mart-production
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8
Illusion of Mine (Collaboration No. 2)
Walking silently, through a future that won't last, screaming inside of me are the demons of the past, everything seemed fine, an illusion of mine — written by D. (soundcloud.com/itsmedi) Beat, digital orchestration by D. (@itsmedi) Electric guitar (hookline and solo), vocals by Sven Sebastian Horner
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7
Know You A Bit More (Composition No. 9)
True story. acoustic guitar rhythm and solo | Sven Sebastian Horner acoustic base | Sven Sebastian Horner vocals | Sven Sebastian Horner drums | Sven Sebastian Horner, programmed with Hydrogen Lyrics You were busking in the city, where I've been living, for seven years now. Yeah, I think you're pretty, and when I smiled at you you were kind of flattered. You sang two sad songs, telling the people around, that they would have to bear it. But I can tell you, you sang so deep from your soul, that I had tears in my eyes, you made people stop, and not just pass by, you were touching hearts behind crowded minds. I listened 'til you finished, and with all my courage, I started talking to you. Man, I felt like a school boy, so nervous and shy, but somehow I managed to tell you, that I want to spend time with you, before we said goodbye Now I've got to write a song for you, 'cause after 2 weeks, you still did not reply, I made myself not think about you, but now I got tired to try. I assume, you're not interested right now, and I can really take that easy. I'm not just looking for a girlfriend, you know though I wouldn't mind having one or two. But seriously, it's because I already, found myself, and I want everybody else, just to be themselves. I'd just like to get to know you a bit more, meet you from soul to soul, I'd love to play and sing with you, maybe record some music, too. Who knows, maybe we'll grow friends, are you not curious to see, what will be alive, between you and me?
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6
Fotografía IV
Laura took photos, expressing herself. She asked me, if I would record some music to it. This is the result. I kind of meditated on each photo and than improvised. I wanted her to add some words: »Morir después de la despedida, caer en el abismo negro de un hasta núnca, y sentir que nuestra propia existencia se desvanece en vida. Un alto, un momento de quietud y volvemos a nacer, aquellas que amamos el calor de cada amanecer, no podemos abandonar las ganas de experimentar un nuevo día, renacemos de las cenizas y nos tranformamos en un nuevo ser con la fuerza de nuestro espíritu, y la vida sigue con sus ritmos y colores.« English: »To die after saying goodbye, to fall into the black abyss of a never before, and to feel that our own existence vanishes in life. A halt, a moment of stillness and we are born again, those of us who love the warmth of each sunrise, we cannot abandon the desire to experience a new day, we are reborn from the ashes and we transform ourselves into a new being with the strength of our spirit, and life goes on with its rhythms and colors.«
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5
Fotografía II
Laura took photos, expressing herself. She asked me, if I would record some music to it. This is the result. I kind of meditated on each photo and than improvised. I wanted her to add some words: »Morir después de la despedida, caer en el abismo negro de un hasta núnca, y sentir que nuestra propia existencia se desvanece en vida. Un alto, un momento de quietud y volvemos a nacer, aquellas que amamos el calor de cada amanecer, no podemos abandonar las ganas de experimentar un nuevo día, renacemos de las cenizas y nos tranformamos en un nuevo ser con la fuerza de nuestro espíritu, y la vida sigue con sus ritmos y colores.« English: »To die after saying goodbye, to fall into the black abyss of a never before, and to feel that our own existence vanishes in life. A halt, a moment of stillness and we are born again, those of us who love the warmth of each sunrise, we cannot abandon the desire to experience a new day, we are reborn from the ashes and we transform ourselves into a new being with the strength of our spirit, and life goes on with its rhythms and colors.«
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4
Fotografía I
Laura took photos, expressing herself. She asked me, if I would record some music to it. This is the result. I kind of meditated on each photo and than improvised. I wanted her to add some words: »Morir después de la despedida, caer en el abismo negro de un hasta núnca, y sentir que nuestra propia existencia se desvanece en vida. Un alto, un momento de quietud y volvemos a nacer, aquellas que amamos el calor de cada amanecer, no podemos abandonar las ganas de experimentar un nuevo día, renacemos de las cenizas y nos tranformamos en un nuevo ser con la fuerza de nuestro espíritu, y la vida sigue con sus ritmos y colores.« English: »To die after saying goodbye, to fall into the black abyss of a never before, and to feel that our own existence vanishes in life. A halt, a moment of stillness and we are born again, those of us who love the warmth of each sunrise, we cannot abandon the desire to experience a new day, we are reborn from the ashes and we transform ourselves into a new being with the strength of our spirit, and life goes on with its rhythms and colors.«
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3
So Much Energy (Composition No. 8)
singing vocals rap vocals electric guitar acoustic base programmed drums by Sven Sebastian Horner Lyrics: The path of destiny is not hard to see at all if you keep it real all you got to do is deal with all the pain that you‘re still investing so much energy to keep inside and try to hide from you in order not to feel it consciously and try to hide from others in order not to be, vulnerably, life is not always easy, but trust me, it can definitely be simple, just sit down with me, breathe in, breathe out, and just be. [guitar solo] Life wants you to feel, life wants you to heal, together we can live heaven on earth, you just have to put your hands in the dirt, and grow your love, and grow your love, and grow your love, and grow your love, Life wants you to feel, life wants you to heal, so that we live heaven on earth, put your hands in the dirt, Life wants you to feel, life wants you to heal, so that we live heaven on earth, put your hands in the dirt, Life wants you to feel, life wants you to heal, so that we live heaven on earth, put your hands in the dirt, Life wants you to feel, life wants you to heal, so that we live heaven on earth, put your hands in the dirt, and grow your love Picture by brenkee https://pixabay.com/de/users/brenkee-2021352/
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2
Protection from Earth (Improvisation No. 31)
The most glorious moment you will ever experience in your life is when you look back and see how God was protecting you all this time.” ― Shannon L. Alder artwork by Ray Bilcliff https://www.pexels.com/de-de/@raybilcliff
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1
Travelling Home (Improvisation No. 15)
artwork by sergio souza, https://www.pexels.com/de-de/@serjosoza
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0
Fire of Desire (Improvisation No. 11)
"Geliebtsein heißt aufbrennen. Lieben ist: leuchten mit unerschöpflichem Öle." Rainer Maria Rilke, Das dichterische Werk von Rainer Maria Rilke track artwork by rumpelstilzchen http://rumpelstilzchen.deviantart.com artwork by fotografierende https://www.pexels.com/de-de/@fotografierende
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ABOUT THIS SHOW
I play a few instruments and sing. I also practice zen, love permaculture, live vegan, consider myself an anarchist and try to be a truly loving father for my daughter.禅 I make music to explore myself. Each track is an intense creative journey for me. It's meditation and medicine.禅 I publish on soundclound first. My work will always be free and available on most platforms for your convenience.禅 I love to collaborate. Don't hesitate to send a DM. I can take care of the production.禅 I usually publish under a CC-license, which allows you to use it for non-commercial purposes for free. If you need the files or single tracks from it, just contact me.❯ The Sage is occupied with the unspokenand acts without effort.Teaching without verbosity,producing without possessing,creating without regard to result,claiming nothing,the Sage has nothing to lose. ❮Tao Tê Ching, Second Chapter
HOSTED BY
Sven Sebastian Horner
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