DylanNirvana

Basically a bootleg of the Revolutionary Road sessions in Red Star Studios Texas. Produced by Jim Wirt (Fiona Apple), engineered by Robby Baxter. Dylan Nirvana on vocals and guitar. Billy Ficca on drums. Debbie Sassiver on backing vocals.

Basically a bootleg of the Revolutionary Road sessions in Red Star Studios Texas. Produced by Jim Wirt (Fiona Apple), engineered by Robby Baxter. Dylan Nirvana on vocals and guitar. Billy Ficca on drums. Debbie Sassiver on backing vocals. 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

Basically a bootleg of the Revolutionary Road sessions in Red Star Studios Texas. Produced by Jim Wirt (Fiona Apple), engineered by Robby Baxter. Dylan Nirvana on vocals and guitar. Billy Ficca on drums. Debbie Sassiver on backing vocals. 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

IDIOT FRIEND I got an idiot friend In the middle of me And I'm running around Just trying to get myself free I'm always kicking it up Until it goes south I got a beautiful future With a foot in my - Oh, oh, oh There I go again Oh, oh, oh It's the same old thing Oh, oh, oh Yeah When I got something to say I just let it rip And then I find myself in the middle Of a Freudian slip I am always jumping ahead Then I'm falling behind When I'm not tripping over What's in the back of my - Oh, oh, oh There I go again Oh, oh, oh It's the same old thing Oh, oh, oh Yeah I found a backwater bargain near the edge of a swamp Where the drunk fish are barking with psychiatrist pomp I don't know what I'm gonna do or where I'm gonna go Be a little authentic and put on a - Oh, oh, oh There I go again Oh, oh, oh It's the same old thing Oh, oh, oh Yeah Words and music Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. From the record Revolutionary Road. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Lots of loud Stratocasters, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Slut Rock. Funny, absurd, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself Great if you like the Ramones, Green Day, Iggy Pop, Bowie. Tempo Change, fake-you-out Slow Intro, Super Fun and Fast BPM 192. Moments of self-awareness, after blaming everyone else, he removes the foot from his mouth, only to screw up again 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

1234 WHORE 1234 whore Let me go! I never said I would marry you When you said you just wanted to screw But then you wouldn't go away You started acting like my girlfriend Did some dishes and laundry too That's when I found the stains 1234 whore Let me go! You shared a dildo with a show girl Squirted blue paint out of your ass That's when you said you needed a change So you blew a chowder cook with bleu cheese Squeezed the balls of some neighbor up the street And asked me if the sink can give you AIDS 1234 whore Let me go! Words and Music Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. From the album Revolutionary Road. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Lots of loud Telecaster guitars, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Slut Rock. Funny, absurd, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself. Stuff you think but cannot say. Funny as hell. Stupid. 198 BPM. Dumb choices doesn’t even begin to describe it. 200% publishing and masters one-stop clearance Contact Icarian Records [email protected]

A GIRL LIKE YOU Some tears are fresh as the day she cried them Now I know why she didn't appear to hide them Oh let me tell you boys I need a sanctified girl with a sanctified mind She's waiting at the bus stop for fame Or a quick way to buy it Hey! When a girl like you Or a couple of girls like you Come along la la la come a- It ain't no big thang You know there will always be a man who comes running up and try to save ya That's why you'll never be surprised when she looks in your eyes to enslave ya She's waiting at the bus stop for fame Or a quick way to buy it Hey! When a girl like you Or a couple of girls like you Come along la la la come a- It ain't no big thang Words and music Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Lots of loud Strats, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Slut Rock. From record Revolutionary Road. Funny, absurd, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself Fast chord changes. Fast life changes. BPM 143. Like Ziggy Startdust Bowie, Pump it Up Elvis Costello. 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

REVOLUTIONARY ROAD Hey baby You got nice legs Where you going with those legs Hey baby Hey baby You got nice eyes Where you going with those eyes Yeah whatcha lookin at I've got a bad fucking headache I don't know what to do I guess I'll go drink some more with you Hey baby I'm lost in your hair Let's break the big lie That there ain't enough The window is open and it's so cold Let's walk the Revolutionary Road Let go. Let go Indigo Let go. Let go Indigo Open the window of your mind Our clock is revolutionary time Let go. Let go Indigo Let go. Let go Indigo Yeah Let go. Let go Indigo Let go. Let go Indigo Words and Music Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Lots of loud guitars, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Slut Rock. Revolutionary Road is the record. Funny, absurd, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself He falls in love with a protester at a rally. It freaking changes his life. Amidst tempo changes he finds a new path in helping others get out of their mental rut. Fast BPM 148. His guitar can change the world 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

CATCH-22 Catch 22. It ain't funny I feel like I am going down For I can't escape Everything is down the drain Twisting in my fate I don't know what I'm gonna do Guess I'm gonna wait But it's getting to me It ain't funny Gotta know someone I guess I'll get to know myself Gotta have something to get something more Don't know what I'm gonna do I guess I've gone away It's getting to me babe Words and Music Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. From Revolutionary Road. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Lots of loud Les Pauls, SGs, Fender Bassman, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Slut Rock. Funny, absurd, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself After “working on himself”, he sees success is a catch-22, and pours out his frustration in a torrent of electric guitars, drums, and Marshall amps. Head banging tempo changes. BPM 160. Peruvian panpipes of doom 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

SHE'S FROM MY PLANET Every night in infinity I go out, someone just like me I’m still searching for someone Now I gotta pee She, (La!) she’s from my planet Rings, (La!) from my planet Moons and (La!) things, from my planet home Everyone’s an alien Copacetic spastic fins Gills and wings and collapsible claws This girls face is just implausible She, (La!) she’s from my planet Rings, (La!) from my planet Moons and (La!) things, from my planet home Alphabets and booleans Copacetic spastic fins Gills and wings and collapsible claws This girls face is just implausible She, (La!) she’s from my planet Rings, (La!) from my planet Moons and (La!) things, from my planet home Words and music by Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars Lots of loud guitars, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Slut Rock. From the record Revolutionary Road. Funny, absurd, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself An “I love you man” drunk happy song about finding the right sort of alien in a bar. A cat's lick down of guitar and synth. BPM 143 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

SOLITUDES So many faces in the crowd Everybody's talking and they're sounding so loud So many faces in the crowd Everybody's talking and they're sounding so loud I'm out for a walk and losing my feet I get overwhelmed by the people I meet When I wanna be with you I fought all night with the shadows of sleep Mother always told me not to dive too deep When I look in you eyes I can see the spells That mesmerize me and hold me so well When I wanna be with you Solitudes in solitude Two solitudes in solitude Oh well, when I wanna be with you Words and music Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. From the record Revolutionary Road. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. A dream, a love song about a deep connection with someone. Martin acoustic guitars, Telecaster electric, Marshall amps, bass, drums. Medium BPM 90. Think of New Order, Strokes, Fleetwood Mac 200% publishing and masters one-stop clearance

REBOUND GIRL Rebound girl She is the ticket (she)'s gonna take it away Rebound girl Now I got a feeling and it's here to stay Rebound girl I've been so down (When will you be coming 'round) I've been so out And I can't get get off of this roundabout I see the flames coming and it's nothing to tout That I got burned and I can't get over her 'till my Rebound girl She is the ticket (she)'s gonna take it away Rebound girl Now I gotta feeling and it's here to stay Rebound girl I've been shot down (and you can see it in my eyes) Right out of the skies And I don't know why To tell it like it is I should just forget it But I can't seem to let it That I got burned And I can't get over her 'til my... Rebound girl She is the ticket (she)'s gonna take it away Rebound girl Now I gotta feeling and it's here to stay Rebound girl Words, misery and music by Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Martin Acoustics, Fender Telecasters, Marshall amps, Moog synthesizers, bass and drums. Slut Rock. Funny, delusional, kind of sad, absurd, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself. From the record Revolutionary Road Almost Springsteen-like power pop and guitar rock. After everything is burned to hell, our intrepid hero gets drunk and thinks he finds lasting love in a one night stand, his Rebound Girl. Fast BPM 132. Like Replacements, Fleetwood Mac 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

YOU'RE FUCKING WRONG I put a spike through my mamma's head, and said Now you know what it's like to be dead, and she said You're fucking wrong wrong wrong wrong You know your fucking wrong I stayed after class to work on my diction I told my teacher she should work on my diction She said you're fucking wrong wrong wrong wrong You know your fucking wrong Every time I go to church I get attacked by Lurch Now I go to work to beat my meat My therapist said, now that's discreet You fucking mental retard You know you're fucking wrong Words and music by Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Lots of loud guitars, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Slut Rock. New York City Punk. Funny, absurd, from Revolutionary Road, all-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself Considering himself Holden Caulfield, he was always an eff up. Even his mom, his teachers and his therapist said so. Loud and fast as hell, BPM 200!(and probably coked up out of his mind) he does everything wrong. Ramones, Sex Pistols, Bad Brains, Blank Generation 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

STEREO DAWN You are fine alone I am on the fast track to the stereo dawn And I don't know why I am carrying on Cause I'm throwing it all away For today is another day Is another day into the stereo dawn Black ink is blood Red letter's lost I'm found without a sound And my boots are bound and burned And I'm throwing it all away For today is another day Is another day into the stereo dawn You go into the Blackshear I follow and you... You used to say that we live under the same sun But I, I'm on the fast track to the stereo dawn And we both know why I'm moving on Imaginary mercenary You fight your fight alone And you're throwing it all away For today is another day Another day into the stereo dawn And we're throwing it all away For today is another day Just another day into the stereo Into the stereo dawn Words and music Dylan Nirvana © 2021 BMI Performed by Dylan Nirvana and The Bad Flowers. Produced by Jim Wirt (Fiona Apple) with Billy Ficca (Television, Waitresses) on drums. Fast, witty, irreverent Punk Rock about making stupid decisions with girls and cars. Loud Telecaster guitars, Marshall amps, Moog synthesizers, the Bloody Finger, bass and drums. Driving fast BPM 141. All-too-true stories of ignoring red flags, being in the wrong relationship, especially with yourself. Like Fleetwood Mac, Bowie, Iggy Pop 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

Jimmy, Jimmy, Jim, Jimmy They're always on the phone They're the ones who are always alone Son: OMG I'm so bored Daughter: OMG I'm so bored Wife: OMG I'm so bored Dog: This is the greatest day of my life, ah! Why don't you kiss me? Make believe that you miss me While you were being petted in your seraglio Son: OMG I'm so bored Daughter: OMG I'm so bored Wife: OMG I'm so bored Dog: This is the greatest day of my life, ah! Look at your face! I've never seen you so happy I'll race you to the top of the hill Until we fall down laughing We were so young When Summer was magic Somebody slipped me a memory Go back to dreaming all the time Sometimes I get the impression that it's all in my mind Son: OMG I'm so bored Daughter: OMG I'm so bored Wife: OMG I'm so bored Dog: This is the greatest day of my life, ah! Words & Music Dylan Nirvana © BMI 2021 Performed by Dylan Nirvana. Fast, funny, rocking song on a popular social media meme. Guy talking to his dog about how bored his family is during lockdown. Dog is happy because everyone is home. Fun, Punk Rock like Green Day, Talking Heads, the Ramones, XTC 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

THEY DONT HOLD ON ME You're rules about behaviour (They don't hold on me) You're rules about the mind (They don't hold on me) You're ideas of creation (They don't hold on me) My policy is fine (They don't hold on me) Bled when I was child The life that's in my veins You can keep your 'terpretation You're not welcome to my pain 'xtrordinary situation That I'm here to tell the tale Though I might now speak your language When your dictionaries fail Your hatred and your anger (They don't hold on me) The savior and the boss (They don't hold on me) Converted and the fired (They don't hold on me) Buy yourself back half the cost (They don't hold on me) Greater than the image That is chiseled into stone I am not a sculpture And I'm more than flesh and bone You might rather me believing In the rat inside the maze But this world is so much larger When with open I eyes I gaze Your ideas about gender (They don't hold on me) The rap about your age (They don't hold on me) The money in your pocket (They don't hold on me) And you think its just a phase (They don't hold on me) The punks and the policemen (They don't hold on me) The politicians scoff (They don't hold on me) The answers and the questions (They don't hold on me) When the foundations are off Words & music Dylan Nirvana © 2008 BMI Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Guitarist’s revenge on the status quo. A full heave of the cutlery. Punk out. BPM 129 200% publishing and masters one-stop clearance Contact Dylan Nirvana 917-582-9369 [email protected]

KT-88 Look at a girl And a hole popped in my world I was black and white 'till colour poured into my eyes I'm a moonbeam in a tube I hold the sky in a field of glass I will sing for you But only if you ask I want you I want you so bad Was back in '88 She said that we could take all the time we need She had a heart-shaped face And beads around her neck I felt instantly I knew that everything would work out fine I want you I want you so bad Katie A, Katie A KT-88 I walked across the Sea of Rains She throws her arms around my neck And told me she can't breathe Until I get what I deserve I am on the moon With star glint in my eyes And when I call her name I get the big surprise Words & music Dylan Nirvana © BMI 2008 Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Electron loves proton, speed-of-light romance, unforgettable rhythmical theme, guitar heaven. Medium fast BPM 88 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

GANYMEDE I walked out tonight and gave myself quite a fright Well I thought I saw Ganymede coming off the wall Thane of Jupiter was spreading cobwebs everywhere Someone was mad at him I think that he was trying not to stare Oh my goddesses The snow keeps falling down In my head The stars keep turning round and round (I'm burning. Hurry!) I woke up and realized I'd taken quite a fall It wasn't insulin but very sweet and strong alcohol I felt crazy as I helped some guy who had fallen in the mud That's when I recalled I'd came here for something after all Words & music Dylan Nirvana © BMI 2008 Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Zeus’s waterboy mortal sex kitten can’t seem to ditch his fate. BPM 87. Video with actress, model Caitlin Lyon 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

Try I walk outside and I don't know Where you have gone and so I cry I try to find my way through the darkness of my life If only I could hold on while fate decides Try! Reaching out caressing the air Makes it so clear that you're not there I ache for your heart I wanna make it mine Words & music Dylan Nirvana Icarian Records 2008 Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Tempo shifts, as the winds of change come hard. Seemingly sincere, Anne likes to believe her feelings of good will are mutual. Mellotron. BPM 134. Tempo change from 6/8 to 4/4 and back again. XTC-like. 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

CARE Maybe I don't get it right I thought I understood But I got it wrong Uh huh Even though that strings are tame We fought against the tying You've been telling me All along That you care Do I not believe you That you care Would it fall to deceive you That you care and I cannot receive you Maybe I don't get it, right? I thought I understood But I got it wrong Uh huh Even though that things are strange And fraught amidst the timing Uh huh All in night I make the call And I am waiting for you Words & music Dylan Nirvana ©2008 BMI Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

ELECTRO ECSTATIC Today I crawled outta my hole I lost my head and my self control I'm gonna find you and make you stay I'll put you together and separate I'm gonna get ya And make you pay For being so damn beautiful In your own way I'm gonna look for you Along the interstate On the highway of my dreams If you're going my way There's no need to be afraid Of love's Electro Ecstatic waves Electro Ecstatic Hear me say your name Hear me take it in vain I speak into the atmosphere As if fortune had a face One that I'll remember Forever and ever Forever and ever Words & music Dylan Nirvana © 2008 BMI Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Perhaps the creepiest song, dug up from under the bridge. Plays on irrational fears, psychopathic whispers, dripping noises, a dental drill, and an electrocution of backwards guitars 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

I LIVE FOR YOU You, you say to me I, I live for you All we have are words You want me to trust you I live for you I live for you And when time is change You run, you liar But will you run to me They found you running And put you in a fortress In the middle of the sea Worse than it was before When I cannot touch you I live for you I live for you And when time is change Now it dissolves into nothingness Now I die for you If I forget you You will live your life I will never forget you In the space we shared And when time is change... Words & music Dylan Nirvana Icarian Publishing BMI ©2008 Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Anne becomes utterly desperate. Though she retreats into herself 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

KARIYA She once was a little girl Until her world was stolen away Here she remains in the void Climbing up onto the shelf In the back room of her mind She awaits release Kariya! I wish I knew where you're gonna go Make friends with paper and pen Flatland with a blood red sky Laughter echoes down an empty hall Kariya! I wonder if you know where you're gonna stay I'll wait for you In flight to Ireland A mile above the cold sea below Starlit waves dancing in her eyes Kariya! I know a place that can be your home Words & music Dylan Nirvana 2008 ©BMI Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Dramatic, guitar-driven song about being lied to. A girl brought to foster care far from her home, like a prison. Escapes to Ireland. He loses touch with her. But she never forgets him 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

MISSING Take this night like any other A thousand words are said to me, and I Like the fool I lose them laughing Dissolve into memory My hand curls into a fist, and I Feel the blood leave my fingertips Feel my touch but do not own my words Love detached its pain inflicts Somehow I know I am missing Somehow I know I am missing I see this day but it is a dream Of you and me in every other I escape but I am never free Somehow I know I am slipping Take this sea my only other A thousand seas wash over me, and I Like the fool I lose them drowning And float into infinity Words & music Dylan Nirvana 2008 ©BMI Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Caught in a tide of fate, of being utterly alone. Unreachable arpeggios and a beautifully impossible key change 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

I BELIEVE I believe my love is gonna work out Oh yeah, uh huh, oh! You can't fool me I am determined to see it change I am waiting for the rearrange I don't like they way its been Gonna see it change Gonna see it turn around Words & music Dylan Nirvana 2008 ©BMI Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Her ghost rises and visits her personal priest, scaring the bejesus out of him. She is lost in God, in death. But daughter Elizebeth’s fate is cast 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

AUTOMATIC I know a girl whose love never runs out of batteries She's a regular orgasm factory She don't get tired She don't get bored She's gotta Pocket Rocket stuffed in her drawer She's Automatic Emmanuelle don't need a man As long as she can use her hand Sydney's a girl whose as smart as she looks One of the guys But she's not a guy and I can tell ya Forget the nails Forget the tan Bohemia never saw such epicurean She's Automatic When she gets what she wants She's democratic You can have her it, it doesn't matter Pretty girls never know what they want Erin takes me out behind her neighbor's car I know she'll go but I don't know just how far First she sits And the she kneels But what I didn't know is that she steals She's Automatic Practically the time She's quite an addict You can have her it doesn't matter Pretty girls never know what they want Words & music Dylan Nirvana ℗&©BMI 2008 Performed by Dylan Nirvana & Myrrh. Produced by Walter Manning of Brunswick Records. Dark, sexualized, guitar rock retelling of the love affair and beheading of Anne Boleyn. Jason Alcantara bass, Tomas Love drums, Lola Johnson backup vocals, all songs, guitars and lead vocals by Dylan Nirvana Sexy, guitar-driven, Zeppelin-like rocker. BPM 144 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]

BROKEN DOWN TRAIN I live in the basement of a Broken Down Train Don't know where its going But we're leaving just the same You can't stop time laying in the tracks Calling on your baby When you won't take her back I live in the basement of a broken down dream That won't stay sleeping If you know what I mean I've been coughing up lies That's been choking my throat I can't get a word out That can seem to make it float Hey you Wait for me In the back of your mind I'll be sitting in a chair Don't know what I'm doing Don't know how I got there You'll be spinning along In the arc of a wave Where two of everything Is all that you'll save Hey you Wait Hey you Wait Hey you Wait for me I live in the basement Of a broken down train Don't know where it's going But we're leaving just the same Words & music Dylan Nirvana © 2005 BMI Trains, No-Brains, Loser, Lost, Fabulous, Anti-Hero, Reflective, Loner in the heart of the East Village's Antifolk Movement (Hammel on Trial, Beck, Lady Gaga), this song was a faucet to the liquid underground David Bowie, Tool, XTC, Wolfmother. In the heart of the East Village, the Antifolk Movement (Hammel on Trial, Beck, Lady Gaga), this song was an underground feature 200% BMI publishing and masters one-stop clearance Contact Icarian Records [email protected]